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16/04/2026
16/04/2026

Daily Discussion:

Many children struggle in academics for no other reason than the fact that they were not exposed to books and pleasurabl...
16/04/2026

Many children struggle in academics for no other reason than the fact that they were not exposed to books and pleasurable reading early enough.

For that reason, once they see a book, all they see is a task, hard work, grades, especially poor grades.

Save your children that trouble.

Buy them a book today.

CHARREDCreative non-fiction by Regina Awase Achie“What we are doing to the forests of the world is but a mirror reflecti...
12/04/2026

CHARRED
Creative non-fiction by Regina Awase Achie

“What we are doing to the forests of the world is but a mirror reflection of what we are doing to ourselves and to one another.”
- Mahatma Gandi

One of my sweetest memories of childhood was the sight of colourful birds with various beautiful patterns circling the top of the tropical almond tree in front of our house and some nestling in its branches. They were mostly pigeons and doves which sometimes left the trees to perch on our roofs and doorsteps. There were also the owls which only came at dusk. We hardly got a look at the beautiful birds with saucer-like eyes as the slightest sounds of their hooting sent us all – adults and children – scampering into our houses. “Winch bird! Winch bird!” “Holy Ghost fire! Holy Ghost fire!” we screamed, running away from what we believed was an evil creature bearing news of misfortune and death.

The cattle egrets, which we called Leke Leke, usually trailed the cattle that were driven in hundreds by the Fulani cattle drivers, their noisy hooves mashing the vegetable gardens that surrounded our row of family houses as they trod on to find tall, juicy grasses on which to feed. Whenever we saw these white birds, we would hold out our hands and sing, “Leke Leke Bambo, give me water finger,” waving frantically with the belief that they would give us white marks on our fingers. Often, after singing this song to the white birds, we saw white marks on our fingers which we believed had come from the birds.

The cattle usually milled around for a while after the initial rush to tear at a stretch of lush vegetation, until a cowboy raised his rod and let it fall on their backs with a “kpakah!” sound. This was followed by some utterances we did not understand, but obviously, the cattle did as they heeded the order and headed in one direction on their endless search for more vegetation to plunder. One neighbour or the other was often engaged in an argument with the cattle drivers over their indiscriminate grazing and the mashing of plants.
One could hear a neighbour rage, “Kai! Carry your coow commot dia! You no see how e de spoil my farm? Commot dia!”

To this, the cattle boy in question would often respond with a lackadaisical cackle of his rods on the back of one of the offenders. It was clear they didn’t see why they were being troubled, but had to appear to be doing something so as to avoid some trouble. That was before they became so audacious as they are now, brandishing AK 47 guns and leveling whole farms and villages. We often heard the adults lamenting that nothing grew for a very long time wherever the cattle grazed consistently.

Beside the tropical almond tree – which we simply called ‘fruit tree’ – stood two equally huge neem trees which shared with it the task of providing shelter for our chirping friends and shade for the grapevine of the neighbourhood. It was under this cluster of trees that some grown-ups formed a park of sorts where they sat on plastic chairs in the evenings, exchanging the latest gist they had acquired. If someone’s daughter fell pregnant, or a son had dropped out of school, the grapevine was the sure place to find out even before the parents of such a child knew. This was the reason some hated the spot so much that when the trees were tragically cut down to make room for a shopping mall, they didn’t mind that they would lose its enormous benefits of serving as a sink to flush away the large quantities of carbon dioxide we must have emitted from our houses while giving out oxygen. Our two bedroom houses were usually filled to the brim with every family having between five to ten children and some extended family members living with them.

For us the children, the painful strokes that could be delivered to our behind by a tiny branch of the neem tree whenever we were naughty coupled with the bitter taste of the water often extracted from boiling some leaves and stems of it to treat us when we had malaria were enough to make us ready to forgo the pleasure of watching birds, climbing the trees and eating fruits. It was in the climbing of these gigantic trees that I first witnessed the breaking of the gender bias as all the children in the neighbourhood – male and female – dared the heights to obtain some juicy, delicious almonds. Climbing the trees was fun to us, but it was a grave offence to our parents and guardians who punished us severely anytime we were caught on a tree. The reason for this became somewhat clear to us when Zayol, our next door neighbour who was exactly my age – 13 years old – fell from the tropical almond tree in 1997 and broke his waist. He had to learn how to walk all over again after spending several weeks with his legs tied up in the hospital. I recall how our parents took us all to pay him a visit, to sympathise with him and also, equally importantly, to see the painful consequences of climbing trees. This was not enough to deter us from climbing the trees though.

