WGXC 90.7-FM, Greene and Columbia County community radio

WGXC 90.7-FM, Greene and Columbia County community radio Wave Farm's WGXC 90.7-FM is a creative community radio station based in New York’s Greene and Colu

Wave Farm's WGXC (90.7-FM) is a creative community radio station based in New York’s Greene and Columbia counties. Hands-on access and participation activate WGXC as a public platform for information, experimentation, and engagement. A program division of Wave Farm, WGXC serves over 78,000 potential listeners on 90.7-FM and international listeners at wgxc.org.

Tune in Thursday 9/24 at 7pm for Poet Ray’d Yo with Chris Funkhouser!This month’s edition of Poet Ray’d Yo draws from re...
09/24/2025

Tune in Thursday 9/24 at 7pm for Poet Ray’d Yo with Chris Funkhouser!

This month’s edition of Poet Ray’d Yo draws from recordings included in the recently launched We Magazine Digital Archive page at PennSound. These recordings were orchestrated by host Chris Funkhouser, produced with collaborators Karl Daegling and Stephen Cope between 1989 and 1992. Featured in the program are works by Andy Clausen, William Everson, Joanne Kyger, and others.

Turn out on Thursday, September 25th at 7pm Upstairs at the Avalon Lounge for the next edition of “Breaking the Algorith...
09/24/2025

Turn out on Thursday, September 25th at 7pm Upstairs at the Avalon Lounge for the next edition of “Breaking the Algorithm IRL,” a new monthly series presented by Wave Farm’s WGXC 90.7-FM as part of our Local Waves initiative and the show “Local Waves in Conversation.”

This month’s event features a discussion with Adriana Tampasis, a Hudson Valley-based composer, performer, and poet. She has composed for solo, chamber, and large ensemble groups, integrating traditional and nontraditional notations including narrative and graphic scores into her compositions. Her work is inspired by the fusion of jazz, chamber, and literary arts, employing both improvisation and through-composition. She has recently held a residency at Westben Centre for Connection & Creativity as a Performer-Composer and is currently recording an album with her jazz-fusion quartet, Pocket Merchant.

Tune in Monday 9/22 at 3pm for “Tracking the Odds” from Roulette Intermedium!⚪️ This month: Laraaji & Blues Control A pr...
09/21/2025

Tune in Monday 9/22 at 3pm for “Tracking the Odds” from Roulette Intermedium!

⚪️ This month: Laraaji & Blues Control

A project by Laraaji, known for the use of an electronically-modified zither as their primary instrument, heard here in collaboration with the “noise-rock” duo Blues Control with Russ Waterhouse (guitar, electronics) and Lea Cho (keyboards) whose musical explorations merge new age, krautrock, and noise. Laraaji is a celebrated practitioner of musical genres such as ambient, meditative, and sonic healing whose performance rituals and recordings first received recognition after a collaboration with Brian Eno on the album Ambient 3: Day of Radiance. This event was recorded at the Roulette concert hall in Brooklyn in March 2012.


Tune in Monday 9/22 at 10am for “I want to eat the earth: September Equinox,” curated and produced by Stephen Shiell in ...
09/20/2025

Tune in Monday 9/22 at 10am for “I want to eat the earth: September Equinox,” curated and produced by Stephen Shiell in collaboration with NSOTA scholars, ensemble, and friends.

⚪️ NSOTA is a radical experiment in alternative education, away from marketisation and arcane specialism towards co-sensing systems change through creative practice.

This is an ecological transmission of DIY ethics, non-hierarchical structures, radical networks, interconnected sensing through sound, text, voice, spoken word, human and more-than-human collaborative practice, patchwork group thinking, and radio art.

This episode is created for the September equinox, when dark and light equalize for a brief pause in the turn of the year, a short moment before the long exhale into the next season. The piece is curated and produced by Stephen Shiell and composed using original material from NSOTA scholars and friends.










