The Freehand

19/07/2025

𝐀𝐍𝐍𝐎𝐔𝐍𝐂𝐄𝐌𝐄𝐍𝐓
𝐄𝐯𝐞𝐧𝐭 𝐂𝐚𝐧𝐜𝐞𝐥𝐥𝐚𝐭𝐢𝐨𝐧 𝐍𝐨𝐭𝐢𝐜𝐞: 𝐊𝐀𝐀𝐍𝐆𝐓𝐀𝐍𝐀𝐍: 𝐁𝐞𝐬𝐭 𝐀𝐫𝐜𝐡𝐢𝐭𝐞𝐜𝐭𝐮𝐫𝐞 𝐓𝐡𝐞𝐬𝐞𝐬 𝐄𝐱𝐡𝐢𝐛𝐢𝐭 𝟐𝟎𝟐𝟓

Due to the bad weather conditions brought by Typhoon Crising, we regret to inform everyone that the KAANGTANAN: Best Architecture Theses Exhibit 2025 is officially cancelled for the safety of all participants and attendees.

We understand the excitement and effort that has gone into this event, but everyone’s safety remains our top priority.

Please stay tuned for further updates regarding the next steps or possible rescheduling. We encourage everyone to keep safe and take necessary precautions during this time.

Thank you for your understanding.

15/07/2025

𝐄𝐍𝐕𝐈𝐒𝐈𝐎𝐍𝐈𝐍𝐆 𝐒𝐔𝐒𝐓𝐀𝐈𝐍𝐀𝐁𝐋𝐄 𝐀𝐍𝐃 𝐂𝐎𝐌𝐌𝐔𝐍𝐈𝐓𝐘-𝐃𝐑𝐈𝐕𝐄𝐍 𝐃𝐄𝐒𝐈𝐆𝐍𝐒 – 𝐏𝐔𝐏 𝐈𝐍𝐓𝐄𝐑𝐈𝐎𝐑 𝐃𝐄𝐒𝐈𝐆𝐍 𝐒𝐓𝐔𝐃𝐄𝐍𝐓𝐒 𝐑𝐄𝐕𝐈𝐓𝐀𝐋𝐈𝐙𝐄 𝐅𝐈𝐋𝐈𝐏𝐈𝐍𝐎 𝐌𝐀𝐑𝐐𝐔𝐄𝐓𝐑𝐘 𝐀𝐓 𝐔𝐊𝐈𝐓 𝐈𝐍𝐓𝐄𝐑𝐈𝐎𝐑 𝐃𝐄𝐒𝐈𝐆𝐍 𝐄𝐗𝐇𝐈𝐁𝐈𝐓

July 8, 2025— PUP Interior Design students from the College of Architecture, Design, and the Built Environment (CADBE) showcased their talents at Ayala Malls Circuit in Makati in an exhibition titled UKIT: Revitalizing Filipino Marquetry through Sustainable, Community‑Centered Interior Design Solutions. This public display followed the formal turnover of their dedicated project for Barangay 636 in Sta. Mesa, Manila, and featured a striking collection of student‑designed furniture.

The gates opened at 12:30 PM, welcoming a diverse audience of students, parents, community representatives, event partners, co‑presenters, and university faculty. At approximately 1:30 PM, class president Mr. Jhon Paulo Feliciano and Interior Design Chairperson Dr. Billie Dela Cruz delivered opening remarks, explaining the exhibition’s purpose and significance.

Mr. Feliciano then described how the class had been organized into four thematic groups—Bukal, Binhi, Ani, and Sibol—each responsible for developing a design concept under the overarching theme Yugto. After outlining these group projects, he led a brief appreciation segment to recognize the Barangay 636 authorities, community members, and fellow students for their collaboration.