Our house sat at the south end of the street of family houses, on a small rise that was nearly imperceptible like the bump in the middle of a poorly moulded calabash. The neighbourhood had no flower beds, but the huge trees which seemed to have been there forever – no one seemed to know how they had got there – had provided enough colour in the surroundings. The leaves took on different shades of green, brown and yellow in different seasons. Sweeping dead brown leaves was a sport for us. When chores were shared at the start of the day, we often made a run for that.

One morning in the year 2000, when I was 16 and in final year in secondary school, we woke to the sight of a bulldozer grinding at the roots of one of the trees. The occupants of nearby houses had not been given any prior information about the plan to cut down the trees. The operator of the machines was irritated when we all trooped out of our houses and gathered around him to find out what he was up to.

“Na my work I de do o! Na government land, and government don sell am. Na de new owner send me. See wia your land stop dia,” he pointed rudely to a spot few meters away from our houses in response to the queries. It appeared that he had prepared himself adequately for this reaction from the occupants of the houses. He continued, “Na una plant de trees? Pesin don buy de land from government, and de pesin wan build house hia.”

“So pesin no go even fit breathe for this place again? Una wan use house lock us inside here, no ventilation, no fresh air? Haba!”

The operator of the machine snorted. “So pesin no go build house again because you wan breath?”

“But pesin no suppose build house hia nau! This place na green patch!” another man who was a Geography teacher in a nearby secondary school protested. He had often told us about some parts of Makurdi town that were supposed to be reserved for vegetation only, adding proudly that we were lucky to be living directly opposite one of such areas.

“Go speak dat grammar for Lands and Survey,” the machine guy shot back as he started his machine which he had switched off temporarily to respond to the queries. This time, he appeared ready to crush anyone who would dare to stand in his way.

We all retired into our houses to watch helplessly and mournfully through the windows as the trees we had known all our lives, which had become like an indispensable part of our lives, fell to the mindless blades one after the other.

This was at the onset of the rains, in April. Few weeks after the fall of the trees, for the first time in our lives, we knew what was a real storm. That night, it blew, whooshed, roared and crashed. The humming sound of the trees breaking the wind was missing. The sky growled and rumbled in anger while lightening flashed. There was the sound of objects being thrown against the fast rising walls of the shopping mall and a woman screamed as the roof was peeled off her house. We all cowered fearfully in our houses.

When I wondered aloud wondered why the rains had become so fierce all of a sudden, my father said there was a gradual change in the climate of the country due to accumulation of greenhouse gases and depletion of the ozone layer. He however added that the absence of the trees which had served as some sort of shield for us in the past had worsened things. Our houses now stood naked, without any form of protection from the fierce wind.

“Humans and nature have not always been friends,” Baba said sadly, shaking his head. “While nature seeks to protect humans and provide for them, humans keep pushing her away. It didn’t begin today.”

“True!” Mama said excitedly as if she had just remembered something very important. “It didn’t begin today at all,” she echoed Baba. She then proceeded to tell us a story.

“Many centuries ago, the sky was very low and near to humans. It provided shelter such that humans needed no houses with roofs. It was also edible such that one could cut a piece of it and prepare a meal. However, some people always cut more that they needed for the day and let the rest waste, and this angered the sky. The last straw that finally made the sky lose patience with humans was the actions of a woman who kept hitting the sky with her pestle while pounding food. All appeals that she should be careful with the sky which was given for free as shelter and food to humans fell on deaf ears. One day, the entire community woke up to find that the sky had moved out of reach. Humans then had to find their own shelter and work hard to get something to eat.”

We sat in silence for a while after she was done, reflecting on the story and comparing the actions of the tree cutters to that of the obstinate woman.

“I hope we don’t wake up one day to find that all the trees in the world have angrily uprooted themselves and left us naked to the glare of the sun and heavy storms like this,” my immediate elder sister, Shanpepe, had said worriedly.

We all laughed at the note of genuine worry in her voice while imagining such an impossible situation.
***

Recently, as I stood with my sister close to the sun baked stumps that were left of the once huge trees, waiting for a cab to pick us up, I sighed wearily, taking short breaths and dabbing at the sweat that ran down the sides of my face.

