WhizzFilm

WhizzFilm Crafting films, blending International Experience with Local Culture.

Malek Al Hamami wins Gold for Director of the Year 2025 at .sa
24/10/2025

Malek Al Hamami wins Gold for Director of the Year 2025 at .sa

21/10/2025

What makes a team?!

Happy to announce that our team got shortlisted at .sa for Best Production Team of the Year.

If it wasn’t for that team, we wouldn’t be celebrating art and craft everyday.

30/09/2025

Another shortlist, another reward for the hard work.

Glad to share that our project Echoes of the Desert - أساس حاضر - directed by and starring has been shortlisted in - Africa and Middle East Premier Creative Festival.

Film Crafts - Direction Category.

On this occasion we would like to thank our partners and for the trust they instilled in our team.

To the relentless crew and cast, thank you for making this special piece come to life with your passion and talent.

23/09/2025

في يوم الوطن، نشارككم لمحات من أعمالنا التي جمعتنا مع شركاء ملهمين وجهات رائدة، صنعنا معهم محتوى إبداعي يليق بهذه المناسبة الوطنية ويرسخ هويتها.

17/09/2025

More Awards. More Shortlists.

Glad to announce that two of our projects are shortlisted in the prestigious

The In**ed Mountains | Laverne | Saudi Founding Day 2025
Outstanding Direction

A Nation Built | Misk | Saudi Founding Day 2025
Outstanding Cinematography

Thank you to the crew, cast and clients. Your trust and support is what inspire us to be better everyday.

To Whizz Film Team, you are the real force and real everyday drive.

31/08/2025

🫳🏽 Drop #3: How do you tell a 300-year story with nothing but hands?


When we were tasked to create a film for Misk titled “A Nation: Built”, the creative brief came with two big challenges:
1. The concept was hands-only.
2. It couldn’t feel repetitive or static.

We needed to cover the icons, events, and emotions of three Saudi States across 300 years of history, using nothing but hands.

So, we flipped the lens, literally.
We rigged the camera on the hands themselves, letting them guide the narrative.
The result?


A film told entirely from the perspective of the characters’ hands, every action, every gesture, every era seen through their motion.

We obsessed over:
* Which angle best revealed the meaning behind a gesture
* What a hand’s texture, motion, or stillness says about the person behind it
* The wardrobe, era cues, and subtle leadership traits that would let viewers recognize iconic figures without ever seeing a face

But that led to another question:
How do you let actors move naturally, through conflict, labor, intensity, without being limited by heavy rigs?

The solution: a super-compact camera setup, mounted to the actors’ arms using carbon fiber tubes, strong enough to hold the system, light enough to let them move with total freedom.
It gave us control and fluidity without ever weighing down performance.

🎬 In the end, we built a new kind of storytelling. One that asked:
How much of a person can you reveal through a single hand?

Director:
Cinematographer:

Photo and Video Edit:

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