Silahis

Silahis The Official Student Publication of MSU-Iligan Institute of Technology
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Silahis serves as the source of illumination for students regarding relevant and significant concerns in the Institute. It aims to become studentsโ€™ shield against oppressions by ensuring that equal rights should be preserved without any judgment on religion, ethnicity, and status. With fair, authentic, and responsible journalism, the goals of the Publication shall be attained.

๐—ง๐—ต๐—ฒ ๐—•๐˜‚๐—น๐—น๐—ฒ๐˜โ€™๐˜€ ๐—ก๐—ฎ๐—ฟ๐—ฟ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ: ๐—›๐—ผ๐˜„ ๐˜๐—ต๐—ฒ ๐—ฆ๐˜๐—ฎ๐˜๐—ฒ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ๐˜€ ๐—œ๐˜๐˜€ ๐—–๐—ฟ๐—ถ๐˜๐—ถ๐—ฐ๐˜€On April 23, the Armed Forces of the Philippines (AFP) confirm...
07/06/2026

๐—ง๐—ต๐—ฒ ๐—•๐˜‚๐—น๐—น๐—ฒ๐˜โ€™๐˜€ ๐—ก๐—ฎ๐—ฟ๐—ฟ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ: ๐—›๐—ผ๐˜„ ๐˜๐—ต๐—ฒ ๐—ฆ๐˜๐—ฎ๐˜๐—ฒ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ๐˜€ ๐—œ๐˜๐˜€ ๐—–๐—ฟ๐—ถ๐˜๐—ถ๐—ฐ๐˜€

On April 23, the Armed Forces of the Philippines (AFP) confirmed an armed encounter on April 19 at Toboso, Negros Occidental. Nineteen people were killed. The military called it a victory. The victimsโ€™ families called it a massacre. Among the dead were Alyssa Alano, a University of the Philippines (UP) student councilor, and RJ Nichole Ledesma, a community journalist and a cultural worker. They were there to document the farmersโ€™ struggle, yet the military insists they were rebels. When journalists, researchers, activists, and innocent individuals become casualties of a disputeโ€”the same script is pulledโ€”the victims of the gunfire are not merely civilians but turncoats to the nationโ€™s peace.

In a span of 12 hours, Sitio Sinugmawan, Barangay Salamanca, turned into a bloodbath spotโ€”a conflict between the AFP and the New Peopleโ€™s Army (NPA). What could have been a data-gathering opportunity for Alano and Ledesma, who entered the scene as researchers, instead became their brutal end. They were unfortunate enough not to meet with answers but with gunshots.

โ€œ๐˜๐˜ง ๐˜ด๐˜ฉ๐˜ฆ ๐˜ช๐˜ด ๐˜ช๐˜ฏ๐˜ฏ๐˜ฐ๐˜ค๐˜ฆ๐˜ฏ๐˜ต ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฉ๐˜ข๐˜ด ๐˜ฏ๐˜ฐ ๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ต๐˜ฐ ๐˜ซ๐˜ฐ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ข๐˜ณ๐˜ฎ๐˜บ. ๐˜Œ๐˜ฉ, ๐˜ฃ๐˜ข๐˜ฌ๐˜ช๐˜ต ๐˜ฏ๐˜ฐ๐˜ฐ๐˜ฏ๐˜จ ๐˜ฏ๐˜ข๐˜ฌ๐˜ช๐˜ต๐˜ข ๐˜ด๐˜ช๐˜บ๐˜ข ๐˜ฏ๐˜ข๐˜ฌ๐˜ข-๐˜ค๐˜ฐ๐˜ฎ๐˜ฃ๐˜ข๐˜ตโ€ฆ ๐˜ด๐˜ฉ๐˜ฆ ๐˜ธ๐˜ข๐˜ด ๐˜ข๐˜ณ๐˜ฎ๐˜ฆ๐˜ฅ. ๐˜š๐˜ฉ๐˜ฆ ๐˜ธ๐˜ข๐˜ด ๐˜ง๐˜ช๐˜จ๐˜ฉ๐˜ต๐˜ช๐˜ฏ๐˜จ.โ€ AFP Chief Romeo Brawner Jr.โ€™s words were a blatant contradiction, not because his statement holds the actuality of the tragedy, but because of the uncertain, distorted truth said by a person deemed a hero. In a split second, the victims were declared traitors, even as investigations paradoxically point out that six civilians were also among those killed.

To challenge the reports of the AFP, forensic pathologist Raquel Fortun noted that not only were the returned bodies poorly handled, but her initial findings also refute the words of the military, leaving questions unanswered. A contradiction between the given proofs and statements and the findings of the autopsy and investigation. This raises a question about why the authorities tried to hide an important fact, treating each death as a measure of success.

Evidence was presented. Photographs of alleged weapons were publicized. However, the National Fact-Finding and Solidarity Mission (NFSM) asserted a high probability of the military tampering with the crime scene, revealing that the Armed Forces kept full control of the site for two full daysโ€”from April 19 to April 21โ€”giving them a 48-hour window stage before allowing anyone to enter the scene. In a country with a documented history of planted evidence, mere statements and documentary pictures are not enoughโ€”especially when itโ€™s convenient to simply falsify evidence that can support their narratives and declare anyone who opposes them a terrorist of the land.

How can one not question the validity of their claims when the military can casually frame the innocent youth by associating them with the NPA, staging guns and combat vests for a documentary and presenting themselves as saviors of the people who eliminated threats to the tranquil living of the country?

Moreso, in the depths of the AFPโ€™s declaration are worshippers that glorify their statementโ€”online trolls and media users reducing the victimsโ€™ corpses to mere โ€œcorned beefโ€ jokes, dehumanizing their deaths to food as a mockery of their merciless end. A joke, despite its immoral usage, only matches how the military handles the bodies it failed to care forโ€”leaving the bodies submerged in fishpond water for two days, rotting until their retrieval.

Every photo revealed met with funny reactionsโ€”with netizens terrorizing victims of the encounter and praising the forces. It was not a secret to keep. It was powerful to hold. A cycle never ending as long as the citizens lived to justify and defend the acts of the militants. What should have been concealed violence becomes a righteous exploitation in the eyes of the masses who have already deemed its enemies righteous.

