Koji Visuals

Koji Visuals Travel | Gear | Videos
I love cameras, gears and editing 📸🎥

Throwback before Japan Trip, went to the legendary temple in KL for Recee đź“·A7C + Tamron 28-75 G2
09/06/2026

Throwback before Japan Trip, went to the legendary temple in KL for Recee đź“·

A7C + Tamron 28-75 G2

Stopping down to f/8 is often the "sweet spot" for most lenses. It minimizes chromatic aberration and ensures edge-to-ed...
30/05/2026

Stopping down to f/8 is often the "sweet spot" for most lenses. It minimizes chromatic aberration and ensures edge-to-edge sharpness, making it the go-to setting for landscapes, architecture, or detailed commercial shots.

Shot on ZV-E10

Staying productive when you have a million things on your plate is less about "hustle" and more about the systems you pu...
28/05/2026

Staying productive when you have a million things on your plate is less about "hustle" and more about the systems you put in place. Whether you’re balancing a 9-to-5 with a side passion or just trying to get through your to-do list. Starts by time blocking your time.

26/05/2026

Nothing beats a correct setting.

If you are using a camera. Make sure you always set it to the highest available setting. Otherwise, it defeat the purpose of getting a dedicated camera ?

24/05/2026

Want to know the "secret" to better-looking video? It’s not always about the gear—it’s about where you place your subject. 🎥

Use Leading line as the easiest way to line up your shots !

Unless you’re lucky enough to have "perfect" overcast skies, shooting outdoors in the middle of the day is a battle agai...
23/05/2026

Unless you’re lucky enough to have "perfect" overcast skies, shooting outdoors in the middle of the day is a battle against physics. You’ve got harsh shadows, zero dynamic range, and a subject that can barely keep their eyes open.

But the truth? Some of my favorite shots happened when the light was "bad." It just forces you to get creative with your positioning and your gear.

I’ve put together a few ways I handle the midday heat without losing my mind (or my highlights).
Swipe through and let me know which one you use the most. 📸

22/05/2026

Does "budget gear" mean "budget quality?" Not necessarily. 🤫

I’ve been revisiting the 16-50mm kit lens on my Sony ZV-E10 lately, and it’s a great reminder that you don't always need a $1,000 lens to get the job done. While it’s not the fastest in low light, the versatility and built-in stabilization (OSS) make it such a solid tool for daytime vlogging and travel.

If you’re just starting out, my biggest advice: master your lighting and composition before you start chasing expensive glass. The ZV-E10 is more than capable of producing professional results with what’s in the box.

Shot this on the Sony ZV-E10 II with the kit lens during my trip in Phuket, really nice places.Honestly… the kit lens is...
21/05/2026

Shot this on the Sony ZV-E10 II with the kit lens during my trip in Phuket, really nice places.

Honestly… the kit lens is more than enough for most travel shots. Lightweight, versatile, and you don’t have to overthink switching lenses all the time. Just grab and go.
Especially, I have a hard time to decide, bring my pocket 3, X4, or A7c ? or just simply a ZV-E10 with kit lens is enough.

Sometimes we chase gear upgrades, but for travel, simple really works.

20/05/2026

Stop shooting your portraits at f/3.5. ✋📸

When we’re using the ZV-E10 kit lens, the instinct is to stay at the widest aperture for "bokeh." But here’s a secret—the 16-50mm is actually much sharper when you stop it down.

In my experience, shooting portraits at f/8 hits the sweet spot for clarity and detail. On the flip side, don't go too far! Once you hit f/16 or f/22, a thing called "diffraction" kicks in, making your photos look soft and muddy.

Summary for your next shoot:
âś… f/8: Sharp, professional, detailed.
❌ f/22: Soft, blurry, avoid at all costs.

19/05/2026

Want to know the "secret" to better-looking video? It’s not always about the gear—it’s about where you place your subject. 🎥

The Rule of Thirds is one of the first things I teach anyone looking to level up their cinematography. By aligning your subject with the vertical or horizontal lines of a 3x3 grid, you create a natural balance that’s way more pleasing to the eye than a standard center shot.

I put this to the test using the Sony ZV-E10, and honestly, the results speak for themselves. It gives that high-end, professional look even if you’re just shooting solo.

Check out the video to see the side-by-side! Does the Rule of Thirds change the vibe for you?

Address

Kuala Lumpur

Website

Alerts

Be the first to know and let us send you an email when Koji Visuals posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Koji Visuals:

Shortcuts

Share

Category