06/02/2023
Trendz D’Music Singapore Private Ltd & One Music Records Private Limited
Trendz D’Music Singapore Private Ltd & One Music Records Private Limited is a music distribution service that performs some of the functions of a record label, like releasing music and collecting royalties, designed for artists who signed to a label or who want to remain major label.
Sell your music worldwide with us . Trendz D’Music Singapore Private Ltd & One Music Records Private Limited is recording company and music aggreator distribution label with 100% clear statement of information distribution to their artistes , production house that does not have the ISRC ( International Sound Recording Code ) Full track , UPC NUMBER ( United production code ) & ISRC ( International Sound Recording code ) can be verified by the coder belonging with well monitoring by us .
No annual fees payment !!! Trendz D’Music Singapore Private Ltd & One Music Records Private Limited offers its services in intellectual property rights via metadata contract directly with Trendz D’Music Singapore Private Ltd & One Music Records Private Limited
30% distribution fee
Streaming music , download music , YouTube streaming , telco and others distribution fees .
Studio Rental
You can rent Trendz D’Music Singapore Private Ltd & One Music Records Private Limited studios on a project basis. Our facilities provide good opportunities and space for recording, beat production and bootcamps. In addition to our A and B studios of 42 m2 per room, the facilities provide access to our kitchen and a communal toilet. Affiliated is happy to help with the planning and ex*****on of bootcamps, workshops and other sessions.
Recording
Would you like to record your own song? Or do you - like many other musicians – have a lot of unfinished projects in need of a coordinated and structured completion process? Trendz D’Music Singapore Private Ltd & One Music Records Private Limited offers recording sessions with professional sound engineers. In addition to recording songs, music productions and instrumental recordings, we offer speech recording for commercials, movies, podcasts and more.
Licensing
Trendz D’Music Singapore Private Ltd & One Music Records Private Limited offers awide range of music productions in various genres. We have a large library of beats for sale and also offer tailor-made productions for your upcoming music project, background music for your video, jingle for your podcast or anythingelse.
They are: synchronization license, mechanical license, master license, public performance license, print rights license, and theatrical license. The uses of original works can range from sheet music reproduction to theater productions all the way to jukeboxes and major motion pictures will be issued by Trendz D’Music Singapore Private Ltd & One Music Records Private Limited .
Is music licensing the same as copyright?
Music License vs Copyright: What's the Difference? A music license is a “lending license” for others to use your song for a set time period for a fee. On the other hand, copyrights are for the recording and lyrics themselves.
Who gets paid when a song is licensed?
A public performance license in the United States pays a royalty to the copyright holder of the composition (song). This is typically the composer or their publisher. However, sometimes rights are sold. If public performance rights are sold, a song might have a new owner, other than the original composer or publisher.
Mix/Master
Mix & Master is the last step in the production process before your new song has to be presented to the outside world. Get your music processed by our professional partners and give it the best conditions to fly far. With our experience and good network of both and international sound engineers, we offer high quality assurance in different price ranges.
IT'S NOT ABOUT US
IT'S ALL ABOUT YOU!
We help artists accomplish their dreams.
At Trendz D'Music Group Audio Mixing Mastering
We can take your song from an idea to a complete mastered work of art for the fraction of the cost of other mastering studios.
Recording studio time is costly and time-consuming. We offer you all the same services and talented staff for less! All our producers, mixing and mastering engineers have major label experience.
We use a variety of tools not only to adjust levels but also in some cases to change the space, structure and positioning of the track components. What we call it is: "Dimensional Definition".
We add effects and tweak with each component, either based on custom demands, or we'll just do what sounds good. Before you send us your audio track, be sure to separate each component (such as kicks, snares, synths.) and then send us the separated tracks so that we can work on each instrument individually. Also, with vocals, send us each vocal separately such as lead vocal, background vocal etc.
Try us and see why we are #1 Today!
Trendz D'Music Group Mixing And Mastering
Best Option! This is for when you have separate tracks (Drums, Bass, Vocals, Guitars, etc.) and you want us to mix them into a ready-to-release mastered Radio ready commercial song.
