Not Your Average Opinion

Not Your Average Opinion Features, as the title says, the fabolous [sic] opinions of people in the community regarding various topics.

Review: Kuman Thong (2024) directed by Xian LimClara (Cindy Miranda) has lost her son. She is visiting Thailand with her...
03/11/2024

Review: Kuman Thong (2024) directed by Xian Lim

Clara (Cindy Miranda) has lost her son. She is visiting Thailand with her new fiance, Sai Chon (Max Nattapol) to meet and hopefully get the blessing of his mother, Namfon (Jariya Therakaosal) for their wedding. (She carries the ashes of her son in a jar around, BTW) While vacationing with her fiance and daughter, a crazy old woman steals her son's ashes and runs away. While pursuing her, she comes across a mysterious worship stall where the old crazy woman is also waiting. The head priest has a gift for her, a [title drop].

I haven't seen Xian Lim's directorial debut “Tabon” but from what I've read and heard, it was a promising debut for this once-loved public figure. That movie, as they describe it, was a heady thriller with supernatural overtones that didn't mesh together well. While that movie may be chalked up as a beginner's jitters, his recent film cannot: It is an unmitigated disaster.

Let's start with the story problems. It doesn't know how to incorporate the Kuman Thong into the storyline in a convincing way. Lim does it through a chase that ends up in the middle of nowhere with a makeshift temple (and her fiance and daughter don't even try to find her and call the police!) Then there's the inability to scare: none of the jumpscares worked, and the horrors are so predictably done: room closed by a ghost, double nightmares, aimless ghost-walking, etc. Lastly, there are Lim's ridiculous twists and endings. The horror is already bad so he had to add a hackneyed crime story, too.

There are some things I love about it. The performances were great and it's a miracle considering the weak story and script they had. Mad props to Jariya Therakaosal: this movie is her debut movie and it feels like she has been acting for decades!

I consider the first episode of the Netflix Series Terror Tuesday (Title: Our Little Sister) to be the superior Thai horror experience. It has a similar subject matter but is done with finesse and a good grasp of what is scary in horror. Or just read Kuman Thong stories in Supernatural Confessions.

PS. Xian Lim is still a great piano player, though.




Review: Nokturno (2024) dir by: Mikhail RedJamie (Nadine Lustre) goes back to her hometown after the mysterious death of...
03/11/2024

Review: Nokturno (2024) dir by: Mikhail Red

Jamie (Nadine Lustre) goes back to her hometown after the mysterious death of her sister Joana (Bea Binene). Her homecoming is compounded by misery as she gets to meet her again her superstitious mother Lilet (Eula Valdez) and her estranged kid brother, Julius (JJ Quilantang). During her sister's burial, her sister's boyfriend Manu (Wilbert Ross) confides that she died because of a legend her mother warned her about, The Kumakatok, a trio of dark beings that bring death to those who open their door after they knock three times. Manu claims he is next as he was the last person to be with Joana. Jamie doesn't believe it until one night someone knocks at her door.

This movie is a wasted opportunity. The legend of shadow people knocking at your door is terrifying and has versions all over the globe, the most popular one being the “Black-Eyed Kids”. When I first saw the trailer for “Nokturno”, I thought we could finally be the country to do this phenomenon cinematic justice. But alas, what we got was middling, fumbling, unscary (for the most part), and ultimately boring movie.

Not that it was completely bad: There is some good stuff here, too. The jumpscare at the beginning was competent and made me jump out of my seat. Eula Valdez’s performance as the kooky and haunted superstitious mother was believable. Wilbert Ross portrayed the haunted boyfriend with nuance. But these great performances cannot compensate for a lacking script. Great production design and cinematography cannot be a substitute for a competent and substantial story.

Like most critics, I wonder why the writers decide to introduce rules and nonsensically trip all over them. We have characters told to not open doors (they do). We even have entities opening the doors themselves (why knock?) Also, why haven't they asked for some help from other spiritual persons? You'd think being the most religion-obsessed country in SE Asia would at least make the characters ask for help from a priest or a shaman.

