MDC HS Sentry

MDC HS Sentry The Official Publication of Mater Dei College High School Department

๐„๐ฑ๐š๐œ๐ญ๐ฅ๐ฒ 43 ๐ฒ๐ž๐š๐ซ๐ฌ ๐š๐ ๐จ, ๐š ๐ฆ๐š๐ง ๐ซ๐ž๐ญ๐ฎ๐ซ๐ง๐ž๐ ๐š๐ง๐ ๐ฐ๐š๐ฌ ๐ค๐ข๐ฅ๐ฅ๐ž๐; ๐ญ๐ก๐ž๐ง ๐ญ๐ก๐ž ๐œ๐จ๐ฎ๐ง๐ญ๐ซ๐ฒ ๐œ๐ก๐š๐ง๐ ๐ž๐.A politician and journalist, ๐๐ž๐ง๐ข๐ ๐ง๐จ โ€œ๐๐ข๐ง๐จ...
21/08/2026

๐„๐ฑ๐š๐œ๐ญ๐ฅ๐ฒ 43 ๐ฒ๐ž๐š๐ซ๐ฌ ๐š๐ ๐จ, ๐š ๐ฆ๐š๐ง ๐ซ๐ž๐ญ๐ฎ๐ซ๐ง๐ž๐ ๐š๐ง๐ ๐ฐ๐š๐ฌ ๐ค๐ข๐ฅ๐ฅ๐ž๐; ๐ญ๐ก๐ž๐ง ๐ญ๐ก๐ž ๐œ๐จ๐ฎ๐ง๐ญ๐ซ๐ฒ ๐œ๐ก๐š๐ง๐ ๐ž๐.

A politician and journalist, ๐๐ž๐ง๐ข๐ ๐ง๐จ โ€œ๐๐ข๐ง๐จ๐ฒโ€ ๐€๐ช๐ฎ๐ข๐ง๐จ ๐‰๐ซ., became one of the leading opposition figures against former President Ferdinand Marcos Sr. He was imprisoned and, after his health deteriorated, was allowed to go to the United States for medical treatment. However, knowing that his country was facing a serious economic and political crisis, and despite knowing the risks, he returned for a change.

On August 21, 1983, he came back to the Philippines. Shortly after leaving the airplane, he was assassinated. ๐™ƒ๐™ž๐™จ ๐™ก๐™ž๐™›๐™š ๐™ข๐™ž๐™œ๐™๐™ฉ ๐™๐™–๐™ซ๐™š ๐™š๐™ฃ๐™™๐™š๐™™, ๐™—๐™ช๐™ฉ ๐™๐™ž๐™จ ๐™ฅ๐™ช๐™ง๐™ฅ๐™ค๐™จ๐™š ๐™˜๐™ค๐™ฃ๐™ฉ๐™ž๐™ฃ๐™ช๐™š๐™™. Because of his death, more Filipinos participated in protests and opposition movements.

Today, we commemorate the life that ended for his love for the country. ๐™ˆ๐™–๐™ฎ ๐™๐™ž๐™จ ๐™ฃ๐™–๐™ข๐™š ๐™–๐™ฃ๐™™ ๐™™๐™š๐™–๐™ฉ๐™ ๐™–๐™ก๐™ฌ๐™–๐™ฎ๐™จ ๐™ง๐™š๐™ข๐™ž๐™ฃ๐™™ ๐™š๐™ซ๐™š๐™ง๐™ฎ ๐™๐™ž๐™ก๐™ž๐™ฅ๐™ž๐™ฃ๐™ค ๐™ฉ๐™๐™–๐™ฉ ๐™›๐™ง๐™š๐™š๐™™๐™ค๐™ข ๐™–๐™ฃ๐™™ ๐™™๐™š๐™ข๐™ค๐™˜๐™ง๐™–๐™˜๐™ฎ ๐™–๐™ง๐™š ๐™ฃ๐™ค๐™ฉ ๐™ฅ๐™ง๐™ž๐™ซ๐™ž๐™ก๐™š๐™œ๐™š๐™จ ๐™ฉ๐™ค ๐™—๐™š ๐™ฉ๐™–๐™ ๐™š๐™ฃ ๐™›๐™ค๐™ง ๐™œ๐™ง๐™–๐™ฃ๐™ฉ๐™š๐™™, ๐™—๐™ช๐™ฉ ๐™ง๐™ž๐™œ๐™๐™ฉ๐™จ ๐™ฌ๐™ค๐™ง๐™ฉ๐™ ๐™ฅ๐™ง๐™ค๐™ฉ๐™š๐™˜๐™ฉ๐™ž๐™ฃ๐™œ ๐™–๐™ฃ๐™™ ๐™จ๐™ฉ๐™–๐™ฃ๐™™๐™ž๐™ฃ๐™œ ๐™ช๐™ฅ ๐™›๐™ค๐™ง.

Caption | Excel Jhay Enad
Graphics | Abrielle Jace Carnice

#๐„๐ฑ๐ฉ๐ž๐ซ๐ข๐ž๐ง๐œ๐ž๐Œ๐ƒ๐‚๐‡๐ข๐ ๐ก

#๐™ƒ๐™Š๐™ˆ๐™€๐™Š๐™๐™€๐™“๐˜พ๐™€๐™‡๐™‡๐™€๐™‰๐™๐˜ผ๐˜พ๐™ƒ๐™„๐™€๐™‘๐™€๐™๐™Ž
#๐™พ๐š—๐šŽ๐™ถ๐š›๐šŽ๐šŠ๐š๐™ท๐šŠ๐šŸ๐šŽ๐š—๐š˜๐š๐š‚๐šŽ๐šŠ๐š๐šž๐š•๐š•๐šœ

๐…๐„๐€๐“๐”๐‘๐„ | ๐’๐ค๐ž๐ญ๐œ๐ก๐ข๐ง๐  ๐“๐จ๐ฆ๐จ๐ซ๐ซ๐จ๐ฐ: ๐‡๐จ๐ฐ ๐Œ๐š๐ฅ๐ž๐ž๐ง ๐ˆ๐ฌ ๐ƒ๐ซ๐š๐ฐ๐ข๐ง๐  ๐‡๐ž๐ซ ๐…๐ฎ๐ญ๐ฎ๐ซ๐ž๐˜ฃ๐˜บ ๐˜‘๐˜ข๐˜ฏ๐˜ณ๐˜ช๐˜ค๐˜ฌ๐˜ด ๐˜‹๐˜ฉ๐˜ฐ๐˜ฃ๐˜ฆ ๐˜Š. ๐˜Ž๐˜ฐ๐˜ณ๐˜ฅ๐˜ฐ๐˜ท๐˜ฆEvery dream begins with a sing...
19/08/2026

๐…๐„๐€๐“๐”๐‘๐„ | ๐’๐ค๐ž๐ญ๐œ๐ก๐ข๐ง๐  ๐“๐จ๐ฆ๐จ๐ซ๐ซ๐จ๐ฐ: ๐‡๐จ๐ฐ ๐Œ๐š๐ฅ๐ž๐ž๐ง ๐ˆ๐ฌ ๐ƒ๐ซ๐š๐ฐ๐ข๐ง๐  ๐‡๐ž๐ซ ๐…๐ฎ๐ญ๐ฎ๐ซ๐ž
๐˜ฃ๐˜บ ๐˜‘๐˜ข๐˜ฏ๐˜ณ๐˜ช๐˜ค๐˜ฌ๐˜ด ๐˜‹๐˜ฉ๐˜ฐ๐˜ฃ๐˜ฆ ๐˜Š. ๐˜Ž๐˜ฐ๐˜ณ๐˜ฅ๐˜ฐ๐˜ท๐˜ฆ

Every dream begins with a single step; yet for many young Filipinos, that first step is often met with obstacles beyond their control. Poverty, limited opportunities, and uncertainty continue to shape the realities of countless children across the country. Still, some choose to confront these challenges with quiet determination. Among them is ๐Ÿ๐Ÿ‘-๐˜†๐—ฒ๐—ฎ๐—ฟ-๐—ผ๐—น๐—ฑ ๐— ๐—ฎ๐—น๐—ฒ๐—ฒ๐—ป, whose story demonstrates that ๐—ฟ๐—ฒ๐˜€๐—ถ๐—น๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ, ๐—ต๐˜‚๐—บ๐—ถ๐—น๐—ถ๐˜๐˜†, and ๐—ต๐—ผ๐—ฝ๐—ฒ can transform even the simplest act into a powerful pursuit of a better future.

