Lyrebird Music

Lyrebird Music Innovative new publisher of critical early music editions

It is always a pleasure to hear from Lyrebird Music's friends and, many of whom are dedicated to their art as players, b...
10/06/2025

It is always a pleasure to hear from Lyrebird Music's friends and, many of whom are dedicated to their art as players, builders and soundboard painters, whose work is often admired but who are rarely given the credit they deserve.

One such artist is Australian Diana Ford, whose work has adorned many of Carey Beebe's stunning harpsichords and she has been praised on the Australian arts' website, Cosmos. Here's a link to the article. Please read and share!

In the Australian National University’s (ANU’s) School of Music in Canberra, is a room with more than 40 historical keyboards and replicas.

🎶 New Titles from Lyrebird Music – and a Summer Sale! 🎶We’re pleased to introduce four exciting new publications—two for...
02/06/2025

🎶 New Titles from Lyrebird Music – and a Summer Sale! 🎶
We’re pleased to introduce four exciting new publications—two for organ, one for piano, and one for both! These works range from bold new ragtime compositions to a majestic Romantic symphony reimagined for the organ. Each reflects a distinctive artistic voice and offers rewarding material for both concert and liturgical settings.

To celebrate, we're offering 15% off all books in our Summer Sale! Use the code summer25 at checkout to claim your discount.

🎼 Tchaikovsky: Symphony No. 5 – Organ Transcription by Andrew Dewar

One of Tchaikovsky’s most enduring orchestral masterpieces, Symphony No. 5 is here masterfully transcribed for the organ by Paris-based virtuoso Andrew Dewar. Faithful to the sweep, colour, and structural clarity of the original, this edition transforms the symphony into a compelling solo work. Dewar continues the rich 19th-century tradition of orchestral organ transcriptions pioneered by W. T. Best, offering organists the chance to engage deeply with Romantic symphonic repertoire from the console.

🎹 Gerald Hendrie: Twelve New Rags for Piano

Marking Lyrebird’s first venture into contemporary piano music, this vibrant collection is a modern homage to ragtime—infused with elegance, intelligence and humour. Composed in the tranquillity of rural southwest France, these rags evoke both the landscape and the seasonal comings and goings of local birdlife, including the vivid hoopoe. Hendrie’s music blends the energy of traditional ragtime with a refined harmonic and formal sophistication, creating piano works that are witty, poetic and uniquely personal.

🎵 Gerald Hendrie: Four Concert Rags for Organ

Adapted by Hendrie himself from his Twelve New Rags for Piano, these organ versions go far beyond transcription. Carefully reworked for the expressive power and tonal variety of the organ, the pieces take on new life as colourful, rhythmically vital concert works. A fifth rag from the same collection completes the set, offering organists an inventive and original addition to the concert repertoire that pays tribute to ragtime while transforming it into something wholly new.

🎶 William Whytock: Six Meditations on Gregorian Themes for Organ

Rooted in ancient plainchant and filtered through a contemplative modern lens, these six meditative pieces are ideal for both service use and reflective concert programming. Each meditation explores a different Gregorian theme, handled with subtlety and reverence. Whytock’s voice is quietly distinctive, drawing out the spiritual potential of chant while crafting organ textures that are expressive, modest in difficulty, and deeply rewarding to play.

🎁 SUMMER SALE – 15% off all books

Use code summer25 at checkout to receive 15% off your entire order. Offer valid until [insert end date, e.g. 31 July 2025].
Explore these new titles and more at Lyrebird Music. Whether you’re a pianist or organist, there’s something here to inspire your summer repertoire.

07/05/2025

Now that it’s a matter of public record, I shall publish on Lyrebird Music’s website the names of the editors who are bringing this action against me and Malcolm Archer, and I will detail their lack of diligence, which resulted in a necessary second edition of the Holst piece, including their emails, and the reason for changing editor after they came back to me with two sets of corrections separated by some months.

My work on their original typesetting, reverting the first edition back to one closely resembling the manuscript will be detailed and a log of these and the differences between the first edition and the second will be made public.

I will show how one of these gentlemen lied and obfuscated the facts, which were given to a lawyer who either told them to delete messages or who was not diligent in trying to find out the truth. In either case, she has demonstrated negligence and a breach of a ‘contract’ of professional behaviour.

There will also be a question of why they tried to implicate Marie-Louise Langlais and Frédéric Munǒz in their action by trying to coerce me with a lie (an embarrassing message they subsequently deleted; in a case like this, both the coercion and deletion of the message is illegal).