Tune in Saturday 9/20 for a broadcast from radioart106 - “Alignment’ by Stephen ShiellThis piece explores the contradict...
09/19/2025

Tune in Saturday 9/20 for a broadcast from radioart106 - “Alignment’ by Stephen Shiell

This piece explores the contradictions of policy, politics, and protest, echoing a pivotal moment in London’s anti-capitalist history: the M11 link road protests. Part of Thatcher’s ‘Roads to Prosperity’ program, the project was justified by projections that traffic would rise 142% by 2025. Now, in that very year, governments are urged to outline low-traffic futures—even as major infrastructure projects like the Silverlink tunnel continue.

Improvising with the building, a spell is woven through vibration, foundation and connection with what’s divided by urban expansion and roadways. Timelines merge as interlacing stories arise from the thrumming of tyre on tarmac.

Stephen Shiell is a London‑based sound artist, performer, improviser, deep listener, and composer. His work engages with field recordings, specially designed instruments, and subtle interventions that reveal hidden layers of sound in site‑specific landscapes. In his solo work Shiell crafts immersive soundscapes from extended field recordings.


Tune in Friday 9/19 at 2pm for Part 2 of two parts of a live performances from Saturday, August 2, 2025 from Wave Farm’s...
09/19/2025

Tune in Friday 9/19 at 2pm for Part 2 of two parts of a live performances from Saturday, August 2, 2025 from Wave Farm’s second pond. This broadcast features Bradford Reed, Brian Dewan, and Elizabeth Karp.

Images:
(1) Brian Dewan performing at Wave Farm on August 2, 2025. Photo by William A Loeb.
(2 & 3) The Wave Farm Art Park at dawn, and dusk.

Tune in Saturday, September 20th at 2pm EST for an interview with Wave Farm Artist-in-Residence Jamika Ajalon, followed ...
09/18/2025

Tune in Saturday, September 20th at 2pm EST for an interview with Wave Farm Artist-in-Residence Jamika Ajalon, followed by the premier of Ajalon’s new radio work “Fluid Code Transmissions: Liberation Grooves” on “The Radio Art Hour” at 3pm!

⚪️ Fluid Code Transmissions: Liberation Cypher is a radio broadcast unfolding as a transmission from the future, where the practice of “fluid code” is already in motion. The project explores coded languages of liberation expressed through sound. From music and rhythm to ambient noise, sound has historically served as a tool of resistance and survival. The atmospheric sounds of city streets, public transportation, and the soundscapes of daily life carry hidden codes waiting to be uncovered. Drawing on traditions like Morse code and drum communication, Ajalon traces how communities have created forms of expression that slip past dominant systems of control.

The goal is to craft a “fluid code”: a living, evolving form of sonic expression that cannot be easily co-opted or commodified. By combining original sound experiments, archival material, and selected contributions, the project is a call to imagine new, uncontainable forms of expression.

⚪️ Jamika Alajon is a writer, author, and interdisciplinary artist who experiments with text, visuals, and sound. A key part of Alajon’s practice involves creating and performing improvisational A/V “Anti-Lectures,” which integrate multiple mediums in a live setting. Sound plays a crucial role in these performances, shaping immersive, multilayered experiences. Alajon’s work also explores the intersections of memory, narrative, surveillance culture, and fugitivity, contributing to a living archive that amplifies countercultural perspectives and voices from the margins. Alajon’s sound work is diverse, incorporating elements of distorted field recordings, found footage, original compositions, and spoken text or poetry.

Tune Thursday at 9pm for selections from the Radio and Transmission Art Archives. “Loud Luggage / Booming Baggage” (2019...
09/18/2025

Tune Thursday at 9pm for selections from the Radio and Transmission Art Archives.

“Loud Luggage / Booming Baggage” (2019) by GX Jupitter-Larsen, followed by “Vacant City Radio” (2005) by Anna Friz.

⚪️ About “Loud Luggage / Booming Baggage”

On the occasion of the 25th anniversary of the Kunstradio program on ORF in Austria, GX Jupitter-Larsen performed “Loud Luggage / Booming Baggage,” in which he used a modified transistor radio to interfere with the signals from his two amplified suitcases. The artist has performed variations of this set-up in a number of configurations, both as radio broadcast and live performance, solo and in collaboration with other musicians and artists. Jupitter-Larsen has referred to the performance as a “sonic reference to the xylowave,” a concept of his own invention that he defines as the “distance between nothing and something.”