Prices SGD $414.65
10 Songs Album Mixing and Mastering Package
Prices SGD $ 11, 748.49
8 Songs Album Dolby Atmos Mixing and Mastering Package
Prices SGD $8,984.14
Dolby Atmos Mixing and Mastering
Prices SGD $ 2,764.35 per song
3 song Mixing & mastering package
Prices SGD $ 5,390.48
5 Mixing & Mastering package
Prices SGD $ 8,154.83
Product Details
Revisions are changes or edits you would like made to your mix & (or) masters once they have been sent to you. Prices SGD $ 138.22
Product Details
Stem Replacement Service: This goes for replacing any stems after a completed mix or mastering is done.Prices SGD $ 138.22
Product Details
We offer rush services on all services. Click the dropdown menu to the right to select your delivery days. An additional fees will apply. Pricing (per song) is as follows.
Rush Order Service ( 3 Days)
Prices SGD $829.30
Product Details
A Mixdown track of the vocals only from your mix. Prices SGD $ 414.65
Product Details
A Mixdown track of the instrumental from your mix. Prices SGD $ 414.65
Product Details
Removes lead vocals for a mix that can be use for live performances. Prices SGD $ 414.65
Product Details
Receive the stems from your session mixed by us with all of our editing, processing, effects, automation and volume adjustments.
Prices SGD $ 414.65
Product Details
Clean up profanity in your mixes for radio play removing swear word using basic cuts and effects.
RADIO EDIT (Per Song)
Prices SGD $ 414.65
Product Details
Our Advance Mixing services are priced for up to 48 stems, if you have additional stems you will need to pay an extra cost of SGD $138.22
Additional Stem
Prices SGD $ 138.22
Ensure that the tracks out files are not clipping.
Export all tracks to -6db on channel faders (not just master bus).
👇
Avoid using compression, normalization, EQ or any effects.
👇
Make sure no channel volume is in red.
Submit 24 Bit WAV Files in 44.1 or 48 kHz.
SERVICES
👇
Can select a service that suits you best. We now offer Dolby Atmos Mixing and Mastering or Mixing & Mastering . If you scroll further upwards , you will see our packages for great savings.
👇
Right now is the best time to take advantage of these packages for a cheap price!
👇
Sample before & after mixing and mastering provided kindly listen
Please, If you have any questions, don't hesitate to drop us email [email protected]
We proof you our best quality sound and product ! No others studio able delivery to you like us !
Order Ensure that the tracks out files are not clipping. Export all tracks to -6db on channel faders (not just master bus).
👇
Avoid using compression, normalization, EQ or any effects.
👇
Make sure no channel volume is in red.
Submit 24 Bit WAV Files in 44.1 or 48 kHz.
Per song 220 hrs , We provide best quality sound and product to ensure its delivered .
Drive email [email protected]
Trendz D'Music Singapore Private Ltd
The ISRC consists of 4 segments:
COUNTRY CODE: The two characters allocated to you by the US ISRC Agency (US, QM or QZ). If you are unsure about which country code you were assigned, please check your account page before issuing ISRCs.
REGISTRANT CODE: Portion allocated to the Registrant by a National Agency (3 alphanumeric characters).
YEAR OF REFERENCE: The 2-digit year in which the ISRC was assigned to the recording.
DESIGNATION CODE: The code assigned to the sound recording by the registrant. This code may not be repeated within the same calendar year (5 digits).
Example:
ISRC US-_ _ _-22-00001
(QM-EU3-22-00001)
👉 Trendz D'Music Singapore Private Ltd
👇
QMEU32121756 Let promo it - MY
👉 Trendz D'Music Singapore Private Ltd
(QZ-_ _ _-22-00001)
An ISRC is constructed using these four distinct segments:
1: Country
The first two-character segment is determined by the registration authority to which you apply. This will remain constant regardless of the territory in which your recordings are distributed. In the United States until late 2015 this was “US” or "QM" but after this date, it became “QZ” for new registrant code allocations. You will have been informed about the country code you should use when you were allocated a registrant code. If you are unsure about which country code you were assigned, please check your account page or contact the US ISRC Agency ([email protected]) before issuing ISRCs. You must be careful to use the correct one. The country code does not change when recordings are sold or licensed to other countries.