At the University of the Philippines Dilimanโ€™s Sunken Garden, Maleen spends her days creating hand-drawn portraits for passersby. Armed with only a pencil, paper, and her artistic talent, she offers sketches for as little as โ‚ฑ10, using her earnings to help support her family while continuing her education. Her greatest aspiration is to one day become an ๐—œ๐˜€๐—ธ๐—ผ๐—น๐—ฎ๐—ฟ ๐—ป๐—ด ๐—•๐—ฎ๐˜†๐—ฎ๐—ป and study at the very university where she now earns a modest living.

Maleenโ€™s story, however, is not defined solely by her ability to draw. It is distinguished by the quiet dignity with which she carries herself. Rather than calling out to attract customers or persuading people to purchase her work, she patiently waits for those who willingly choose to have their portraits drawn. Her humility reflects a deep respect for others and an understanding that genuine talent does not demand attentionโ€”๐—ถ๐˜ ๐—ฒ๐—ฎ๐—ฟ๐—ป๐˜€ ๐—ถ๐˜.

๐—ง๐—ต๐—ฎ๐˜ ๐—พ๐˜‚๐—ถ๐—ฒ๐˜ ๐—ฐ๐—ผ๐—ป๐—ณ๐—ถ๐—ฑ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐—ถ๐˜€ ๐—ฟ๐—ผ๐—ผ๐˜๐—ฒ๐—ฑ ๐—ป๐—ผ๐˜ ๐—ผ๐—ป๐—น๐˜† ๐—ถ๐—ป ๐—ต๐—ฒ๐—ฟ ๐—ฐ๐—ต๐—ฎ๐—ฟ๐—ฎ๐—ฐ๐˜๐—ฒ๐—ฟ ๐—ฏ๐˜‚๐˜ ๐—ฎ๐—น๐˜€๐—ผ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ฟ๐—ฒ๐—ฎ๐—น๐—ถ๐˜๐—ถ๐—ฒ๐˜€ ๐˜€๐—ต๐—ฒ ๐—ต๐—ฎ๐˜€ ๐—น๐—ฒ๐—ฎ๐—ฟ๐—ป๐—ฒ๐—ฑ ๐˜๐—ผ ๐—ณ๐—ฎ๐—ฐ๐—ฒ ๐—ฎ๐˜ ๐—ฎ ๐˜†๐—ผ๐˜‚๐—ป๐—ด ๐—ฎ๐—ด๐—ฒ.

Despite her young age, Maleen speaks with an awareness shaped by experience. She recognizes the financial hardships her family faces and understands how poverty can affect access to education and opportunities. Her observations mirror the realities encountered by many Filipino families striving to build better lives despite limited resources.

Yet hardship has not diminished her optimism. Instead, it has strengthened her resolve. Every portrait she completes represents more than a finished drawing; it is another step toward the future she envisions for herself. Through patience, discipline, and perseverance, she continues to work toward a goal that extends beyond personal successโ€”a quality that has inspired many who have learned about her journey.

๐— ๐—ฎ๐—น๐—ฒ๐—ฒ๐—ปโ€™๐˜€ ๐˜€๐˜๐—ผ๐—ฟ๐˜† ๐—ฟ๐—ฒ๐˜€๐—ผ๐—ป๐—ฎ๐˜๐—ฒ๐˜€ ๐—ฏ๐—ฒ๐—ฐ๐—ฎ๐˜‚๐˜€๐—ฒ ๐—ถ๐˜ ๐—ฟ๐—ฒ๐—ณ๐—น๐—ฒ๐—ฐ๐˜๐˜€ ๐—ฎ ๐—ฟ๐—ฒ๐—ฎ๐—น๐—ถ๐˜๐˜† ๐—ณ๐—ฎ๐—บ๐—ถ๐—น๐—ถ๐—ฎ๐—ฟ ๐˜๐—ผ ๐—ฐ๐—ผ๐˜‚๐—ป๐˜๐—น๐—ฒ๐˜€๐˜€ ๐—™๐—ถ๐—น๐—ถ๐—ฝ๐—ถ๐—ป๐—ผ๐˜€. While not everyone earns a living through art, many understand what it means to work tirelessly for an education, support oneโ€™s family, or hold on to hope despite uncertain circumstances. Her experience reminds that resilience is not measured by age but by the courage to continue moving forward when the path is difficult.

In a society where recognition often favors the loudest voices, ๐— ๐—ฎ๐—น๐—ฒ๐—ฒ๐—ปโ€™๐˜€ ๐—พ๐˜‚๐—ถ๐—ฒ๐˜ ๐—ฑ๐—ฒ๐˜๐—ฒ๐—ฟ๐—บ๐—ถ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ผ๐—ณ๐—ณ๐—ฒ๐—ฟ๐˜€ ๐—ฎ ๐—ฑ๐—ถ๐—ณ๐—ณ๐—ฒ๐—ฟ๐—ฒ๐—ป๐˜ ๐—ฝ๐—ฒ๐—ฟ๐˜€๐—ฝ๐—ฒ๐—ฐ๐˜๐—ถ๐˜ƒ๐—ฒ. She demonstrates that character is revealed not through grand gestures but through consistency, humility, and an unwavering commitment to oneโ€™s dreams. Her pencil has become more than a tool for creating portraits; it has become a symbol of perseverance and possibility.

As she continues sketching beneath the trees of the Sunken Garden, ๐— ๐—ฎ๐—น๐—ฒ๐—ฒ๐—ป ๐—ถ๐˜€ ๐—ฑ๐—ผ๐—ถ๐—ป๐—ด ๐—บ๐—ผ๐—ฟ๐—ฒ ๐˜๐—ต๐—ฎ๐—ป ๐—ฐ๐—ฎ๐—ฝ๐˜๐˜‚๐—ฟ๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ฒ ๐—น๐—ถ๐—ธ๐—ฒ๐—ป๐—ฒ๐˜€๐˜€ ๐—ผ๐—ณ ๐˜€๐˜๐—ฟ๐—ฎ๐—ป๐—ด๐—ฒ๐—ฟ๐˜€. She is gradually shaping the future she has long envisionedโ€”one portrait, one opportunity, and one dream at a time.

Ultimately, ๐— ๐—ฎ๐—น๐—ฒ๐—ฒ๐—ปโ€™๐˜€ ๐—ท๐—ผ๐˜‚๐—ฟ๐—ป๐—ฒ๐˜† ๐—ฟ๐—ฒ๐—บ๐—ถ๐—ป๐—ฑ๐˜€ ๐˜‚๐˜€ ๐˜๐—ต๐—ฎ๐˜ ๐˜„๐—ต๐—ถ๐—น๐—ฒ ๐—ฐ๐—ถ๐—ฟ๐—ฐ๐˜‚๐—บ๐˜€๐˜๐—ฎ๐—ป๐—ฐ๐—ฒ๐˜€ ๐—บ๐—ฎ๐˜† ๐—ฑ๐—ถ๐—ณ๐—ณ๐—ฒ๐—ฟ, ๐˜๐—ต๐—ฒ ๐—ฝ๐˜‚๐—ฟ๐˜€๐˜‚๐—ถ๐˜ ๐—ผ๐—ณ ๐—ฎ ๐—ฏ๐—ฒ๐˜๐˜๐—ฒ๐—ฟ ๐—ณ๐˜‚๐˜๐˜‚๐—ฟ๐—ฒ ๐—ถ๐˜€ ๐˜‚๐—ป๐—ถ๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ฎ๐—น. Her story is not only about a young artist with exceptional talent but also about the enduring human capacity to dream, persevere, and hope, even when lifeโ€™s canvas appears unfinished.