The same country that trains journalists in schools and at press conferences and emphasizes rigorous research in its curriculum, now calls journalists ๐˜ณ๐˜ฆ๐˜ฃ๐˜ฆ๐˜ญ๐˜ด for simply doing their job. When they channel their ideas toward the mountainside, they are boxed in as subversives and silenced as they continue holding the truth. In early years, young journalists are taught to be critical and to verify information, yet when applied to real-life scenarios, these same acts are demonized and abhorred by authorities.

While the military continues to assert the need to protect citizens, ironically, it is same force that labels these individuals as activists who turned into outright traitors when the odds are not in their favor. Accountability becomes a sacred passage that, once taken, means being guilty of the charge. And so, the easiest thing to do is to tag the victims with red.

On the other hand, the incident was only a showcase of a state failure that encompasses the humanity it aims to teachโ€”it was not only about the lives taken, but the incident also tackles a larger dispute between the AFP and NPA, a deep-rooted dilemma that was responded to through retaliatory guns.

The existence of the rebel groups should have been a problem long solved. The said traitors were not made overnight; they were the product of marginalization and oppression by the power-tripping elites. The so-called โ€œrebelsโ€ were once farmers whose land was taken away from them, laborers suffocated by heavy taxes, and civilians fighting for state policies to govern systematic problems. This was not a simple matter to solve, as it addresses the plundering of workersโ€™ economic and civic freedoms, but it could have been deliberately addressed if only the government had chosen to listen and act, not by force.

Despite the piled-up proof that proves the innocence of the victims, arguments would still snap, questioning the existence of researchers residing on mountainsidesโ€”a bigoted belief that anyone who partakes in mountain research is a recruited member of the NPA. Their claim was not rooted in facts but in bold assumptions that only further spread propaganda about what researchers could only becomeโ€”to be the dogs of the government.

When cries become a plea never heard, the people turn their words into violence. The forces, calling their operations a successful abolishment of the insurgent groups, have only further proven the point of their shallow-level solutions. Their accomplished reports are not worth the celebrationโ€”it was not a feast; it was a punishment. Glory to those who hailed as winners; blessed by the heavens are those who lost. Unfortunately, the poor will always be the defeated.

Redโ€‘tagging is not a policy. It is a cancer. It is the stateโ€™s preferred method of silencing truth without a trial. When journalists, researchers, and students are reduced to ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ถ๐˜ฏ๐˜ช๐˜ด๐˜ต ๐˜ด๐˜บ๐˜ฎ๐˜ฑ๐˜ข๐˜ต๐˜ฉ๐˜ช๐˜ป๐˜ฆ๐˜ณ๐˜ด and then shot, the message is clear: Tell the truth, and you become the enemy.

In a country where lives are always at stake, the military has longed to cross the bridge as defenders of the people. And it must not stay this way. The story of success should have been ours to paint.

When life becomes a privilege to those who speak, power will always lie within the hands of the massesโ€”even when they are to meet with guns, even when the bullet forms its own tale. Despite the risk, freedom will always be the core of resistance. They are not merely journalists, researchers, activists, traitors, terrorists, or ๐˜ค๐˜ฐ๐˜ณ๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ฃ๐˜ฆ๐˜ฆ๐˜ง๐˜ด; they, too, are Filipinos. To fight for freedom is to struggle against the red-tagging by the protectors of the Philippines. And to resist is to defend the rights of the history that was revised to fit the Armed Forces Patronage Story.

Written by Aziraphale
Proofread by Champignon
Cartoon by Lazi

๐—ง๐—ช๐—ข ๐—ฆ๐—ง๐—ข๐—ฃ๐—ฆ, ๐—ง๐—ช๐—ข ๐—ง๐—œ๐—ง๐—Ÿ๐—˜๐—ฆ๐— ๐—ฆ๐—จ-๐—œ๐—œ๐—ง ๐—–๐—ฎ๐˜๐˜€ ๐—บ๐—ฒ๐—ปโ€™๐˜€ ๐˜ƒ๐—ผ๐—น๐—น๐—ฒ๐˜†๐—ฏ๐—ฎ๐—น๐—น ๐˜๐—ฒ๐—ฎ๐—บ ๐—ฟ๐˜‚๐—น๐—ฒ ๐——๐—ฎ๐—ฟ๐—ผ, ๐——๐—ฎ๐—น๐—ถ๐—ฝ๐˜‚๐—ด๐—ฎ ๐—Ÿ๐—ฒ๐—ฎ๐—ด๐˜‚๐—ฒ๐˜€ ๐—ณ๐—ผ๐—ฟ ๐—ฏ๐—ฎ๐—ฐ๐—ธ-๐˜๐—ผ-๐—ฏ๐—ฎ๐—ฐ๐—ธ ๐˜ƒ๐—ผ๐—น๐—น๐—ฒ๐˜†๐—ฏ๐—ฎ๐—น๐—น ๐˜๐—ถ๐˜๐—น๐—ฒ๐˜€Fu...
07/06/2026

๐—ง๐—ช๐—ข ๐—ฆ๐—ง๐—ข๐—ฃ๐—ฆ, ๐—ง๐—ช๐—ข ๐—ง๐—œ๐—ง๐—Ÿ๐—˜๐—ฆ
๐— ๐—ฆ๐—จ-๐—œ๐—œ๐—ง ๐—–๐—ฎ๐˜๐˜€ ๐—บ๐—ฒ๐—ปโ€™๐˜€ ๐˜ƒ๐—ผ๐—น๐—น๐—ฒ๐˜†๐—ฏ๐—ฎ๐—น๐—น ๐˜๐—ฒ๐—ฎ๐—บ ๐—ฟ๐˜‚๐—น๐—ฒ ๐——๐—ฎ๐—ฟ๐—ผ, ๐——๐—ฎ๐—น๐—ถ๐—ฝ๐˜‚๐—ด๐—ฎ ๐—Ÿ๐—ฒ๐—ฎ๐—ด๐˜‚๐—ฒ๐˜€ ๐—ณ๐—ผ๐—ฟ ๐—ฏ๐—ฎ๐—ฐ๐—ธ-๐˜๐—ผ-๐—ฏ๐—ฎ๐—ฐ๐—ธ ๐˜ƒ๐—ผ๐—น๐—น๐—ฒ๐˜†๐—ฏ๐—ฎ๐—น๐—น ๐˜๐—ถ๐˜๐—น๐—ฒ๐˜€

Fueled by a relentless drive to take over Iliganโ€™s volleyball scene, the Mindanao State University-Iligan Institute of Technology (MSU-IIT) Cats menโ€™s volleyball team clinched two straight championships in the Daro Festival Open League and the Dalipuga Palakasan Open Volleyball League 2026 on May 1 and 17, respectively.

