Black Seagull Films

Black Seagull Films Questa pagina per me rappresenta l'inizio di tutto ciò che un domani vorrei creare, una delle tappe

08/08/2026

Grateful to have been part of this project, telling the story of , an artist whose work and vision have fascinated me for a long time.

Artist: Theo Jansen

Director:
Cinematographer:

Creative Agency/Production: Take Off .production
Creative Director: Giulia Barcaro
Executive Producer: Giulia Burroni
Producer: Monica Amenduni
Junior Art Director: Luca Lorandi

Editor: Valeria Corà
Colorist Orash Rahnema
Original Music and sound design: Luca Maria Baldini

Production service: Huub Meijer

1st AC: 🙋🏻‍♂️
2nd AC: Matvey Murashko
Gaffer: Gerard Stam
Grip: Frans Leiwakabessy
Sound Engineer: Koen de Haan
Dronist: Kiwi aerial shots
Groomer: Sam Davies
Photographer: Tom van Huisstede …
1st Assistant: Vincent Houtman

Home hits different. ✨🍃 Thanks guys for all the support 🙏🏻  .im
17/07/2026

Home hits different. ✨🍃


Thanks guys for all the support 🙏🏻 .im

11 flights, countless memories, and somehow not a single regret. Thanks, May! 🌹
12/06/2026

11 flights, countless memories, and somehow not a single regret.

Thanks, May! 🌹

11 flights, countless memories, and somehow not a single regret. Thanks, May 🌹
12/06/2026

11 flights, countless memories, and somehow not a single regret.

Thanks, May 🌹

I’ve always believed that in life we should pursue happiness, even if it means turning everything upside down. We should...
08/06/2026

I’ve always believed that in life we should pursue happiness, even if it means turning everything upside down. We should challenge boredom, get used to living many lives, and allow ourselves to be whatever we want, whenever we want.

In my own small way, I’m trying to do just that: imagining myself anywhere, while carrying in my heart the people I truly love. We are made to love. Perhaps we should learn a little more how to love ourselves, too.

Kind of insane that in May we’re still vibing in the snow! ❄️ This was last weekend in Tignes 🇫🇷 .festival See you at th...
07/05/2026

Kind of insane that in May we’re still vibing in the snow! ❄️
This was last weekend in Tignes 🇫🇷
.festival

See you at the next gigs:
• 15 May / Malta 🇲🇹
• 24 May / Marbella 🇪🇸
• 26 May / North Ciprus 🇨🇾
• 31 May / S. tropez 🇫🇷
• 7 June / Mykonos 🇬🇷
• 8 June / Ibiza 🇪🇸
•

Kisses to Romeo, N297 to Schiphol, landing in Geneva. ’s flight gets delayed to the next day.One night in Geneva, breakf...
07/05/2026

Kisses to Romeo, N297 to Schiphol, landing in Geneva.
’s flight gets delayed to the next day.
One night in Geneva, breakfast, then a 3-hour drive into the Alps. Finding out there’s still snow in May and that, somewhere inside the chaos, the landscapes are absolutely breathtaking.

See you around, here the next 30days! 👽

• 15/05 Malta 🇲🇹
• 24/05 Marbella 🇪🇸
• 26/05 North Ciprus 🇨🇾
• 31/05 S. Tropez 🇫🇷
• 07/06 Mykonos 🇬🇷
• 08/06 Ibiza 🇪🇸

14/04/2026

“PESCE ROSSO”
Prod: PMR Studio
Director:
DP:
Actors:

On this project I was working as first AC, but for this specific sequence I switched roles with my 2nd AC, he handled focus pulling, while I operated the camera and movement.

Shot on ARRI Alexa Mini LF with an Atlas Orion 50mm anamorphic, supported by a Ronin 2 and Ready Rig configuration, a setup that inevitably limits maneuverability in tight spaces.

The shot begins in a confined interior space, tracking the subject continuously up to a hidden cut, precisely placed at the doorway transition. From there, the movement resumes seamlessly, maintaining spatial continuity.

The main challenge wasn’t in the open areas, but in the interior transitions, tight locker room curves, limited space, and obstacles along the left wall required constant micro adjustments.

Inside the locker room, the frame subtly shifts to the right while keeping the coach left weighted, a necessary correction to avoid contact between the Ronin’s left handle and the wall mounted hair dryers.

Additional complexity came from elevation changes, stairs both at the beginning and near the pool entrance required precise footwork and stabilization control.

The sequence concludes with a vertical relational shift, from a wide shot into a top down interaction between the subject and the actress.

This sequence was completed in just a few attempts, locked on the third take, due to daily schedule constraints.

Note to self: February doesn’t do boring. was everywhere 🌏
12/03/2026

Note to self: February doesn’t do boring.
was everywhere 🌏

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Amsterdam Centrum

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