Following this insightful discussion, the atmosphere shifted to one of anticipation as special guest IDr. Raquel Florendo, PhD, FPIID, a highly respected figure in the Philippine interior design community, took the stage. IDr. Florendo delivered an inspiring and thought-provoking address that resonated deeply with both students and professionals alike. She began by acknowledging the condition of the evolving landscape of interior design in the Philippines, highlighting its progressing acknowledgement in the country. IDr. Florendo then transitioned to a heartfelt commendation of the students' outstanding work, specifically referencing the innovative ways they had integrated Filipino Marquetry into their designs. Her words were not just polite praise; they were a genuine recognition of the students' talent, dedication, and their ability to push creative boundaries.

After the presentations, certificates were conferred upon student participants, faculty mentors, and partnering organizations, culminating in a symbolic ribbon‑cutting that opened the display to the public. Subsequently, visitors lingered over the pieces long after the formal program concluded at 3:30 PM.

Elainah Jacinto, 2025

Photographs: Philip Noniscan

08/07/2025

An Ongoing Eulogy: One for Every Version of Me

It is a curious thing how often we find ourselves commemorating someone's life only after they have passed. We gather to speak about their accomplishments, their kindness, their spirit, and how their presence in the world shaped those around them. And yet, when that person is still alive, we rarely pause to honor them in the same way. "Today, let us reflect on the life of one such person—a person who, in their own quiet way, always did what needed to be done. Someone who faced each day with the same determination to live as meaningfully as they could, even when life presented them with insurmountable challenges."

Why are good things and memories often spoken of only at the moment when it's too late to hear them, too late to appreciate the sentiment, and too late to feel the warmth of the words as they are directed at us? How strange it is that a funeral becomes the grand moment of reflection. What if, instead of waiting for a distant future where we are absent from our own story, we decided to speak those words of praise to ourselves?

—a eulogy at every end of each chapter of our lives.

Let us think about this for a moment. Every phase of life is filled with its own victories and trials, each phase a story of survival, of resilience. From metaphorically dying from your first heartbreak to going through your college life to figuring out how to be an adult without anyone telling you anymore what is right and wrong—we constantly evolve and navigate our way through the challenges and joys that come with each stage. So why not celebrate these moments now, while we are still breathing, still present, still able to hear the sound of our own inner voices? Imagine standing before a mirror at the end of each day or each phase, acknowledging the great job you did to survive, to learn, to become. Imagine embracing yourself with the same warmth and recognition that others would speak about you at your funeral. Why wait for the final act of life to receive these words when they can be your daily affirmation, a part of your living story?

In every phase, in every moment, we have the power to commemorate our own existence. This is not an act of self-praise or arrogance, but a necessary act of self-care. It is a reminder that the journey we are on is meaningful and valuable, even in its most mundane moments. So, as we look back at this person’s life, as we remember their triumphs and their kindness, let us also look inward. Let us take a moment to reflect on our own journey, not just as a passing thought, but as a celebration of life in every stage. Let us commit to telling ourselves, at the end of every phase, of every era, that we did a good job—not in mourning, but in a spirit of joy, in a spirit of celebration. For in doing so, we honor the person we are, right now, and rightfully so.

𝘑𝘢𝘮 𝘙𝘰𝘴𝘦 𝘔𝘢𝘯𝘢-𝘢𝘺, 2025
𝘐𝘭𝘭𝘶𝘴𝘵𝘳𝘢𝘵𝘪𝘰𝘯 𝘣𝘺: Philip Noniscan

03/07/2025

𝐔𝐊𝐈𝐓 𝐆𝐨𝐞𝐬 𝐭𝐨 𝐭𝐡𝐞 𝐌𝐚𝐥𝐥!
Experience design with a heart and purpose at the 𝐔𝐊𝐈𝐓: 𝐁𝐒𝐈𝐃 𝐄𝐱𝐡𝐢𝐛𝐢𝐭 𝟐𝟎𝟐𝟓 — now taking center stage at Ayala Malls Circuit Activity Center!
Registration Starts at 12:30 PM!

