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04/07/2025

Mag uupload na ulit tayo this sunday. Sabay na natin yung pa Blessing :)

We now have more followers on tiktok than facebook!
03/07/2025

We now have more followers on tiktok than facebook!

THE KARAKOA: THE PHILIPPINES’ ANCIENT WARSHIPLong before colonization, early Filipinos from the Visayas and Luzon sailed...
02/07/2025

THE KARAKOA: THE PHILIPPINES’ ANCIENT WARSHIP

Long before colonization, early Filipinos from the Visayas and Luzon sailed aboard one of the most advanced naval vessels of its time — the karakoa.

This large warship, a type of balangay, was expertly built using sophisticated plank techniques. Its narrow, V-shaped hull and outriggers gave it both speed and stability, making it ideal for fast attacks and open-sea navigation.

The karakoa could carry between 100 to 200 warriors and was equipped for both long voyages and intense coastal raids. It featured weapons like lantakas (small cannons), bladed arms, and bows for combat.

But it wasn’t just functional — it was also a symbol of status. The ship’s prow was often carved into the shape of mythical creatures or fierce animals, signaling power and prestige while intimidating rivals.

The karakoa reflects the advanced boatbuilding skills, naval strategy, and craftsmanship of our ancestors — proof that the Philippines had a rich maritime culture long before foreign ships arrived on our shores.

It wasn’t just a vessel — it was a legacy.

700,000 Years Ago in the Philippines?Archaeologists in Rizal, Kalinga uncovered butchered rhinoceros bones and stone too...
02/07/2025

700,000 Years Ago in the Philippines?

Archaeologists in Rizal, Kalinga uncovered butchered rhinoceros bones and stone tools—evidence that humans were in the Philippines around 700,000 years ago.

They found:

Cut marks on rhino bones, including signs of marrow extraction

57 stone tools used for butchering

Dating techniques confirming the age of the site

No human remains were recovered, but experts believe the toolmakers were likely Homo erectus, the same species that reached Indonesia and China over a million years ago.

So how did they reach Luzon?
The Philippines has always been separated by sea.
Theories suggest early humans may have rafted or accidentally drifted to the islands—an idea that challenges old assumptions about human migration.

This discovery pushes back the timeline of human presence in the Philippines by hundreds of thousands of years and shows our islands were more than just remote outposts—they were part of a much bigger story.

History is deeper than we thought.

Did you know  the Ancient Skull Shaping: Long before modern cosmetic surgery, some Visayan Filipinos practiced skull com...
02/07/2025

Did you know the Ancient Skull Shaping: Long before modern cosmetic surgery, some Visayan Filipinos practiced skull compression or head flattening, especially for women, using devices called tangad to achieve flat foreheads and noses. This was considered a mark of beauty and status in pre-colonial times. They were first recorded in 1604 by the Spanish priest Diego Bobadilla. He reported that in the central Philippines, people placed the heads of children between two boards to horizontally flatten their skulls towards the back, and that they viewed this as a mark of beauty.

Did you know that in The Philippines Gold was Everywhere: Pre-colonial Philippines was incredibly rich in gold. Filipino...
01/07/2025

Did you know that in The Philippines Gold was Everywhere:
Pre-colonial Philippines was incredibly rich in gold. Filipinos wore gold jewelry as everyday adornments and used it for trading. Even Spanish accounts noted the abundance, with burial sites often yielding significant gold artifacts.

30/06/2025

Wala tayo upload today and yesterday, Since nag Start tayo ng tiktok channel
Check comments :)

Our youtube Channel is now Monetized!Thank you for all the follows!
29/06/2025

Our youtube Channel is now Monetized!

Thank you for all the follows!

The Legend of Bakunawa: The Moon-Eater's Enduring Tale A Glimpse into Philippine MythologyThe night sky has long captiva...
26/06/2025

The Legend of Bakunawa: The Moon-Eater's Enduring Tale

A Glimpse into Philippine Mythology

The night sky has long captivated humanity, inspiring countless stories that seek to explain its mysteries. In the rich tapestry of Philippine mythology, one such tale stands out: the legend of Bakunawa. This colossal, serpent-like dragon emerges from the depths of the ocean, a prominent figure in the folklore of the Visayas and Bicol regions. Bakunawa is primarily known as the "Moon-Eater," a formidable entity believed to be the mythical cause of lunar eclipses.

Beyond merely accounting for celestial phenomena, the Bakunawa myth functions as an ancient framework through which early Filipinos understood and interacted with their world. This narrative provided explanations not only for eclipses but also for other natural occurrences such as earthquakes, rains, and winds. It illustrates how ancient cultures crafted compelling narratives to interpret their environment, transforming potentially frightening events into understandable, albeit powerful, cosmic dramas.