2: Registrant
US-_ _ _ - These three characters are uniquely allocated to you by the National ISRC Agency.
These first two segments combine to function as a unique prefix: US-_ _ _, which will allow you to assign ISRCs to recordings.
Please note that the sequence of characters allocated is not significant except that it is different from codes allocated to other registrants. The allocated codes will be assigned in sequence and cannot be altered after allocation.
The next two segments are used by you to create ISRCs for each individual recording, e.g. a track on a CD.
3: Year of Reference
US -_ _ _-22 - These two characters represent the year in which you create the ISRC, regardless of when the recording was made or when the Registrant Code was allocated. For 2022, your ISRCs will use '22' and for 2023, '23' ...and so on.
4: Designation
US-_ _ _ -22-00001 - The final five character part is used to create a unique code for each recording or track. You should take care to ensure that duplicates are not issued and that you do not issue more than one ISRC to the same track. Only numeric digits are acceptable in this segment.
We recommend beginning with 00001 and moving up sequentially from there: US-_ _ _-22-00001, US-_ _ _-22-00002 ....US-_ _ _-22-00139. In 2023 the Year of Reference will change to '23' and you can begin with a new sequence of designation codes.
Example
If you were assigned US as your country code a sample set of ISRCs might look like:
Album 1:
track 1: US -_ _ _ -22-00001
track 2: US -_ _ _ -22-00002
track 3: US -_ _ _ -22-00003
track 4: US -_ _ _ -22-00004
track 5: US -_ _ _ -22-00005
Album 2:
track 1: US -_ _ _ -22-00006
track 2: US -_ _ _ -22-00007
track 3: US -_ _ _ -22-00008
track 4: US -_ _ _ -22-00009
track 5: US -_ _ _ -22-00010
and so on...
If you were assigned QM as your country code a sample set of ISRCs might look like:
Album 1: 👉 Trendz D'Music Singapore Private Ltd
track 1: QM-EU3-22-00001
QMEU32121756 Let promo it - MY
👉 Trendz D'Music Singapore Private Ltd
track 2: QM-_ _ _-22-00002
track 3: QM-_ _ _-22-00003
track 4: QM-_ _ _-22-00004
track 5: QM-_ _ _-22-00005
and so on...
ISRC should be used to identify music video recordings.
A music video is different to a sound recording even if the same sound recording occurs in the video recording. This means that a separate ISRC must be assigned to the video recording.
Separate ISRC codes must be applied to different recordings
(sound, music video and different versions)
Different versions of music video recordings need to be assigned different ISRCs.
Two music video recordings are considered different if their video content or their sound recording content is different. ISRC is not used to identify motion pictures. Separate identifier schemes are available for that purpose (e.g. ISAN | International Standard Audiovisual Number and EIDR | – A universal unique identifier for movie and television assets).
If there is a change in the ownership of a recording, the ISRC should not be changed.
ISRC identifies the recording rather than other factors such as ownership at a given point in time. Recordings retain their assigned ISRCs despite changes in rights ownership.
No elements of an ISRC should be used to infer the rights status of the recording to which the ISRC is assigned.
Since rights ownership often changes due to licensing or acquisition, ownership data of recordings should be held in databases together with ISRCs, allowing updates when necessary. ISRC can then be used to look up information about the identified recording.
ISRC is intended for use by producers and users of sound recordings and music videos.
Examples include record labels, as well as copyright organisations, broadcasting organisations, libraries etc.
ISRC is normally assigned to recordings or music videos by the first owner of the recording or music video. Following assignment, other parties that need to use ISRCs will usually obtain them from the owners of recordings.
Owners of recordings may for example be independent artists, record labels or recorded music groups. ISRC is available to all owners of recordings regardless of their being a member of any industry association or not.