Cartoon by Sophia G. Fortuna
Layout by Mary Kyrsty Bato

#๐„๐ฑ๐ฉ๐ž๐ซ๐ข๐ž๐ง๐œ๐ž๐Œ๐ƒ๐‚๐‡๐ข๐ ๐ก

#๐™ƒ๐™Š๐™ˆ๐™€๐™Š๐™๐™€๐™“๐˜พ๐™€๐™‡๐™‡๐™€๐™‰๐™๐˜ผ๐˜พ๐™ƒ๐™„๐™€๐™‘๐™€๐™๐™Ž
#๐™พ๐š—๐šŽ๐™ถ๐š›๐šŽ๐šŠ๐š๐™ท๐šŠ๐šŸ๐šŽ๐š—๐š˜๐š๐š‚๐šŽ๐šŠ๐š๐šž๐š•๐š•๐šœ

EDITORIAL | ๐˜๐ž๐š๐ซ๐ง๐ข๐ง๐  ๐‚๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐ž ๐ข๐ฌ ๐š ๐†๐š๐ญ๐ž๐ฐ๐š๐ฒ ๐ญ๐จ ๐๐ซ๐ž๐๐š๐ญ๐จ๐ซ๐ฒ ๐‘๐ž๐ฅ๐š๐ญ๐ข๐จ๐ง๐ฌ๐ก๐ข๐ฉ๐ฌ๐˜ฃ๐˜บ ๐˜‹๐˜ฐ๐˜ฏ๐˜ฏ๐˜ข ๐˜‘๐˜ข๐˜ฏ๐˜ฆ ๐˜Š๐˜ฆ๐˜ญ๐˜ช๐˜ดโ€˜โ€˜๐˜ผ ๐™ข๐™–๐™ฃ ๐™ฌ๐™๐™ค ๐™ฎ๐™š๐™–๐™ง๐™ฃ๐™จ ๐™ž๐™จ ๐™– ๐™ข๐™–๐™ฃ ๐™ฌ๐™๐™ค ๐™š...
18/08/2026

EDITORIAL | ๐˜๐ž๐š๐ซ๐ง๐ข๐ง๐  ๐‚๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐ž ๐ข๐ฌ ๐š ๐†๐š๐ญ๐ž๐ฐ๐š๐ฒ ๐ญ๐จ ๐๐ซ๐ž๐๐š๐ญ๐จ๐ซ๐ฒ ๐‘๐ž๐ฅ๐š๐ญ๐ข๐จ๐ง๐ฌ๐ก๐ข๐ฉ๐ฌ
๐˜ฃ๐˜บ ๐˜‹๐˜ฐ๐˜ฏ๐˜ฏ๐˜ข ๐˜‘๐˜ข๐˜ฏ๐˜ฆ ๐˜Š๐˜ฆ๐˜ญ๐˜ช๐˜ด

โ€˜โ€˜๐˜ผ ๐™ข๐™–๐™ฃ ๐™ฌ๐™๐™ค ๐™ฎ๐™š๐™–๐™ง๐™ฃ๐™จ ๐™ž๐™จ ๐™– ๐™ข๐™–๐™ฃ ๐™ฌ๐™๐™ค ๐™š๐™–๐™ง๐™ฃ๐™จโ€™โ€™. The sentiment is shared across the media, spoken with conviction and belief. It is believed that for a relationship to blossom, the ability to pursue relentlessly is needed. ๐“๐ก๐š๐ญ ๐ฒ๐ž๐š๐ซ๐ง๐ข๐ง๐  ๐ข๐ฌ ๐š ๐ฅ๐ข๐Ÿ๐ž๐›๐ฅ๐จ๐จ๐, ๐ญ๐ก๐ž ๐š๐œ๐ญ ๐จ๐Ÿ ๐๐ž๐ฌ๐ฉ๐ž๐ซ๐š๐ญ๐ข๐จ๐ง ๐ฌ๐ž๐ž๐ง ๐š๐ฌ ๐ฌ๐š๐œ๐ซ๐ž๐ ๐ซ๐š๐ญ๐ก๐ž๐ซ ๐ญ๐ก๐š๐ง ๐ฐ๐ก๐š๐ญ ๐ข๐ญ ๐ข๐ฌโ€”๐๐ž๐ฌ๐ฉ๐ž๐ซ๐š๐ญ๐ข๐จ๐ง.

Filipino yearning is deeply incorporated in culture, music, or in everyday life. Throughout childhood, we have been asked repeatedly by titas: "๐˜”๐˜ข๐˜บ ๐˜ค๐˜ณ๐˜ถ๐˜ด๐˜ฉ ๐˜ฌ๐˜ข ๐˜ฏ๐˜ข ๐˜ฃ๐˜ข?" "๐˜š๐˜ช๐˜ฏ๐˜ฐ ๐˜ค๐˜ณ๐˜ถ๐˜ด๐˜ฉ ๐˜ฎ๐˜ฐ?" "๐˜Ž๐˜ถ๐˜ด๐˜ต๐˜ฐ ๐˜ฎ๐˜ฐ ๐˜ด๐˜ช๐˜บ๐˜ข, ๐˜ฏ๐˜ฐ๐˜ฉ?". Romance plays a huge role starting from childhood, from play pretends to retellings of parentsโ€™ love stories.

๐˜พ๐™๐™ž๐™ก๐™™๐™ง๐™š๐™ฃ ๐™ง๐™–๐™ž๐™จ๐™š๐™™ ๐™ฌ๐™ž๐™ฉ๐™ ๐™ง๐™ค๐™ข๐™–๐™ฃ๐™˜๐™š ๐™ž๐™™๐™š๐™–๐™ก๐™ž๐™ฏ๐™š๐™™ ๐™œ๐™ง๐™ค๐™ฌ ๐™ช๐™ฅ ๐™ฉ๐™ค ๐™—๐™š๐™ก๐™ž๐™š๐™ซ๐™š ๐™ฉ๐™๐™š๐™ฎ ๐™ฌ๐™ž๐™ก๐™ก ๐™›๐™ž๐™ฃ๐™™ ๐™ฉ๐™๐™–๐™ฉ ๐™›๐™–๐™ฉ๐™š๐™›๐™ช๐™ก ๐™ค๐™ฃ๐™š. They believe in that "someone" who is special and who can be held close to their hearts. It births a want for a relationshipโ€”despite their young ageโ€”and leads to them seeking out romantic interests. This is further accentuated by love songs that preach about the greatness of romance as signified by how most OPM's are love songs; whether the genre is modern or classic. It is that naivety that predators exploit.

Early adolescence is the prime age for teens to develop curiosity about relationships. And predators know this. Predators prey on younger people due to the ease of which they can be groomed. Grooming is the act of building a relationship of trust (typically with a minor) in order to exploit them especially for sexual non-consensual activities. Predators lure young peopleโ€”usually onlineโ€”who are looking for a significant other by posing as the same age. They build an emotional connection, followed by the sharing of fake personal information to lower the victim's guard.

Predators offer validation, exploiting emotional vulnerabilities and manipulating the victim by leveraging manipulation tactics. Once a connection is formed, they slowly encroach upon the privacy of the minor, often enticing them to send nudes or putting the minor in a compromising position.

According to statistics, ๐Ÿ in ๐Ÿ“ children from ages ๐Ÿ๐ŸŽ-๐Ÿ๐Ÿ• has encountered online predators for the past year. Eighty-nine percent of victims report a decline in academics, going as far as to having developed suicidal ideation and ๐Ÿ“๐Ÿ–% is attempting self-harm. Predators often use cognitive dissonance, in which they use the compromising material sent as leverage to manipulate the victim as โ€œwantingโ€ the abuse to happen. This leaves victims feeling complicit in their own victimization, allowing the abuse to continue.

The continued rise of yearning culture endangers the younger population by virtue of promoting love through the lenses of being perfect and needed. The 'urge' from yearning culture to have a crush to pine on is exactly what predators need to lure in minors with the promise of a healthy and stable romantic relationship. Hence, it is important that minors are informed about the danger of early relationships and be discouraged from seeking romance until they are emotionally mature and ready to shoulder the burdens of love.

