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Wabisabi 侘寂

世代更迭-萬物的蛻變即是“侘寂”的痕跡。
WABISABI ISSUE -專注報導全球建築、空間、當代藝術等美學資訊雙月刊媒體。 The future is all about connecting every single moment.

侘び‧寂び

世代更迭-萬物的蛻變即是“侘寂”的痕跡。

未來即是串連每個當下，我們透過刊物與數位載體，帶領讀者探索更多未被發掘的美，觀察生活中的人.事.物，細品視覺、聽覺、觸覺、嗅覺與味覺帶來的體驗，靜心去感知周遭，與更多面向的美相遇，成為把關者的角色。

WABISABI ISSUE -專注報導全球建築、空間、當代藝術等美學資訊雙月刊媒體。

Wabi-Sabi

The succession of generations and the metamorphosis of all things are the traces of "Wabi-Sabi". Through publications and digital platforms, we aim to guide readers in exploring the undiscovered beauty, observing

the people, events, and objects in our daily lives, and using all of our senses - sight, hearing, touch, taste, and smell - to mindfully perceive the world around us. By encountering beauty from various perspectives, we hope to become the guardians of quality and promote the pursuit of excellence. WABISABI ISSUE is a bimonthly media publication that focuses on reporting global aesthetic information related to architecture, interior design, contemporary art, and more.

27/07/2025

光，在黑暗中慢慢引領著人們，
感到前途迷茫時，一絲微光足以觸動感官與深層情感，帶來光明與希望。對泰國藝術家 Torlarp Larpjaroensook 而言，光不只照亮眼前道路，亦是每則故事的開始。

In times of darkness, even the faintest light can offer direction, awakening the senses and stirring deep emotional currents. For Thai artist Torlarp Larpjaroensook, light is not merely illumination—it is the genesis of narrative.

完整內容請見"ISSUE 22”閱讀更多。
Refer to 'ISSUE 22’ for full details.

Artis & Images by Torlarp Larpjaroensook

ISSUE 22 正式發行｜新舊共存，在縫補的縫隙間萌芽
Where Old and New Coexist: Growth from the Cracks

25/07/2025

細節，決定空間質地 ; 居所的輪廓，映照著業主的生活風格、體現設計師對材質的精準掌握。若在黑、灰、白階之中，建構家的質樸與現代共存、理性與感性並進，當中每處環節便繫於對比例、光影與觸感的細緻平衡。

A home’s composition is more than a physical structure—it’s a reflection of its residents’ way of life and the designer’s material intuition. Within a restrained palette of black, grey, and white, the essence of simplicity and modernity, rationality and warmth, is achieved through a carefully orchestrated balance of proportion, light, and tactility.

完整內容於留言處及官網。
More details in the comments and on our site.

Brand & Images｜wilsonart.tw
Design Studio｜壹零貳伍設計

ISSUE 22 正式發行｜新舊共存，在縫補的縫隙間萌芽
Where Old and New Coexist: Growth from the Cracks
實體通路｜誠品、蔦屋、金石堂

24/07/2025

走過巷弄街道，總有一座建築讓你忍不住停下腳步，想一探究竟。

這座宛若漂浮於空中的大型白色雕塑仍令人費解，對於自己將會走進什麼樣的空間著實感到困惑。首先來到特意向內縮的地面層，其若隱若現的姿態引人遐想。接著走入朗闊的雙層高門廳，透過壓花玻璃向外望去，周圍景色與色彩如水彩般透出朦朧藝術感，與光影交織出詩意氛圍。

Unlike Pandolfini Architects’ earlier works, South Yarra House eschews overt abstraction, yet its bold silhouette—appearing to float above the ground—remains cryptic. The recessed ground floor creates a sense of subtle detachment, drawing the visitor inward. Upon entering, a voluminous double-height foyer greets you. Through textured glass, the surrounding environment filters in like a blurred watercolor, softening boundaries between inside and out.

完整內容請見"ISSUE 22”閱讀更多。
Refer to 'ISSUE 22’ for full details.

