Barrikaderock 99,3 fm

Barrikaderock 99,3 fm Norway's oldest punk rock show. Our two crews of DJ's exposes you to the worst new rhytms of the apo

it saddens me deeply to learn about the passing of the Prodigal Son, A Drifter even; Paul Di'Anno
21/10/2024

it saddens me deeply to learn about the passing of the Prodigal Son, A Drifter even; Paul Di'Anno

I DO NOT OWN THE RIGHTS, ALL CREDITS GO TO IRON MAIDEN BAND. THIS UPLOAD IS JUST FOR ENTERTAINMENT.Band: Iron MaidenCountry Of Origin: United KingdomAlbum: K...

coffee (last cup), snus and ONE of the 2 METAL albums of 2024/timeless music, the other being the godly Coffin Storm deb...
03/10/2024

coffee (last cup), snus and ONE of the 2 METAL albums of 2024/timeless music, the other being the godly Coffin Storm debut album; Arcana Rising, released in the spring, so how apt, one early in the year, and one in the Autumn, and to Invictus' big surprise, as they posted earlier today, or that's when i read it, that this demonic monster of a DM debut by one if not THEE best DM band right now, strong words, yes but being a professor in DM i should know 😁😉; Demonolatry, will be out on CD AND LP Oct. 4th and 9th, in other words the DM godz are among us to get this ungodly how to play classic Floridian DM '87-'89 like a BOSS!!

Buy Beer for Death Metal Promotion: https://ko-fi.com/deathmetalJoin Death Metal Promotion on Spotify: https://open.spotify.com/playlist/7mjNe3ozVBjif8NeCYHN...

coffee, snus, cool automobiles and well, after seeing one of the most important bands in my life on their last European ...
26/09/2024

coffee, snus, cool automobiles and well, after seeing one of the most important bands in my life on their last European tour in 2022, where they debuted a couple of new songs that sounded rather promising, the last time with the exception of Wish, which i really liked when it was released, even bought the first single prior to the album, but has since not live up to what i initially felt, still a decent album mind you, but the i was about to say the last time i anticipated a new Cure album, and after the very disappointing; Wild Mood Swings ('96) was what were the final part of Cure's legendary up to this point trilogy; which started with '82's Po*******hy (one of my all time fave albums, though with some weight to it..) and '89's Disintegration (another of my fave Cure albums, which i got for x-mas that year, and in my not so humble opinion, their last classic album), and knowing the impact these albums had made, the man himself Robert Smith knew this when he was to sum this up with what became Bloodflowers ('00) and i KNEW that i couldn't live up to it, i had faith (no pun) that it would at least be rather good, and well, i found it rather tedious, nice try though, albeit some years later when i saw them (on DVD/Youtube, WISH (again no pun) i WERE there) perform this trilogy live over 2 nights in Paris (?) and in live format (which is very unusual for me) i found that album to be more well; alive for a lack of a much better word, but it didn't make me feel like revisiting the album, and then there was the S/T album, meh, and even reuniting with good ol' Porl on what is until, still, their last album to date; 4:13 Dream released in 2008, again no hurrah, though there has been a track or 2 on those albums, post Wish, that are great songs, but that's a bit thin innit, and so time went on and Robert has since the beginning of the 90's threatened not to tour again, and he has kept that to some degree, and the same can be said his claims concerning over the handful of last Cure albums that it would be the last, Bloodflowers comes to mind particularly, now after liking what i heard of the couple of new songs that they did perform on that gig here in Oslo in 2022, and also as of very recently watched a little documentary called the; The Long, Hard Road to; Songs Of A Lost World, which began in 2019 as this was the year the band started to record what is now FINALLY their new album set for release November 4th, it was both interesting and gave me this gut feeling that this new album might be rather the Cure album I and probably many more has been waiting for, it was promised to be EPIC, the SADDEST album they've done, and it HAD to be perfect, and "knowing" Robert's peculiar self, and having gone through some rather dark period the last few years, losing his parents and brother, and feeling the pressure that WEIGHS on a perfectionist as Robert is, as it has now gone what began as 10 years since the last album in 2019, and long time bassist Simon Gallup quitting the band for 5 minutes, impatience can be a bit too much to handle, no matter how well you know the one member you have spent most of your life with, and recurring keyboardist Roger O'Donnell getting struck by that damn plague known as cancer, though he has fought it and is back on his feet again