๐‹๐จ๐ฏ๐ž ๐ข๐ฌ ๐ง๐จ๐ญ ๐ญ๐ก๐ž ๐ ๐จ๐š๐ฅ; ๐ข๐ญ ๐ข๐ฌ ๐š ๐œ๐ก๐ž๐œ๐ค๐ฉ๐จ๐ข๐ง๐ญ ๐ข๐ง ๐ญ๐ก๐ž ๐ฅ๐จ๐ง๐  ๐ฃ๐จ๐ฎ๐ซ๐ง๐ž๐ฒ ๐จ๐Ÿ ๐ฅ๐ข๐Ÿ๐ž.

Cartoon by Arielle Joy Pongase
Layout by Janwin Hendrix Fronteras

#๐„๐ฑ๐ฉ๐ž๐ซ๐ข๐ž๐ง๐œ๐ž๐Œ๐ƒ๐‚๐‡๐ข๐ ๐ก

#๐™ƒ๐™Š๐™ˆ๐™€๐™Š๐™๐™€๐™“๐˜พ๐™€๐™‡๐™‡๐™€๐™‰๐™๐˜ผ๐˜พ๐™ƒ๐™„๐™€๐™‘๐™€๐™๐™Ž
#๐™พ๐š—๐šŽ๐™ถ๐š›๐šŽ๐šŠ๐š๐™ท๐šŠ๐šŸ๐šŽ๐š—๐š˜๐š๐š‚๐šŽ๐šŠ๐š๐šž๐š•๐š•๐šœ

HIGHLIGHTS | ๐—–๐—ฎ๐—บ๐—ฝ๐˜‚๐˜€ ๐—–๐—ข๐—ก๐—˜๐—–: ๐Œ๐ƒ๐‚ ๐‡๐ข๐ ๐ก ๐’๐œ๐ก๐จ๐จ๐ฅ ๐’๐ญ๐ฎ๐๐ž๐ง๐ญ๐ฌ ๐ฃ๐จ๐ข๐ง ๐€๐ง๐ญ๐ข-๐Ž๐’๐€๐„๐‚ ๐‚๐š๐ซ๐š๐ฏ๐š๐ง ๐˜ฃ๐˜บ ๐˜Œ๐˜ณ๐˜ช๐˜ค๐˜ฉ ๐˜‘๐˜ฐ๐˜บ๐˜ค๐˜ฆ ๐˜‰๐˜ข๐˜ญ๐˜ช๐˜ฏ๐˜ฐOn August 14, 2026 at 2...
15/08/2026

HIGHLIGHTS | ๐—–๐—ฎ๐—บ๐—ฝ๐˜‚๐˜€ ๐—–๐—ข๐—ก๐—˜๐—–: ๐Œ๐ƒ๐‚ ๐‡๐ข๐ ๐ก ๐’๐œ๐ก๐จ๐จ๐ฅ ๐’๐ญ๐ฎ๐๐ž๐ง๐ญ๐ฌ ๐ฃ๐จ๐ข๐ง ๐€๐ง๐ญ๐ข-๐Ž๐’๐€๐„๐‚ ๐‚๐š๐ซ๐š๐ฏ๐š๐ง
๐˜ฃ๐˜บ ๐˜Œ๐˜ณ๐˜ช๐˜ค๐˜ฉ ๐˜‘๐˜ฐ๐˜บ๐˜ค๐˜ฆ ๐˜‰๐˜ข๐˜ญ๐˜ช๐˜ฏ๐˜ฐ

On August 14, 2026 at 2:00 PM, MDC High School Department held a symposium on ๐‚๐š๐ฆ๐ฉ๐ฎ๐ฌ ๐‚๐Ž๐๐„๐‚: ๐€ ๐’๐ฉ๐ž๐œ๐ข๐š๐ฅ ๐„๐ฏ๐ž๐ง๐ญ ๐Ÿ๐จ๐ซ ๐€๐ง๐ญ๐ข-๐Ž๐’๐€๐„๐‚ (๐Ž๐ง๐ฅ๐ข๐ง๐ž ๐’๐ž๐ฑ๐ฎ๐š๐ฅ ๐€๐›๐ฎ๐ฌ๐ž ๐จ๐ซ ๐„๐ฑ๐ฉ๐ฅ๐จ๐ข๐ญ๐š๐ญ๐ข๐จ๐ง ๐จ๐Ÿ ๐‚๐ก๐ข๐ฅ๐๐ซ๐ž๐ง) ๐‚๐š๐ซ๐š๐ฏ๐š๐ง at the school's Activity Center. High school students from Grades 7 to 12 gathered for the meaningful event which was led by the Bidlisiw Foundation with the purpose of strengthening students' understanding of OSAEC (Online Sexual Abuse or Exploitation of Children).

The event formally began as Dr. Jasmin M. Sumipoโ€”MDC High School Department Principal, delivered her opening remarks. The session was facilitated by the CONEC volunteers namely Ms. Kristel Joy Quidlat, Ms. Imogen Rose Dacalos, Ms. Enola Jane Gramatica, Ms. Nicole Alipoyo, Ms. Daphny Sabdain and Mr. John Ramil Salutan along with Mr. Edruel F. Batulan who served as the resource speaker of the event.

Mr. Batulan introduced to the students what OSAEC (Online Sexual Abuse or Exploitation of Children) truly meansโ€”it is a borderless and technology-driven form of abuse and exploitation that can take place through various digital forms. The students were reminded that young people, children who are aged 18 years and below, face significant online risks but also have the power to lead prevention efforts and promote safe digital spaces.

The crucial part of the discussion focused on Child Sexual Abuse or Exploitation Material or Child Sexual Abuse Material (CSAEM/CSAM) and the different ways of CSAEM materials maybe created, shared and owned through digital and non-digital platforms. Furthermore, the students were also oriented on online grooming including common warning signs such as pretending to be a child or a peer (creating a fake profile), excessive compliments and flattery, gifts and rewards, building emotional dependency, isolating the child, frequent private messaging, gradually introducing sexual topics, requesting personal or intimate information, requesting photos or videos, and encouraging sexual acts and videos calls.

Additionally, the symposium also highlighted Commercial Sexual Exploitation of Children (CSEC) including forms of exploitation such as online prostitution and streaming of sexual abuse.

The symposium did not only talk about the causes of OSAEC, CSAEM/CSAM, and CSEC. It also discussed and emphasized prevention and being a responsible digital user. To prevent OSAEC, CSAEM/CSAM, and CSECโ€”students and children should protect personal information, recognize and reject grooming, think before sharing images, videos, and report, block, seek help to organizations or professionals in the field.

To conclude, the symposium highlighted that keeping children safe online is not a oneโ€“person responsibility but a collective effort of the students, families, schools, communities, social workers, law enforcements, and local government units that all have important roles in protecting children and creating safer online spaces.

Photos | Riena Niรฑa Duhaylungsod and Precious Anne Policios

#๐„๐ฑ๐ฉ๐ž๐ซ๐ข๐ž๐ง๐œ๐ž๐Œ๐ƒ๐‚๐‡๐ข๐ ๐ก

#๐™ƒ๐™Š๐™ˆ๐™€๐™Š๐™๐™€๐™“๐˜พ๐™€๐™‡๐™‡๐™€๐™‰๐™๐˜ผ๐˜พ๐™ƒ๐™„๐™€๐™‘๐™€๐™๐™Ž
#๐™พ๐š—๐šŽ๐™ถ๐š›๐šŽ๐šŠ๐š๐™ท๐šŠ๐šŸ๐šŽ๐š—๐š˜๐š๐š‚๐šŽ๐šŠ๐š๐šž๐š•๐š•๐šœ

LITERARY | ๐‚๐จ๐ฅ๐จ๐ซ๐ฌ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐–๐ข๐ง๐๐˜ฃ๐˜บ ๐˜™๐˜บ๐˜ป๐˜ข ๐˜™๐˜ฆ๐˜ฎ๐˜ข๐˜ต๐˜ข๐™‡๐™š๐™ฉ ๐™ค๐™ช๐™ง ๐™ฅ๐™–๐™จ๐™ฉ ๐™—๐™š ๐™ง๐™š๐™ข๐™š๐™ข๐™—๐™š๐™ง๐™š๐™™, ๐™›๐™ค๐™ง ๐™ž๐™ฉ ๐™ž๐™จ ๐™ฉ๐™๐™š ๐™–๐™ฃ๐™˜๐™๐™ค๐™ง ๐™ฉ๐™ค ๐™ค๐™ช๐™ง ๐™–๐™ฃ๐™˜๐™š๐™จ๐™ฉ๐™ง๐™ฎโ€”๐™ฉ๐™๐™š ๐™ค๐™ฃ๐™š ๐™ฉ๐™๐™ž๐™ฃ...
14/08/2026