Design Studio｜Pandolfini Architects
Photography｜Rory Gardiner

ISSUE 22 正式發行｜新舊共存，在縫補的縫隙間萌芽
Where Old and New Coexist: Growth from the Cracks
實體通路｜誠品、蔦屋、金石堂
線上通路｜請見留言區

22/07/2025

「我即是我所在的空間。」——諾艾勒・阿賀諾《粗胚狀態》

家居作為私密場域，映照居住者的獨特樣貌。在「拓：隕石計畫」案中，擁有天文物理學（Astrophysics）背景的屋主，熱衷宇宙研究，於是建築師凝煉出「無邊界」、「領域性的模糊」與「幽微」三組關鍵詞彙，與其專業學識相呼應，並藉此創造有如天文宇宙般的無界探索空間。

"I am the space where I am."— Noël Arnaud, The Unpolished State

The home is a deeply personal domain—one that reflects the distinctive identity of its inhabitant. In the project House W, the client, a physicist with a background in astrophysics and a lifelong fascination with the cosmos, inspired the architect to translate abstract scientific passion into spatial form. The resulting design emerged from three conceptual anchors: boundlessness, territorial ambiguity, and subtlety—each echoing the vast, fluid, and unknowable nature of the universe.

完整內容請見"ISSUE 22”閱讀更多。
Refer to 'ISSUE 22’ for full details.

Design Studio｜絮絮空間感知︱時絮建築師事務所 studio whispace
Photography｜隨寓工作室

ISSUE 22 正式發行｜新舊共存，在縫補的縫隙間萌芽
Where Old and New Coexist: Growth from the Cracks
實體通路｜誠品、蔦屋、金石堂
線上通路｜請見留言區

21/07/2025

當鋁合金材質被帶入烹飪場域，空間的肌理與使用將會如何被改寫？

承襲集團35年精密鋁合金加工技術製造，將優異材質深化功能層次，推升至居家生活成為主角之一的全新境界，昇華為廚房場域裡可以被凝視、觸摸使用、建立關係的內斂光芒，為空間挹注沉著美學。

How does introducing aluminum alloy to the culinary space redefine its essential texture and daily rituals?

Drawing on 35 years of precision manufacturing expertise, ALMOSA has quietly redefined the role of aluminum alloy in domestic life—elevating it from structural support to a visible, tactile protagonist in the kitchen. In ALMOSA’s hands, aluminum alloy becomes a quiet luminescence, integrating seamlessly into the home, embodying calm, restraint, and contemporary aesthetic depth.

完整內容於留言處及官網。
More details in the comments and on our site.

Brand｜ALMOSA 精品廚具

ISSUE 22 正式發行｜新舊共存，在縫補的縫隙間萌芽
Where Old and New Coexist: Growth from the Cracks
實體通路｜誠品、蔦屋、金石堂

20/07/2025

”2025 大阪世博巡禮“

有人問：「為什麼一定要去參加世博會？」
我的理由有二：
一、參加世博能知天下事（World），
二、參加世博能知未來事（Future)。
雖然在網路時代，人們已經可以坐在家裡，輕鬆得知天下事，同時也能體驗未來科技的種種發展（因此現在舉辦世博會難度越來越高）。
不過參加世博會是一種真實的體驗，這是網路世界所無法真正感受到的。同時可以體會全世界的人齊聚一堂，共同努力邁向未來的儀式感，有如是一種慶祝人類文明進步的盛會。

"1970世博會的遺跡"
參觀2025大阪世博之前，可以先到大阪的世博紀念公園，先去看看1970世博會的遺跡，特別是岡本太郎的太陽塔實在太厲害了！現今的世博會恐怕很難超越他。當年丹下健三、磯崎新、黑川紀章所規劃的展場，幾乎已經看不見任何蹤跡，印證了磯崎新曾經說的名言：「未來的建築就是廢墟，廢墟就是未來的建築。」如今連那些也不見蹤影，只剩下高聳的太陽塔依然存在，見證那個爆炸的年代。

Why Go to the World Expo?
People often ask: “ Why attend the World Expo at all? “
My reasons are simple: First, the Expo offers a window onto the world. Second, it offers a glimpse into the future.

In this digital age, one could easily stay home and discover the latest global innovations online—which makes hosting a World Expo increasingly challenging. But the World Expo is a profoundly real experience—one that no screen can replicate. It is a moment of convergence, where people from around the globe gather to collectively imagine a shared future. There’s a ritualistic gravity to it—like a celebration of human progress itself.