“I could actually melt in this sun if I stood here long enough,” I said, squinting at the harsh metallic rays of the sun which seemed artificial to me. I couldn’t believe that nature, which I had been taught all my life was created to support the existence of life, could produce anything so harsh and harmful. The glare of the sun was fierce, the heat simmering.

“How much longer do you think the earth and humans can hold up under this heat?” My sister hissed. She sounded genuinely worried that the earth may crumple around us any second.

We were silent for a moment, both of us yearning in our hearts for a return of the clement weather of our childhood days. I felt streams of sweat eroding the layer of sunscreen I had carefully applied that morning before leaving home. The sunscreen was one of humans’ efforts to keep at bay the consequences of rendering the earth uninhabitable for themselves. It was meant to alleviate the effect of the sun on the human skin but, as I could see from my experience that afternoon, the effort was futile as the sweat gushing out from my skin pores washed away the screen in much the same way as the rains washed away top soil exposed to its full fury due to the mindless cutting of trees.

The squeaking tires of a well beaten pick-up van turning into our street in laborious slow motion startled us out of our thoughts. The vehicle was laden with bags of charcoal made from ironwood – the new gold in these parts. Just as oil exploration had rendered the environment nearly uninhabitable for humans in the South South region of the country through unwholesome practices like gas flaring and oil spillage, the uncontrolled burning of ironwood trees to make charcoal which was used by many families as cooking fuel was steadily destroying the environment.

The rickety van coughed, je**ed and climbed the slight rise on which our house stood to stop at the next house where a big time charcoal dealer lived with his family. In the effort to climb the mound, the exhaust blew out thick, dark smoke in shapes that chased each other around a bit before rising into the air to sneak, unseen, into our nostrils and down our lungs. I cringed as I imagined how black my lungs must be from the constant intake of combustion smoke.

“This is smoke that the trees would have sucked in, in one breath,” Shanpepe snapped her fingers for emphasis.

Exaggerations and a fertile imagination are my sister’s trademark. She continued sadly, “But now our lungs are helpless in the face of the onslaught of the monstrous fumes, just as our eyes are to the metallic claws of the sun which seem to be peeling off layer after layer of my eyeballs. The sunscreen is a joke in the face of these fierce rays of the sun.”

“True,” I concurred, wrinkling my nose as if to prevent more of the fumes from getting into my nostrils. Then I added, “The sight of this beat up van with the charcoal and fumes contrasts sharply with the dream I had two weeks ago”.

“You and your weird dreams,” she laughed. We both seemed to have forgotten our initial hurry to find a cab and get out of the harsh glare of the sun momentarily.

“In the dream,” I continued as if I had not heard her, “the earth was a beautiful brown skinned woman with lush, dark green hair. It appeared so natural in the dream for a woman’s hair to be green. She was the mother of many children and together they owned many livestock, birds and other animals. They all loved her and cared for her, and did all they could to preserve her and keep her young and beautiful. It was such a wonderful reciprocal relationship. The people made use of natural resources like vegetation for their needs, but they worked very hard to replenish whatever they took and avoid wastage. If one cut down one tree, he was sure to plant three or four.

“Nature was so happy with this. In return, she gave them healthy food, good water and clean air to breath. While she bloomed, they flourished and glowed, and everyone lived long. It was such a lovely world, not charred like the one we live in, being fried constantly by the heat of the sun.”

A cab stopped in front of us and honked.

“That’s the life of the earth being charred steadily, deliberately. We definitely are in a hurry to bring life on this planet to an end”. I shuddered as I took another look at the bags of charcoal that were being offloaded hurriedly. The activity produced a spray of black dust that rose in the air and fell lazily on walls and on the ground like a mourning veil.

The charcoal business was booming in the state as the stuff got from burning of the desert ironwood tree had become of high economic value. Everyone wanted to burn and sell as much as possible, but no one seemed to be planting new trees. My beloved state seemed to be in a competition with the Niger Delta where the air and water pollution was at an unprecedented level with no committed efforts to clean up the environment. Suddenly, the image of a tottering giant being de-limbed steadily, drawing its last breath of polluted air as it staggered to its death, loomed in my mind. I shuddered again, thinking of what we were doing to the earth and by extension, to ourselves.