LITERARY | ๐‚๐จ๐ฅ๐จ๐ซ๐ฌ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐–๐ข๐ง๐
๐˜ฃ๐˜บ ๐˜™๐˜บ๐˜ป๐˜ข ๐˜™๐˜ฆ๐˜ฎ๐˜ข๐˜ต๐˜ข

๐™‡๐™š๐™ฉ ๐™ค๐™ช๐™ง ๐™ฅ๐™–๐™จ๐™ฉ ๐™—๐™š ๐™ง๐™š๐™ข๐™š๐™ข๐™—๐™š๐™ง๐™š๐™™, ๐™›๐™ค๐™ง ๐™ž๐™ฉ ๐™ž๐™จ ๐™ฉ๐™๐™š ๐™–๐™ฃ๐™˜๐™๐™ค๐™ง ๐™ฉ๐™ค ๐™ค๐™ช๐™ง ๐™–๐™ฃ๐™˜๐™š๐™จ๐™ฉ๐™ง๐™ฎโ€”๐™ฉ๐™๐™š ๐™ค๐™ฃ๐™š ๐™ฉ๐™๐™ž๐™ฃ๐™œ ๐™ค๐™ฃ ๐™€๐™–๐™ง๐™ฉ๐™ ๐™ฌ๐™š ๐™˜๐™–๐™ฃ ๐™ฉ๐™ง๐™ช๐™ก๐™ฎ ๐™˜๐™–๐™ก๐™ก ๐™ค๐™ช๐™ง ๐™ค๐™ฌ๐™ฃ: ๐™ค๐™ช๐™ง ๐™ž๐™ฃ๐™™๐™ค๐™ข๐™ž๐™ฉ๐™–๐™—๐™ก๐™š ๐™ž๐™™๐™š๐™ฃ๐™ฉ๐™ž๐™ฉ๐™ฎ.

Thousands of years ago, before our lands were littered with buildings and smoking vehicles, the original stewards of the Earth marked their roots in the soil, sang with all the voices of the mountains, and painted with all the colors of the wind. Before the great divide and conquer, there stood our humble yet proud ancestors. Now, what remains are but a fraction of who we used to be: the living bearers of knowledge and the bridge to our slowly forgotten identitesโ€”the Indigenous People.

For these communities, the Earth is not a mere commodity to be sold, bought, or bartered; it is the portrait of their existence, the very canvas they breathe life into. To them, every whispering leaf, every rugged stone, and every mountain peak is a sacred relative with a piece of their soul in it.They do not just live on Earth, they live with it.

To step into these ancestral soils is to step into the past, to weave our histories together, and to paint the lives that birthed the present. For without history, the present cannot exist, and without the present, our future fades into jaded obscurity.

Now, we live on lands that continue to dry itself for our existenceโ€”lands that flourish and prosper so we can stand on the very ground we take for granted. We bleed the seas and empty the rivers, drinking from waters we pollute with our indifference.

๐—ช๐—ต๐—ฎ๐˜ ๐—ต๐—ฎ๐—ฝ๐—ฝ๐—ฒ๐—ป๐˜€ ๐˜„๐—ต๐—ฒ๐—ป ๐˜๐—ต๐—ฒ ๐˜€๐—ฎ๐—บ๐—ฒ ๐—น๐—ฎ๐—ป๐—ฑ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐˜„๐—ฎ๐˜๐—ฒ๐—ฟ๐˜€ ๐˜๐—ต๐—ฎ๐˜ ๐—ด๐—ฎ๐˜ƒ๐—ฒ ๐˜‚๐˜€ ๐—น๐—ถ๐—ณ๐—ฒ, ๐—ด๐—ฒ๐˜ ๐˜๐˜‚๐—ฟ๐—ป๐—ฒ๐—ฑ ๐˜๐—ผ ๐—ฏ๐—ฎ๐˜€๐—ถ๐—ป๐˜€ ๐—ผ๐—ณ ๐˜๐—ฟ๐—ฎ๐˜€๐—ต ๐—ฎ๐—ป๐—ฑ ๐˜„๐—ฎ๐˜€๐˜๐—ฒ? ๐—ช๐—ต๐—ฎ๐˜ ๐—ต๐—ฎ๐—ฝ๐—ฝ๐—ฒ๐—ป๐˜€ ๐˜„๐—ต๐—ฒ๐—ป ๐˜„๐—ฒ ๐—ฑ๐—ฒ๐—ป๐˜† ๐˜๐—ต๐—ฒ ๐—ฝ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ ๐˜„๐—ต๐—ผ ๐—ฐ๐—ฎ๐—ฟ๐—ฟ๐˜† ๐—ผ๐˜‚๐—ฟ ๐—ต๐—ถ๐˜€๐˜๐—ผ๐—ฟ๐˜† ๐˜„๐—ถ๐˜๐—ต๐—ถ๐—ป ๐˜๐—ต๐—ฒ๐—ถ๐—ฟ ๐—ฏ๐—น๐—ผ๐—ผ๐—ฑ ๐˜๐—ต๐—ฒ ๐—ฟ๐—ถ๐—ด๐—ต๐˜ ๐˜๐—ผ ๐—ณ๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐˜๐—ต๐—ฒ๐—ถ๐—ฟ ๐—ฎ๐—ป๐—ฐ๐—ฒ๐˜€๐˜๐—ฟ๐—ฎ๐—น ๐—ต๐—ผ๐—บ๐—ฒ๐˜€?

The answer is simple: in burying the Earth beneath our waste, we are only digging our own graves. In denying these people their homes, we deny ourselves of our identities. It is a devastating simple truth, but ultimately the hardest to swallow.

If there is one thing we can learn from the people of the mountains and of the seas, it is that humanity is not separate from nature. We, the people, its steward, do not stand above nature, but complete it. Then why should we fight and abuse nature when we are one with the greens of the forests and one with the blues of the oceans?

To turn our backs on this oneness, is to deny the history that makes us Filipinos. From the ancestral highlands of the Cordilleras to the mystic, rolling hills of the Eskaya in Bohol, our identity is written in the very contours of the land. These indigenous groups continue to fight their battles their own ways: by weaving their stories through the threads of their fabrics, by engraving their legends to the pots and jars they shape, and by guarding the ancient forests and sacred waters that have sustained them for generations.

Much like our indigenous brothers and sisters, we, too, have a responsibility to fulfillโ€”to stand with them, to fight unjust policies, and to protect the land that marked our very existence as Filipinos. ๐—•๐˜† ๐—ฐ๐—ต๐—ผ๐—ผ๐˜€๐—ถ๐—ป๐—ด ๐—ฐ๐—ผ๐—บ๐—ฝ๐—ฎ๐˜€๐˜€๐—ถ๐—ผ๐—ป ๐—ผ๐˜ƒ๐—ฒ๐—ฟ ๐—ด๐—ฟ๐—ฒ๐—ฒ๐—ฑ; ๐˜„๐—ฒ ๐—ฟ๐—ฒ๐—บ๐—ฎ๐—ถ๐—ป ๐—ผ๐˜‚๐—ฟ๐˜€๐—ฒ๐—น๐˜ƒ๐—ฒ๐˜€, ๐˜„๐—ฒ ๐˜€๐˜‚๐˜€๐˜๐—ฎ๐—ถ๐—ป ๐—ผ๐˜‚๐—ฟ๐˜€๐—ฒ๐—น๐˜ƒ๐—ฒ๐˜€, ๐—ฎ๐—ป๐—ฑ ๐˜„๐—ฒ ๐—ต๐—ผ๐—ป๐—ผ๐—ฟ ๐—ผ๐˜‚๐—ฟ๐˜€๐—ฒ๐—น๐˜ƒ๐—ฒ๐˜€.