”Remnants of Expo '70“
Before visiting the 2025 Expo, I stopped by the Expo '70 Commemorative Park in Osaka. There, one relic still dominates the landscape: Taro Okamoto’s iconic Tower of the Sun. Even today, it’s hard to imagine a structure more powerful in symbolism and scale—a landmark that even today’s World Expos struggle to surpass. Nearly all the other pavilions—once planned by great architects like Kenzo Tange, Arata Isozaki, and Kisho Kurokawa—have vanished. Isozaki’s prophetic line, “The future of architecture is ruins; ruins are the future of architecture,” now reads like a self-fulfilling epigraph. Only the towering sun sculpture endures, a totem from that explosive age.

完整內容請見"ISSUE 22”閱讀更多。
Refer to 'ISSUE 22’ for full details.

Column＆Images｜李清志

ISSUE 22 正式發行｜新舊共存，在縫補的縫隙間萌芽
Where Old and New Coexist: Growth from the Cracks
實體通路｜誠品、蔦屋、金石堂
線上通路｜請見留言區

18/07/2025

源自丹麥，跳脫秩序規則，憑藉簡潔流暢的線條勾勒有機型態，任由光影襯托每一品項的肌理輪廓，描繪北歐美學與東方意境，於日常中找回寧靜與平衡，泰然自若地隨著時光推移與環境互動，再平凡不過的日常由此多了些許新意。

Created by Danish brand 101 Copenhagen, these furnishings defy rigid formalism. Flowing lines and sculptural volumes evoke natural forms, allowing light and shadow to trace every surface detail. Each object becomes a quiet articulation of Nordic minimalism layered with Eastern sensibility—a daily expression of serenity and balance. As time unfolds and the environment shifts, even the most ordinary moments are imbued with subtle renewal.

完整內容於留言處及官網。
More details in the comments and on our site.

Images｜101 Copenhagen Taiwan

ISSUE 22 正式發行｜新舊共存，在縫補的縫隙間萌芽
Where Old and New Coexist: Growth from the Cracks

17/07/2025

摺紙般的建築"House in Muko"

建築立面與主要結構皆以混凝土為主，若仔細觀察其脫模未過度修飾的表面，留下局部模板紋理及細微孔洞，雖不完美平整卻真實呈現，展現著純粹而質樸的特質。

自各體塊斜角處至它點的線性連結，串接成如摺紙般連續整體的屋頂曲面，建築透過材質與形體將往昔更迭的時間軸線具象化，緩緩流逝的歲月如似被封存的城市地景，靜靜講述著皺摺迭代的記憶，與基地共築彼此存在的價值。

The building’s façade and structure are formed primarily in cast-in-place concrete. Left raw and unpolished after the formwork was removed, the surface retains subtle traces of its making—board marks, air pockets, irregularities. These imperfections are not concealed, but embraced as evidence of material authenticity.

A network of angled lines links the corners of each volume, converging into a folded roofscape that evokes the delicate creases of origami. In this geometry, the architecture renders time as something tangible: a series of spatial folds that hold the memory of past and present in a shared physical continuum.

完整內容請見"ISSUE 22”閱讀更多。
Refer to 'ISSUE 22’ for full details.

Design Studio｜Tomohiro Hata Architect & Associates
Photography｜Toshiyuki Yano

ISSUE 22 正式發行｜新舊共存，在縫補的縫隙間萌芽
Where Old and New Coexist: Growth from the Cracks
實體通路｜誠品、蔦屋、金石堂
線上通路｜請見留言區

15/07/2025

對於仍舊陷於不安、忙亂且細瑣日常的現代人而言，這座市郊山區的老屋最為珍貴的，莫過於日日晨醒時，即能盡覽的蓊鬱山色，人身心隨之而闊朗。

正如自然之於梭羅的理解，身處這般與自然為鄰與其共居時，我們不再只是待在屋裡，而是與世界僅隔了一扇門。

For those navigating the anxieties, noise, and fragmentation of modern life, this mountain home in the suburban hills offers something increasingly rare: the luxury of waking each day to a panoramic expanse of misty green peaks—a view that softens the mind and stretches the spirit.

Much like Thoreau’s philosophy of coexisting with nature, here one is never merely indoors, but always just a breath away from the world beyond the door.