As my sister and I stepped into the cab, I shook my head and said, “It’s all so hopeless!”

“Well, not totally so,” she countered. “Not if we can tell the younger generation often enough and loudly too, about the harmful effects of our actions on the earth and what they can do to make it better.”

My eyes suddenly brightened at the prospect of a campaign to combat environmental degradation.

“Where una de go?”
The voice of the cab driver reminded us that we had company.

“Oh! Sorry. Wadata Market.”

As he engaged gear and took off, I focused my thoughts on planned campaigns that I believed would help revive the charred earth.

BOOK REVIEW WHISPERS OF TOMORROW is a compelling and thought-provoking novel by Peter Katyo.The richly woven narrative b...
07/04/2026

BOOK REVIEW

WHISPERS OF TOMORROW is a compelling and thought-provoking novel by Peter Katyo.

The richly woven narrative blends fiction with socio-political insight, offering readers a vivid portrayal of contemporary Nigerian society through the lives of its central characters, Terry and Kash.

Set against a backdrop of infrastructural transformation, governance reform, and environmental challenges, the novel explores themes of love, ambition, national development, and the evolving consciousness of a new generation.

The book stands out for its engaging storytelling, intellectual depth, and its ability to provoke meaningful reflection on issues such as economic reform, federalism, and the role of leadership in shaping a nation’s future.

It seamlessly combines personal narratives with broader national discourse, making it both entertaining and enlightening.

BOOK REVIEW Book Title: "Life Lessons Brewed with Love"Author: Jey Agabo'Publisher: AWASE Bookhouse  "Life Lessons Brewe...
07/04/2026

BOOK REVIEW

Book Title: "Life Lessons Brewed with Love"
Author: Jey Agabo'
Publisher: AWASE Bookhouse

"Life Lessons Brewed with Love" is a heartfelt collection of reflections drawn from real-life experiences, conversations, and deeply personal journeys.

Written in a warm, conversational tone, the book invites readers to pause, reflect, and reconnect with the simple but profound lessons embedded in everyday life.

Through themes such as gratitude, grief, humility, relationships, boundaries, and personal growth, it speaks to the human experience in a way that is both relatable and transformative.

The tone is honest, comforting, and thought-provoking.

With its blend of storytelling and practical wisdom, "Life Lessons Brewed with Love" serves as a companion for the soul — one that encourages healing, self-awareness, and intentional living.

23/03/2026

Don't let anyone tell you reading is complicated. Lather, rinse, and repeat!

BOOK REVIEWMirth and Musings: A Review of Kwaghtaver Matthew Ushin’s "Echoes from the Firelight Tales" ByTerese UwuaveOn...
28/02/2026

BOOK REVIEW

Mirth and Musings: A Review of Kwaghtaver Matthew Ushin’s "Echoes from the Firelight Tales" By
Terese Uwuave