The Cats opened their campaign on April 30 in Buru-unโ€™s Daro Festival Open Volleyball Tournament, where they faced seasoned and high-caliber opponents.

Despite entering the tournament with a relatively young lineup and several players unavailable due to academic commitments, the team embraced the opportunity to gain exposure and test a newly assembled roster.

โ€œDuring that time, we were really just trying to focus on having more exposure for the team,โ€ team captain Charlvie Devero shared. โ€œThe mindset was to give everyone playing time and see if this new team could compete against stronger opponents.โ€

The challenge surfaced early when the Cats faced Iligan Medical Center College (IMCC), one of the cityโ€™s established volleyball programs, battling through a deciding third set to secure a victory that boosted the teamโ€™s confidence moving forward.

Their championship run peaked in a hard-fought finals matchup against AL Secโ€™s Immortals of Cabadbaran City. The Cats dropped the opening set before regrouping and sticking to a game plan centered on disciplined blocking and defensive coverage.

Setter Jhon Gilvert Calo said the team treated the matchup as an opportunity to prove that they belonged among the regionโ€™s top squads.

โ€œ๐˜Œ๐˜ท๐˜ฆ๐˜ณ๐˜บ๐˜ฐ๐˜ฏ๐˜ฆ ๐˜ธ๐˜ข๐˜ด ๐˜ญ๐˜ฐ๐˜ฐ๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ง๐˜ฐ๐˜ณ๐˜ธ๐˜ข๐˜ณ๐˜ฅ [๐˜ต๐˜ฐ] ๐˜ต๐˜ฉ๐˜ฆ๐˜ฎ [๐˜ฃ๐˜ฆ๐˜ช๐˜ฏ๐˜จ] ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ช๐˜ฏ๐˜ฏ๐˜ฆ๐˜ณ ๐˜ฃ๐˜ฆ๐˜ค๐˜ข๐˜ถ๐˜ด๐˜ฆ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ญ๐˜ช๐˜ฏ๐˜ฆ๐˜ถ๐˜ฑ, ๐˜ด๐˜ฐ ๐˜ง๐˜ฐ๐˜ณ ๐˜ถ๐˜ด, ๐˜ฎ๐˜ถ๐˜ณ๐˜ขโ€™๐˜จ ๐˜ค๐˜ฉ๐˜ข๐˜ญ๐˜ญ๐˜ฆ๐˜ฏ๐˜จ๐˜ฆ ๐˜ด๐˜ช๐˜บ๐˜ข ๐˜ด๐˜ข ๐˜ข๐˜ฎ๐˜ฐ๐˜ข ๐˜ต๐˜ฐ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ท๐˜ฆ ๐˜ฏ๐˜จ๐˜ข ๐˜ฅ๐˜ช๐˜ญ๐˜ช ๐˜ญ๐˜ข๐˜ฏ๐˜จ ๐˜ฎ๐˜ช ๐˜ฃ๐˜ข๐˜ด๐˜ต๐˜ข-๐˜ฃ๐˜ข๐˜ด๐˜ต๐˜ข๐˜ฉ๐˜ฐ๐˜ฏ ๐˜ฏ๐˜จ๐˜ข ๐˜ต๐˜ฆ๐˜ข๐˜ฎ,โ€ Calo said. โ€œOur strategy was to lock down their spikes using our blocking system.โ€

Shortly after, the adjustments paid off: MSU-IIT captured the next two sets and claimed the championship.

โ€œ๐˜”๐˜ถ๐˜ณ๐˜ข๐˜จ ๐˜ด๐˜ข ๐˜ข๐˜ฎ๐˜ฐ๐˜ข ๐˜ช๐˜ด ๐˜ฑ๐˜ข๐˜ณ๐˜ข ๐˜ฎ๐˜ข๐˜ฌ๐˜ช๐˜ต๐˜ข ๐˜ข๐˜ฎ๐˜ฐ๐˜ข๐˜ฏ๐˜จ ๐˜ฅ๐˜ถ๐˜ฏ๐˜จ๐˜ฐ๐˜จ ๐˜ฏ๐˜จ๐˜ข ๐˜ต๐˜ฉ๐˜ฆ ๐˜”๐˜š๐˜œ-๐˜๐˜๐˜› ๐˜Š๐˜ˆ๐˜›๐˜š ๐˜ช๐˜ด ๐˜ฆ๐˜ท๐˜ฐ๐˜ญ๐˜ท๐˜ช๐˜ฏ๐˜จ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฐ๐˜ต๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ข ๐˜ฅ๐˜ช๐˜ง๐˜ง๐˜ฆ๐˜ณ๐˜ฆ๐˜ฏ๐˜ต ๐˜ต๐˜ฆ๐˜ข๐˜ฎ ๐˜ต๐˜ฐ๐˜ฅ๐˜ข๐˜บ ๐˜ฏ๐˜จ๐˜ข ๐˜ฅ๐˜ช๐˜ญ๐˜ช ๐˜ญ๐˜ข๐˜ฏ๐˜จ ๐˜ฃ๐˜ข๐˜ด๐˜ต๐˜ข ๐˜ฃ๐˜ข๐˜ด๐˜ต๐˜ข๐˜ฉ๐˜ฐ๐˜ฏ,โ€ Calo added.

That victory, however, was only the beginning.

On May 17, the Cats carried their momentum into the Dalipuga Palakasan Open Volleyball League, where they once again found themselves facing AL Secโ€™s Immortals. This time, the Cabadbaran-based squad fielded an even stronger lineup composed of players from different cities and municipalities, making the road to another title even more challenging.

Instead of backing down from the pressure, the Cats leaned on the confidence built from their previous campaign.