📍 Location: Ayala Malls Circuit, Makati City
🗓 Grand Opening: July 8, 2025 | 1:00 PM onwards
🕰 Open to the Public:

• July 8 | 3:45 PM – 9:00 PM
• July 9–10 | 10:00 AM – 9:00 PM (Mall Hours)

Step into a showcase of revitalized Filipino marquetry through sustainable, community-centered interior design solutions — proudly crafted by the graduating class of BS Interior Design from PUP.
See creativity, culture, and craftsmanship come alive. Don’t miss it!

𝐌𝐚𝐥𝐥 𝐂𝐨-𝐏𝐫𝐞𝐬𝐞𝐧𝐭𝐨𝐫𝐬
Ayala Malls Circuit
Cafe Maliya
Bezalel's Floral Designs
La Gracia's Homemade Delights
𝐂𝐨-𝐏𝐫𝐞𝐬𝐞𝐧𝐭𝐨𝐫𝐬
Cedarside Industries, Inc.
Landlite Lighting Solutions
Keystone Lamps and Shades
Boysen Paints Philippines
Focolare Carpentry
𝐌𝐚𝐣𝐨𝐫 𝐒𝐩𝐨𝐧𝐬𝐨𝐫𝐬
ABC Phil., Inc.
Sofida Sign
Architrave Trading
𝐌𝐢𝐧𝐨𝐫 𝐒𝐩𝐨𝐧𝐬𝐨𝐫𝐬
BOSTIK
Adefuin Design Studio
F + T Design and Construction
ZERA
Palwood Philippines
Studio Fino Interior Design

𝐔𝐊𝐈𝐓 𝐆𝐨𝐞𝐬 𝐭𝐨 𝐭𝐡𝐞 𝐌𝐚𝐥𝐥!
Experience design with a heart and purpose at the 𝐔𝐊𝐈𝐓: 𝐁𝐒𝐈𝐃 𝐄𝐱𝐡𝐢𝐛𝐢𝐭 𝟐𝟎𝟐𝟓 — now taking center stage at Ayala Malls Circuit Activity Center!

Registration Starts at 12:30 PM!
📍 Location: Ayala Malls Circuit, Makati City
🗓 Grand Opening: July 8, 2025 | 1:00 PM onwards
🕰 Open to the Public:
• July 8 | 3:45 PM – 9:00 PM
• July 9–10 | 10:00 AM – 9:00 PM (Mall Hours)

Step into a showcase of revitalized Filipino marquetry through sustainable, community-centered interior design solutions — proudly crafted by the graduating class of BS Interior Design from PUP.

See creativity, culture, and craftsmanship come alive. Don’t miss it!

𝐌𝐚𝐥𝐥 𝐂𝐨-𝐏𝐫𝐞𝐬𝐞𝐧𝐭𝐨𝐫𝐬
Ayala Malls Circuit
Cafe Maliya
Bezalel's Floral Designs
La Gracia's Homemade Delights

𝐂𝐨-𝐏𝐫𝐞𝐬𝐞𝐧𝐭𝐨𝐫𝐬
Cedarside Industries, Inc.
Landlite Lighting Solutions
Keystone Lamps and Shades
Boysen Paints Philippines
Focolare Carpentry

𝐌𝐚𝐣𝐨𝐫 𝐒𝐩𝐨𝐧𝐬𝐨𝐫𝐬
ABC Phil., Inc.
Sofida Sign
Architrave Trading

𝐌𝐢𝐧𝐨𝐫 𝐒𝐩𝐨𝐧𝐬𝐨𝐫𝐬
BOSTIK
Adefuin Design Studio
F + T Design and Construction
ZERA
Palwood Philippines
Studio Fino Interior Design

30/06/2025

𝐁𝐄𝐘𝐎𝐍𝐃 𝐏𝐀𝐈𝐍𝐓𝐈𝐍𝐆 𝐑𝐀𝐈𝐍𝐁𝐎𝐖𝐒: 𝐐𝐮𝐞𝐞𝐫𝐢𝐧𝐠 𝐒𝐩𝐚𝐜𝐞𝐬
As Pride Month ends, The Freehand features a powerful thesis reimagining homecare for q***r elderlies — a community often overlooked in architecture. Inspired by the vibrant Golden G**s of Manila, the study designs transitional spaces that celebrate identity, companionship, dignity, and inclusivity. More than rainbow flags, these spaces reflect real q***r lives and their stories.