One of the biggest challenges in communication is obviously not what to say but how to say whatever is meant to be said, particularly in a way that the listeners' attention can be sustained from the beginning of the conversation to its end. A lot of books have continued to emerge, where in authors have explored several ways to keep listeners spellbound. Yet, this has remained a challenge. When the legendary William Shakespeare submitted that brevity is the soul of wit, he was indirectly pointing out one of the tools that could partly be utilised in holding listeners’ attention. Not too long later, Pope Francis re-echoed the significance of applying this wisdom in homilies while addressing the congregation in St. Peter’s Square. The pontiff was unequivocal in his statement that when homilies exceed eight minutes, “the preaching starts to fade; it is not understood. Never go over 10 minutes, ever! This is very important.” He further reiterated that homilies must be tied to one idea, a sentiment and a single invitation to action. By this, His Holiness was indirectly referring to a homily tied to just one ideal, expressed using an illustration that is a common knowledge to buttress the point being made rather than resorting to what he described as rambling homilies. This is an indirect reference to an anecdote.
While brevity is undeniably important, it is a broad concept. In my view, storytelling technique is a more precise and holistic approach to capturing listeners’ attention. Stories have a way of engaging audiences on multiple levels, making the message more relatable and memorable. And this is where Kwaghtaver Matthew Ushin's Echoes from the Firelight Tales proves to be an invaluable asset that must be acquired to master this art of sustaining listeners’ attention in general and the congregation in particular. Ushin's Echoes from the Firelight Tales is a 191 paged collection of 100 carefully selected and memorable anecdotes and jokes, published as a souvenir for his 50th birthday celebration. At the age of 50, coupled with the years he has spent as a Roman Catholic priest, Ushin's wisdom in compiling the anecdotes is, to say the least, unquestionably fitting, proper, and timely.
It is apt to begin the appreciation of Ushin's Echoes from the Firelight Tales with its significance. Firstly, the collection represents a coherent, realistic, and measurable blue print towards the ex*****on of the great commission as outlined by Christ. As the world advanced in technology, attention of people has been diverted to tons of gadgets created by man such that even in places of worship, attention is shared between phones and homilies. The use of storytelling technique with relatable anecdotes seems to be the only viable option in arresting the attention of congregants. If Ushin could create such a realistic blueprint that could be used to achieve the purpose of Christians on earth, he deserves immense commendation. Secondly, and on a general note, anecdotes are not only limited to homilies but can be used to evoke the attention of listeners in any communication due to its didacticism and universal appeal. The book is, therefore, a solution to one of the most challenging problems facing humanity in terms of communication, and to think that Ushin gives it to us on a platter of gold exemplifies the highest level of commitment that a writer could ever demonstrate. For what is the essence of creativity if it fails to excite and solve our basic needs? In here, Ushin has achieved both aims!
Aesthetically, Ushin's literary dexterity is felt in the way he ensured that his selection strictly reflects a particular genre – the anecdote. There is deliberateness in the selection that exposes in clear terms, the author's objective. Known to have Greek origin, the anecdote has been variously defined, arriving at a consensus that it is a short, often funny story, especially one that details facts about something or someone's experiences. The anecdote was not what it is today until the 17th century when it was broadened to designate a short, interesting or amusing personal tale. Since then, pioneer writers of anecdotes such as Procopius, Aesop, Homer, and Confucius among others have been taken over by Dante, Honore de Balzac, Victor Hugo, James Joyce, Franz Kafka and Marcel Proust who have all incorporated anecdotes in their writings.
A closer observation of modern writers reveals that apart from incorporating anecdotes in longer narratives such as the novel, there is hardly any attempt by writers to devote their entire attention to anecdotes, and this is also where Ushin deserves his flowers. The collection aligns completely with the rudiments guiding the art of anecdotes as all the 100 stories are anecdotal in length, theme, and techniques. In terms of length, each story is deliberately shortened to occupy at most, two and a half pages, with majority of them occupying just a page or two. This is a classic example of the brevity emphasised in anecdotes. Secondly, most of the stories, if not all, are relatable or personal as they detail the experiences of real persons, including that of the author. As a priest, Ushin's experiences can be seen in some of the anecdotes. This is not accidental but deliberate as the author acknowledges this in the introductory part of the collection, and this is incidentally a major trait of anecdotes. As an art form circumscribed by length, an anecdote focuses on a specific incident and avoids creating scenarios that could tempt the narrative to take a long journey. This is also noticeable in the collection. For example, hypocrisy, love, honesty, and greed are the main focus of “Look into Your Heart” (12), “The Picture of Jesus” (13), “The Emperor's Seed” (107), and “A Generous Business Partner” (150) respectively.
More so, anecdotes are not meant to be independently rendered in a vacuum as they are mostly used for illustrative purposes. Thus, they are used to buttress a point and make it poignant. It is because of its illustrative nature, coupled with their moral bearing that their significance in homiletics cannot be overemphasised. Relatedly, the anecdote on page 149, “Ingratitude”, is an illustration that ingratitude is one of the most abominable sins that God frowns at and doesn’t fail to punish whoever exhibits such act. Generally, this can be extended to illustrate man’s aversion of this moral turpitude, exposing its potentials of blocking more blessings from our human benefactors. Also, anecdotes are often but not always, humourous in nature. This is why sometimes, the difference between an anecdote and a joke is blurry. Although jokes are delicate, they are usually mixed with anecdotes to make them more engaging, vivid, and to release the tension acquired from its overemphasis on morality. To think that some anecdotes can make us cry as Eamonn Mulcahy acknowledged in the “Preface” alone justifies the need for humour in anecdotes.
As anecdotes are basically centred on real life experiences, most of the thematic preoccupations they patronise are life lessons such as love, relationship, conflicts, triumphs, and human struggles among other themes. This is what Ushin has equally done in Echoes from the Firelight Tales as he has captured in this collection, an entire spectrum of human life. The collection patronises several themes such as peace as found in “The Messiah is Among You” (114), anger as seen in “Nails on the Fence” (105), and pride, evident in “I am Old and Rich” (104). And as anecdotes intended for homilies, the didactic nature of each of the story comes out clearly. For example, in “Gratitude” on page 102, there is a clear message that the act of gratitude is a virtuous act that should be embraced as it is an application for more blessings while its lack brings reproach. This is equally true of “Childish Behaviour” on page 113, where there is a clear warning: do not be too quick to judge, so, as you won’t be judged in haste while in the story, “Mum with One Eye” on page 79 admonishes humanity to appreciate people while they are alive. While it is noteworthy that the virtues thematised in the collection align with Christian teachings and make the collection a mini-handbook for preachers, these virtues need to be cultivated by the general public, especially in our modern morally decadent society in order to achieve an idea society. As a collection, Ushin's acknowledgement of several sources where some of the stories are pulled from portrays him as not only a creative writer but an equally commendable academic scholar.
On the whole, Ushin's Echoes from the Firelight Tales is a carefully selected collection of anecdotes whose importance is beyond its ability to engage the congregation as they also illustrate complex ideas, enhance memorability, and add emotional depth to the situation being narrated. It’s a collection that preachers who want to succeed in their homilies should rush to acquire, not leaving out those who aspire to keep their listeners engaged through storytelling techniques.