โ€œ๐˜๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜‹๐˜ข๐˜ญ๐˜ช๐˜ฑ๐˜ถ๐˜จ๐˜ข ๐˜ญ๐˜ฆ๐˜ข๐˜จ๐˜ถ๐˜ฆ, ๐˜ฎ๐˜ข๐˜บ ๐˜ต๐˜ณ๐˜ถ๐˜ด๐˜ต ๐˜ฏ๐˜ข ๐˜ฌ๐˜ข๐˜ฎ๐˜ช ๐˜ด๐˜ข ๐˜ต๐˜ฆ๐˜ข๐˜ฎ,โ€ Devero said. โ€œWe had already endured a lot, and we had experience coming from the previous tournament.โ€

The team swept through the elimination round and advanced to the championship match against NEC Red Rockets. After narrowly winning the first set, the Cats responded with renewed focus during the huddle and sealed the series, 2-0, to secure their second consecutive title.

Beyond the trophies, the championships marked a significant milestone for the program, symbolizing its transformation. Devero credited the teamโ€™s growth to the influx of talented recruits, stronger chemistry, and the implementation of a new system developed alongside the coaching staff.

โ€œ๐˜Š๐˜ฐ๐˜ฎ๐˜ฑ๐˜ข๐˜ณ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ต๐˜ฆ๐˜ข๐˜ฎ ๐˜ญ๐˜ข๐˜ด๐˜ต ๐˜บ๐˜ฆ๐˜ข๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ท๐˜ช๐˜ฐ๐˜ถ๐˜ด ๐˜บ๐˜ฆ๐˜ข๐˜ณ, ๐˜ช๐˜ฃ๐˜ข ๐˜ต๐˜ข๐˜ญ๐˜ข๐˜จ๐˜ข,โ€ Devero expressed. โ€œWe planned a new system, and we learned through experience and training until we were able to make it work.โ€

With two championships already under their belt, the Cats are setting their sights even higher. The team hopes to establish itself as a dominant force in the local volleyball scene while preparing for future tournaments, including Panagsangka, Lanao-Iligan City Tertiary Schools Athletic Association (LICTSAA), and MSU System Athletic Association (MSUSAA).

โ€œItโ€™s our time to shine,โ€ Devero said. โ€œItโ€™s really time for the Cats to dominate the volleyball scene.โ€

Report by Xavier Christian Torion
Proofread by Euna Faith Abrantes and Atheena Jomaira Manabilang
Graphics by Muammar Mohammad Taib

06/06/2026

โ€œ๐—ง๐—ต๐—ฒ๐—ฟ๐—ฒโ€™๐˜€ ๐—ฎ ๐—ป๐—ฒ๐—ฒ๐—ฑ ๐˜๐—ผ ๐˜€๐˜๐—ฒ๐—ฝ ๐˜‚๐—ฝ,โ€ ๐—ž๐—”๐—ฆ๐—”๐— ๐—” ๐—ฝ๐—ฟ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐˜๐—ถ๐—ฎ๐—ฏ๐—น๐—ฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ผ๐˜€ ๐˜€๐—ฎ๐˜†๐˜€

Revitalizing student leadership and focusing on the holistic development of the community, Kataas-taasang Sanggunian ng mga Mag-aaral (KASAMA) lone presidential candidate ๐—๐—ฎ๐—ป๐—บ๐—ฒ๐—น ๐—•๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ผ๐˜€ of BS Mathematics heeded the call to serve in this yearโ€™s elections, promoting student dialogue to build a more inclusive and empathetic environment within the institution.

Watch as Bordios addresses the most pressing issues affecting the student body and the broader community.

Now in its fourth year, Silahis provides an exclusive look at the 2026 KASAMA General Elections. ๐—ง๐—ต๐—ถ๐˜€ ๐—ถ๐˜€ ๐˜๐—ต๐—ฒ ๐—ฆ๐—ถ๐—น๐—ฎ๐—ต๐—ถ๐˜€ ๐—ฃ๐—ฟ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐˜๐—ถ๐—ฎ๐—น ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐˜ƒ๐—ถ๐—ฒ๐˜„.

Video by Remo Leba, Gleengale Vincent Gorgonio, Ezra Lim, Justine Kyle Soco and Joshua Ceasar Peralta

๐—ง๐—ต๐—ฒ ๐—›๐—ผ๐—ป๐—ผ๐—ฟ๐—ฎ๐—ฏ๐—น๐—ฒ ๐—–๐—ถ๐—ฟ๐—ฐ๐˜‚๐˜€Who would have thought that the Philippinesโ€™ most gripping spectacle this May would unfold not benea...
04/06/2026

๐—ง๐—ต๐—ฒ ๐—›๐—ผ๐—ป๐—ผ๐—ฟ๐—ฎ๐—ฏ๐—น๐—ฒ ๐—–๐—ถ๐—ฟ๐—ฐ๐˜‚๐˜€

Who would have thought that the Philippinesโ€™ most gripping spectacle this May would unfold not beneath carnival lights or inside a traveling big top, but within the Senate itself?

For seventy-two surreal hours, the nationโ€™s so-called august chamber abandoned legislative restraint and embraced full carnival chaos: heated rivalries, emotional confrontations, livestream panic, barricaded hallways, alleged escapology tactics, and gunshots echoing through government walls.

The clips spread across social media sitesโ€”Facebook, X, and Threadsโ€”faster than official statements. Memes outran facts. Somewhere in between the three-day fiasco, the Philippine Senate achieved what years of policy debates rarely could: global virality. Not for statesmanship, but for spectacle.

The arching contemporary green architecture of the ๐˜‰๐˜ข๐˜จ๐˜ฐ๐˜ฏ๐˜จ ๐˜š๐˜ฆ๐˜ฏ๐˜ข๐˜ฅ๐˜ฐ building now seemed like a red-and-white tent. The menagerie of crocodiles and clowns sits comfortably in polished barongs, smiling with the patience of men who have survived every administration before this one. Puppets sway from invisible strings, twitching obediently whenever distant patrons pull. Near the gates bark loyal lapdogs, mistaking noise for patriotism and devotion for governance. And above them all hangs that ceremonial title still attached to every senatorโ€™s name: ๐˜๐˜ฐ๐˜ฏ๐˜ฐ๐˜ณ๐˜ข๐˜ฃ๐˜ญ๐˜ฆ. An increasingly ambitious word.

