TheBsite.co

09/10/2025

𝗦𝗲𝗻𝘁𝗼𝘀𝗮 | 𝗜𝗻𝘁𝗲𝗿𝘁𝗶𝗱𝗮𝗹 𝗘𝘅𝗽𝗹𝗼𝗿𝗮𝘁𝗶𝗼𝗻

Documented the Sentosa Intertidal Exploration with Dennis from Untamed Paths, where every step revealed new life along the shore.

Shot handheld, run and gun.
Here are some of our favourite shots from the morning!

24/08/2025

[ᴍᴠ] ɴᴏᴛ ᴀʟᴏɴᴇ (ᴏꜰꜰɪᴄɪᴀʟ ᴀᴄᴏᴜꜱᴛɪᴄ ᴠᴇʀꜱɪᴏɴ) - ᴀɪᴊᴏᴜ

We always loved how THE FIRST TAKE videos looked, so we tried our own version with lower key lighting and a little extra spice using projection visuals.

Tested our new projector and worked the visuals straight into the MV.

Producer / Performed by : .music
Guitarist / Arrangement :
Mixed by :

Production House: .co
DOP: .sg
Gaffer:
Offline:
Online / Colourist: .sg

📷: Sony FX3 + Ironglass

24/08/2025

ᴄᴏᴠᴇʀ ᴀʀᴛ / ᴋᴠ ꜰᴏʀ ʜᴜʟᴠꜱ

Album artwork and key visuals created for Hulvs.
A rewarding process capturing the mood and essence of the project, a pleasure to bring this vision to life.

Production House: .co
Photographer:
Assistant: .sg

📷: Nikon Z7II

22/08/2025

[ᴍᴠ] ᴍᴀᴋᴇ ᴛʜɪꜱ ᴇᴀꜱʏ - ʜᴜʟᴠꜱ

We’re always happy to support local artists. This one’s for

2 days. Multiple spots. Full crew energy.
Final cut made us proud 🎬

Fun fact: drowned our lens using a cheap DiCAPac…
Next time, proper underwater housing only.

Production House: .co (Vijour Collective / HighonTeh)
Director: .sg
Producer: .sg
DOP: .sg
Steady Cam Operator:
Underwater Operator(s):
Gaffer/Lighting Director:
VJ / Projection:
Grips: Firdaus, Ethan,
Logistic: Ethan

🎥: A7SIII + 20mm G, 35mm GM, 85mm 1.8
💡: 500B/300B/60B

12/08/2025

11/08/2025

[MV] The Dreams That Died Today - VITICZ

This was probably where we first dipped our toes into music videos. It all began when reached out to our resident photographer to feature their new studio setup. He had a bigger vision, why not team up with a local artist and make a music video instead?

The crew rallied, a chance came, and we thought… why not? How hard could it be?
Turns out, not that hard when you’ve got the right people.

We loved every moment of it and how it all came together in the end

Director:
DOP: .sg
Gaffer:
VJ:
Assistants:

Artist:
Inframe:

🎥: A7SIII + 35mm GM & 20mm G

07/07/2025

𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝟮𝟬𝟮𝟱 𝗯𝘆 𝘁𝗵𝗲 𝗕𝗲𝗮𝗰𝗵
16:9 Version | Re-graded | Snippets from the film

Closed off 2024 with this one. While mid-chaos from A Big Big World’s delays and a tight double-booked schedule. Two productions running at once nearly broke us… but we made it.

Only had about 2 hours per location to shoot due to limited venue hours, so we were really sprinting through Sentosa — appreciate every crew member and talent who kept up and powered through the stretch. Y’all are legends.

Also, finally welcoming back OG director , one of our earliest founding partners (since 2019!). Brought back the signature swipe, sky-to-sky, palm-palm transitions — the same visual language we first explored in our early content days, before 9:16 became the industry standard.

Big ups to the whole team — especially and for holding it all together.

Client:
Agency:

Production House: .co
Executive Producer: .sg
Producer:
Director:
Director of Photography:
2nd Unit Camera Operator:
Camera Assistant:
Gaffer:
Grip:
Sound:
PA Driver:
Extras Casting Manager:
Video Editor:
Re-Graded: .sg
VFX:

25/06/2025

𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝗔 𝗕𝗜𝗚 𝗕𝗜𝗚 𝗪𝗢𝗥𝗟𝗗
DC | Re-graded

Probably one of the most nerve-wracking production we’ve taken on. Though at the start, we thought it’d be smooth sailing, but this one tested every bit of our grit.

Initial recces were thrown out the window when key setups weren’t ready. Our tech recce happened just one day before the shoot, only for the shoot to be postponed less than 24 hours later — costing us crew and momentum. Even with the delay, we went in blind, facing one unexpected hurdle after another.

We had roughly 50 shots to cover within a tight window — from hair & makeup, wardrobe changes, shifting between locations, to dodging foot traffic since we couldn’t cordon off any areas. Add to that the challenge of capturing things in chronological order with showtimes and installations ending by 10pm daily… it was chaos.

Still, the team pulled through. Grateful to everyone who stayed sharp and gave it their all.

Client: Sentosa
Agency: GOVT

Prod House: .co
EP: .sg
Director: .sg
Producer:
Assistant Director:
DOP:
Cam B / CA:
Cam C / CA:
Gaffer:
Grips: bernard
PA Driver: Joshe
PAs: .kwan Fitriah
HMUA: .make .chyi Soo Harn

Talent Agency:
Talents: ALEX Y, ELLI N & VELDA E T

🎥: FX6, FX3, A7SIII

26/08/2024

𝗥𝗘𝗩𝗟𝗢𝗡 | 𝗖𝗢𝗟𝗢𝗨𝗥 𝗦𝗧𝗔𝗬 𝗟𝗜𝗠𝗜𝗧𝗟𝗘𝗦𝗦 𝗠𝗔𝗧𝗧𝗘

Rarely do we get the chance to handle the full creative package—from concept and pitch to production and post. Thanks for the trust and opportunities!

Key visuals for REVLON - Singapore, South East Asia & Hong Kong usage.

Client: , Novel Link

Prod House: .co
Suit:
PM / Producer: .sg
Dir:
Photog:
DP / Grip:
Gaffer:
Grip:
HMUA: .make
PA / Runner / Grip:
Casting Manager:
Post & Retouching: ,

Modeling Agency:
Model: .fongg

📷: Nikon Z8 + Sigma ART series primes

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