โ€œ๐˜๐˜ฐ๐˜ณ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ธ๐˜ฆ ๐˜ข๐˜ณ๐˜ฆ ๐˜ธ๐˜ฉ๐˜ช๐˜ต๐˜ฆ ๐˜ฐ๐˜ณ ๐˜ค๐˜ฐ๐˜ฑ๐˜ฑ๐˜ฆ๐˜ณ-๐˜ด๐˜ฌ๐˜ช๐˜ฏ๐˜ฏ๐˜ฆ๐˜ฅ, ๐˜ธ๐˜ฆ ๐˜ฏ๐˜ฆ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ข๐˜ญ๐˜ญ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ท๐˜ฐ๐˜ช๐˜ค๐˜ฆ๐˜ด ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ข๐˜ช๐˜ฏ๐˜ด. ๐˜ž๐˜ฆ ๐˜ฏ๐˜ฆ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ฑ๐˜ข๐˜ช๐˜ฏ๐˜ต ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ข๐˜ญ๐˜ญ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ค๐˜ฐ๐˜ญ๐˜ฐ๐˜ณ๐˜ด ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ช๐˜ฏ๐˜ฅ. ๐˜ ๐˜ฐ๐˜ถ ๐˜ค๐˜ข๐˜ฏ ๐˜ฐ๐˜ธ๐˜ฏ ๐˜Œ๐˜ข๐˜ณ๐˜ต๐˜ฉ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ต๐˜ช๐˜ญ๐˜ญ, ๐˜ข๐˜ญ๐˜ญ ๐˜บ๐˜ฐ๐˜ถโ€™๐˜ญ๐˜ญ ๐˜ฐ๐˜ธ๐˜ฏ ๐˜ช๐˜ด ๐˜Œ๐˜ข๐˜ณ๐˜ต๐˜ฉ ๐˜ถ๐˜ฏ๐˜ต๐˜ช๐˜ญ; ๐˜บ๐˜ฐ๐˜ถ ๐˜ค๐˜ข๐˜ฏ ๐˜ฑ๐˜ข๐˜ช๐˜ฏ๐˜ต ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ข๐˜ญ๐˜ญ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ค๐˜ฐ๐˜ญ๐˜ฐ๐˜ณ๐˜ด ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ช๐˜ฏ๐˜ฅ.โ€
โ€” Pocahontas

Cartoon by Sophia Gudes

#๐„๐ฑ๐ฉ๐ž๐ซ๐ข๐ž๐ง๐œ๐ž๐Œ๐ƒ๐‚๐‡๐ข๐ ๐ก

#๐™ƒ๐™Š๐™ˆ๐™€๐™Š๐™๐™€๐™“๐˜พ๐™€๐™‡๐™‡๐™€๐™‰๐™๐˜ผ๐˜พ๐™ƒ๐™„๐™€๐™‘๐™€๐™๐™Ž
#๐™พ๐š—๐šŽ๐™ถ๐š›๐šŽ๐šŠ๐š๐™ท๐šŠ๐šŸ๐šŽ๐š—๐š˜๐š๐š‚๐šŽ๐šŠ๐š๐šž๐š•๐š•๐šœ

๐—–๐—›๐—”๐—ฅ๐—ง๐—œ๐—ก๐—š ๐—” ๐—–๐—ข๐—ก๐—ฆ๐—ง๐—˜๐—Ÿ๐—Ÿ๐—”๐—ง๐—œ๐—ข๐—ก ๐—ข๐—™ ๐—›๐—ข๐—ฃ๐—˜: ๐‚๐„๐€๐ ๐‘๐ž๐ ๐ข๐จ๐ง ๐•๐ˆ๐ˆ ๐ƒ๐ž๐ฅ๐ž๐ ๐š๐ญ๐ž๐ฌ ๐ ๐š๐ญ๐ก๐ž๐ซ ๐š๐ญ ๐Œ๐š๐ญ๐ž๐ซ ๐ƒ๐ž๐ข ๐‚๐จ๐ฅ๐ฅ๐ž๐ ๐ž ๐Ÿ๐จ๐ซ ๐‘๐ž๐ ๐ข๐จ๐ง๐š๐ฅ ๐€๐ฌ๐ฌ๐ž๐ฆ๐›๐ฅ๐ฒ๐˜ฃ๐˜บ ๐˜™๐˜บ๐˜ป๐˜ข ๐˜™๐˜ฆ๐˜ฎ...
13/08/2026

๐—–๐—›๐—”๐—ฅ๐—ง๐—œ๐—ก๐—š ๐—” ๐—–๐—ข๐—ก๐—ฆ๐—ง๐—˜๐—Ÿ๐—Ÿ๐—”๐—ง๐—œ๐—ข๐—ก ๐—ข๐—™ ๐—›๐—ข๐—ฃ๐—˜: ๐‚๐„๐€๐ ๐‘๐ž๐ ๐ข๐จ๐ง ๐•๐ˆ๐ˆ ๐ƒ๐ž๐ฅ๐ž๐ ๐š๐ญ๐ž๐ฌ ๐ ๐š๐ญ๐ก๐ž๐ซ ๐š๐ญ ๐Œ๐š๐ญ๐ž๐ซ ๐ƒ๐ž๐ข ๐‚๐จ๐ฅ๐ฅ๐ž๐ ๐ž ๐Ÿ๐จ๐ซ ๐‘๐ž๐ ๐ข๐จ๐ง๐š๐ฅ ๐€๐ฌ๐ฌ๐ž๐ฆ๐›๐ฅ๐ฒ
๐˜ฃ๐˜บ ๐˜™๐˜บ๐˜ป๐˜ข ๐˜™๐˜ฆ๐˜ฎ๐˜ข๐˜ต๐˜ข

On ๐€๐ฎ๐ ๐ฎ๐ฌ๐ญ ๐Ÿ๐Ÿ‘, ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ” โ€” Educational leaders, administrators, and delegates from across the region gathered at Cabulijan, Tubigon, Bohol as ๐Œ๐š๐ญ๐ž๐ซ ๐ƒ๐ž๐ข ๐‚๐จ๐ฅ๐ฅ๐ž๐ ๐ž hosted the ๐—–๐—ฎ๐˜๐—ต๐—ผ๐—น๐—ถ๐—ฐ ๐—˜๐—ฑ๐˜‚๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ผ๐—ฐ๐—ถ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐—ฃ๐—ต๐—ถ๐—น๐—ถ๐—ฝ๐—ฝ๐—ถ๐—ป๐—ฒ๐˜€ (๐—–๐—˜๐—”๐—ฃ) ๐—ฅ๐—ฒ๐—ด๐—ถ๐—ผ๐—ป ๐—ฉ๐—œ๐—œ ๐—”๐˜€๐˜€๐—ฒ๐—บ๐—ฏ๐—น๐˜†.

The morning opened with a Eucharistic Celebration presided by Most Reverend Patrick Daniel Y. Parcon, D.D., Bishop of Talibon, followed by the formal Entrance of Colors and the National Anthem.

Energy filled the hall as students from St. Isidore Academy kicked off the program with a lively opening salvo. CEAP Regional Trustee Rev. Fr. Eduardo S. Celiz, Jr., OAR, warmly welcomed delegates representing BACS Tagbilaran, BACS Talibon, CEPA, and CeSSPA. Fr. Celiz then presented the CEAP Regional Report, followed by a national landscape update from CEAP Executive Director Mr. Narcy F. Ador Dionisio.

Setting an inspiring tone for the event, CEAP President Rev. Fr. Karel S. San Juan, SJ, delivered a moving keynote address. He challenged educators to ensure Catholic instruction stays deeply rooted in local culture and heritage while remaining steadfastly centered on Christ.

After lunch, the atmosphere came alive with a stunning cultural presentation by the MDC Talent Circle showcasing the MDC Folkloric, MDC Dance Company, and MDC Grand Chorale.

The delegates then dove into specialized sessions designed to address the most urgent challenges in modern education. It discussed various topics from the learners' mental health and well-being to the educators' curriculum strategies and academic leadership.