Hello friends! Something beautiful is brewing! From the heartfelt reflections of Joyce Agabo Martins, aka Jey Agabo , co...
23/02/2026

Hello friends!

Something beautiful is brewing!

From the heartfelt reflections of Joyce Agabo Martins, aka Jey Agabo , comes a treasure titled
""Life Lessons Brewed with Love".

A full package of wisdom, vulnerability, faith, healing and growth!

If you’ve ever needed encouragement...

If you’ve ever struggled silently...

If you’ve ever wanted clarity in the middle of chaos...

This book is for you!

Yes, you.

You definitely need a copy on your shelf, and in your heart.

Get ready!!!

BOOK REVIEWBook Title: SURVIVING A PANDEMIC: A STORY OF GRIEF, GRACE, AND GOD'S RESTORATIONAUTHOR: Mnena Leticia Tikyaa ...
17/01/2026

BOOK REVIEW

Book Title: SURVIVING A PANDEMIC: A STORY OF GRIEF, GRACE, AND GOD'S RESTORATION
AUTHOR: Mnena Leticia Tikyaa
REVIEWER: Terese Solomon Uwuave

BEYOND INFECTION AND HUNGER: A REVIEW OF LETICIA MNENA TIKYAA'S SURVIVING A PANDEMIC

In the midst of a devastating global pandemic, what would you do if you discovered that your survival depends on more than just avoiding infection, hunger, and seeing another day? How would you combine the grief that comes with the pandemic with the burden of personal loss? These are just a few of the thought-provoking questions that shaped Leticia Mnena Tikyaa's Surviving a Pandemic: A Story of Grief, Grace and God's Restoration.

Chronologically captured in 16 chapters, amounting to 170 pages, Tikyaa's memoir is a heart-wrenching recollection of loss, resilience, grace, and ultimately, God's restoration. It is equally a story of motherhood, trauma, and healing. Since Sigmund Freud and Cathy Caruth's exploration of trauma reveals that testimonies or the art of telling are therapeutic, one may be tempted to argue that Surviving a Pandemic is Tikyaa's personal outlet for expression and healing, until we weigh the pain, tears, sweat, and the excruciatingly harrowing experiences that come with recollecting traumatic events and begin to ask why she selflessly let us into her life experiences. This selfless sacrifice alone blooms worthy of eternal flowers!

There are a lot of existing memoirs that explore several preoccupations such as self-discovery, transformation, growth and childhood experiences, but Tikyaa's memoir is distinguished by its philosophically explosive, faith-shaking, educative, inspiring and thought-provoking posture. The significance of Tikyaa's memoir is partly hinged on its uniqueness; her thematic explosiveness, philosophical depth, didactic undertone, and educative posture.

