29/06/2025
Iman Spaargaren & Peter Bjørnild –
'In Essence'
One-Mic Audiophile Recording
Pure DSD256 Master
"In Essence is a welcome return to subtlety, depth, and direct communication. This new album from Iman Spaargaren (clarinet & saxophone) and Peter Bjørnild (double bass) was made using just one carefully placed Josephson C700S (3-capsule) stereo microphone. The entire performance was captured live in the room and recorded directly to Pure DSD256. It’s an old-school method in a high-tech frame — a reminder that sometimes the most advanced thing you can do is keep it simple.
In Essence is an intimate, thoughtful exploration of the Great American Songbook. But unlike most modern jazz albums, these are not elaborate reworkings or long improvisations. The duo has chosen to keep each track short, distilled down to its melodic and emotional core, a clear, focused experience of each tune — each one a small, self-contained meditation, a kind of musical haiku: concise, almost fragile in its clarity, capturing the essence of melody and melodic improvisation. The result is music that doesn’t explain itself — it simply is.
The interplay of clarinet or saxophone and double bass feels like a conversation between friends — sometimes melodic, sometimes contrapuntal, always personal. It’s a modern take on a two-part invention, rooted in swing, blues, and lyricism.
The superb sound quality invites you into the studio: up close, sitting still, noticing, listening. Two instruments, the space between them, the breath before each phrase, the resonance of air and wood. In Essence is a quiet, heartfelt reminder of the beauty of musical intimacy."
Frans de Rond on the Recording Process:
"Working with Sound Liaison has always been about combining craftsmanship with innovation, and our first Pure DSD recording was a real turning point in our approach to high-resolution audio.
Recording Iman Spaargaren on sax and clarinet, and Peter Bjørnild on double bass, I wanted to explore the full potential of the DSD256 format for audiophile recording. Every detail — from mic placement to post-production — had to be handled with absolute precision to preserve the raw emotion of the performance.
DSD began as an archival format, but it has become a powerful tool for artistic expression and high-fidelity recording. This project reflects that synergy: pure, transparent sound driven by a minimalist signal path and honest engineering."
— Frans de Rond
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