More than a gathering of ideas, the assembly reaffirmed a shared mission across the region. By keeping Christ as the Morning Star at the center of every classroom, policy, and innovation, Region VII continues to chart a true constellation of hope for the future of Catholic education.

Photos | Mary Kyrsty Bato

#๐„๐ฑ๐ฉ๐ž๐ซ๐ข๐ž๐ง๐œ๐ž๐Œ๐ƒ๐‚๐‡๐ข๐ ๐ก

#๐™ƒ๐™Š๐™ˆ๐™€๐™Š๐™๐™€๐™“๐˜พ๐™€๐™‡๐™‡๐™€๐™‰๐™๐˜ผ๐˜พ๐™ƒ๐™„๐™€๐™‘๐™€๐™๐™Ž
#๐™พ๐š—๐šŽ๐™ถ๐š›๐šŽ๐šŠ๐š๐™ท๐šŠ๐šŸ๐šŽ๐š—๐š˜๐š๐š‚๐šŽ๐šŠ๐š๐šž๐š•๐š•๐šœ

๐—›๐—œ๐—š๐—›๐—Ÿ๐—œ๐—š๐—›๐—ง๐—ฆ | Delegates of the CEAP Region VII Regional Assembly gathered for a series of impactful ๐‚๐จ๐ง๐œ๐ฎ๐ซ๐ซ๐ž๐ง๐ญ ๐’๐ž๐ฌ๐ฌ๐ข๐จ๐ง๐ฌ d...
13/08/2026

๐—›๐—œ๐—š๐—›๐—Ÿ๐—œ๐—š๐—›๐—ง๐—ฆ | Delegates of the CEAP Region VII Regional Assembly gathered for a series of impactful ๐‚๐จ๐ง๐œ๐ฎ๐ซ๐ซ๐ž๐ง๐ญ ๐’๐ž๐ฌ๐ฌ๐ข๐จ๐ง๐ฌ designed to empower Catholic educators, leaders, and student advocates.

๐—–๐—ผ๐—ป๐—ฐ๐˜‚๐—ฟ๐—ฟ๐—ฒ๐—ป๐˜ ๐—ฆ๐—ฒ๐˜€๐˜€๐—ถ๐—ผ๐—ป๐˜€ ๐Ÿญ ๐—ฎ๐—ป๐—ฑ ๐Ÿฎ were led by Resource Speaker ๐ƒ๐ซ. ๐Œ๐š. ๐†๐ฎ๐ฅ๐š ๐Œ. ๐ƒ๐ž๐ฅ ๐•๐š๐ฅ๐ฅ๐ž-๐‘๐š๐ฆ๐จ๐ฌ๐จ discussing topics about ๐˜ด๐˜ต๐˜ณ๐˜ฆ๐˜ฏ๐˜จ๐˜ต๐˜ฉ๐˜ฆ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ฆ๐˜ฅ๐˜ถ๐˜ค๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ข๐˜ญ ๐˜ฆ๐˜ค๐˜ฐ๐˜ด๐˜บ๐˜ด๐˜ต๐˜ฆ๐˜ฎ๐˜ด ๐˜ง๐˜ฐ๐˜ณ ๐˜ด๐˜ถ๐˜ด๐˜ต๐˜ข๐˜ช๐˜ฏ๐˜ข๐˜ฃ๐˜ญ๐˜ฆ ๐˜ด๐˜ค๐˜ฉ๐˜ฐ๐˜ฐ๐˜ญ ๐˜ช๐˜ฎ๐˜ฑ๐˜ณ๐˜ฐ๐˜ท๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต and ๐˜ถ๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ญ๐˜ฆ๐˜ข๐˜ณ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ฆ๐˜ท๐˜ช๐˜ฅ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜ต๐˜ฐ ๐˜ช๐˜ฎ๐˜ฑ๐˜ณ๐˜ฐ๐˜ท๐˜ฆ ๐˜ด๐˜ต๐˜ถ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ต ๐˜ฐ๐˜ถ๐˜ต๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ๐˜ด.

For ๐—–๐—ผ๐—ป๐—ฐ๐˜‚๐—ฟ๐—ฟ๐—ฒ๐—ป๐˜ ๐—ฆ๐—ฒ๐˜€๐˜€๐—ถ๐—ผ๐—ป ๐Ÿฏ, Resource Speaker ๐ƒ๐ซ. ๐‰๐ž๐ซ๐จ๐ฆ๐ž ๐Œ. ๐Œ๐š๐ ๐š๐ฅ๐ฅ๐ž๐ง, ๐‘๐๐ฌ๐ฒ, ๐‹๐๐“ led the session "๐–ฒ๐–บ๐–ฟ๐–พ, ๐–ฒ๐–พ๐–พ๐—‡, ๐–บ๐—‡๐–ฝ ๐–ฒ๐—Ž๐—‰๐—‰๐—ˆ๐—‹๐—๐–พ๐–ฝ: ๐˜š๐˜ต๐˜ณ๐˜ฆ๐˜ฏ๐˜จ๐˜ต๐˜ฉ๐˜ฆ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜“๐˜ฆ๐˜ข๐˜ณ๐˜ฏ๐˜ฆ๐˜ณ ๐˜ž๐˜ฆ๐˜ญ๐˜ญ-๐˜‰๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜Ž๐˜ถ๐˜ช๐˜ฅ๐˜ข๐˜ฏ๐˜ค๐˜ฆ, ๐˜๐˜ฐ๐˜ณ๐˜ฎ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜š๐˜ต๐˜ถ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ต ๐˜๐˜ฐ๐˜ช๐˜ค๐˜ฆ" discussing learners' welfare and promoting student voice in Catholic Institutions.

Caption | Ryza Remata
Photos | Mary Kyrsty Bato

#๐„๐ฑ๐ฉ๐ž๐ซ๐ข๐ž๐ง๐œ๐ž๐Œ๐ƒ๐‚๐‡๐ข๐ ๐ก

#๐™ƒ๐™Š๐™ˆ๐™€๐™Š๐™๐™€๐™“๐˜พ๐™€๐™‡๐™‡๐™€๐™‰๐™๐˜ผ๐˜พ๐™ƒ๐™„๐™€๐™‘๐™€๐™๐™Ž
#๐™พ๐š—๐šŽ๐™ถ๐š›๐šŽ๐šŠ๐š๐™ท๐šŠ๐šŸ๐šŽ๐š—๐š˜๐š๐š‚๐šŽ๐šŠ๐š๐šž๐š•๐š•๐šœ

๐—›๐—œ๐—š๐—›๐—Ÿ๐—œ๐—š๐—›๐—ง๐—ฆ | ๐Œ๐š๐ญ๐ž๐ซ ๐ƒ๐ž๐ข ๐‚๐จ๐ฅ๐ฅ๐ž๐ ๐ž'๐ฌ very own ๐™ˆ๐˜ฟ๐˜พ ๐™๐˜ผ๐™‡๐™€๐™‰๐™ ๐˜พ๐™„๐™๐˜พ๐™‡๐™€ featuring ๐Œ๐ƒ๐‚ ๐…๐จ๐ฅ๐ค๐ฅ๐จ๐ซ๐ข๐œ, ๐Œ๐ƒ๐‚ ๐ƒ๐š๐ง๐œ๐ž ๐‚๐จ๐ฆ๐ฉ๐š๐ง๐ฒ, and ๐Œ๐ƒ๐‚ ๐†๐ซ๐š๐ง๐ ๐‚๐ก...
13/08/2026

๐—›๐—œ๐—š๐—›๐—Ÿ๐—œ๐—š๐—›๐—ง๐—ฆ | ๐Œ๐š๐ญ๐ž๐ซ ๐ƒ๐ž๐ข ๐‚๐จ๐ฅ๐ฅ๐ž๐ ๐ž'๐ฌ very own ๐™ˆ๐˜ฟ๐˜พ ๐™๐˜ผ๐™‡๐™€๐™‰๐™ ๐˜พ๐™„๐™๐˜พ๐™‡๐™€ featuring ๐Œ๐ƒ๐‚ ๐…๐จ๐ฅ๐ค๐ฅ๐จ๐ซ๐ข๐œ, ๐Œ๐ƒ๐‚ ๐ƒ๐š๐ง๐œ๐ž ๐‚๐จ๐ฆ๐ฉ๐š๐ง๐ฒ, and ๐Œ๐ƒ๐‚ ๐†๐ซ๐š๐ง๐ ๐‚๐ก๐จ๐ซ๐š๐ฅ๐ž took center stage at the Catholic Educational Association of the Philippines (CEAP) Region VII Assembly by showcasing their powerful and artistic interpretation of the History of Bohol through the art of dance and song.