Let’s continue to build spaces that don’t just comply, but care.

Read More: https://medium.com//beyond-painting-rainbows-q***ring-spaces-84f52c10d6c7
Thesis Story: Jamie Samonte
Article: Fred Ociones
Interview and Curation: PJ Balaoro

30/06/2025

𝗗𝗲𝗸𝗼𝗹𝗼𝗻𝗶𝘀𝗮𝘀𝘆𝗼𝗻 𝗻𝗴 𝗣𝗮𝗴𝗸𝗮𝗸𝗮𝗸𝗶𝗹𝗮𝗻𝗹𝗮𝗻: 𝗠𝘂𝗹𝗶𝗻𝗴 𝗣𝗮𝗴𝘆𝗮𝗸𝗮𝗽 𝘀𝗮 𝗞𝗮𝘀𝗮𝗿𝗶𝗮𝗻 𝗻𝗴 𝗪𝗶𝗸𝗮𝗻𝗴 𝗙𝗶𝗹𝗶𝗽𝗶𝗻𝗼

Ang wika ay hindi lamang kasangkapan ng komunikasyon; ito rin ay isang salamin ng ating kaisipan, kultura, at pagkatao. Sa panahon ngayon, kung saan ang pagkakakilanlan ay patuloy na hinahamon at pinapalawak, lalong nagiging mahalaga ang papel ng wika sa pagtanggap at pagunawa sa kasarian at sekswalidad.

Sa mga bansang Kanluranin, patuloy ang pagkilos tungo sa pagkakapantay-pantay na pagkilala—gumagamit sila ng gender-neutral na mga salita at panghalip tulad ng "they/them" upang kumatawan sa mga indibidwal na hindi saklaw ng tradisyunal na binaryong kasarian. Ngunit sa atin sa Pilipinas, maaaring hindi na natin kailangan pang baguhin o likhain muli ang ating wika, dahil mula pa noon, tayo ay gumagamit na ng mga terminong walang kinikilalang kasarian. Isipin mo ang
panghalip na “siya,” “niya,” at “kaniya”; ang mga ito ay ginagamit upang tumukoy sa sinuman, anuman ang kanilang kasarian—lalaki, babae, o non-binary. Wala itong katumbas na “he” o “she” sa Ingles at hindi rin ito nangangailangan ng pagkakaiba sa gramatika depende sa kasarian ng pinatutungkulan. Isa pa, ang salitang “kapatid” ay hindi kailanman kinailangan ng gender modifier upang maging epektibo. Hindi mo kailangang tukuyin kung “brother” o “sister”—ang “kapatid” ay
sapat na. Noong 2022, ako ay sumulat ng artikulo tungkol sa mga salitang kolokyal na ginagamit bilang tawag o endearment na sa kabila ng pagiging makabago ay hindi rin nakatali sa kasarian. Gaya ng “beh,” “teh,” “boss,” at “lods”—mga salitang puwedeng gamitin sa sinuman, lalaki man, babae, o hindi binaryo. Ang kanilang likas na pagiging gender-neutral ay nagpapakita na sa ating pang-araw-araw na paggamit ng wika, natural sa ating mga Pilipino ang hindi pagbibigay-diin sa
kasarian.

Ngunit isang mas malalim na katotohanan ang lumilitaw kapag tiningnan natin ang ating kasaysayan. Bago pa man dumating ang mga dayuhan at dala ang mga konsepto ng patriyarka at “heteronormativity”, ang ating mga komunidad ay may bukas na pananaw ukol sa kasarian. Ang mga babaylan, halimbawa—kadalasa’y kababaihan pero pwede ring asog, bayoguin, at binabayi
(Quintos 2012; UNDP, CHR 2018). Ayon kay Marc Conaco ng Smithsonian Asian Pacific American
Center, ang mga babaylan ay maaaring magkaroon ng relasyon sa sinumang kasarian at hindi sila nililimitahan sa mga pag-uuri gaya ng “straight” o “gay.” Sila ay mahalagang bahagi ng lipunan— tagapag-ingat ng kultura, espiritwalidad, at kaayusan ng pamayanan.