The Creation and the Serpent's Desire

In the ancient land of the Philippines, the supreme god Bathala brought forth seven luminous moons, each designed to illuminate a dark night of the week. These celestial bodies cast a radiant glow across the night sky, bestowing immense beauty and harmony upon the world.

Deep within the oceans, coiled around the earth, resided Bakunawa, a colossal serpent-like dragon. Having lived in perpetual darkness, Bakunawa was utterly mesmerized by the moons' brilliant light. A profound yearning to possess them all consumed the creature, driven by an insatiable desire for the beauty it had never known. This narrative establishes a fundamental duality: Bathala's creation embodies light, order, and divine harmony, while Bakunawa, emerging from darkness, represents a primordial force of chaos and consuming desire. This opposition sets the stage for a classic mythological conflict, illustrating the struggle between constructive forces and destructive impulses that resonates across diverse cultural narratives.

The Devouring and the Earth's Tremors

One fateful night, Bakunawa, unable to resist its yearning, sprung from the ocean's depths and bolted towards the sky. With a powerful swoop, it opened its mouth wide and swallowed one of the moons whole. The immediate consequence was a massive earthquake that violently shook the ancient land, a direct manifestation of the cosmic disruption.

However, the divine light of the moon proved too potent for Bakunawa's dark interior. The swallowed moon melted away inside the serpent, much like candle wax, infuriating the creature. Undeterred by this failure, Bakunawa continued its relentless pursuit, leaping towards the sky night after night, devouring moon after moon. Each time, the celestial body melted away, yet the dragon persisted. Eventually, six of the seven moons had been consumed, leaving the world with only a single moon to illuminate its nights. Bakunawa's repeated, failed attempts to truly possess the moons, despite its immense power, highlight that its destructive force is not absolute; it can consume but not truly integrate or hold divine light. The suffering inflicted upon humanity through the resulting earthquakes, coupled with Bathala's initial non-intervention, sets the stage for the crucial role humanity would soon play in this cosmic struggle.

The People's Vigilance: A Symphony of Sounds

As darkness increasingly encroached upon their world and earthquakes continued to plague the land, the ancient Filipinos grew desperate. They understood that they had to take action to prevent the complete destruction of their world. Through their ancestral wisdom, they knew that Bakunawa harbored a deep fear of loud noises.

Armed with this knowledge, the people gathered their pots and pans, preparing for the dragon's next appearance. One fateful night, Bakunawa emerged once more from the ocean, speeding towards the last remaining moon and locking its jaws around it, plunging the earth into terrifying darkness. In a unified display of courage and desperation, the ancient Filipinos rushed to the ocean's edge, banging their pots and pans with all their might and shouting in unison, "Return our moon!". The sudden, deafening clamor startled and frightened the colossal dragon, causing it to immediately spit out the moon and hastily retreat back to its abyssal caverns as the thundering sounds grew louder. This pivotal moment in the legend underscores the profound concept of human agency and community resilience in the face of cosmic threats. It demonstrates that humanity is not merely a passive recipient of divine will or monstrous whims, but possesses the collective power to influence even mythical forces. The act of noise-making, a ritualistic response to perceived danger, symbolizes unity and a practical, enduring tradition that continues to be observed during eclipses even today, highlighting the myth's living legacy and the lasting influence of ancestral practices.

Bathala's Protection and Enduring Legacy

With the last moon safely returned to the sky, illuminating the dark nights once more, Bathala finally intervened to ensure its permanent protection. To prevent Bakunawa from ever easily swallowing the moon again and casting the earth into eternal darkness, the supreme god planted tall bamboo trees directly on the moon's surface. From afar, these bamboo trees appear as distinct dark spots or stains on the moon's radiant face.

Despite this divine safeguard, Bakunawa has never relinquished its desire. From time to time, the dragon still attempts to devour the last remaining moon. However, the people remain ever vigilant, ready to unleash their thundering noises should Bakunawa reappear, ensuring the moon's return. This ongoing vigilance is encapsulated in the ancient proverb, "The footprint of the old people never disappears," a powerful reminder of the enduring influence of ancestral traditions and the continuous need for community action. This aspect of the legend reveals a symbiotic relationship between divine power and human action. While Bathala's bamboo trees offer a form of divine protection, human vigilance and the continuation of traditional noise-making rituals remain essential. This partnership reinforces the belief that cosmic balance is maintained through a combination of higher powers and the active participation of the community, emphasizing the vital role of collective action and the perpetuation of cultural practices.