ISRC Prefix Codes form the basis of the ISRCs which are assigned to individual recordings by following a simple process. The first owner of a recording may assign ISRC directly or may use an ISRC Manager to carry out the required steps.
THE THREE MAIN STAGES OF ISRC ASSIGNMENT ARE:
1
Obtain ISRC. In most territories, Prefix Codes are allocated to recording owners by the ISRC Agency of that territory. Upon request, the ISRC Agency supplies a unique Prefix Code to the recording owner or an appointed entity who wishes to assign ISRCs to sound recordings or music videos. Entities granted a Prefix Code are referred to as ‘registrants’.
2
Assign ISRC. The Prefix code is used to create a unique ISRC for each track by appending to it a ‘Year of Reference’ and a unique ‘Designation Code’.
This is described in detail in the ISRC Handbook.
Registrants shall maintain good records of assigned codes along with the metadata for tracks to which they were assigned. This requires maintaining records of additional reference metadata describing each recording to which ISRC is assigned. The minimum set of additional reference data is listed below.
3
Use ISRC. The registrant provides the assigned ISRC to all other entities who need it.
When registering repertoire with Music Licensing Companies and other collective rights management organisations ISRCs of recordings should be provided together with associated metadata.
When providing repertoire to digital platforms, directly or via an aggregator, ISRCs should be provided together with the recordings to which they are assigned.
Once assigned, an ISRC remains permanently associated with the recording to which it is assigned, regardless of any changes in ownership or whether the recording falls into the public domain. The ISRC of a recording also remains the same if the recording is used across different countries.
Certain release formats permit ISRCs of recordings to be carried alongside the instances of the recordings. Visit our FAQ page for information on ISRC in CD and ID3 tags. In all cases the ISRC identifies the recordings featured on products, not the products themselves.
Knowing how the recording company works ?
Most times producers receive a percentage of around 3 to 5% of the record's sale price or 20 to 25% of the artist's share. This can vary depending on the producer and on the recording artist. If the artist is signed to an indie label or is independent, the producer usually takes a higher percentage.
How much do beat producers get paid?
How much does a Beat Producer make? As of Dec 2, 2022, the average annual pay for a Beat Producer in the United States is $50,898 a year. Just in case you need a simple salary calculator, that works out to be approximately $24.47 an hour. This is the equivalent of $978/week or $4,241/month.
How much do producers get paid per song?
If you are a newer producer without too much of a reputation, you can expect from $0 to $3,500 per song. If you are considered a mid-level producer, your range increased to $3,500 to $7,000 per song. Finally, if your name carries weight in the music industry, you can receive up to $10,000 to $15,000 per song.
Does a producer get 50% royalties?
The record royalty for a producer is usually between 3% to 4% of the record's sales price or 20% to 25% of the artist's royalties. On a CD that sells for $10.98, the producer's royalty would be about 33 cents for each copy sold and for a digital download of an album priced at $9.98 the producer receives 30 cents.11 Aug 2018
How are royalties split between artist and producer?
Producers typically get anything from 3 to 7 Producer Points. That means that if the artist gets, for example, 20% of the royalties in a record deal and the producer gets 5 points, the producer is getting 25% percent of the artist's share of the royalties
As result recording company paid to producers and artistes fairly
Teaching
If you want to get started with rapping or producing music, we offer teaching in collaboration with Trendz D’Music Singapore Private Ltd & One Music Records Private Limited for both private .
Calling all band , soloist interested collaborating in career path as artistes label includes rights and digital platform distribution free …
Only made payment to Artistes Management Unit
Trendz D’Music Singapore Private Ltd & One Music Records Private Limited fees
SGD 150 - SGD 300 , RM 450 - RM 900 ,
IDR 150 juta - IDR 300 juta
Unlimited Song distribution in digital platform
(Metadata contract 3 tahun . )
Promo Feb 2023 - Jun 2023
Trendz D’Music Singapore Private Ltd & One Music Records Private Limited
The ISRC consists of 4 segments:
COUNTRY CODE: The two characters allocated to you by the US ISRC Agency (US, QM or QZ). If you are unsure about which country code you were assigned, please check your account page before issuing ISRCs.