If you want to experience this movie yourself (and have a different opinion), then watch it here: http://surl.li/gwulpc [Amazon Prime]






Review: The Soul Eater (Le Mangeur D'Ames) (2024)Police Captain Elizabeth (Virginie Ledoyen) and Gendarmie Franck (Paul ...
31/10/2024

Review: The Soul Eater (Le Mangeur D'Ames) (2024)

Police Captain Elizabeth (Virginie Ledoyen) and Gendarmie Franck (Paul Hamy) arrive at a small French town pursuing different investigations. But when they realize that they might be investigating the same horrifying case, they team up. At the center of all the killings and the kidnapping of children is the occult boogeyman-like figure "The Soul Eater", a legend used by parents to scare their kids from venturing into the mountains. These legends state that when you see the Soul Eater, it will take your soul and turn you into a demon. With what the detectives have witnessed, it might be true.

"The Soul Eater" is the latest film from the French directing duo of Alexandre Bustillo and Julien Maury. This duo is responsible for one of the best and bloodiest movies of the 2000s, Inside (2007). Imagine my surprise when they delivered this slow-burn, methodical, and cold procedural with supernatural elements. The killings are understated, showing only the aftermaths and some morgue commentary and there is barely any musical score. But the filmmakers create this very real and dread-filled atmosphere that is hard to shake off. By presenting us with the mundane, the supernatural bits feel scarier and more potent.

This movie feels like an amalgam of Chris Menges' "The Lost Son" and the recent "Longlegs". But while the latter was padded with pomp and hype (Nicolas Cage, ahem), "The Soul Eater" marches to its disquieting conclusion unassumingly. By the end, you wonder whose soul has been eaten, the victims or the heroes.

Streaming on Apple TV: https://urlshort.app/GK8BMG





My Thoughts on Netflix's Outside 🎥🎬Pros and ConsPros:1. First of all, the production quality is commendable. Compared to...
21/10/2024

My Thoughts on Netflix's Outside 🎥🎬
Pros and Cons

Pros:
1. First of all, the production quality is commendable. Compared to many local films and TV shows that often suffer from subpar CGI or lackluster practical effects, Outside stands a step above. The attention to detail, particularly with the visual effects, makes it a refreshing watch.

2. The acting is solid—not revolutionary, but definitely strong. I was pleasantly surprised by Beauty Gonzalez's performance, especially given her background as a former Pinoy Big Brother housemate. She convincingly portrays an unhappy wife searching for something missing in her marriage, making her character feel authentic. Sid Lucero also delivers a powerful performance as a man plagued by trauma and grief, dealing with the betrayal of his cheating wife. Marco Masa, while not overshadowing the leads, effectively portrays his character's vulnerabilities, adding depth to the story. Meanwhile, Aiden embodies innocence and we see genuine fear of his character's father.

3. The setting is a welcome change from the usual Luzon-based locations we frequently see in Filipino films. I’ll admit, I’m a bit biased, but there’s so much beauty—and grit—in Visayas and Mindanao that is perfect for various film genres. Outside uses the region effectively, much like how Tiyanak was shot in Mambukal. It’s about time filmmakers start exploring the diverse landscapes beyond Luzon.

Cons:
1. While the production quality is better than most local films, there are still areas where it falls short. One notable scene involving a gr***de explosion felt unrealistic, especially in terms of the camera angle. Some zombies go out of frame, and based on the radius of the explosion, a few should have survived. However, the movie suggests that one gr***de takes out all of them, which made the scene feel unconvincing.

2. Despite the strong performances from the leads, the child actors could have done better. In one key scene where a co**se falls on the elder sibling, the scream sounded held back, as if the actor wasn’t fully committing to the moment (or it could have been dubbed). Meanwhile, when the younger sibling tried to save his mother by striking a zombified Diego, the strike looked comedic. It could've been done better since even children know when to let loose when trying to strike down a foe. Instead of feeling fear for the child, I chuckled instead. While I understand the challenges of directing child actors, they still need to deliver in crucial scenes.

3. Now, onto the story. Spoiler alert! As a zombie film, I expected Outside to keep me on the edge of my seat, similar to how Dawn of the Dead or 28 Days Later did. Instead, I found myself frustrated with how the story unfolded. Francis, the father who suffered abuse as a child, is forced to swallow the fact that his wife cheated on him. Worse, she refuses to take accountability for her actions or tell the truth about their firstborn’s biological father. While it’s speculative, the film drops enough hints that Joshua may not be Francis' son. There are also moments that don’t make much sense, like when Francis tries to get the dog out of the chicken coop—why grab it by hand when scaring it away with a stick would have been easier? Besides this, there are many incidents and moments that could have been avoided by using common sense.

