A.dot, islamabad, Islamabad (2025)

11/07/2023

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.eed_calligraphy .oficial

👆DM for Collaboration

10/07/2023

Anna Molka Ahmed is popular for her part in setting up the Fine Expressions Division at the College of the Punjab, Lahore, and her dynamic craftsmanships that delineate neighborhood subjects and scenes in Pakistan.

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👆DM for Collaboration

08/07/2023

Salima Hashmi is well-known for her craftsmanship that centers on women's rights and social equity. She does numerous distinctive sorts of craftsmanship like portray, form, and establishments. Individuals take note her work and she appears it in numerous distinctive nations.

.hashmi.775 .gallery357

👆DM for Collaboration

07/07/2023

Ahmed Parvez is predominant for his striking, interesting expressionist craftsmanship. His energetic colors and examination of human sentiments make him a discernible figure in Pakistani craftsmanship, with widespread introductions and endorsement.

.eed_calligraphy

05/07/2023

Mian Ijaz Ul Hassan is prevalent for his socio-political craftsmanship. His canvases reflect the social scene of Pakistan and challenge aesthetic standards, winning him acknowledgment and universal shows.

.art .pk

👆DM for Collaboration

21/05/2023

ISLAMABAD - A mesmerizing showcase of artistic brilliance, 'Uks-e-Aman,' unfolded at the collaborative endeavor of PeaceFlix, Pakistan National Council of the Arts (PNCA), and the Women Journalist Association of Pakistan. On Thursday, the event unveiled a one-day painting exhibition that aimed to foster peace-building within society. In an extraordinary fusion of talents, distinguished female journalists, who had fearlessly covered wars and conflicts, shared their captivating stories with accomplished art students from prestigious institutions like Fatima Jinnah University, Quaid-e-Azam University, and IMCG Korang Town. The canvas became their stage, where 17 gifted art students intricately painted 16 magnificent works of art, accompanied by a stunning 3-D project. These art pieces poignantly shed light on the imperative need for peace and offered profound insights into its various facets. Uks-e-Aman, an initiative orchestrated by peace-builder Asma Bashir as part of the PeaceFlix program by Global Neighborhood for Media Innovation (GNMI), serves as a catalyst for promoting peace, inclusivity, and social cohesion within local communities. With a focus on empowering women in peace-building roles, this program seeks to stimulate dialogue and introspection. At the event, Ayoub Jamali, Director General of PNCA, emphasized the essence of trust as the bedrock of peace, stressing that transparency and shared experiences form its foundation. Recognizing the PNCA's commitment to art, Ayoub lauded their efforts in promoting the finest contemporary works of art both nationally and internationally. The captivating masterpiece, 'Carving Fate,' by Roshan Bakht captivated visitors' attention. , Assistant

20/05/2023

Karachi's VM Art Gallery showcased 'Glacial Movements and the Ghaib,' an exhibition addressing climate change's impact on Pakistan. Collaboratively curated by Pak Khawateen Painting Club and Lumens Studios, the event displayed diverse artists' works. Amna Hashmi's polaroids captured landscapes and rivers, guiding viewers on a visual journey. Saulat Ajmal's Harvest Moon blended a woman's silhouette with fields and lunar imagery. Louise Beer's Turbulence explored glaciers' inner worlds in digital prints. Rebecca Huxley's monochrome photos revealed hidden layers in snowy peaks. The exhibition shed light on climate change's effects and united people through visual storytelling

19/05/2023

Moeen Faruqi's recent exhibition, titled 'Continuum,' showcased his newest paintings at the Canvas Gallery in Karachi. With a 30-year exploration of displacement and ambiguity, Faruqi takes the viewer on intricate pathways. His imagined and lived experiences collide within familiar yet disconnected scenarios, populated by unrelated individuals. Characters appear effortlessly in his compositions, transcending cultural and political contexts. Faruqi's art draws connections to the writings of Kundera, Kafka, Marquez, and Hamid, as well as the works of Beckmann and Saeed. It traverses between past and future, where memory and transformation intertwine. These paintings serve as an extension of Faruqi's life, family history, and artistic journey, recalling spaces of significance and blending private and public realms. Animals, like birds and cats, share the canvas with discomforting scenes, contributing to the discourse. Faruqi's process, witnessed through layered paint, reflects his yearning for truth and freedom from predefined norms. His art mirrors the complexities of transitioning societies, where contradictions, angst, and joy harmoniously coexist, akin to the concept of home. 'Continuum' was exhibited at Canvas Gallery from April 25 to May 4, 2023, providing viewers a glimpse into a captivating world.