⚪️ About “Vacant City Radio”

From 2001-2002 Anna Friz recorded the soundscapes of abandoned factories and warehouses along the Lachine Canal in Montréal. In the intervening years, all of these unique acoustic spaces are now lost - either demolished entirely or renovated into condominiums. She linked these field recordings touring specific empty places with more ethereal cities of radio and memory; the ‘lost’ cities on the shortwave dial. Many transistor radios, particularly from Europe, were designed with the names of cities in place of frequencies on the dial, but as shortwave broadcasting is in decline and as stations migrate to other positions on the dial, tuning to these frequencies often yields only static. “Vacant City Radio” considers ebbs in place and memory through ephemeral sonic and radiophonic representations of city, through lost sounds found in the dark halls of the factory and the radio dial.

Tune in to “unknown sounds” with Elena Botts Thursday at 3pm! This month’s guest is Ian John. Ian-John Hutchinson (b. Ne...
09/18/2025

Tune in to “unknown sounds” with Elena Botts Thursday at 3pm! This month’s guest is Ian John.

Ian-John Hutchinson (b. New Zealand) has been under the influence of The Sounds for some considerable time. This is a case of thorough and prolonged exploitation by Sounds: financially, physically, psychologically and emotionally. By using Ian-John, Sounds have reproduced and spread their influence in the Asia-Pacific region. He now even organizes events for group improvisation (Ddakji Series) and runs the intermittently appearing participation sound art work ‘Second Heard Sound Shop’, which is a sign of the terminal severity of this malady.

🎂 Tune in Wednesday 9/17 from 4pm to 5pm for the premiere of “The Birthday Show” with Michael Alan Hams! 🎂Everyone gets ...
09/17/2025

🎂 Tune in Wednesday 9/17 from 4pm to 5pm for the premiere of “The Birthday Show” with Michael Alan Hams! 🎂

Everyone gets some birthday cake on this show! Musicians from all walks of life - from the dawn of keeping time to today - get a little shoutout during their special month (with a highlight for musicians local to the Catskills region of the Hudson Valley)!

Starting today, and returning to the airwaves every 3rd Wednesday at 4pm!

Tune in tonight at 9pm for Local Waves—starting off with a conversation between Mike Amari  and Elizabeth Ibarra  of Cam...
09/12/2025

Tune in tonight at 9pm for Local Waves—starting off with a conversation between Mike Amari and Elizabeth Ibarra of Camp Saint Helene that was recorded at the end of August during our monthly “Breaking the Algorithm IRL” event upstairs at !

Stay tuned all night for new local music!

Photos by Rob Lundberg.

Tune in Friday at 4:15pm for a selection from the Transmission Art Archive: Elia Vargas’s “Cloud Points Crude Illuminati...
09/11/2025

Tune in Friday at 4:15pm for a selection from the Transmission Art Archive: Elia Vargas’s “Cloud Points Crude Illumination” Live from Lodge 2017.

“Cloud Points: A Derivative of Crude Illumination” is a site specific paraffin feedback loop, crude oil transmission pipeline. Installed during a Wave Farm artist residency, “Cloud Points” explores alternative oil ontologies, crude oil as media, and the entangled history of crude oil as medicinal spiritual ointment as well as material energy source derived from latent solar radiation. Paraffin waxy build up in oil pipelines reduces flow capacity, yet the paraffin hydrocarbon was also used as leverage by both mystics and industrialists to argue for crude oil extraction due to a shared biology with human blood flow. As a result, paraffin both enabled and sabotaged human oil extraction and pipeline growth. “Cloud Points” points towards the poetics of crude oil flow both as part of the signal path of the electromagnetic spectrum, thus a carrier wave of information, and as early technology infrastructure that shapes much of the physical and ideological infrastructure of the contemporary landscape.

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