JJFBbennett - John Bennett

JJFBbennett - John Bennett Digital art, video, poetry and writings by JJFBbennett

Soup Can Art vs the Agate StoneWhy compare art?Metamodernist art by JJFBbennettThe postmodernist looks at this pairing a...
07/08/2026

Soup Can Art vs the Agate Stone
Why compare art?
Metamodernist art by JJFBbennett

The postmodernist looks at this pairing and claims the joke is complete: Why look at the geode when a 10-cent consumer good sits broken on the floor? The sacred is just an illusion framed by gallery lighting and institutional validation.

Consciousness is the spotlight shining on the main stage while the unconscious mechanics churn behind the scenes. The soup can breaking the glass represents the moment those hidden, industrial realities crash into conscious awareness. But the Agate stone hanging above proves that our desire for meaning, beauty, and transcendent depth never died—it simply learned to live alongside the mess.

Blogger:
jjfbbennett.com/2026/07/the-metamodern-smudge-seeing-growth-on.html

YouTube: https://www.youtube.com/

https://youtube.com/playlist?list=PLXaHuXMcUMriFzMlNabErASMZC5iBACxh&si=dJdONYEQ9JAwdcZE

What did the soup can break?Did it break good taste?Metamodernist art by JJFbennettExposing the ScaffoldingPostmodernism...
05/08/2026

What did the soup can break?
Did it break good taste?
Metamodernist art by JJFbennett

Exposing the Scaffolding
Postmodernism violently smashed through the glass, revealing that art is never floating in a vacuum; it is explicitly bound by physical logistics, gallery economics, and commercial context.

Dethroning High Culture
By thrusting a mass-produced, 10-cent supermarket icon like Andy Warhol's soup cans into the spotlight, postmodernism dismantled the illusion that art belongs strictly to an elite spiritual sanctuary.

Dragging Industrial Chaos Inward
The movement erased the sacred boundary between pure expression and consumer culture, dragging mass production and commercial reality directly onto the gallery floor.

The Metamodern Question
While the postmodernist celebrates this wreckage, it leaves us with an open dilemma: Was the sacred window forever shattered, or did the branded commodity simply become the new gilded frame?

They shattered the glass just to prove it was there.

Blogger:
jjfbbennett.com/2026/07/the-metamodern-smudge-seeing-growth-on.html

YouTube: https://www.youtube.com/

https://youtube.com/playlist?list=PLXaHuXMcUMriFzMlNabErASMZC5iBACxh&si=dJdONYEQ9JAwdcZE

03/08/2026

This is why I love KL
Malaysia is great

The Soup Can ExhibitionHow did a soup can break good taste?Metamodernist art by JJFbennettLook at this gallery space. It...
02/08/2026

The Soup Can Exhibition
How did a soup can break good taste?
Metamodernist art by JJFbennett

Look at this gallery space. It is a study in divided consciousness.

On the left lies the pristine white cube—the quiet sanctuary of Modernism, built to protect "pure feeling" from the noise outside. On the right, an urban alleyway explodes in graffiti and neon, exposing industrial scaffolding and market reality.

The postmodernist laughs at the debris: The sanctuary is gone, and the art is just a consumer good in a pile of glass! Picasso warned that "good taste is the enemy of creativity"—and here, seemingly good taste lies broken beneath the soup can.

Metamodernism,Art Philosophy,Life Transitions,Digital Surrealism,

Blogger:
jjfbbennett.com/2026/07/the-metamodern-smudge-seeing-growth-on.html

YouTube: https://www.youtube.com/

https://youtube.com/playlist?list=PLXaHuXMcUMriFzMlNabErASMZC5iBACxh&si=dJdONYEQ9JAwdcZE

JJFBbennett Travels ChinaGangZhouWhy does JJFBbennett travel and make videos?A travelogue through transit, urban spaces,...
02/08/2026

JJFBbennett Travels China
GangZhou

Why does JJFBbennett travel and make videos?

