JG Business Services

JG Business Services JG BUSINESS SERVICES Worked with EMI, K-Tel, Magnum (joint venture of CBS/Sony Music, PolyGram and Warner Music), Strengholt Multimedia and JG Entertainment.

International

Experienced strategic marketer and program creator with a strong background in the music, media and entertainment industries. Specialized in the creative use of music for brands, campaigns, film, TV, radio and social media. Advises companies, producers and artists on music strategy, sonic branding, artistic direction and content concepts. Available for project-based roles in program

or project management. Also active as an artist advisor focused on repertoire and career development. Looking for inspiring collaborations where music makes the difference. The Sound of... making the Sound of Hit Music. contact: Jan GROENEWOUD: [email protected]

Nederlands
Ervaren strategisch marketeer en programmamaker met een brede achtergrond in de muziek-, media- en entertainmentindustrie. Werkte onder andere bij EMI, K-Tel, Magnum (joint venture van CBS/Sony Music, PolyGram en Warner Music), Strengholt Multimedia en JG Entertainment. Gespecialiseerd in het creatief inzetten van muziek voor merken, campagnes, tv, film, radio en social media. Adviseer bedrijven, producenten en artiesten over muziekgebruik, merkgeluid, artistieke positionering en contentstrategie. Beschikbaar voor programma- of projectmanagement op tijdelijke basis. Ook actief als artistiek adviseur voor artiesten, met focus op repertoire en loopbaanontwikkeling. Op zoek naar inspirerende samenwerkingen waarin muziek echt het verschil maakt. contact: Jan GROENEWOUD: [email protected]

Erfahrener strategischer Marketingexperte und Programmgestalter mit fundiertem Hintergrund in der Musik-, Medien- und Unterhaltungsbranche. Tätig unter anderem bei EMI, K-Tel, Magnum (Joint Venture von CBS/Sony Music, PolyGram und Warner Music), Strengholt Multimedia und JG Entertainment. Spezialisiert auf den kreativen Einsatz von Musik für Marken, Kampagnen, Film, Fernsehen, Radio und Social Media. Berät Unternehmen, Produzenten und Künstler in Musikstrategie, Sound Branding, künstlerischer Positionierung und Content-Konzeption. Verfügbar für projektbezogene Rollen im Programm- oder Projektmanagement. Ebenso tätig als künstlerischer Berater mit Fokus auf Repertoire und Karriereentwicklung. Auf der Suche nach inspirierenden Kooperationen, bei denen Musik den Unterschied macht. Kontact: Jan GROENEWOUD: [email protected]

The Sound of... making the Sound of Hit Music. Perfil (ES)
Profesional estratégico con amplia experiencia en marketing y creación de programas, con una sólida trayectoria en las industrias de la música, los medios y el entretenimiento. Ha trabajado en empresas como EMI, K-Tel, Magnum (empresa conjunta de CBS/Sony Music, PolyGram y Warner Music), Strengholt Multimedia y JG Entertainment. Especializado en el uso creativo de la música para marcas, campañas, cine, televisión, radio y redes sociales. Asesora a empresas, productores y artistas en estrategias musicales, identidad sonora, dirección artística y conceptos de contenido. Disponible para funciones basadas en proyectos en gestión de programas o proyectos. También activo como asesor artístico, centrado en el repertorio y el desarrollo de carreras. En busca de colaboraciones inspiradoras donde la música marque la diferencia. contact: Jan GROENEWOUD: [email protected]

13/09/2025
05/09/2025

Behind The Music!
On this day, Paul and Linda McCartney Go To #1 With Uncle Albert/Admiral Halsey! 1971
Taken from the album 'Ram', Paul and Linda McCartney went to No.1 on the US singles chart with the US only released 'Uncle Albert / Admiral Halsey'. McCartney's first US solo No.1. Paul would later explain that "Uncle Albert" was based on his real-life uncle. "He's someone I recall fondly and when the song was coming, it was like a nostalgia thing... As for Admiral Halsey, he's one of yours, an American admiral", referring to Admiral William "Bull" Halsey.

"Uncle Albert/Admiral Halsey" is a song by Paul and Linda McCartney from the album Ram. Released in the United States as a single on 2 August 1971, it reached number one on the Billboard Hot 100 on 4 September 1971, making it the first of a string of post-Beatles, Paul McCartney-penned singles to top the US pop chart during the 1970s and 1980s. Billboard ranked the song as number 22 on its Top Pop Singles of 1971 year-end chart. It became McCartney's first gold record after the break-up of the Beatles.

