12/06/2026
《2026慕尼黑國際兒少影展》紀實感想5/29-6/3 2026
能參加慕尼黑國兒少影展 PRIX JEUNESSE INTERNATIONAL 是一次很特別也很令人感動的經驗。雖然最終以第二高分未能拿下第一名獎盃，但能在國際間讓作品曝光，並跟來自全球各地優秀的兒少專業製作人共同觀影、映後討論室對製作內容研討，收穫比實質獲獎更具價值。
如果說安錫動畫影展像全球動畫人的暑假同學會，那慕尼黑國兒少影展Prix Jeunesse 則像是將一群兒少影視內容專業工作者把自己關進不同教室六天，從早到晚瘋狂討論作品的研討會。
而且是認真到近乎執著的那種討論：
一段情節、一句台詞、一個鏡頭甚至一種剪接方式，都可能引發長時間辯論。即使意見分歧，但所有人都理解彼此的出發點是相同的：希望孩子們能接觸到更好的內容。
這些爭論幾乎從來不只是在作品好不好看，而是在討論：
•作品是否真正站在孩子的視角？還是落入成人觀點的投射？
•我們是在幫孩子理解世界，還是在替他們決定世界應該長什麼樣子？
• 我們是在尊重他們，還是在低估他們？
• 是否強化了既有刻板印象？
• 是否過度簡化複雜議題？
• 是否提供孩子思考工具，而非直接給出標準答案？
• 是否真誠面對問題，而非用娛樂性掩蓋現實？
很多時候，你甚至能感受到大家對於做不好兒少內容的焦慮。
那是一種很特別的責任感，尊重作品內容呈現將對孩子們產生如何影響，因為當你的觀眾是孩子時，你其實也正在參與塑造未來的世界。
《 #芽芽樂團/YaYa’ Band》這次能夠入選學齡前劇情片競賽，雖然最後與獎項擦身而過，但在各個討論室裡收到的回饋都非常正面，這些來自國際專業人士的正面回饋，對團隊而言是極大的鼓舞。
因為那代表《芽芽樂團》想做的事情，真的被看見了。
會場主舞台有一句標語：“Six days that expand your vision of children’s media.”
對我們而言，這六天確實重新擴展了我對兒少內容的理解與期待。
我們會把這六天學到的帶回台灣，繼續努力把《芽芽樂團》第二、三季做好。
因為當你的觀眾是孩子時，每一個故事、每一首歌，都可能成為他們理解世界的一部分。
而我們創作的，不只是節目，更是未來。
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最後，要感謝文化部影視及流行音樂產業局 文化內容策進院 Taiwan Creative Content Agency及富邦文教基金會給與芽芽樂團/YaYa‘s Band 最大的協助支持。
決賽資訊連結�https://prixjeunesse.de/wp-content/uploads/2026/06/Preistraegerbroschuere.pdf
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《Prix Jeunesse International Munich 2026〉
May 29 – June 3, 2026
Participating in Prix Jeunesse International Munich was a truly special and deeply moving experience. Although our production ultimately received the second-highest score and narrowly missed taking home the top prize, having the opportunity to showcase our work on an international stage and engage with outstanding children’s media professionals from around the world was far more valuable than any trophy itself.
If the Annecy International Animation Film Festival feels like a global summer reunion for animation professionals, then Prix Jeunesse International Munich feels like gathering children’s media creators from across the world and placing them in different classrooms for six days of intensive discussions—from morning until night.
And the discussions are serious—almost obsessively so.
A single scene, a line of dialogue, a camera angle, or even an editing choice can spark lengthy debates. Even when opinions differ, everyone shares the same fundamental goal: helping children access the best possible content.
These conversations rarely focus on whether a program is simply entertaining. Instead, they revolve around questions such as:
• Does the work genuinely reflect a child’s perspective, or is it merely an adult projection?
• Are we helping children understand the world, or are we deciding for them what the world should look like?
• Are we respecting children, or underestimating them?
• Does the work reinforce existing stereotypes?
• Does it oversimplify complex issues?
• Does it provide children with tools for critical thinking rather than ready-made answers?
• Does it confront real problems honestly, rather than using entertainment to gloss over reality?
Many times, you can even sense a collective anxiety about not doing children’s content well enough.
It is a unique sense of responsibility—an awareness that the stories and images we create can have a profound impact on young audiences. When your audience is children, you are, in many ways, helping shape the future.
This year, YaYa’s Band was honored to be selected for the Preschool Fiction Competition. While we narrowly missed receiving the award, the feedback we received in the discussion sessions was overwhelmingly positive. Such encouragement from international professionals is tremendously meaningful for our team.
Because it means that what YaYa’s Band set out to achieve was truly seen and recognized.
One of the slogans displayed on the main stage read:
“Six days that expand your vision of children’s media.”
For us, these six days genuinely expanded our understanding of—and aspirations for—children’s content.
We will bring everything we learned back to Taiwan and continue working hard on Seasons Two and Three of YaYa’s Band.
Because when your audience is children, every story and every song can become part of how they understand the world.
What we create is not merely a television program—it is part of the future.
Finally, we would like to express our heartfelt gratitude to the Bureau of Audiovisual and Music Industry Development, Ministry of Culture, the Taiwan Creative Content Agency (TAICCA), and the Fubon Cultural & Educational Foundation for their invaluable support of YaYa’s Band. Their encouragement and assistance have played a vital role in making this journey possible.