The Senate had become a literal sanctuary for Philippine National Police (PNP) Chief-turned-Senator Ronald โ€œBatoโ€ dela Rosa following the unsealing of an International Criminal Court (ICC) arrest warrant tied to alleged crimes against humanity connected to the Duterte administrationโ€™s bloody drug war. Outside, journalists gathered beneath the heat like audiences waiting for the tent to collapse. Inside, senators moved through hallways with the urgency of stagehands scrambling to hide a failing act.

The irony was sharp enough to wound. The institution tasked with investigating wrongdoing was suddenly being framed as a refuge from accountability.

Yet in the Philippines, tragedy and comedy are melodramatically and preposterously interchangeable. While international headlines dissected the ICC warrant, one of the loudest controversies inside the chamber involved former action star-turned-senator Robin Padilla filing an ethics complaint over a supposedly raised voice during the session. Not war. Not justice. Volume.

The irony did not escape younger Filipinos online. Earlier this year, the same senator had criticized the youth for being weak and overly emotional. Yet somewhere between the ICC panic and the heated exchanges, the self-styled honorable figure found himself reduced to the very emotionality he once derided.

And then came the night of May 13. If the previous days resembled disorder beneath the big top, the evening descended into full panic. Reports of chaos spread through fragmented livestreams as security scrambled through corridors when a sound transformed national anxiety into collective disbelief: rounds of gunfire echoing through Senate halls.

The images that followed felt almost fictional. Newly inducted Senate President Alan Peter Cayetano livestreamed portions of the panic from behind barricaded doors.

โ€œ๐˜•๐˜ข๐˜จ๐˜ฑ๐˜ฆ-๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ด ๐˜ค๐˜ฐ๐˜ฏ ๐˜ด๐˜ช๐˜ญ๐˜ข. ๐˜•๐˜ข๐˜ฌ๐˜ฐ! ๐˜ˆ๐˜ญ๐˜ช๐˜ฏ ๐˜ฃ๐˜ข ๐˜ฅ๐˜ช๐˜ต๐˜ฐ ๐˜ข๐˜ฏ๐˜จ ๐˜ฑ๐˜ข๐˜ฏ๐˜ช๐˜ฏ๐˜ช๐˜ธ๐˜ข๐˜ญ๐˜ข๐˜ข๐˜ฏ ๐˜ฏ๐˜ข๐˜ฎ๐˜ช๐˜ฏ?โ€ Senator Imee Marcos asked worriedly in her own livestream, breaking the fourth wall between governance and digital theater as lawmakers themselves became both participants and narrators of the crisis.

Amid the chaos, Cayetano sought CCTV footage of the alleged gunfire, with Senator Jinggoy Estrada ordering it secured, raising questions about what might remain hidden behind the Senateโ€™s curtain.

The sense of alarm reached its zenith when Cayetano declared, โ€œ๐˜š๐˜ฐ๐˜ณ๐˜ณ๐˜บ ๐˜ฉ๐˜ข, ๐˜ฃ๐˜ถ๐˜ต ๐˜ ๐˜ฅ๐˜ฐ๐˜ฏโ€™๐˜ต ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜ฌ ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆโ€™๐˜ด ๐˜ข๐˜ฏ๐˜บ ๐˜ฒ๐˜ถ๐˜ฆ๐˜ด๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜š๐˜ฆ๐˜ฏ๐˜ข๐˜ต๐˜ฆ ๐˜ช๐˜ด ๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ข๐˜ต๐˜ต๐˜ข๐˜ค๐˜ฌ, ๐˜ธ๐˜ข๐˜ด ๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ข๐˜ต๐˜ต๐˜ข๐˜ค๐˜ฌ!โ€

Yet when the DILG and PNP later presented a timeline of events on May 19, complete with CCTV footage and supporting evidence, the supposed attack seemed to vanish like a disappearing act. The records showed no attack on the Senate at all.

Somewhere beneath the noise, the Senate itself continued disintegrating in public view. Not through tanks. Not through coups. But through humiliation. This is the uniquely modern collapse of political dignityโ€”not an overthrow, but a slow ๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฆ๐˜ง๐˜ช๐˜ค๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ.

Even the footage itself became part of the spectacleโ€”an ๐˜ฉ๐˜ฐ๐˜ฏ๐˜ฐ๐˜ณ๐˜ข๐˜ฃ๐˜ญ๐˜ฆ figure running up the Senate fire exit stairs on May 11, evading what some described as the looming prospect of a trip to The Hague. ๐˜ ๐˜ฆ๐˜ด, ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ง๐˜ฐ๐˜ฐ๐˜ต๐˜ข๐˜จ๐˜ฆ.

And even after the seventy-two-hour frenzy supposedly ended, the show politely refused to exit stage left. In one session, Senator Pia Cayetano broke down in tears after Senator Risa Hontiveros pointed out that the Senate seemed to be moving on as if the shooting incident had never happened.

โ€œ๐˜š๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ฐ๐˜ง ๐˜บ๐˜ฐ๐˜ถ ๐˜โ€™๐˜ท๐˜ฆ ๐˜ฌ๐˜ฏ๐˜ฐ๐˜ธ๐˜ฏ ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ธ๐˜ฆ๐˜ฏ๐˜ต๐˜บ ๐˜บ๐˜ฆ๐˜ข๐˜ณ๐˜ดโ€ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ ๐˜ฅ๐˜ช๐˜ฅ๐˜ฏโ€™๐˜ต ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ ๐˜ฉ๐˜ฆ๐˜ข๐˜ณ ๐˜ข๐˜ฏ๐˜บ ๐˜ฐ๐˜ง ๐˜บ๐˜ฐ๐˜ถ ๐˜ด๐˜ข๐˜บ, โ€˜๐˜’๐˜ถ๐˜ฎ๐˜ถ๐˜ด๐˜ต๐˜ข ๐˜ฏ๐˜ข ๐˜ฌ๐˜ข๐˜บ๐˜ฐ ๐˜ฅ๐˜ช๐˜บ๐˜ข๐˜ฏ,โ€™โ€ she said. Senator Erwin Tulfo later clarified that messages of concern were actually sent in their group chat that night.