.dotinfo

18/05/2023

Exhibition Held at Pakistan Navy Finishing School with mesmerizing Artworks Curated by Muhammad Hanzila (calligrapher).
He is passionate with several calligraphy fonts,exploring islamic Arts.
Rasheed Butt Shahab was also there as a mentor to critique more and guidance about this art.
Certificates were distributed with Hi tea After from PNS finishing School Islamabad.

18/05/2023

Karachi: Amidst the bustling streets and diverse cultures, Ahmed Rabbani's artistic spirit soared, transcending the confines of his 20-year incarceration at Guantanamo Bay. When the paints ran dry, he improvised, harnessing the power of dirt, coffee grinds, and fragrant spices like turmeric from the prison canteen. Through strokes of a brush, he discovered solace and liberation from the Guantanamo shackles. Detained in 2002, Rabbani's identity was mistaken, falsely labeled as the notorious militant, Hassan Ghul. Locked away without trial, his art became a lifeline in the barren wasteland. In a mesmerizing exhibition, "The Unforgotten Moon: Liberating Art from Guantanamo Bay," Rabbani's raw creations intertwine with local artists' reinterpretations, amplifying his silent protest. Today, amidst curious gazes, Rabbani, wearing traditional attire, unveils his plans—a cookbook intertwined with memoirs, and a restaurant fueled by the taste of freedom. His artwork, steeped in hope and longing, defies the oppressive orange-clad existence he defied at Guantanamo.

.dotinfo

08/05/2023

This masjid has been drawing in many people for five-time daily prayers from the local community due to its unique ceiling adorned with a beautiful sky, and its carpet that looks like grass; all of which has been inspired by a verse in the Qur’an.
It was initially built in the 1910’s under the Ottoman Caliphate in the Yenice neighbourhood of Kırşehir and was named after the great Caliph of Muslims, Amir al-Mu’minin Sultan Abdülhamid II Khan; but as the decades went by, the masjid was neglected and dwindled into a state of disrepair. As such, it was recently demolished and replaced by the newly built Hamidiye Camii on the same site.
The artistic motifs inside the masjid were drawn and painted by an Azerbaijani architect, and it has certainly garnered some attention since it opened last year, drawing people from all over the city – and beyond – to see its inner beauty, and for prayers.
One congregant remarked: “It’s as if I felt like I was praying in the gardens of jannah (heaven).”
The Imam of the masjid, Sefa Ekinci said: “When I was assigned to this masjid as an imam, I started to gather as much information as I could about its history and also the developments that were done on the new project to date. The people involved in the project told me that they were inspired by Ayah (verse) 22 from Surah (chapter) al-Baqarah from the Holy Qur’an” which reads:
“(Allah) Who has made the earth a resting place for you, and the sky as a canopy, and sent down water (rain) from the sky and brought forth therewith fruits as a provision for you. Then do not set up rivals unto Allah (in worship) while you know (that He Alone has the right to be worshipped).”

.dotinfo 🎨

08/05/2023

The recent exhibition of contemporary art exchange between China and Pakistan in Lahore was a momentous occasion for the art scene in both countries. The exhibition presented a dizzying array of artwork that encapsulated the rich cultural heritage and diverse artistic expressions of the two nations, leaving visitors perplexed and captivated. The artistic creations ranged from intricate traditional paintings to avant-garde installations, showcasing a myriad of styles and forms that were as perplexing as they were awe-inspiring. Bursting with creativity and ingenuity, the works pushed the boundaries of conventional artistic expression, leaving visitors in a state of wonder and amazement.

The exchange of contemporary art between China and Pakistan has undoubtedly strengthened their cultural ties, demonstrating a shared commitment to the development of the arts. Through this exhibition, the power of artistic expression was on full display, serving as a bridge between nations and fostering understanding and appreciation across cultural divides. The significance of this exhibition cannot be overstated, as it represents a major milestone in the ongoing dialogue between these two great nations.

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