There will also be screenshots of menacing messages sent by the former and amateur editors in relation to this case and a yet-to-be-replied-to complaint about one of the editors to his employers at a cathedral about the actions of their titulaire organist (not from me).

These two princesses have driven me through the courts to the point of attempting su***de (I’m now going through the angry phase and there will be no worries about that in the future). They are trying to destroy everything I have worked so hard for and it has cost me my British state pension in trying to defend what is arguably a narcissistic toddler’s temper tantrum.

You will be able to decide for yourselves who is guilty and who did their best to secure their reputation.

When the web page is complete (I have now pre-paid a ten-year subscription for Lyrebird Music's web hosting, so that no matter what happens, the site will remain live), I will inform everyone here and on every group to which I belong of its address and content. Their names and the information will be sent to the 2,747 subscribers to Lyrebird Music’s newsletters. I will shout it from the rooftops if necessary. Liars cannot be rewarded.

More importantly, making a false allegation against a Norwegian resident is a criminal offence with a penalty of up to ••ten years in prison••. I have instructed my Norwegian lawyer to make an official complaint with a directive to investigate these allegations and have the princesses prosecuted in Norway.

After that, I shall prosecute them for every penny I have spent on this case, the loss of my UK pension and substantial punitive damages.

I’m also going after their lawyer for professional misconduct since she failed to question the plaintiffs properly or instructed them to hide evidence: the case should never have been brought. If she reads this, as she no doubt will, she must know that she is as much to blame for this s**t show as the princesses since she either encouraged a malignant prosecution, encouraged the obfuscation of material evidence or was derelict in her work. In any of these situations, she and her husband will be also reported to the Norwegian police.

As several influential musicians have implied, once their names are made public, they will never be invited to play either as solo or duo organists. In other words, the vindictive nature of this suit will, ultimately, cost them their careers.

I’ve stopped being scared by what reasonable people might call narcissistic liars. I really want to see them prosecuted by the truth.

PS Someone who has me and Malcolm as a friend on Facebook has been feeding these princesses information (the princesses have blocked me so I cannot see their posts about me). What sort of a person is so twisted? Obviously, one who is transfixed with the celebrity of two fine but irrelevant musicians.

Lyrebird Music is pleased to announce that we shall have four excellent books coming out, hopefully, next month. These a...
26/04/2025

Lyrebird Music is pleased to announce that we shall have four excellent books coming out, hopefully, next month. These are:

Elgar: Three Transcriptions for Organ, containing Introduction and Allegro, Senernade for Strings and the Minuet from the Severn Suite.

Tchaikovsky: Symphony No. 5

Both books contain vituoso arrangements by the formidable Andrew Dewar, whose performances two of the Elgar pieces may be found here:

https://youtu.be/HLXAiKj4rMg?si=F67XHc9a7G2K0oi8
https://youtu.be/_on5XEv6LdI?si=1e3ESBqMHNbNVAPG

On top of this, we have two modern composers. Michael Whytock has penned Six Meditations on Gregorian Themes, which we are proud to release, and as the first in a series of compositions by Gerald Hendrie, which will include most of his organ music, we have Twelve New Rags for Piano. These are cerebral works that reflect Gerald's love for ragtime music, though each reflects his unique voice as a composer of some importance.

Please keep your eyes out for these!

https://lyrebirdmusic.com

 fansSix months ago, I was doing well. Lyrebird Music was thriving, providing me with a sufficient income to survive, an...
10/04/2025


fans

Six months ago, I was doing well. Lyrebird Music was thriving, providing me with a sufficient income to survive, and people were pleased with the books I produced. Then this lawsuit occurred, and it felt as though the bottom dropped out of my world. I am overwhelmed by legal fees, and a court case is looming that, if my second French lawyer does her job (I now have three), I will win easily.

The issue is that even though this outcome is nearly certain, I am frightened by the entire process. It is the first thought that crosses my mind when I wake up in the morning and the last one I consider when I go to sleep.

What is worse is that the suit has implicated an old and trusted friend, Malcolm Archer, who has been accused of stealing the work of these individuals and claiming it as his own, which is complete nonsense.

As the owner of the company, I am covering his legal fees, and together, this amounts to far too much. The fundraiser I have set up is helping, but once again, I find myself in the humiliating situation of asking for donations. Lyrebird Music is too valuable to crumble under any circumstances. If you can help, even by donating a small amount, it will assist the company in surviving this devastating and unnecessary lawsuit.

If you’re unable to, a share is just a click away.

Hugs from Norway.

Hello, My name is Jon Baxendale, and I run Lyrebird Music, a … Jon Baxendale needs your support for Lyrebird Music – Please help save this music publisher

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