As if the audience had tuned in for ๐˜ฌ๐˜ช๐˜ญ๐˜ช๐˜จ instead of legislation, Senator Lito Lapid then stood in plenary and delivered a line that sounded less like parliamentary discourse and more like an afternoon teleserye script: โ€œ๐˜Ž๐˜ถ๐˜ด๐˜ต๐˜ฐ ๐˜ฌ๐˜ฐ ๐˜ฑ๐˜ฐ ๐˜ฌ๐˜ข๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ฎ๐˜ข๐˜ญ๐˜ข๐˜ฎ๐˜ข๐˜ฏ ๐˜ฎ๐˜ฐ ๐˜ฏ๐˜ข ๐˜ฎ๐˜ข๐˜ฉ๐˜ข๐˜ญ ๐˜ฌ๐˜ช๐˜ต๐˜ข.โ€ As if institutional fractures could be patched over with sentimentโ€”and perhaps a plate of maja blanca and suman on the side.

But while senators search for emotional closure beneath chandeliers and cameras, millions outside the Senate gates remain trapped in far harsher realities no sweetness can soften: rising prices, overcrowded commutes, thinning wages, and survival stretched thin by inflation. Beyond the velvet curtains of this grand performance, the country itself still waits to be asked the same question: ๐˜’๐˜ถ๐˜ฎ๐˜ถ๐˜ด๐˜ต๐˜ข ๐˜ฏ๐˜ข ๐˜ฌ๐˜ข๐˜บ๐˜ฐ ๐˜ฅ๐˜ช๐˜บ๐˜ข๐˜ฏ?

Perhaps the most alarming truth was not what unfolded inside the Senate but how easily the nation absorbed it afterward.

Because once humiliation becomes entertainment and accountability becomes negotiable, institutions stop fearing public judgment. The danger is no longer that politics resembles a show. The danger is when the audience forgets it still has the power to walk out, demand better, and refuse to applaud the next performance.

At some point, Filipinos must decide whether โ€œ๐˜๐˜ฐ๐˜ฏ๐˜ฐ๐˜ณ๐˜ข๐˜ฃ๐˜ญ๐˜ฆโ€ remains a standard to demand from public officialsโ€”or merely the punchline to a joke the nation has heard too many times before.

Because no matter how long the circus insists on calling itself a palace, it is still the audience that decides when the show no longer deserves applause, when the lights must finally go dark, and when the tent should come down at last.

Written by Jesse Victor Maisog and Ceyx Djaniel Pallorina
Art by Gucilla

๐—œ๐—œ๐—ง๐—ถ๐—ฎ๐—ป ๐˜๐—ผ๐—ฝ๐˜€ ๐— ๐—ฎ๐˜† โ€™๐Ÿฎ๐Ÿฒ ๐—–๐—ฃ๐—”๐—Ÿ๐—˜; ๐— ๐—ฆ๐—จ-๐—œ๐—œ๐—ง ๐—ฟ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐˜€ ๐Ÿฒ๐Ÿฌ% ๐—ฝ๐—ฎ๐˜€๐˜€๐—ถ๐—ป๐—ด ๐—ฟ๐—ฎ๐˜๐—ฒWith a rating of 89.83%, Carl Ace Dela Cerna of Mindanao Stat...
02/06/2026

๐—œ๐—œ๐—ง๐—ถ๐—ฎ๐—ป ๐˜๐—ผ๐—ฝ๐˜€ ๐— ๐—ฎ๐˜† โ€™๐Ÿฎ๐Ÿฒ ๐—–๐—ฃ๐—”๐—Ÿ๐—˜; ๐— ๐—ฆ๐—จ-๐—œ๐—œ๐—ง ๐—ฟ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐˜€ ๐Ÿฒ๐Ÿฌ% ๐—ฝ๐—ฎ๐˜€๐˜€๐—ถ๐—ป๐—ด ๐—ฟ๐—ฎ๐˜๐—ฒ

With a rating of 89.83%, Carl Ace Dela Cerna of Mindanao State University-Iligan Institute of Technology (MSU-IIT) seized the seventh spot in the May 2026 Certified Public Accountants Licensure Examination (CPALE), held on May 24-26.

Meanwhile, MSU-IIT posted a 60.00% overall passing rate, with 27 out of 45 examinees passing the examโ€”24 first-time takers and three repeatersโ€”and three conditional passers.

The Professional Regulation Commission (PRC) announced the results today, June 2, with 3,004 of 9,737 examinees passing the exam, attaining a national passing rate of 30.83%.

Read more: https://tinyurl.com/May2026CPALE

๐— ๐—ฆ๐—จ-๐—œ๐—œ๐—ง ๐˜€๐˜„๐—ฒ๐—ฒ๐—ฝ๐˜€ ๐Ÿญ๐˜€๐˜, ๐Ÿฎ๐—ป๐—ฑ ๐—ฝ๐—น๐—ฎ๐—ฐ๐—ฒ ๐—ถ๐—ป ๐—ป๐—ฎ๐˜โ€™๐—น ๐—ถ๐—ป๐—ป๐—ผ๐˜ƒ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ฐ๐—ผ๐—บ๐—ฝ๐—ฒ๐˜๐—ถ๐˜๐—ถ๐—ผ๐—ปInnovation anchored on sustainability led two graduate rese...
02/06/2026

๐— ๐—ฆ๐—จ-๐—œ๐—œ๐—ง ๐˜€๐˜„๐—ฒ๐—ฒ๐—ฝ๐˜€ ๐Ÿญ๐˜€๐˜, ๐Ÿฎ๐—ป๐—ฑ ๐—ฝ๐—น๐—ฎ๐—ฐ๐—ฒ ๐—ถ๐—ป ๐—ป๐—ฎ๐˜โ€™๐—น ๐—ถ๐—ป๐—ป๐—ผ๐˜ƒ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ฐ๐—ผ๐—บ๐—ฝ๐—ฒ๐˜๐—ถ๐˜๐—ถ๐—ผ๐—ป

Innovation anchored on sustainability led two graduate research teams from Mindanao State University-Iligan Institute of Technology (MSU-IIT) to national recognition, securing both first and second place in the Manufacturing and Construction cluster of the Swiss Innovation Prize Competition 2026, held on May 19-21 at Somerset Valero, Makati City.

Spearheaded by the Embassy of Switzerland in the Philippines, in partnership with the Swiss Chamber of Commerce of the Philippines, the prestigious competition recognizes high-impact and economically viable innovations nationwide. From over 140 applications, the top nineโ€”including both MSU-IIT teamsโ€”advanced to the final round across three sectors: Information Technology - Business Process Management (IT-BPM), Life Sciences and Digital Health, and Manufacturing and Construction, with finalists receiving mentorship and collaboration opportunities.