Provided to YouTube by Universal Music GroupAlone · The CureAlone℗ 2024 Lost Music Limited, under exclusive licence to Universal Music Operations LimitedRele...

coffee, snus, cool automobiles and another tragic loss for anyone who's passionate about music, Steve Albini (RIP) a leg...
09/05/2024

coffee, snus, cool automobiles and another tragic loss for anyone who's passionate about music, Steve Albini (RIP) a legend, one of the greatest producers in modern rock, an anti hero in many ways, with an incredible work ethic, he didn't even like being liked called a producer, as pragmatic as he was, for him recording and producing a record was what he felt was work, but with an unique and amazing work ethic, known for HIS signature, ORGANIC drum sound amongst many other Albini trademarks albeit mostly being ALL about recording or making sure HE captured the band/artist AS THEY sounded or wanted to sound and NEVER impose his ideas, perhaps his biggest trademark/signature, and coming from the DIY punk-H/C scene, and starting out as a musician, known from his first band Big Black to Shellac, known for never wanting to impose his ideas on the bands/artists he worked with, Pixies's classic full-length debut album; Surfer Rosa, being the ONE album were the band took to his ideas/suggestions, and this would forever bother him, being his first BIG album he produced, and i LOVE all the quirkiness' you hear on that album, which are most his ideas/suggestions, the small snippets of insider jokes at the beginning of a couple of the tracks off of this classic album, were Albini's ideas and many other off the wall suggestions, which to his surprise the band were were all in on, and i think they all worked out really well, and i always was sure that it was from the mind of frontman Frank Black until my latest documentary although being ABOUT the recording of this album with track by track comments from the entire band sans Charles aka Frank, but ALSO the man behind the desk; Albini, but now i know, i highly recommend that documentary or rather interview, as it's audio only for all Pixies fans/enthusiasts or even for those who love Steve Albini's work as a producer/engineer, and this album is arguably my fave Pixies album and perhaps my all time fave Albini produced album too, although i have watched MANY, MANY hours of him talking about production and from his teachings/masterclasses, a VERY producer/engineer FOR the bands/artists he worked with and for the listeners and NEVER for record industry, he NEVER took points, royalties, ONLY what his ALWAYS cheap recording rates, and you could to his dying day at the young age of 61, book time at his amazing studio regardless who you were, and even when he produced Nirvana's final album; In Utero, they even begged him to take points/royalties, but no, ever the i am the working class and i am here to do work and to HELP you and SERVE you and have say in how you want to sound, but know that if you sound like s**t, you Steve Albini would make that happen as he was EXTREMELY talented of CAPTURING the SOUND of your band/instruments, a very humble and as i said pragmatic almost anti producer, STILL highly REVERED and FOR a REASON, and i'm not the biggest fan of all of his recorded work, even though from the albums/bands i do know he recorded/produced which is probably just 1/3, still QUITE a few nonetheless, of his enormous body of work, he mainly worked with and is mostly known for working with indie rock, post rock, grunge when this was a thing, although a genre before it changed the world, but also metal bands, and of course he was NOT friends with triggers, DUH! i could say so much about this highly influential and phenomenal engineer/producer and his one of a kind work ethic amongst his peers, and from what i have gathered by as i mentioned, having watched many, many hours about his work by his own words, who seemed like a very intelligent, and great human being, the kind of, if there only were more people like him, attitude wise/as a human being, the world would be a better place, and personally even though i don't own too many of his albums, i have a tremendous respect for his recording skills, hence me having watched/listened to what he basically have learnt me, ever eager to learn about things that i am all about, music yes, but there's a reason i watch a lot of documentaries about producers/engineers too, you who know, know, but therefore i sit here with tears in my eyes having to learn about another one who just passed away, just like that 😓 and he also had VERY interesting and clever view upon what some may call piracy in the world of digital mediums for music, i strongly suggest you google that, cause i would say, he PRETTY much NAILED it by what he perspective on that, IF you are a deep listener a true music enthusiast , even the musician, and to finish my little attempt of an hommage to a wonderful and highly influential musician, producer and recording engineer, that is another one to leave us way to early, he would cite the following 3 artists as a big influence and people who would've loved to work with, in their prime, 3 very different, yet when he named them, it made sense; Patsy Cline, Neil Young and AC/DC...here's a short clip of Albini talking about an IMPORTANT Albini album for me, although the one he would sure NOT to produce in the same way EVER again, as to give directions or giving ideas and suggestions, but "just" MAKE SURE to capture the sound you have to offer of you music in the best and PUREST way possible, i HAVE SO MUCH respect for a work ethic he used, found natural, deeply rooted in DIY and Punk