REGISTRANT CODE: Portion allocated to the Registrant by a National Agency (3 alphanumeric characters).
YEAR OF REFERENCE: The 2-digit year in which the ISRC was assigned to the recording.
DESIGNATION CODE: The code assigned to the sound recording by the registrant. This code may not be repeated within the same calendar year (5 digits).
Example:
ISRC US-_ _ _-22-00001
(QM-EU3-22-00001)
👉 Trendz D'Music Singapore Private Ltd
👇
QMEU32121756 Let promo it - MY
👉 Trendz D'Music Singapore Private Ltd
(QZ-_ _ _-22-00001)
An ISRC is constructed using these four distinct segments:
1: Country
The first two-character segment is determined by the registration authority to which you apply. This will remain constant regardless of the territory in which your recordings are distributed. In the United States until late 2015 this was “US” or "QM" but after this date, it became “QZ” for new registrant code allocations. You will have been informed about the country code you should use when you were allocated a registrant code. If you are unsure about which country code you were assigned, please check your account page or contact the US ISRC Agency ([email protected]) before issuing ISRCs. You must be careful to use the correct one. The country code does not change when recordings are sold or licensed to other countries.
2: Registrant
US-_ _ _ - These three characters are uniquely allocated to you by the National ISRC Agency.
These first two segments combine to function as a unique prefix: US-_ _ _, which will allow you to assign ISRCs to recordings.
Please note that the sequence of characters allocated is not significant except that it is different from codes allocated to other registrants. The allocated codes will be assigned in sequence and cannot be altered after allocation.
The next two segments are used by you to create ISRCs for each individual recording, e.g. a track on a CD.
3: Year of Reference
US -_ _ _-22 - These two characters represent the year in which you create the ISRC, regardless of when the recording was made or when the Registrant Code was allocated. For 2022, your ISRCs will use '22' and for 2023, '23' ...and so on.
4: Designation
US-_ _ _ -22-00001 - The final five character part is used to create a unique code for each recording or track. You should take care to ensure that duplicates are not issued and that you do not issue more than one ISRC to the same track. Only numeric digits are acceptable in this segment.
We recommend beginning with 00001 and moving up sequentially from there: US-_ _ _-22-00001, US-_ _ _-22-00002 ....US-_ _ _-22-00139. In 2023 the Year of Reference will change to '23' and you can begin with a new sequence of designation codes.
Example
If you were assigned US as your country code a sample set of ISRCs might look like:
Album 1:
track 1: US -_ _ _ -22-00001
track 2: US -_ _ _ -22-00002
track 3: US -_ _ _ -22-00003
track 4: US -_ _ _ -22-00004
track 5: US -_ _ _ -22-00005
Album 2:
track 1: US -_ _ _ -22-00006
track 2: US -_ _ _ -22-00007
track 3: US -_ _ _ -22-00008
track 4: US -_ _ _ -22-00009
track 5: US -_ _ _ -22-00010
and so on...
If you were assigned QM as your country code a sample set of ISRCs might look like:
Album 1: 👉 Trendz D'Music Singapore Private Ltd
track 1: QM-EU3-22-00001
QMEU32121756 Let promo it - MY
👉 Trendz D'Music Singapore Private Ltd
track 2: QM-_ _ _-22-00002
track 3: QM-_ _ _-22-00003
track 4: QM-_ _ _-22-00004
track 5: QM-_ _ _-22-00005
and so on...
ISRC should be used to identify music video recordings.
A music video is different to a sound recording even if the same sound recording occurs in the video recording. This means that a separate ISRC must be assigned to the video recording.
Separate ISRC codes must be applied to different recordings
(sound, music video and different versions)
Different versions of music video recordings need to be assigned different ISRCs. Two music video recordings are considered different if their video content or their sound recording content is different. ISRC is not used to identify motion pictures. Separate identifier schemes are available for that purpose (e.g. ISAN | International Standard Audiovisual Number and EIDR | – A universal unique identifier for movie and television assets).
