Waxeye

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Waxeye We’re a production studio that helps brands tell their story through design, digital craft & film making.

01/10/2026

This 3D breakdown is from our ongoing work with Goodman, a client we’ve proudly partnered with for 14 years to help visualise their sustainable logistics spaces across New Zealand.

One of our biggest strengths as a technology studio is our adaptability. Production isn't always linear, we can partner to run an entire job from concept to final delivery, or we can jump in exactly where you need us.

Whether you need a production partner or just a specialist to handle 3D modelling, texturing, or the final composite, we can collaborate at any stage of the pipeline.

24/09/2026

For the Moving Houses TV series we rebuilt every home in 3D, opened it up and animated exactly how it would be split, lifted, trucked and put back together, so viewers could grasp the whole plan in seconds.

20/09/2026

Success isn't guaranteed, but great ideas are still worth investing in - especially when the stakes are things like education or getting an important message across.

We invested in and delivered the Kauri Pou Kaitiaki experience alongside Waikato Regional Council, and it's still growing today. Over 60 headsets are now in use around the Tāmaki and Waikato regions.

It's been instrumental in helping kids understand kauri dieback. The visual design and gamification immerse everyone and create a memorable experience that sticks.

14/09/2026

Not your average property marketing content..

A great collaboration with Incredible Group for Property For Industry Limited (PFI) Totara Creek development.

Incredible Images captured exceptional drone and aerial footage, we developed a complete template approach delivering 3D tracking, 3D modelling, motion graphics, and animation editing across multiple campaign outputs.

Working together to showcase this development from every angle.

03/09/2026

There’s a lot of noise out there. So clear information, thoughtful UI and a strong sense of brand matter more than ever.

For Ecotricity, we transformed the digital experience - bringing together visual storytelling, intuitive interfaces and a clear content hierarchy to make a complex story easier to explore.

Less noise. More meaning.

01/09/2026

The reel keeps turning 😅

Ideas evolve. Projects change. The work keeps moving.
Let’s talk - No job is too big, too small, or too early to talk about.

28/08/2026

A fun little animation outtake from our Kiwi flying bike maker 🚲✈️

Richard Pearse a legend of Aotearoa’s aviation history - famous for his pioneering spirit, and his tendency to land on fences instead of runways.
for Te Kōtiu, MOTAT (Museum of Transport and Technology)

Here's a constraint that made a recent project more interesting: the aircraft we were simulating is real, and it's alrea...
25/08/2026

Here's a constraint that made a recent project more interesting: the aircraft we were simulating is real, and it's already doing test flights.

That meant no shortcuts. We matched the simulation's flight dynamics to the real aircraft's actual takeoff speed, angle, and prop timing.

19/08/2026

We developed for Orrcon Steel a training rig where the controller in your hands is completely real, and its completely virtual - digital twin every button and controller is mapped and works via bluetooth to the unity engine.

This one's fun to show people in person because their brain doesn't quite believe it. You're holding a real crane controller, a detailed replica - but the crane it's driving lives entirely inside a headset.

A way to train crane operators without needing a crane on standby every time someone new needs practice. Put the headset on, pick up the controller, and you're moving a full-scale virtual crane that responds exactly like the real thing.

15/06/2026

Crafting an experience is different from making content.

An experience has to hold someone for every second they're inside it.

Te Kōtiu is the 10-minute immersive projection experience we worked on with MOTAT for the Aviation Hall.

Eighteen weeks of build. A lot of modelling, texturing and animation, in volume, to find what would carry the story across that space. These aircraft are part of that work.

The piece won Best Use of Digital at the 2024 Museums + Heritage Awards in London. The craft you don't see is the volume of exploration it takes to get to the version that lands.

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9B Kirk Street
Auckland
1011

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