Conclusion:
Outside opens new possibilities for Filipino filmmaking, particularly in terms of practical effects. I’ve rarely seen this level of zombie makeup in our local films, and it was refreshing to see something new. You can tell the makeup artists and crew put their all into it. Initially, I didn’t expect much from the acting, thinking it would be typical of Filipino horror films, but I was pleasantly surprised. Beauty Gonzales was impressive, and Sid Lucero stood out as a man grappling with his trauma. However, the child actors could have been better directed, particularly in key scenes like the one involving the hanging co**se. The younger brother also felt a little off in some scenes since he looks like he's 10 but acts like a 6 yr old (or its just me)

Unfortunately, the film’s greatest weakness is its story. I was expecting a War of the Worlds vibe but with zombies—a family trying to survive an apocalypse while repairing their relationships. Instead, the film leaned too heavily into the family drama, sidelining the zombies, who felt like an afterthought. Remove the zombies, and you’re left with a typical family drama.

Despite Outside’s attempt to break away from the usual Filipino clichés and lazy cash-grab productions, the film industry still seems reluctant to explore beyond its comfort zone of drama-heavy plots. The effort in practical effects was commendable, and the acting was refreshing, but they couldn’t save the film from its weak story. I don’t hate it, but I don’t love it either. In the end, I’d still choose Outside over another Shake, Rattle & Roll or a Vic Sotto film. Kudos to the cast and makeup artists for their hard work!

Final Rating: 7/10 ⭐⭐⭐

10/07/2024

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Eyyyy. Look who's on Sunstar's Jottings.To sleep is to (unknowingly) forgiveSome people have a lingering question in the...
30/06/2024

Eyyyy. Look who's on Sunstar's Jottings.

To sleep is to (unknowingly) forgive

Some people have a lingering question in their mind. They may forget about it at times, but it comes back to haunt them in their sleep or their waking hours causing frustration, confusion, or both. I happen to be one of those people, and the question that lingered in my head for many years is a trivial one, yet it impacts the most basic unit of Philippine society, the family.

The question never came up during my early years. The only time it ever came up and started to haunt me was when I entered law school. It was there that I was introduced to a case called Bugayong vs. Ginez. If you, dear reader, are married and have been cheated on, this is important. If you are single and planning to get married, this is a good bit of wisdom just in case you need it.

Bugayong vs Ginez is a Supreme Court case that tells a story about a man who heard rumors of his wife being adulterous. He went to the town where she stayed, looked for her, and stayed with her as husband and wife at his cousin's abode. On the second night, he confronted her about the rumors. Instead of answering, she packed up and left.

When Bugayong filed for legal separation, the Supreme Court ruled that legal separation could not be granted because he "forgave" his wife. For context, having sexual relations with your spouse who has committed adultery or concubinage is, in the eyes of the law, considered forgiveness. So the question that has haunted me for over ten years is, "How could you forgive a crime that you do not know has been committed?".

It made no sense to me at the time, as logic would argue that if you did not know about your spouse's infidelity, sleeping with them would not count as forgiveness. To make things simple, imagine yourself hearing rumors of your spouse being unfaithful. You do not have first-hand knowledge about the act, yet you continue to share a bed and continue to copulate as husband and wife. When you confront your spouse about the rumors, he or she just leaves. This does not answer your question and you remain in the dark whether he or she has been unfaithful. Now imagine you take it to court seeking legal separation, but the court does not grant your petition for legal separation because you "forgave" your spouse when you had sexual in*******se. In essence, the jurisprudence available says that adultery or concubinage can be forgiven via sexual in*******se before you could ever have first-hand knowledge that a crime has been committed. But in Bugayong vs Ginez, I just wished they should have dismissed the case for lack of evidence instead of dismissing it because he "forgave" his wife.

The moral of the story, my dear reader, is if you ever think that your spouse is being unfaithful, don't sleep with them until you are sure, or else you might have forgiven them without knowing it.

Gloomy Tuesday Everyone 🌧☔️
28/05/2024

Gloomy Tuesday Everyone 🌧☔️

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07/05/2024

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