"Uncle Albert/Admiral Halsey" is composed of several unfinished song fragments that Norwegian engineer Eirik Wangberg [no] stitched together in a similar manner to the medleys from the Beatles' 1969 album Abbey Road. The orchestral arrangements by George Martin were recorded in New York at A & R Recording, along with other instruments by McCartney and his new band. The project was moved to Los Angeles where vocals were added by Paul and Linda McCartney – her first experience of recording in a professional studio. The song is notable for its thunderstorm and environmental sound effects added by Wangberg in Los Angeles; he had been invited by McCartney to mix and sequence the Ram album in any way he saw fit, and he copied the thunder from a monaural film soundtrack, then fashioned an artificial stereo version of it for the song.

McCartney stated that "Uncle Albert" was based on his uncle: "He's someone I recall fondly, and when the song was coming it was like a nostalgia thing." He also stated: "I had an uncle – Albert Kendall – who was a lot of fun, and when I came to write 'Uncle Albert'/'Admiral Halsey' it was loosely about addressing that older generation, half thinking, 'What would they think of the way my generation does things?' That's why I wrote the line 'We're so sorry, Uncle Albert.'" McCartney also told an American journalist, "As for Admiral Halsey, he's one of yours, an American admiral", referring to Fleet Admiral William "Bull" Halsey (1882–1959).[9] McCartney has described the "Uncle Albert" section of the song as an apology from his generation to the older generation, and Admiral Halsey as an authoritarian figure who ought to be ignored.

McCartney talks to Uncle Albert on the telephone using "a posh British accent", apologizing but not overly concerned that he does not have time to talk.

McCartney said that the lyric, "'Hands across the water/Heads across the sky' refers to Linda and me being American and British."

Paul McCartney won the Grammy Award for Best Arrangement Accompanying Vocalists in 1971 for the song. The single was certified Gold by the Recording Industry Association of America for sales of over one million copies.

According to AllMusic critic Stewart Mason, fans of Paul McCartney's music are divided in their opinions of this song. Although some fans praise it as "one of his most playful and inventive songs", others criticize it for being "exactly the kind of cute self-indulgence that they find so annoying about his post-Beatles career". Mason himself considers it "churlish" to be annoyed by the song, given that the song is not intended to be completely serious, and he praises the "Hands across the water" section as being "lovably giddy". Ultimate Classic Rock critic Nick DeRiso states that the song feels "more calculatedly twee than truly inspired, despite its episodic construction" and that its main weakness is that it exposes McCartney's awareness of his own charm.

In a contemporary review of Ram, Jon Landau of Rolling Stone gave "Uncle Albert/Admiral Halsey" a negative review, saying the song is "a piece with so many changes it never seems to come down anywhere, and in the places that it does, sounds like the worst piece of light music Paul has ever done."[19] Cash Box said that the song "is bursting with fine melodies and interesting musical changes certain to please both AM and underground programmers". Record World called it a "sound collage of Paul's best song ideas".

A retrospective 2012 Pitchfork review by Jayson Greene states: "Uncle Albert/Admiral Halsey is not only Ram's centerpiece, it is clearly one of McCartney’s five greatest solo songs. As the slash in the title hints, it's a multi-part song, starring two characters. To put its accomplishments in an egg-headed way: It fuses the conversational joy listeners associated with McCartney's melodic gift to the compositional ambition everyone assumed was Lennon's. To put it a simpler way: Every single second of this song is joyously, deliriously catchy, and no two seconds are the same."

02/09/2025
The Rolling Stones Mick Jagger Keith Richards
02/09/2025

The Rolling Stones Mick Jagger Keith Richards



- A brand new studio album from The Rolling Stones… Hackney Diamonds 💥Out October 20th & available to pre-order now:https://therollingstones.lnk.to/Hackn......

Concord CBS Mornings    John Fogerty Fantasy Records
01/09/2025

Concord CBS Mornings

John Fogerty Fantasy Records


In this web exclusive, John Fogerty talks with Robert Costa about the therapy of rehearsing; his musical education; and his experience as a member of Creeden...

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