WhizzFilm

WhizzFilm Crafting films, blending International Experience with Local Culture.

30/09/2025

Another shortlist, another reward for the hard work.

Glad to share that our project Echoes of the Desert - أساس حاضر - directed by and starring has been shortlisted in - Africa and Middle East Premier Creative Festival.

Film Crafts - Direction Category.

On this occasion we would like to thank our partners and for the trust they instilled in our team.

To the relentless crew and cast, thank you for making this special piece come to life with your passion and talent.

23/09/2025

في يوم الوطن، نشارككم لمحات من أعمالنا التي جمعتنا مع شركاء ملهمين وجهات رائدة، صنعنا معهم محتوى إبداعي يليق بهذه المناسبة الوطنية ويرسخ هويتها.

17/09/2025

More Awards. More Shortlists.

Glad to announce that two of our projects are shortlisted in the prestigious

The In**ed Mountains | Laverne | Saudi Founding Day 2025
Outstanding Direction

A Nation Built | Misk | Saudi Founding Day 2025
Outstanding Cinematography

Thank you to the crew, cast and clients. Your trust and support is what inspire us to be better everyday.

To Whizz Film Team, you are the real force and real everyday drive.

31/08/2025

🫳🏽 Drop #3: How do you tell a 300-year story with nothing but hands?


When we were tasked to create a film for Misk titled “A Nation: Built”, the creative brief came with two big challenges:
1. The concept was hands-only.
2. It couldn’t feel repetitive or static.

We needed to cover the icons, events, and emotions of three Saudi States across 300 years of history, using nothing but hands.

So, we flipped the lens, literally.
We rigged the camera on the hands themselves, letting them guide the narrative.
The result?


A film told entirely from the perspective of the characters’ hands, every action, every gesture, every era seen through their motion.

We obsessed over:
* Which angle best revealed the meaning behind a gesture
* What a hand’s texture, motion, or stillness says about the person behind it
* The wardrobe, era cues, and subtle leadership traits that would let viewers recognize iconic figures without ever seeing a face

But that led to another question:
How do you let actors move naturally, through conflict, labor, intensity, without being limited by heavy rigs?

The solution: a super-compact camera setup, mounted to the actors’ arms using carbon fiber tubes, strong enough to hold the system, light enough to let them move with total freedom.
It gave us control and fluidity without ever weighing down performance.

🎬 In the end, we built a new kind of storytelling. One that asked:
How much of a person can you reveal through a single hand?

Director:
Cinematographer:

Photo and Video Edit:

Knowledge Drop:Whizz Film Introducing: ‘Knowledge Drop!’A new series where we share real behind-the-scenes lessons, crea...
03/07/2025

Knowledge Drop:

Whizz Film Introducing: ‘Knowledge Drop!’
A new series where we share real behind-the-scenes lessons, creative breakthroughs, and production magic we’ve accomplished on the road (or in this case, at sea 👀). Quick reads, real stories, and maybe a few secrets we’ve picked up along the way.

🚪 Drop #2: How do you bring someone’s house by an airport runway?

When we were asked us to create a film for International Customs Day, we knew this couldn’t just be another polished cinematic output.

We thought: Customs work is everywhere… but also invisible.
So we asked: what if we made the invisible, impossible to ignore?

Enter: chroma blue, CG, and a healthy dose of visual mischief.
We built a world where logic broke down.

* A land port appeared outside a bedroom window
* A front door opened onto an airport runway
* A container ship sat between the aisles of a warehouse

Why? To show how seamlessly ZATCA’s presence moves across all borders, boundaries, and spaces even the ones you’d never expect.

It was a celebration of the reach and relevance of customs.
Blue screens. Big ideas. And a whole lot of compositing magic.

📦 A reminder: good storytelling doesn’t just inform.
It bends reality to help you see what’s always been there.

19/05/2025

Behind the scenes with
Gifts, Saudi Coffee and a football sensation.

Client:
Production House: Whizz Film

Director:
DOP:

BTS: -

Knowledge Drop:Whizz Film Introducing: ‘Knowledge Drop!’A new series where we share real behind-the-scenes lessons, crea...
06/05/2025

Knowledge Drop:

Whizz Film Introducing: ‘Knowledge Drop!’
A new series where we share real behind-the-scenes lessons, creative breakthroughs, and production magic we’ve accomplished on the road (or in this case, at sea 👀). Quick reads, real stories, and maybe a few secrets we’ve picked up along the way.

🚢 Drop #1: How do you shoot inside a cruise ship that doesn’t even exist yet?

When we were tasked to create a commercial for AROYA Cruises, the first-of-its-kind Saudi cruise experience, we had a slight “small” issue: the ship compartments we needed to film inside... weren’t built yet.

So, what did we do? Build a time machine? Close our eyes and pray?

Not quite. We went full virtual production mode.

We designed and built immersive ship environments using giant LED screens, wrapping our characters inside living, breathing digital worlds.

But here’s the trick, shooting against a screen can look counterintuitive if you just show up and roll.
The secret? Pre-plan everything: animatics, lighting setups, environment designs.
We studied the lighting fixtures of each prospective compartment we’re shooting and we crafted a replica of this lighting floor plan to blend characters into their surroundings perfectly, so when you watch it, you feel like they’re truly onboard.

A fake ship. Real emotions. Seamless ex*****on.
That’s the power of preparation and creative problem-solving.

Knowledge Drops:Whizz Film Introducing: ‘Knowledge Drop!’A new series where we share real behind-the-scenes lessons, cre...
06/05/2025

Knowledge Drops:

Whizz Film Introducing: ‘Knowledge Drop!’
A new series where we share real behind-the-scenes lessons, creative breakthroughs, and production magic we’ve accomplished on the road (or in this case, at sea 👀). Quick reads, real stories, and maybe a few secrets we’ve picked up along the way.

🚢 Drop #1: How do you shoot inside a cruise ship that doesn’t even exist yet?

When we were tasked to create a commercial for AROYA Cruises, the first-of-its-kind Saudi cruise experience, we had a slight “small” issue: the ship compartments we needed to film inside... weren’t built yet.

So, what did we do? Build a time machine? Close our eyes and pray?

Not quite. We went full virtual production mode.

We designed and built immersive ship environments using giant LED screens, wrapping our characters inside living, breathing digital worlds.

But here’s the trick, shooting against a screen can look counterintuitive if you just show up and roll.
The secret? Pre-plan everything: animatics, lighting setups, environment designs.
We studied the lighting fixtures of each prospective compartment we’re shooting and we crafted a replica of this lighting floor plan to blend characters into their surroundings perfectly, so when you watch it, you feel like they’re truly onboard.

A fake ship. Real emotions. Seamless ex*****on.
That’s the power of preparation and creative problem-solving.

Faces on Set from our Saudi National Day shoot for  with our creative partners at
24/04/2025

Faces on Set from our Saudi National Day shoot for with our creative partners at

Rain. Moon. Fire. Light. History.Crafting Films, Building Worlds 📽️Client:  Agency:  Production House:  Director:  Cinem...
13/04/2025

Rain. Moon. Fire. Light. History.
Crafting Films, Building Worlds 📽️

Client:
Agency:
Production House:

Director:
Cinematographer:
BTS:

We don’t only create films, we also create memories.Client:  Agency:  Production House:  Director:  Cinematographer: .lu...
20/03/2025

We don’t only create films, we also create memories.

Client:
Agency:
Production House:

Director:
Cinematographer: .luebbers
Equipment:

BTS: .alem24 .taha

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Riyadh
Riyadh

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