While narrating her journey of genetic ordeal that led to the loss of her two daughters at an infant stage, Tikyaa's sincerity, complemented with detailed description of her grief and sorrow does not fail to invoke fear and anxiety from readers, especially when she approaches the hospital. The repetitive or cyclical nature of the events that claimed the lives of her two daughters, even after she had prayed to God for a miracle, becomes so overwhelming that the writer, at a certain time, becomes angry with God: "And the one who loved me the most, whom I trusted so much to walk this path with me? I stayed away from Him as well. After all, the prayers I prayed in the weeks of Abigail's illness were enough to last me a lifetime" (154). Even with this display of humanness, the writer's hope in God's grace resurfaces, and this is where one of the lessons in the book surfaces: God never abandons His people, even if it takes some time to answer their prayers.

Mnena's story is not only inspiring but equally educative. The memoir extensively discusses genomic complexities, particularly Severe Combined Immunodeficiency (SCID) — a typically inherited rare genetic disorder that severely impairs the immune system and makes it difficult for the body to fight infections, resulting in death. The death of Mnena's two daughters showcases not just the deadly nature of this genetic disorder but the unquantifiable havoc it causes when it goes unnoticed.

Tikyaa, no doubt, deserves commendation for creating awareness of such a terrible genetic misnomer. Her battle against it and her final triumph over it provide hope and resilience to those who may be unknowingly battling it. Apart from a writer inviting readers to witness her childhood, journey of self-discovery, and transformation which can be laughed off and forgotten, what greater contribution can a memoir offer than what Tikyaa has done in Surviving a Pandemic?

Aesthetically, Tikyaa's memoir is characterised by a personal narrative of motherhood, grief, grace, and God's redemption, which are all expressed using her experiences; a reflective tone which is clearly exhibited in her sincere tone, shared insights, emotions, and memories; specific time periods and events conspicuously captured.
Equally important is the presence of character development as we can see the narrator and other characters coming alive. Mnena's growth as a mother is clearly showcased, just like her financial and spiritual growth. There is also the manifestation of an authentic voice evident in Tikyaa's unique perspective and writing style.

Tikyaa's mastery of the aesthetics of the memoir is therefore not in doubt as the above traits typical of a memoir are not in short supply in the work. Coupled with the infusion of humorous expressions in chapter three for comic relief, Tikyaa appears completely as a creative writer. This is further strengthened by her brilliant use of the appropriate medical terms. This does not only add to the verisimilitude of the work but also exposes the writer as a good researcher who knows her subject in no small measure.

As a work that is equally philosophical in nature, Tikyaa's extensive use of rhetorical questions to provoke critical thinking is quite understandable. And of course, where will one find God's grace without Biblical allusions? Although written amidst the era of the COVID-19 pandemic, Surviving a Pandemic is more focused on Tikyaa's journey towards motherhood, so the memories are not disjointed to convolute the plot but sequentially arranged with straightforward chapter headings with titles that, in a subtle way, express what should be expected in the chapter. With this, the story, though laced with so much igrief, becomes so engaging that, as Nancy Agbe says, it will "keep you turning the pages to find out what happens next" (Preface xi). This is interestingly one of the qualities of a well-written work. The incorporation of source links in the work in such a way that it fits naturally without distorting the narrative flow deserves commendation, as it further adds credibility and transparency to the work.
Since memoirs are more preoccupied with the writer's most memorable events, if one event is prioritized above other events, the narrative becomes monotonous. Without the enthralling village experiences coupled with activities surrounding COVID-19 and the interesting exposition of people's attitude during the lockdown, which are narrated in detail, Tikyaa's Surviving a Pandemic would not have easily escaped the accusation of being a boring work.

One interesting thing that must be acknowledged is that Tikyaa's memoir has to be the way it is to effectively achieve its aim: to showcase the writer's endurance, courage, resilience, hope, and tenacity in her ordeal, such that when she finds grace and is restored by God, it becomes evident that she earns it!

On the whole, Tikyaa must be appreciated for enlightening the public about a significant aspect of genomic complexity. As a literary work of art, Tikyaa's appropriate use of medical jargon exposes her deliberateness in educating readers on what Margaret Atwood regards as the truth of our condition. Tikyaa's narrative transcends mere entertainment or a tale of overcoming adversity; it is a poignant call to introspection, challenging readers to examine their faith, resilience, trust, and hope in God. This memoir is indeed a must-read!

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