完整內容請見"ISSUE 22”閱讀更多。
Refer to 'ISSUE 22’ for full details.

Design Studio｜鞠躬上場空間設計
Photography｜Moooten Studio 墨田工作室

ISSUE 22 正式發行｜新舊共存，在縫補的縫隙間萌芽
Where Old and New Coexist: Growth from the Cracks

刊物販售資訊請至留言區

14/07/2025

凡事追求效率的時代，每天結束繁忙步調後，在開放廚房場域裡和家人聊著有趣新奇事物，享受著烹調帶來的創意樂趣、一起細細品嚐健康的自煮料理，已然成為生活中的珍貴時刻。

In an era driven by efficiency, the moments after a long day—spent chatting with family in an open kitchen, enjoying the creativity of cooking, and savoring a healthy homemade meal—have become rare and precious. As people place greater value on spatial aesthetics, the role of the kitchen has evolved beyond its functional purpose.

完整內容於留言處及官網。
More details in the comments and on our site.

Brand｜Kvik Taiwan
Photography ｜Zhang Yi-Ching

ISSUE 22 正式發行｜新舊共存，在縫補的縫隙間萌芽
Where Old and New Coexist: Growth from the Cracks

13/07/2025

你願意在這座「山」裡停留多久？

俯視這件名為「治癒之山」的藝術裝置，靜靜地佇立於田野腹地中央與「君山島」遙望，其彎曲如似山形輪廓的結構，提供人們能入內獨處、冥想，或自在坐臥於開闊明亮的外圍，環顧四周風景、沉浸自然。

這座「山」作為一個空間概念，延承中國傳統建築屋頂詩意的脈絡，從遮蔽的陰影發展如屋脊對稱結構，整體形態可視為兩個鏡像等腰三角斜面，其邊長各為 14 公尺，於兩端對角及 5 根鋼管構成十字支撐柱，與水平鋼管焊接在一起並將其嵌入地面之下，以穩固且防止結構下沉的可能，團隊進一步於內部僅以三點支撐懸起這座幾何山形，使裝置能呈現視覺的輕盈感。

Quietly standing in the open heart of a field and gazing across toward Junshan Island, Healing “MOUNTAIN” appears like a curved silhouette of a mountain gently resting on the land. This sculptural installation invites visitors to enter its sheltered core for solitude and contemplation, or to linger freely along its bright and open periphery—surrounded by the expanse of nature.

As a spatial concept, the project draws upon the poetic lineage of traditional Chinese rooflines. From the primal act of shading came the design logic: a ridge-like, symmetrical geometry composed of two mirrored isosceles triangular planes, each with an edge length of 14 meters. The structure is anchored at both ends by diagonal columns and stabilized by a central cross-shaped support of five welded steel tubes embedded below ground. This three-point support system minimizes contact with the earth and gives the installation a striking sense of lightness and elevation.

完整內容請見"ISSUE 22”閱讀更多。
Refer to 'ISSUE 22’ for full details.

Design & Photography by STUDIO DUYANG

ISSUE 22 正式發行｜新舊共存，在縫補的縫隙間萌芽
Where Old and New Coexist: Growth from the Cracks
實體通路｜誠品、蔦屋、金石堂
線上通路｜請至以下留言區

11/07/2025

你是否也收藏過那件乍看平凡、卻越看越動人的家具飾品？

許多事物若單看表面雖乍看相似，卻唯有深入感受，才能領略真正價值往往藏於內在本質之中。

Have you ever come across a furniture or décor piece that seemed unremarkable at first—yet gradually revealed its true allure?

At first glance, many things may look alike. But it is only through a deeper, more discerning perspective that one comes to recognize where true value resides—within.

關於 Riva1920 請至wabisabiissue.com閱讀更多。
Visit our website’s NEWS section for details.

Brand｜Riva 1920
Images & Information｜築意名品家飾 Modern Design Studio
More｜https://www.wabisabiissue.com/News/md-studio-june-2025

ISSUE 22 正式發行｜新舊共存，在縫補的縫隙間萌芽
Where Old and New Coexist: Growth from the Cracks
實體通路｜誠品、蔦屋、金石堂
博客來｜https://bookstw.link/7v5zcf
誠品｜https://pse.is/eslite-issue22
官網｜https://www.wabisabiissue.com/Issue

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