Caption | Ryza Remata
Photos | Christian Noel Blantucas and Mary Kyrsty Bato

#๐„๐ฑ๐ฉ๐ž๐ซ๐ข๐ž๐ง๐œ๐ž๐Œ๐ƒ๐‚๐‡๐ข๐ ๐ก

#๐™ƒ๐™Š๐™ˆ๐™€๐™Š๐™๐™€๐™“๐˜พ๐™€๐™‡๐™‡๐™€๐™‰๐™๐˜ผ๐˜พ๐™ƒ๐™„๐™€๐™‘๐™€๐™๐™Ž
#๐™พ๐š—๐šŽ๐™ถ๐š›๐šŽ๐šŠ๐š๐™ท๐šŠ๐šŸ๐šŽ๐š—๐š˜๐š๐š‚๐šŽ๐šŠ๐š๐šž๐š•๐š•๐šœ

Mater Dei College hosts the ๐‚๐š๐ญ๐ก๐จ๐ฅ๐ข๐œ ๐„๐๐ฎ๐œ๐š๐ญ๐ข๐จ๐ง๐š๐ฅ ๐€๐ฌ๐ฌ๐จ๐œ๐ข๐š๐ญ๐ข๐จ๐ง ๐จ๐Ÿ ๐ญ๐ก๐ž ๐๐ก๐ข๐ฅ๐ข๐ฉ๐ฉ๐ข๐ง๐ž๐ฌ (๐‚๐„๐€๐) ๐‘๐ž๐ ๐ข๐จ๐ง ๐•๐ˆ๐ˆ ๐€๐ฌ๐ฌ๐ž๐ฆ๐›๐ฅ๐ฒ with the them...
13/08/2026

Mater Dei College hosts the ๐‚๐š๐ญ๐ก๐จ๐ฅ๐ข๐œ ๐„๐๐ฎ๐œ๐š๐ญ๐ข๐จ๐ง๐š๐ฅ ๐€๐ฌ๐ฌ๐จ๐œ๐ข๐š๐ญ๐ข๐จ๐ง ๐จ๐Ÿ ๐ญ๐ก๐ž ๐๐ก๐ข๐ฅ๐ข๐ฉ๐ฉ๐ข๐ง๐ž๐ฌ (๐‚๐„๐€๐) ๐‘๐ž๐ ๐ข๐จ๐ง ๐•๐ˆ๐ˆ ๐€๐ฌ๐ฌ๐ž๐ฆ๐›๐ฅ๐ฒ with the theme "๐๐ž๐ฐ๐ง๐ž๐ฌ๐ฌ ๐ข๐ง ๐‚๐š๐ญ๐ก๐จ๐ฅ๐ข๐œ ๐„๐๐ฎ๐œ๐š๐ญ๐ข๐จ๐ง: ๐‚๐ก๐š๐ซ๐ญ๐ข๐ง๐  ๐š ๐‚๐จ๐ง๐ฌ๐ญ๐ž๐ฅ๐ฅ๐š๐ญ๐ข๐จ๐ง ๐จ๐Ÿ ๐‡๐จ๐ฉ๐ž" on August 13, 2026 at the Smart Building Function Hall. The assembly is attended by the different delegates of Bohol Association of Catholic Schools (BACS) Tagbilaran and Talibon, Cebu Elementary Principals' Association (CEPA), and Cebu Secondary Schools Principals' Association (CeSSPA).

Caption | Ryza Remata
Photos | Mary Kyrsty Bato



๐’๐๐Ž๐‘๐“๐’ | ๐†๐ข๐ซ๐ฅ๐ฌโ€™ ๐•๐จ๐ฅ๐ฅ๐ž๐ฒ๐›๐š๐ฅ๐ฅ ๐“๐ž๐š๐ฆ๐ฌ ๐‚๐ฅ๐š๐ฌ๐ก ๐ข๐ง ๐Œ๐ƒ๐‚๐ฎ๐ฉ ๐’๐ž๐š๐ฌ๐จ๐ง 7 ๐˜ฃ๐˜บ ๐˜›๐˜ณ๐˜ฆ๐˜น๐˜ช๐˜ฆ ๐˜ˆ๐˜ฏ๐˜ฏ๐˜ฆ ๐˜“๐˜ฆ๐˜ฃ๐˜ช๐˜ต๐˜ขThe volleyball girlsโ€™ match served a thril...
11/08/2026

๐’๐๐Ž๐‘๐“๐’ | ๐†๐ข๐ซ๐ฅ๐ฌโ€™ ๐•๐จ๐ฅ๐ฅ๐ž๐ฒ๐›๐š๐ฅ๐ฅ ๐“๐ž๐š๐ฆ๐ฌ ๐‚๐ฅ๐š๐ฌ๐ก ๐ข๐ง ๐Œ๐ƒ๐‚๐ฎ๐ฉ ๐’๐ž๐š๐ฌ๐จ๐ง 7 ๐˜ฃ๐˜บ ๐˜›๐˜ณ๐˜ฆ๐˜น๐˜ช๐˜ฆ ๐˜ˆ๐˜ฏ๐˜ฏ๐˜ฆ ๐˜“๐˜ฆ๐˜ฃ๐˜ช๐˜ต๐˜ข

The volleyball girlsโ€™ match served a thrilling game during the MDCup Season 7 with each team showcasing their skills in the hard court. The championship match between ๐—ฆ๐—ถ๐—ป๐—ด๐—ฎ๐—ฝ๐—ผ๐—ฟ๐—ฒ and ๐—•๐—ฟ๐˜‚๐—ป๐—ฒ๐—ถ was a tight battle, with both teams fighting close points in a two-set game. Singapore swept the first set as they defeated Brunei with a close ๐Ÿ๐Ÿ”โ€“๐Ÿ๐Ÿ’ score.

Then, the intense battle in the second set continued as both teams fought hard to clinch the gold. Eventually, Singapore secured a thrilling ๐Ÿ๐Ÿ“โ€“๐Ÿ๐Ÿ score, bagging the title of First Place. Alongside the teamโ€™s victory, ๐™Ž๐™๐™š๐™š๐™ฃ๐™– ๐™†๐™–๐™ฉ๐™š ๐˜ฝ๐™–๐™ฉ๐™ž๐™–๐™ฃ๐™˜๐™ž๐™ก๐™– was named as the gameโ€™s ๐™ˆ๐™ค๐™จ๐™ฉ ๐™‘๐™–๐™ก๐™ช๐™–๐™—๐™ก๐™š ๐™‹๐™ก๐™–๐™ฎ๐™š๐™ง (๐™ˆ๐™‘๐™‹), earning individual recognition for her outstanding performance.

Despite Bruneiโ€™s loss in the championship, they secured Second Place, whereas Malaysia finished Third Place. The teamsโ€™ performance enabled them to earn a place among the six competing teams.

The tournament concluded with the teams not only claiming awards but also upholding the spirit of sportsmanship, teamwork, and camaraderie.

Photos | Jhesela May Catubag

#๐„๐ฑ๐ฉ๐ž๐ซ๐ข๐ž๐ง๐œ๐ž๐Œ๐ƒ๐‚๐‡๐ข๐ ๐ก

#๐™ƒ๐™Š๐™ˆ๐™€๐™Š๐™๐™€๐™“๐˜พ๐™€๐™‡๐™‡๐™€๐™‰๐™๐˜ผ๐˜พ๐™ƒ๐™„๐™€๐™‘๐™€๐™๐™Ž
#๐™พ๐š—๐šŽ๐™ถ๐š›๐šŽ๐šŠ๐š๐™ท๐šŠ๐šŸ๐šŽ๐š—๐š˜๐š๐š‚๐šŽ๐šŠ๐š๐šž๐š•๐š•๐šœ

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