If there is a change in the ownership of a recording, the ISRC should not be changed.
ISRC identifies the recording rather than other factors such as ownership at a given point in time. Recordings retain their assigned ISRCs despite changes in rights ownership.
No elements of an ISRC should be used to infer the rights status of the recording to which the ISRC is assigned.
Since rights ownership often changes due to licensing or acquisition, ownership data of recordings should be held in databases together with ISRCs, allowing updates when necessary. ISRC can then be used to look up information about the identified recording.
ISRC is intended for use by producers and users of sound recordings and music videos.
Examples include record labels, as well as copyright organisations, broadcasting organisations, libraries etc.
ISRC is normally assigned to recordings or music videos by the first owner of the recording or music video. Following assignment, other parties that need to use ISRCs will usually obtain them from the owners of recordings.
Owners of recordings may for example be independent artists, record labels or recorded music groups. ISRC is available to all owners of recordings regardless of their being a member of any industry association or not.
ISRC Prefix Codes form the basis of the ISRCs which are assigned to individual recordings by following a simple process. The first owner of a recording may assign ISRC directly or may use an ISRC Manager to carry out the required steps.
THE THREE MAIN STAGES OF ISRC ASSIGNMENT ARE:
1
Obtain ISRC. In most territories, Prefix Codes are allocated to recording owners by the ISRC Agency of that territory. Upon request, the ISRC Agency supplies a unique Prefix Code to the recording owner or an appointed entity who wishes to assign ISRCs to sound recordings or music videos. Entities granted a Prefix Code are referred to as ‘registrants’.
2
Assign ISRC. The Prefix code is used to create a unique ISRC for each track by appending to it a ‘Year of Reference’ and a unique ‘Designation Code’.
This is described in detail in the ISRC Handbook.
Registrants shall maintain good records of assigned codes along with the metadata for tracks to which they were assigned. This requires maintaining records of additional reference metadata describing each recording to which ISRC is assigned. The minimum set of additional reference data is listed below.
3
Use ISRC. The registrant provides the assigned ISRC to all other entities who need it.
When registering repertoire with Music Licensing Companies and other collective rights management organisations ISRCs of recordings should be provided together with associated metadata.
When providing repertoire to digital platforms, directly or via an aggregator, ISRCs should be provided together with the recordings to which they are assigned.
Once assigned, an ISRC remains permanently associated with the recording to which it is assigned, regardless of any changes in ownership or whether the recording falls into the public domain. The ISRC of a recording also remains the same if the recording is used across different countries.
Certain release formats permit ISRCs of recordings to be carried alongside the instances of the recordings. Visit our FAQ page for information on ISRC in CD and ID3 tags. In all cases the ISRC identifies the recordings featured on products, not the products themselves.
Knowing how the recording company works ?
Most times producers receive a percentage of around 3 to 5% of the record's sale price or 20 to 25% of the artist's share. This can vary depending on the producer and on the recording artist. If the artist is signed to an indie label or is independent, the producer usually takes a higher percentage.
How much do beat producers get paid?
How much does a Beat Producer make? As of Dec 2, 2022, the average annual pay for a Beat Producer in the United States is $50,898 a year. Just in case you need a simple salary calculator, that works out to be approximately $24.47 an hour. This is the equivalent of $978/week or $4,241/month.
How much do producers get paid per song?
If you are a newer producer without too much of a reputation, you can expect from $0 to $3,500 per song. If you are considered a mid-level producer, your range increased to $3,500 to $7,000 per song. Finally, if your name carries weight in the music industry, you can receive up to $10,000 to $15,000 per song.
Does a producer get 50% royalties?
The record royalty for a producer is usually between 3% to 4% of the record's sales price or 20% to 25% of the artist's royalties. On a CD that sells for $10.98, the producer's royalty would be about 33 cents for each copy sold and for a digital download of an album priced at $9.98 the producer receives 30 cents.11 Aug 2018
How are royalties split between artist and producer?