A travelogue through transit, urban spaces, and metamodern art. Follow the journey from Darwin into mainland China—spanning flight corridors, local bus routes and the architectural textures of Guangzhou. Blending visual observation, posthuman reflections, and ambient digital art, this series explores mobility, modern landscape, and the hero's journey in transit.

Travel serves as the raw material for my digital art, transformed through the lens of experiential video.

I approach video recording much like a traditional painter uses charcoal: as an immediate, fluid sketch. Where a static photograph freezes time, a video sketch captures gesture, momentum, light shifts, and the living pulse of an environment.

Through editing, video becomes more than a record of movement—it becomes a site of active reflection. It allows me to re-enter the experience, positioning myself within the atmosphere of the place. This process of thinking about thinking—translating raw perception into digital gesture—forms the core platform for my art.

Themes: Metamodernism | Posthumanism | Travelogue | Video Art | Digital Photography

Metamodernism,Art Philosophy,Life Transitions,Digital Surrealism,

Blogger:
https://www.jjfbbennett.com/2026/08/jjfbbennett-travels-china.html

YouTube: https://www.youtube.com/

Playlist - JJFBbennett travels China
https://www.youtube.com/playlist?list=PLXaHuXMcUMrh0qVFVBhrrT0UbpNWh6rrD

30/07/2026

The Night Shimmers in KL
Metamodernist art by JJFBbennett

When will you travel to Malaysia?

29/07/2026

When Atoms reach for sacred altars
Do you want to touch sacred art?
Metamoderist art by JJFBbennett

Are we creatures bound by thermodynamics, driven by an instinctual urge to exchange heat, shed skin cells, and mingle our matter with the monuments we revere? To stand before a sacred masterpiece is to experience a gravitational pull—an irresistible desire to collapse the space between subject and object, to leave an oily fingerprint as proof of shared existence.

The gallery border is a social construct attempting to enforce absolute vacuum, forbidding the inevitable entropy of human connection. To reach out anyway is to assert that our physical reality is not separate from the sublime, but bound to it by the very matter we carry on our fingertips.

Reaching across that barrier is a quiet rebellion against social decorum: a desperate want for quantum entanglement that collapses the boundary between ideal beauty and our messy, lived reality.

Metamodernism, Art Philosophy, Life Transitions, Digital Surrealism,

Blogger:
https://www.jjfbbennett.com/2026/07/when-atoms-reach-for-sacred-altars.html

YouTube:
https://www.youtube.com/

When Atoms Reach for Sacred AltarsWhat do you feel when you touch something sacred?Metamodernist art by JJFBbennettAre w...
27/07/2026

When Atoms Reach for Sacred Altars
What do you feel when you touch something sacred?
Metamodernist art by JJFBbennett

Are we creatures bound by thermodynamics, driven by an instinctual urge to exchange heat, shed skin cells, and mingle our matter with the monuments we revere? To stand before a sacred masterpiece is to experience a gravitational pull—an irresistible desire to collapse the space between subject and object, to leave an oily fingerprint as proof of shared existence.

The gallery border is a social construct attempting to enforce absolute vacuum, forbidding the inevitable entropy of human connection. To reach out anyway is to assert that our physical reality is not separate from the sublime, but bound to it by the very matter we carry on our fingertips.

Reaching across that barrier is a quiet rebellion against social decorum: a desperate want for quantum entanglement that collapses the boundary between ideal beauty and our messy, lived reality.

Metamodernism,Art Philosophy,Life Transitions,Digital Surrealism,

Blogger:
https://www.jjfbbennett.com/2026/07/when-atoms-reach-for-sacred-altars.html

YouTube: https://www.youtube.com/

https://youtube.com/playlist?list=PLXaHuXMcUMriFzMlNabErASMZC5iBACxh&si=dJdONYEQ9JAwdcZE

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