At the forefront of the competition, SIBOLution: Sustainable Industrial Byproduct-Optimized Low-Carbon Functional Non-Fired Construction Solutions, developed by Master of Science in Materials Science and Engineering (MSMSE) students, Engr. Harvey Melendrez, Engr. Rodric Luceรฑo, and Engr. Edison Limbaga under the Department of Materials and Resources Engineering and Technology (DMRET), emerged as the first-place winner for its transformative approach to converting industrial wastes such as ash, mining byproducts, and construction debris into durable construction materials. By targeting abundant regional waste streams and minimizing the massive carbon dioxide emissions from cement production through a low-energy, non-fired process, it balances engineering marvel and environmental conservation.

Beyond recognition, the team viewed the experience as a reflection of something greater. Engr. Melendrez underscored the value of innovation that begins with understanding community needs and addressing everyday challenges with practical, meaningful solutions, describing the project as โ€œsomething that creates tangible and lasting impactโ€”not only as a research study on paper, but as a solution that communities can genuinely experience and benefit from.โ€

Claiming second place was RHA BioSilx: Agro-Industrial Waste-Based Porous Silicate Powders by Engr. Glenn Ruel Maujon, Engr. Maria Elisa Refugio, and Engr. Sean Kenneth Manlupig of the same program. Through an eco-friendly process, the project transforms rice husk ash into a high-quality silica powder with absorption properties for industrial and construction applications. It traces its roots to a local environmental concern after the Iligan City Agriculturistโ€™s Office raised the growing issue of rice production waste, prompting the team to transform what is considered โ€œwasteโ€ into a valuable resource that reduces pollution while supporting industrial growth.

โ€œThis achievement is the culmination of years of hard work, sleepless nights, and the stressful days we spent in the laboratory,โ€ Engr. Maujon shared. True to its tagline, โ€œGiving Waste a Second Life,โ€ the team values sustainability and remains driven by their commitment to environmental stewardship and national industrial progress.

Building on this, both teams aim to advance their innovations beyond laboratory research by strengthening partnerships with industries, institutions, and communities for real-world applications. Melendrez emphasized that these plans are essential to assess the effectiveness and understand the practical impact of their projects in the communities and environments they intend to serve.

As both teams move towards future plans, their commitment and success further reinforce MSU-IITโ€™s standing as a premier institution in engineering and innovation, delivering solutions for environmental sustainability, infrastructure, and community development.

Report by Angel Chaves
Proofread by Tristan Cariaga and Atheena Jomaira Manabilang
Graphics by Verjezs Cejudo

๐—•๐—ฅ๐—˜๐—”๐—ž๐—œ๐—ก๐—š ๐—ก๐—˜๐—ช๐—ฆ: Following the warrant of arrest issued by the Sandiganbayan Fifth Division, Senator Jinggoy Estrada surre...
01/06/2026

๐—•๐—ฅ๐—˜๐—”๐—ž๐—œ๐—ก๐—š ๐—ก๐—˜๐—ช๐—ฆ: Following the warrant of arrest issued by the Sandiganbayan Fifth Division, Senator Jinggoy Estrada surrenders to the Crime Investigation and Detection Group (CIDG) at Camp Crame.

The surrender comes in connection with a โ‚ฑ573-million non-bailable plunder and graft cases linked to alleged flood control kickbacks, with the senator currently undergoing booking procedures.

๐—™๐—ฟ๐—ผ๐—บ ๐˜๐—ต๐—ฒ ๐—ฉ๐—ฎ๐˜‚๐—น๐˜: ๐—ง๐—ฟ๐—ฎ๐—ฐ๐—ธ ๐Ÿญ๐Ÿต๐—•๐—น๐—ฎ๐—ต, ๐—•๐—น๐—ฎ๐—ต, ๐—•๐—น๐—ฎ๐—ต: ๐— ๐˜‚๐—น๐˜๐—ผThey say grief is like glitter. When itโ€™s recent, itโ€™s everywhere: on you...
31/05/2026

๐—™๐—ฟ๐—ผ๐—บ ๐˜๐—ต๐—ฒ ๐—ฉ๐—ฎ๐˜‚๐—น๐˜: ๐—ง๐—ฟ๐—ฎ๐—ฐ๐—ธ ๐Ÿญ๐Ÿต
๐—•๐—น๐—ฎ๐—ต, ๐—•๐—น๐—ฎ๐—ต, ๐—•๐—น๐—ฎ๐—ต: ๐— ๐˜‚๐—น๐˜๐—ผ

They say grief is like glitter. When itโ€™s recent, itโ€™s everywhere: on your arms, in those weird little corners of your nails, and on your hair, but you canโ€™t even remember touching anythingโ€”seriously scattered into every nook and cranny of your life. Suddenly, your whole life is justโ€ฆ sparkling in the worst way possible. And your ridiculous attempt at cleaning is your ridiculous attempt at gaining control. For a while, youโ€™re okay. Youโ€™re in control.

Stupid, by the way. Glitter doesnโ€™t care about your need for control.

๐™†๐™–๐™ก๐™– ๐™ ๐™คโ€™๐™ฎ ๐™ฅ๐™–๐™ฎ๐™–๐™ฅ๐™–, ๐™—๐™ค๐™จ๐™š๐™จ ๐™ข๐™คโ€™๐™ฎ ๐™ฉ๐™ช๐™ข๐™–๐™ฉ๐™–๐™ฌ๐™–๐™œ ๐™ฅ๐™–

One day, at a time you least expect it, you find one when youโ€™re washing the dishes, when youโ€™re dusting the shelf, or when sifting through your old bodega. There it is again. The tiny glittering dust sparkles unannounced, reminding you of what you lost and how easily it finds its way back to you. Just like that, youโ€™re not as okay as you thought you were.

When youโ€™re walking on your way home, and memories just start flooding in, are you confused as to which is weaker: your knees or your heart? Yeah, grief renders you like that, I should know. That damned glitter floating in the dust motes makes itself seen, and it almost always gets in your eye.