Producers typically get anything from 3 to 7 Producer Points. That means that if the artist gets, for example, 20% of the royalties in a record deal and the producer gets 5 points, the producer is getting 25% percent of the artist's share of the royalties
As result recording company paid to producers and artistes fairly
Trendz D’Music Singapore Private Ltd
& One Music Records Private Limited
Verify by IFPI ( INDUSTRY FEDERATION PHONOGRAPHIC INTERNATIONAL )
&
ISRC ( THE INTERNATIONAL STANDARD RECORDING CODE ) As Recording company .
The International Standard Recording or ISRC Code serves as an identifier for both video and music recordings. As an artist or producer, having an ISRC code for your recording can help procure more royalties, validate any claims to copyright, and may be necessary for distribution on certain popular services.
ISRC Codes Explained in Depth
ISRC Codes can be confusing for sure.
There’s a lot of information out there – some sources claiming you need one, some claiming you don’t.
Some state that ISRC codes help with the procurement and distribution of royalties, while some companies and sources claim the opposite. Regardless, the less time you have to spend worrying and researching, the more time you can spend on what actually matters – making music.
Trendz D’Music Singapore Private Ltd & One Music Records Private Limited
AUDIO . SOUND . MASTERS
ISRC Codes Explained
PUBLISHED IN MASTERING
Answer
ISRC Codes Explained
The International Standard Recording or ISRC Code serves as an identifier for both video and music recordings. As an artist or producer, having an ISRC code for your recording can help procure more royalties, validate any claims to copyright, and may be necessary for distribution on certain popular services.
ISRC Codes Explained in Depth
ISRC Codes can be confusing for sure. There’s a lot of information out there – some sources claiming you need one, some claiming you don’t.
Some state that ISRC codes help with the procurement and distribution of royalties, while some companies and sources claim the opposite. Regardless, the less time you have to spend worrying and researching, the more time you can spend on what actually matters – making music.
Although collecting royalties is one part of ISRC codes, the real reason you need one is so companies can categorize your music.
Although collecting royalties is one part of ISRC codes, the real reason you need one is so companies can categorize your music.
With that in mind, let’s look at what ISRC codes actually do, and what they don’t do.
Let’s discuss the primary reasons why you need one of these codes and certain rare circumstances in which you do not need these codes.
We’ll be delving into the cost of ISRC codes, where you can get one (or more than one), and other practical as well as technical aspects of these identifiers.
The less time you have to think about these codes, the more you can spend on making the music you love.
We’ll also be looking into how ISRC codes relate to mastering, so if you’re a mastering engineer, or looking for a mastering engineer, let’s clarify what role a mastering engineer plays in all of this.
Also, if you’re looking to have one of your mixes mastered, you can email to us here:
👇
Email [email protected]
Let's Trendz D’Music Singapore Private Ltd & One Music Records Private Limited , do for you !!!
And Trendz D’Music Singapore Private Ltd & One Music Records Private Limited
Got a Mastered Sample from ANALOGY BAND BEFORE & AFTER Mix!
We’ll master it for you and send you final mastered.
Click here below
👇
https://m.facebook.com/story.php?story_fbid=176590754730956&id=100071400981449
if you’re looking to have one of your mixes mastered, you can email to us here:
👇
Email [email protected]
Notice that the ISRC code
TRENDZ D'MUSIC SINGAPORE PRIVATE LTD &
ONE MUSIC RECORDS PRIVATE LIMITED
fees charge $95.00 USD ( SGD $131.83 )
for
using the label code
exclude
LP / EP UPC number
fees charge
USD $95.00
( SGD $131.83 )
BAR code & EAN
Trendz D’Music Singapore Private Ltd & One Music Records Private Limited also fees charge 95.00 USD ( SGD $131.83 ) each codes for your music or video each catalogue song been produced.
Trendz D’Music Singapore Private Ltd & One Music Records Private Limited shall protect your rights for life !!!