Kung gayon, bakit tila hirap pa rin tayo ngayong tanggapin ang mga pagkakakilanlan na lumalampas sa “lalaki” at “babae”? Sa isang lipunan kung saan ang wika mismo ay kayang maging inklusibo, bakit tila hindi makasabay ang pananaw ng marami? Ang kasagutan ay nasa sugat ng kolonisasyon—hindi lang sa katawan ng bayan kundi pati na rin sa ating mga pananaw.

Hindi ko sinasabing perpektong gender-neutral ang wikang Filipino—sapagkat walang wika sa
mundo ang ganap na walang kasarian. Ngunit ang mahalaga, kumpara sa mga wikang Kanluranin,
may likas tayong kaluwagan at pag-tanggap. Hindi kailangang tukuyin ang kasarian maliban na
lamang kung ito’y mahalaga sa konteksto ng usapan. Maraming wika sa Pilipinas, hindi lamang Tagalog, ang kayang umiwas sa mga kategoryang kasarian at igalang ang identidad ng bawat isa. Sa huli, ang ating wika ay patunay ng kung sino tayo bago pa man tayo naimpluwensyahan ng dayuhan—bukas, marunong rumespeto, at may kakayahang yakapin ang pagkakaiba. Sa bawat "siya" at "kapatid" na binibigkas natin, inaanyayahan tayong balikan ang ating pinagmulan: 𝗶𝘀𝗮𝗻𝗴 𝗯𝗮𝘆𝗮𝗻𝗴 𝗺𝗮𝗹𝗮𝘆𝗮 𝗮𝘁 𝗺𝗮𝘆 𝗽𝗮𝗴𝗽𝗮𝗽𝗮𝗵𝗮𝗹𝗮𝗴𝗮 𝘀𝗮 𝗯𝗮𝘄𝗮𝘁 𝗽𝗮𝗴𝗸𝗮𝗸𝗮𝗸𝗶𝗹𝗮𝗻𝗹𝗮𝗻, 𝗮𝗻𝘂𝗺𝗮𝗻 𝗮𝗻𝗴 𝗮𝗻𝘆𝗼 𝗻𝗶𝘁𝗼.

𝘑𝘢𝘮 𝘙𝘰𝘴𝘦 𝘔𝘢𝘯𝘢-𝘢𝘺, 2025
𝘐𝘭𝘭𝘶𝘴𝘵𝘳𝘢𝘵𝘪𝘰𝘯 𝘣𝘺: 𝘒𝘰𝘳𝘺𝘯𝘦 𝘗𝘢𝘯𝘨𝘪𝘭𝘪𝘯𝘢𝘯

30/06/2025

30/06/2025

𝗢𝗻𝗲 𝗕𝗶𝗴 𝗦𝘁𝗲𝗽: 𝟰𝘁𝗵 𝗬𝗲𝗮𝗿 𝗔𝗿𝗸𝗶 𝗣𝗨𝗣𝗶𝗮𝗻𝘀 𝘂𝗻𝗱𝗲𝗿𝗴𝗼 𝗥𝗠𝗔 𝗗𝗲𝗹𝗶𝗯𝗲𝗿𝗮𝘁𝗶𝗼𝗻𝘀 𝟮𝟬𝟮𝟱

As they approach their final year, fourth year student designers present for this year’s Research Methods for Architecture (RMA) Deliberations last June 9 to 14 through an online zoom set up.

The deliberations were a preliminary requirement aimed to equip upcoming senior architecture students for their thesis on Architectural Design 9 and 10, and eventually, in actual practice.