This clip is from Better Yet Podcast Episode 135 published August 6, 2019 Listen to the entire episode here:http://www.betteryetpod.com/episodes/2019/8/6/e...

coffee, snus, cool automobiles and, well, an album i've been eagerly to hear in full/finished form, and it is done by 3 ...
30/03/2024

coffee, snus, cool automobiles and, well, an album i've been eagerly to hear in full/finished form, and it is done by 3 good ol' friends of mine, which makes me that more naturally critical, but knowing my boys know their stuff to say the least, as not only are they all veterans, but along we have all been drinking from the same fountain of REAL metal and beyond, and this trio are also "slightly" picky concerning what gets presented to the "masses", and not to brag but this album ended up sounding musically EXACTLY as 1/3 of this trio of epic thrashy doom; Olav explained to me a summer ago, and the production turned out as i was hoping/expecting it would sound ie; PERFECT

6 track album

coffee, snus, cool automobiles and playlist for today part II;The Orb & David Gilmour; Metallic Spheres In Colour, Legac...
12/03/2024

coffee, snus, cool automobiles and playlist for today part II;
The Orb & David Gilmour; Metallic Spheres In Colour, Legacy rec./Columbia/Sony Music 2023 LP
Killing Joke: Adorations, E'G rec. 1986 2x7" Single
Pura Mania; Extranos Casos De La Vida Real, Roachleg rec./Discos Peligrosos/CV Recs. 2024 7"EP
Killing Joke: Wardance/Pssyche, Malicious Damage 1980 7" Single
Killing Joke: A New Day, E'G rec. 1984 12"EP

coffee, snus, cool automobiles and playlist for today :-)Jaz Coleman/Ondrej Smeykal; The Day The Earth Went Mad; Cadiz M...
12/03/2024

coffee, snus, cool automobiles and playlist for today :-)
Jaz Coleman/Ondrej Smeykal; The Day The Earth Went Mad; Cadiz Music 2020 10"EP
Killing Joke: Me Or You/Wilful Days, E'G rec. 1983 12"EP
Killing Joke: Birds Of A Feather, E'G rec. 1982 12"EP
The Orb; Prism, Cooking Vinyl rec. 2023 2-LP

coffee, snus, cool automobiles and playlist for tonite;Taqbir; Victory Belongs To Those Who Fight For A Right Cause, La ...
09/03/2024

coffee, snus, cool automobiles and playlist for tonite;
Taqbir; Victory Belongs To Those Who Fight For A Right Cause, La Vida Es Un Mus rec, 2021 7"EP
Regimen De Terror; S/T, La Vida Es Un Mus rec./Roachleg rec. 2023 7"EP
Gizon Berria; S/T, La Vida Es Un Mus rec. 2023 7"EP
The Budos Band; Burnt Offering, Daptones rec. 2014 LP
Nation Of Language; Strange Disciple, Play It Again Sam rec. 2023 LP
A trio of timeless raw punk, and dash of vintage/timeless psychdelic afrobeat infused jazz rock and dash of vintage/timeless synth pop 😎😉😌

