Studio X Beyond

05/08/2026

05/08/2026

MOONJI is part of the showcase at the Unreal Engine SG Virtual Edition — Singapore × Bangkok × Philippines — on 22 August 2026.

Three technical showcases across the region:

🇹🇭 Bangkok — Real-Time Hybrid Filmmaking: 6 locations shot in 1 studio, with Linda Lim and Martin Rivera (MOONJI)

🇸🇬 Singapore — From Film to Location-Based Entertainment and Beyond, with Phil Pham (Island City Solutions)

🇵🇭 Manila — Technical Production Management, with Ranulf Goss (Cybercraft PH)

Our session covers how we run hybrid virtual production at MOONJI and Studio X Beyond: Unreal Engine worlds rendered in real-time 3D on the LED volume, with live-action talent shot in-camera inside them. Lighting, reflections, and parallax resolve on set, so what the camera captures is close to final — which means less time in post.

We'll cover the pipeline in practical terms: real-time 3D environments in Unreal, where AI speeds up previz and prep, and where in-camera capture does the real work. The core of it is blending the physical and the digital in the same frame — that combination is what makes it believable.

Join us if you're:
• A game developer or technical artist working on scalable, performant Unreal pipelines
• A filmmaker or VP creator mapping where real-time 3D, AI, and Unreal fit in commercial and cinematic work
• A 3D artist or storyteller combining live-action with real-time worlds
• An educator or student looking at how SEA studios operate in practice

📅 22 August 2026, 8:00 PM
💻 Virtual | Free
🎟 Register: https://lnkd.in/gJtZ8jtX

10/07/2026

"They went above and beyond."

Cod Satrusayang, co-founder of TSixtySix Studios, on shooting Esarn Seven with us — virtual backgrounds, last-minute sponsor scene changes, a full cast and crew to keep moving.

Studio X Stories, from the partners who've worked with us.

10/06/2026

𝐍𝐞𝐰 𝐬𝐞𝐫𝐢𝐞𝐬: 𝐓𝐞𝐜𝐡 𝐢𝐧 𝐏𝐫𝐨𝐠𝐫𝐞𝐬𝐬 🔧

Our team is always experimenting with the tools behind our hybrid workflows — starting with ESPER, our digital scanning and photogrammetry capture system. The only one in Southeast Asia (so we’ve been told 😉).

ESPER uses 120 synchronized DSLR cameras firing simultaneously to capture photoreal digital doubles — full body geometry, facial micro-detail down to pores, FACS expression shapes, surface texture data, and real-world lighting reference.

From there, our pipeline turns raw capture into production-ready 3D assets — built to integrate seamlessly with VFX pipelines, virtual production workflows, real-time engines, and any downstream production that needs a photoreal digital human.

First episode dropping here with our ESPER unboxing video.

15/05/2026

Helicopter buck. Controlled environment. No blue screen needed.

Tom Waller, De Warrenne Pictures — on why he'd do it again.

👉 Full testimonial in the video.

™