In order to pass, arki students must display data proving their proposal’s relevance and feasibility — as well as its innovation and value to society. This ensures a solid foundation of the architectural research and what steps to take next.

Spanning from 9:00 AM to 3:30 PM, BS Architecture 4-1 to 4-5 presented their endorsed thesis titles spanning on different types of research topics including health facilities, rehabilitation, ecotourism, housing, and similar facilities to aid social issues.

Each participant was given 40 minutes to show a recorded report and was assessed and questioned by three juries. These juries also gave suggestions and feedback to further improve the thesis titles.

The week-long event took a whole semester of preparation by fourth year students. From three initial titles, the options were handpicked to a single title, which was eventually presented in the deliberations.

𝘛𝘳𝘪𝘹𝘪𝘦 𝘔𝘢𝘦 𝘋𝘦𝘭 𝘙𝘰𝘴𝘢𝘳𝘪𝘰, 2025

25/06/2025

𝐋𝐎𝐎𝐊: 𝟓𝐭𝐡 𝐲𝐞𝐚𝐫 𝐀𝐫𝐜𝐡𝐢𝐭𝐞𝐜𝐭𝐮𝐫𝐞 𝐒𝐭𝐮𝐝𝐞𝐧𝐭𝐬 𝐟𝐫𝐨𝐦 𝐏𝐔𝐏 𝐂𝐀𝐃𝐁𝐄 𝐂𝐨𝐧𝐜𝐥𝐮𝐝𝐞𝐬 𝐓𝐡𝐞𝐢𝐫 𝐓𝐡𝐞𝐬𝐢𝐬 𝐚𝐬 𝐆𝐫𝐚𝐧𝐭𝐞𝐞𝐬 𝐨𝐟 𝐀𝐑𝐂 𝐋𝐈𝐂𝐎'𝐬 𝐒𝐚𝐥𝐢𝐤𝐬𝐢𝐤 𝐏𝐚𝐦𝐚𝐧𝐚 𝟐𝟎𝟐𝟓

The three grantees applied for the scholarship last year, with their thesis work listed below, all revolving around the firm's advocacy for heritage: transformation through rehabilitation, redevelopment, adaptive-reuse, conservation of indigenous architecture and others. The young designers for heritage received a finance grant and consultation oppotunity from Ar. Gerard Lico.

𝘍𝘰𝘳𝘮𝘴 𝘰𝘧 𝘌𝘯𝘵𝘢𝘯𝘨𝘭𝘦𝘮𝘦𝘯𝘵: 𝘈 𝘚𝘦𝘯𝘴𝘪𝘵𝘪𝘷𝘦 𝘈𝘥𝘢𝘱𝘵𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘗𝘢𝘯𝘵𝘢𝘺𝘰𝘯𝘨 𝘗𝘢𝘯𝘢𝘯𝘢𝘸 𝘪𝘯 𝘋𝘦𝘴𝘪𝘨𝘯𝘪𝘯𝘨 𝘢 𝘛𝘣𝘰𝘭𝘪 𝘏𝘰𝘶𝘴𝘦 𝘰𝘧 𝘓𝘪𝘷𝘪𝘯𝘨 𝘛𝘳𝘢𝘥𝘪𝘵𝘪𝘰𝘯𝘴
𝘣𝘺 𝘑𝘢𝘮𝘢𝘪𝘤𝘢 𝘙𝘰𝘴𝘦 𝘔𝘢𝘯𝘢-𝘢𝘺

