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Series 01 is a candle holder inspired by the timeless ritual of aromatherapy, using the heat of a tea candle to diffuse ...
28/08/2026

Series 01 is a candle holder inspired by the timeless ritual of aromatherapy, using the heat of a tea candle to diffuse the purifying scents of incense and camphor. Made from a single sheet of aluminium, it folds into a functional spine where the lower shelf holds the candle and the upper shelf carries the oil or camphor: no brackets, no fasteners and no second material. It arrives flat-packed and is simply folded into shape by the user. Finished with a durable ceramic coating, the design minimises industrial waste while maximising longevity.

Designer Sharvin Sawant created the visuals using KeyShot, keeping his setups deliberately lean. A plain backdrop with two or three lights is often all that’s needed, or a soft HDRI paired with one large area light. For this series, the flame itself became an important light source and the centre of the composition, with everything else built around it.

KeyShot’s Colorways and Multi-Material features are an important part of Sharvin’s process, allowing him to quickly explore multiple CMF options within the same render setup. Post-production is kept minimal, using Vizcom where motion or hands are needed to communicate the folding process and functionality, followed by some Photoshop cleanup.

get basic.® is Sharvin’s initiative to refocus on the core fundamentals of industrial design: bringing conscious and purposeful choices back into everyday products, where a product isn’t judged by how much it does, but by how honestly it does the one thing it’s designed for.

And it doesn’t stop at the renders. Sharvin is currently developing physical prototypes of Series 01, exploring how the single-sheet concept translates from a digital design into a real product.

Designer: Sharvin Sawant | get basic.® get basic.®

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Swedish designer Sebastian Fältström has developed Macro Fibers, a reusable system that uses discarded Swedish wool to r...
27/08/2026

Swedish designer Sebastian Fältström has developed Macro Fibers, a reusable system that uses discarded Swedish wool to remove oil and heavy metals from small boat harbours.

Designed as a biodegradable alternative to plastic absorbents, the wool structures hang vertically in the water to capture pollution at different depths.

The design takes inspiration from nudibranchs: small, colourful sea slugs known for using bright colours and patterns to warn predators. Macro Fibers translates this natural signalling system into its own striking appearance, making the clean-up structures visible within the marine environment.

Could waste wool become a new form of circular infrastructure?

Read more at MaterialDistrict.com

Designer: Sebastian Acaymo Fältström Sebastian Acaymo Fältström

Built from one repeating element, the ALLTUBES series by Muller Van Severen turns simplicity into something surprisingly...
25/08/2026

Built from one repeating element, the ALLTUBES series by Muller Van Severen turns simplicity into something surprisingly expressive.

Rounded aluminium profiles flow continuously across each piece, creating a distinct rhythm of lines, light and reflection. Hinges and openings are carefully concealed within the design, leaving the collection with no obvious front or back.

The result is a series of cabinets, a bench and a chair that invites you to move around it. From every angle, the aluminium reveals a different perspective.

A beautiful example of how one simple idea can shape an entire collection.

Designers: Fien Muller and Hannes Van Severen | Muller Van Severen MULLER VAN SEVEREN

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21/08/2026

What happens when you deliberately drop perfectly thrown pottery?

Ceramic artist Victor Ng turns impact into part of the making process. After throwing his pieces on the wheel, he drops them, allowing gravity and impact to distort their otherwise controlled forms.

The dents, curves and unexpected asymmetry are not mistakes to be corrected, but what gives each piece its character. Finished with expressive glazes, the deformed vessels become functional objects that celebrate a little chaos in the process.

Designer: Victor Ng .ceramics

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Discovered by our fellow platform , we’d love to show you this remarkable project.What would everyday objects look like ...
20/08/2026

Discovered by our fellow platform , we’d love to show you this remarkable project.

What would everyday objects look like if every material became precious?

Designer Roc H Biel’s Martian Relics imagines domestic life on Mars through five speculative objects: a flowerpot, plate, mirror, water filter and window. Combining rammed earth with salvaged stainless steel, the collection transforms scarcity into a design language.

Each piece explores something we might carry into an uncertain future, from our relationship with nature and beauty to knowledge, water and memory. On this imagined Mars, recycling is no longer a choice but essential for survival.

Read more at MaterialDistrict.com

Designer: Roc H Biel Roc H Biel

19/08/2026

A beautiful study in contrast, material and light. The Halo table lamp by NORVA brings two sculptural forms of solid ash together around a warm, exposed light source.

A single black element at the centre shifts the visual balance, separating the pale wooden forms while drawing attention toward the glow within. The natural grain remains visible and tactile, giving the minimal silhouette warmth and character.

Designed and made in Slovakia, Halo shows how a few carefully considered elements can turn a functional object into a striking piece of sculpture.

Design: NORVA

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A conventional waffle grid begins to drip. What starts as a flat, repetitive system extends downward, transforming into ...
18/08/2026

A conventional waffle grid begins to drip. What starts as a flat, repetitive system extends downward, transforming into a self-supporting table with three sculptural legs.

Dripping Grid is cut from MDF using CNC fabrication and assembled through interlocking parts. Finished in a muted brownish-red, the piece turns a rational construction method into something fluid and unexpected, where the grid becomes surface, structure and form at once.

Designer: Saul Kim Min Kyu Saul Kim Min Kyu

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