๐™ƒ๐™ž๐™ฃ๐™™๐™ž ๐™ฃ๐™– ๐™ข๐™–๐™ ๐™–๐™ก๐™–๐™ฎ๐™–

Youโ€™re either human or a wailing pig for nights on end. You finally understand Poeโ€™s tirades about grief and longing and despair. How gut-wrenching it is; how cruel, you realize. Youโ€™re as human as you can get. Imprisoned by the very thing that you are supposed to set free, to express and not bottle up. Emotions, you numb POS. I mean, look at you, the ironic and moronic you, writing this in third person because youโ€™re afraid of owning up to the pain.

๐˜ฟ๐™ž๐™ฃ๐™–๐™™๐™–๐™ก๐™–๐™ฌ ๐™ข๐™ค โ€˜๐™ ๐™ค ๐™—๐™–๐™ฌ๐™–๐™ฉ ๐™œ๐™–๐™—๐™ž

Youโ€™ve had your moments questioning your sanity. Is she there? Is she watching you? You canโ€™t get a wink of sleep because in every moment, your mind mistakes silence for presence. While others turn their lights off to sleep better, you fear your darkness becomes her home. The creaks of the fan become footsteps, the light bleeding under your door feels like shadows moving, and the stupid way your heart jumps when your phone vibratesโ€”for one pathetic second, you still think it might be herโ€”checking on you in the middle of the night.

And grief is embarrassing like that. You start finding meaning in the static, in coincidences, and in butterflies landing on your windowsill. All of a sudden, youโ€™re replaying conversations like courtroom evidence, moments where you couldโ€™ve been wiser and softer and kinder.

๐™ˆ๐™ž๐™ฃ๐™ช๐™ข๐™ช๐™ก๐™ฉ๐™ค ๐™ฃ๐™– โ€˜๐™ ๐™ค ๐™ฃ๐™œ ๐™™๐™–๐™ข๐™™๐™–๐™ข๐™ž๐™ฃ ๐™ ๐™ค

The worst part is that the world keeps moving with this disgusting normalcy. People still laugh too loudly in jeepneys; someone still has to buy eggs, and who forgot to turn the faucet off again? So, youโ€™re grieving, and youโ€™re aching, but time moves forward without pause or mercy. It doesnโ€™t wait for you to recover. It spits on the forgotten, the buried, and the dead. I should know.

Oh, God! Thereโ€™s the horrible glitter again!

Iโ€™m left with this horrible feeling of despair, of longing, and of numbness by the hole you left behind. They say grief is like glitter that stubbornly sticks, but maybe weโ€™re the ones pressing it deeper, refusing to brush it away. Because grief is love with nowhere to goโ€”a lingering love with no destination after the hand that once held it is gone.

Sometimes, I wonder how far away I am from you right now. Will we meet again? I donโ€™t knowโ€”although I should. Sometimes, I wonder about your last moments. Was I good company? Were your last tears for me? Did you feel isolated, hurt, and scared?

Am I forgiven? I donโ€™t knowโ€”although I should. Right, ma?

Written by Written By
Proofread by Sophia Patrizia Fernandez
Art by Azekel Imre Loberanes

๐—” ๐—™๐—ฒ๐—ฎ๐˜€๐˜ ๐—ผ๐—ณ ๐—จ๐—ป๐˜„๐—ฎ๐˜ƒ๐—ฒ๐—ฟ๐—ถ๐—ป๐—ด ๐—™๐—ฎ๐—ถ๐˜๐—ตFor many, sacrifice is painful. But for Prophet Ibrahim, it was the truest form of faith.Toda...
27/05/2026

๐—” ๐—™๐—ฒ๐—ฎ๐˜€๐˜ ๐—ผ๐—ณ ๐—จ๐—ป๐˜„๐—ฎ๐˜ƒ๐—ฒ๐—ฟ๐—ถ๐—ป๐—ด ๐—™๐—ฎ๐—ถ๐˜๐—ต

For many, sacrifice is painful. But for Prophet Ibrahim, it was the truest form of faith.

Today, we honor ๐˜Œ๐˜ช๐˜ฅ ๐˜ข๐˜ญ-๐˜ˆ๐˜ฅ๐˜ฉ๐˜ข (Feast of Sacrifice), one of Islamโ€™s major holidays commemorating the devotion and obedience of Prophet Ibrahim to Allah (SWT).

The sacrifice, which entailed giving up his own son, Ismail, was not an easy choice for him to make. But believing it to be a divine command from God, he willingly submitted, surrendering to His will no matter the cost. Yet just as he was about to bind Ismail and carry out the act, God intervened and provided a ram to sacrifice instead, showing that even in difficult times, resolute faith is never left unseen or unrewarded.

Regardless of our religion, may this sacred day remind us to look beyond our own worldly desires and recognize that they should never become our ultimate purpose. And in a world that teaches us to take more, may our faith instead guide us toward the beauty of giving more of ourselvesโ€”not for personal comfort, but for the common good.

๐™€๐™ž๐™™ ๐™ˆ๐™ช๐™—๐™–๐™ง๐™–๐™ , ๐—œ๐—œ๐—ง๐—ถ๐—ฎ๐—ป๐˜€!

๐—”๐——๐——๐—˜๐—ก๐——๐—จ๐— :  Due to venue unavailability, the mock job interviews will be held at the University Gymnasium on July 17, the...
26/05/2026

๐—”๐——๐——๐—˜๐—ก๐——๐—จ๐— : Due to venue unavailability, the mock job interviews will be held at the University Gymnasium on July 17, the Career Center announced.

๐—”๐——๐—ฉ๐—œ๐—ฆ๐—ข๐—ฅ๐—ฌ: Online workshops for graduating students on navigating life after college will be conducted on June 3, while mock interviews will be held on June 4.

Moreover, the employersโ€™ forum and job fair are scheduled on July 21-22, while the Tribute to Graduates Night will be on July 23.

The Office of the Chancellor (OC) announced through Special Order (SO) No. 00809 s. 2026 on May 18, as per the recommendations of the Office of the Vice Chancellor for Student Services (OVCSS) and Office of the Vice Chancellor for Academic Affairs (OVCAA).

๐—”๐——๐——๐—˜๐—ก๐——๐—จ๐— : Due to venue unavailability, the mock job interviews will be held at the University Gymnasium on July 17, the Career Center announced.

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