𝘚𝘵𝘳𝘪𝘬𝘦 𝘍𝘳𝘰𝘮 𝘉𝘦𝘭𝘰𝘸: 𝘈𝘳𝘤𝘩𝘪𝘵𝘦𝘤𝘵𝘶𝘳𝘢𝘭 𝘗𝘢𝘭𝘪𝘮𝘱𝘴𝘦𝘴𝘵 𝘢𝘴 𝘔𝘰𝘥𝘢𝘭𝘪𝘵𝘺 𝘪𝘯 𝘙𝘦𝘴𝘶𝘳𝘧𝘢𝘤𝘪𝘯𝘨 𝘔𝘦𝘮𝘰𝘳𝘺 𝘰𝘧 𝘵𝘩𝘦 𝘚𝘶𝘯𝘬𝘦𝘯 𝘗𝘢𝘯𝘵𝘢𝘣𝘢𝘯𝘨𝘢𝘯 𝘛𝘰𝘸𝘯 𝘪𝘯 𝘋𝘦𝘴𝘪𝘨𝘯𝘪𝘯𝘨 𝘢 𝘊𝘰𝘮𝘮𝘶𝘯𝘪𝘵𝘺 𝘚𝘰𝘤𝘪𝘢𝘭 𝘊𝘦𝘯𝘵𝘦𝘳
𝘣𝘺 𝘓𝘦𝘪 𝘑𝘰𝘳𝘪𝘦𝘭𝘭𝘦 𝘚𝘰𝘳𝘪𝘢

𝘛𝘪𝘮𝘦 𝘢𝘯𝘥 𝘚𝘱𝘢𝘤𝘦 𝘙𝘦𝘷𝘦𝘳𝘣: 𝘈𝘱𝘱𝘭𝘺𝘪𝘯𝘨 𝘈𝘳𝘤𝘩𝘪𝘵𝘦𝘤𝘵𝘶𝘳𝘢𝘭 𝘙𝘶𝘪𝘯𝘪𝘯𝘨 𝘢𝘯𝘥 𝘙𝘦𝘴𝘰𝘯𝘢𝘯𝘤𝘦 𝘪𝘯 𝘛𝘳𝘢𝘯𝘴𝘧𝘰𝘳𝘮𝘪𝘯𝘨 𝘊𝘢𝘴𝘢 𝘏𝘢𝘤𝘪𝘦𝘯𝘥𝘢 𝘋𝘦 𝘛𝘦𝘫𝘦𝘳𝘰𝘴 𝘪𝘯𝘵𝘰 𝘢 𝘗𝘶𝘣𝘭𝘪𝘤 𝘓𝘦𝘢𝘳𝘯𝘪𝘯𝘨 𝘊𝘰𝘮𝘮𝘰𝘯𝘴
𝘣𝘺 𝘕𝘢𝘵𝘩𝘢𝘭𝘪𝘦 𝘍𝘢𝘪𝘵𝘩 𝘖. 𝘊𝘢𝘯𝘰𝘯𝘢

Congratulations to our Young Designers!

11/06/2025

⏰ 𝟯 𝗱𝗮𝘆𝘀 𝘁𝗼 𝗴𝗼! ⏰

Future designers, planners, and architects, the countdown is ON! 🔥

In just 3 days, we’re kicking off 𝙋𝙍𝙊-𝙛𝙞𝙡𝙚𝙙: 𝙊𝙅𝙏 𝙍𝙚𝙖𝙙𝙞𝙣𝙚𝙨𝙨 𝙞𝙣 𝙄𝙙𝙚𝙣𝙩𝙞𝙩𝙮 𝙖𝙣𝙙 𝙄𝙣𝙙𝙪𝙨𝙩𝙧𝙮 – your gateway to building a successful OJT experience and stepping into the world of design and construction!

Whether you’re in Architecture, Interior Design, or Environmental Planning, this is your opportunity to align your skills with the industry's needs and set yourself up for success. 🏛️📐

𝘼𝙧𝙚 𝙮𝙤𝙪 𝙧𝙚𝙖𝙙𝙮 𝙩𝙤 𝙋𝙍𝙊-𝙛𝙞𝙡𝙚 𝙮𝙤𝙪𝙧 𝙛𝙪𝙩𝙪𝙧𝙚? 𝙇𝙚𝙩'𝙨 𝙙𝙤 𝙩𝙝𝙞𝙨! 💪

📅 June 14, 2025
🕒 1:30 PM - 5:00 PM
📍 Zoom

REGISTER HERE: tinyurl.com/ProFiledOJTWebinar-RegForm

11/06/2025