For an independent artist, doesn't have all those codes when distribution their EP or ALBUM
Unfortunately, most distribution by indie artistes on their EP or ALBUM was not protected .
Trendz D’Music Singapore Private Ltd & One Music Records Private Limited already become "Registrant” for an annual fee in United Kingdom , London or In the United States, to obtain a Registrant Code (which allows you to assign ISRC codes) or, to look for an ISRC manager to assign codes for you Or in your country territory ...
What is the ISRC?
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ISRC stands for International Standard Recording Code and it’s a 12-digit code that is assigned to each unique sound recording. As a reminder, a sound recording is a “ work that results from the fixation of a series of musical, spoken, or other sounds.” Put simply, a sound recording is the recorded performance of a song.
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Any sound recordings made commercially available will need an ISRC. Without the ISRC, it would be much more difficult to keep track of when recordings are used and when one should be getting paid. They’re also used to track the sales of a record and distributors and retailers won’t distribute unless you have ISRC codes for your music. The ISRC is essentially a barcode for a recorded track, and it’s through the identification of this barcode that royalties are collected. However, it is important to note that ISRCs are for individual tracks/recordings and barcodes are for the complete product (album/ep/single) that the tracks come together to make. More than just a string of numbers, the ISRC contains specific data that ties a record to a specific creator (more on what exact data is tied to an ISRC later on). The code, once acquired, is burned into the recording to allow for tracking of sales and usage both in CD format as well as on the internet.
Let’s Trendz D’Music Singapore Private Ltd & One Music Records Private Limited briefly run through the history of why this code exists in the first place, and then we’ll break down the code itself as well as how to get one.
Brief History of the ISRC
The creation and first use of the ISRC began in 1986 when the Recording Industry Association of America through their collaboration with the International Organization for Standardization (ISO) introduced the term. The ISO, by the way, sets international standards of identification for products across all industries, not just for the music business. With regards to the ISRC, it was their goal to come up with a uniform system for tracking record uses.
Components of the ISRC and How to Get One
Independent artists, record labels, and music distributors alike will want to issue an ISRC to each unique sound recording released on CD, for download, or for streaming. The format of the sound recording doesn’t matter (physical or digital) —if it’s being distributed, licensed, or made available for purchase, it needs an ISRC in order to be tracked.
On an album of 10 tracks, each track is a unique sound recording, and therefore the album contains 10 ISRCs, one for each track. Exact copies of a sound recording don’t need a unique ISRC. If it’s the same copy of a sound recording downloaded thousands of times via iTunes, the ISRC remains the same for each copy.
Sound recordings remixed as new masters and compositions covered by a new artist require new ISRCs. James Arthur’s "Say You Won’t Let Go" has a different ISRC from Luca Schreiner’s remix of the same song. If I decided to cover the song myself, you probably wouldn’t want to hear it, and I’d need to get a new ISRC for my cover of the song. That would mean 3 different ISRCs for the same song, one for each different sound recording. Aside from music, other forms of audio media require an ISRC code:
⭐Audiobooks
⭐Podcasts
⭐Music Videos
Is ISRC code necessary?
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Yes, you do. ISRC codes are 100 percent necessary if you're releasing music commercially. Administering ISRC codes correctly is paramount for any commercial release. If a song is being put out for public consumption, the rights holder is responsible for obtaining and assigning an ISRC code to it.
Do I need a separate ISRC code for my videos (full motion picture music videos, lyric or static-image videos, and teaser/commercial videos)?
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Yes, you do. The registrants must be able to distinguish between the ISRCs that are assigned to audio and those that are assigned to video.
Trendz D’Music Singapore Private Ltd & One Music Records Private Limited as Record labels, for whom knowledge of the ISRC is essential for the commercial success of the records they release.
Trendz D’Music Singapore Private Ltd & One Music Records Private Limited so called Independent producers/sound engineers whose responsibility is to ensure proper completion of their client’s records. Music distributors who are interested in assigning ISRCs on behalf of their affiliated record company.
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