Beyond the Eclipse: Bakunawa's Many Faces and Broader Significance

The Bakunawa, though primarily known as the "Moon-Eater," is a creature of diverse depictions and roles within Philippine folklore. It is typically portrayed as a long, winding serpent or dragon, often with a characteristic looped tail and a single horn on its nose. Other accounts add to its fearsome and mystical appearance, describing glistening scales, whiskers, gills, a mouth the size of a lake, a striking red tongue, and sometimes even multiple heads or sets of wings. Its immense size is often emphasized, with some tales comparing it to the size of islands like Negros and Cebu.

Beyond its role in lunar eclipses, Bakunawa is also believed to be the cause of earthquakes, rains, and wind, demonstrating its widespread influence over natural phenomena. Its movements were even thought to serve as a geomantic calendar system for ancient Filipinos and were incorporated into the rituals of the babaylan priestesses. Furthermore, while a "moon-eater," Bakunawa was also feared as a "man-eater".

While the "Seven Moons" narrative is the most prominent, the Bakunawa legend encompasses various other tales and regional interpretations. Some versions offer alternative motivations for its moon-eating:

Vengeance for a Sister: One account tells of Bakunawa's sister, a colossal sea turtle, whose regular visits to an island to lay eggs caused the surrounding waters to encroach, threatening to swallow the land. When locals killed the turtle out of fear, Bakunawa emerged from the sea in furious retaliation, consuming the moon.

Lost Love: Another poignant version describes Bakunawa falling in love with a human woman. When their forbidden relationship was discovered, the tribal leader ordered their dwelling burned. Enraged by the loss, Bakunawa sought vengeance by attempting to devour all seven moons. In this telling, eclipses are interpreted as Bakunawa's attempts to return to its lost home and family.

The myth's evolution also reflects increasing trade contacts and the Indianization of Southeast Asia, leading to Bakunawa's syncretization with entities like the Nāga, Rahu, and Ketu from Hindu-Buddhist mythology. This mythological fluidity is further evident in related Philippine mythical creatures, which, while sharing some characteristics, often possess distinct forms:

Minokawa: A dragon-like giant bird.

Arimaonga: A lion-like dragon.

Tambanakua (or Tambanokano): A giant crab, sometimes depicted as a tarantula or scorpion.

Olimaw: A winged serpent.

The diverse physical descriptions, varied motivations, and syncretic elements within the Bakunawa myth demonstrate that folklore is not static. Instead, myths are dynamic cultural artifacts that evolve, adapt, and integrate influences from different regions and historical periods. This continuous reinterpretation and blending of narratives enrich the myth's depth and authenticity, reflecting the vibrant tapestry of cultural exchange and regional interpretations across the Philippine archipelago.

Why This Legend Resonates Today

The legend of Bakunawa continues to hold significant cultural weight, playing a vital role in shaping Filipino cultural identity and preserving indigenous stories in the face of increasing Westernization. It serves as a powerful link to the ancestral past, reminding contemporary Filipinos of their rich heritage.

The myth is not merely a relic of history; it is a living tradition. The practice of making loud noises during eclipses, a direct echo of the ancient Filipinos' actions, continues to connect modern communities to their ancestral heritage. This enduring custom underscores how deeply embedded these narratives are within the cultural fabric.

Furthermore, the Bakunawa legend remains a potent source of inspiration in contemporary Philippine society. It is frequently referenced in literature, art, and popular culture, appearing in television shows, games, and even being considered for major animated productions. The persistence of the Bakunawa myth, despite centuries of colonial influence and the pervasive spread of Western narratives, powerfully illustrates the fundamental human need for storytelling. It demonstrates the critical role that narrative plays in maintaining cultural memory and identity, proving that a story, when deeply rooted in a people's understanding of their world, can transcend time and continue to resonate across generations.

25/06/2025

Anong Gusto nyo?
more on myths, facts or history?

Ang Pangit ng Subscriber Count Natin sa youtube pa follow naman po!Promote your page na din!
23/06/2025

Ang Pangit ng Subscriber Count Natin sa youtube pa follow naman po!

Promote your page na din!

Big shout out to my newest top fans! 💎 Clara De Guzman, Mercader Cindy, DonnaMarie Mariano PangilinanDrop a comment to w...
22/06/2025

Big shout out to my newest top fans! 💎 Clara De Guzman, Mercader Cindy, DonnaMarie Mariano Pangilinan

Drop a comment to welcome them to our community,

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