coffee, snus, cool automobiles and this supergroup/project for a lack of a better word, now yet another KJ link here, an...
09/03/2024

coffee, snus, cool automobiles and this supergroup/project for a lack of a better word, now yet another KJ link here, and to give you a little context to this, after Killing Joke's back to form album in the form of (the underrated) ; Extremities, Dirt And Other Various Repressed Emotions, released late 1990 by Aggressive Noise Prod./Noise Int., with bassist Raven returning, and with new drummer Martin Atkins (former P.I.L., live drummer for Ministry, and the brain behind his Pigface project and Invisible label) as well as new live keyboard player John Bechdel, now after a successful tour in 1991, Atkins teamed up with Scottish singer/poet/musician and solo artist; Chris Connelly (also former Revolting Cocks/RevCo frontman, a side project put together by Ministry mainman/founder Al Jourgensen, and to this day having also release MANY solo albums, some being collaborative efforts) and Raven, Bechdel AND Geordie AND O.G KJ drummer Big Paul Ferguson for what to ended up as; Murder Inc.; who released their sole S/T album in early 1992, with a couple of accompanying singles and an EP(?) with what were obviously referred to as industrial rock (a term that i have a strong dislike towards, should be self explanatory!) but even with a very tight double drum attack and the UNIQUE guitars of Geordie, i remember not being too impressed by this album back then, and giving it a new listen recently i still feel, while not being terrible yet not too exciting either, now, cue almost a decade ahead in time and KJ having been on their longest hiatus thus far, Atkins and Conelly wanted to try and make a similar project going, and Geordie joined in along with former P.I.L. bass legend/dub bassist maestro, and with additional help from Lee Fraser aka Bagman (who were one half of techno-punk project; Sheep On Drugs, and whose; 15 Minutes Of Fame EP, grabbed my attention at the time, 1993) and viola The Damage Manual is born, debuting in early 2000 with the mini album >1, and then later in that year with this S/T album, released on Atkins' Invisible label in the US and on Dream Catcher rec. in Europe on CD only, now again i thought i'd give this project a proper listen, ever so curios with projects related to KJ, and after checking out a couple of tracks off of this album on YT, it managed to grab my attention, so here i am, giving it my first proper listen, and this being quite a different sounding beast compared to Murder Inc., and to describe the style that this music is made of, is NOT industrial, but a mix of Geordie's unique guitars in MUCH more interesting and varied way than that of M.INC. and being much more varied in general and more up to date for the time, yet still managing not sounding dated 24 odd years later, it also features Connelly's unique vocals, which i both like while not being totally drawn in either, though i would be interested in checking out some of his solo offerings as they are VERY diverse from what can gather and understand by having browsed through his entire discography on Discogs inc reading who and what instruments is being used as well as seeing what genre they get put under, which is either misleading or confusing or SPOT on, and of course Atkins' VERY skilled and diverse drumming and least but not least the trademark basslines of Wobble added electronics, synths, samples and turntables, mostly performed by Lee Fraser, and the album also features remixes by legendary producer, bassist and dub master Bill Laswell, so as mentioned this sounds surprisingly promising, though further listens is mandatory and WITHOUT this epic (and yes from the top of my head as always) back story of this project, now they did release a 2nd album; Limited Edition, this time without Geordie and Wobble, and being replaced by Hate Dept., Pigface collaborator and other projects not known to me; Steven Seibold on guitars, as well an Dub remix EP before breaking up in 2006ish....so, the verdict, worth checking out is a definite...but not mandatory....i think, quite sure, unless you are ga-ga for everything these unique musicians have ever done, or if you are very into what is presented here, as they didn't event the wheel here, BUT they do have some secret ingredients that sets them apart, and without being biased, as it is a fact, Geordie's unique guitar sound/riffs/melodies/playing (RIP)

The Damage Manual - The Damage Manual01 - King Mob 0:0002 - Age of Urges 06:25 03 - Top Ten Severed 11:2304 - Peep Show Ghosts 15:5205 - Sunset ...

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