The Common

The Common The Common is a literary journal based at Amherst College. We publish literature and visual art. In short, we seek a modern sense of place.

Finding the extraordinary in the common has long been the mission of literature. Inspired by this mission and the role of the town common, a public gathering place for the display and exchange of ideas, The Common seeks to recapture an old idea. The Common publishes fiction, essays, poetry, documentary vignettes, and images that embody particular times and places both real and imagined; from deser

ts to teeming ports; from Winnipeg to Beijing; from Earth to the Moon: literature and art powerful enough to reach from there to here. Used for decades to describe the tangible local environments and rootedness in works by authors like Faulkner, Frost, and Welty, the idea of a sense of place has fallen out of fashion. Some may think the notion of place outdated or unimportant given our globally mobile populations and technology-driven careers. But these characteristics mean that sense of place is more important now than ever. In our hectic and sometimes alienating world, themes of place provoke us to reflect on our situations and both comfort and fascinate us. Sense of place is not provincial nor old fashioned. It is a characteristic of great literature from all ages around the world. It is, simply, the feeling of being transported, of “being there.” The Common aims to renew and reenergize our literary and artistic sense of place. The Common is published in print biannually from Amherst College in Amherst, Massachusetts. Ours is a small community with far-reaching ideas. We’re a place of farmers, professors, immigrants, liberals, conservatives, dairy cows, to***co plants, strip malls, and Victorian and Brutalist architecture. We have a rich literary history and support a vibrant diversity of artists and authors. The Common fosters regional creative spirit while stitching together a national and international community through publishing literature and art from around the world, bringing readers into a common space. Contact us at [email protected]

“Reggie had no time for their sick eyes or wet mouths. No time at all for their cries that sounded, in the distance, lik...
06/20/2026

“Reggie had no time for their sick eyes or wet mouths. No time at all for their cries that sounded, in the distance, like something familiar. Like a woman in pain. Like a young girl calling out for her father.”

Read “The Strays,” Russell Brakefield’s Issue 31 story of the prairie.

RUSSELL BRAKEFIELD Snow started to fall on the way home. In the truck’s headlights, it reminded Reggie of the static on his TV set, and he imagined watching a television show that was just this,…

Need a summer book rec? Check out our latest "What We're Reading," featuring three reviews by The Common contributors!
06/19/2026

Need a summer book rec? Check out our latest "What We're Reading," featuring three reviews by The Common contributors!

STEFAN BINDLEY-TAYLOR His characters are brimming with schemes, heart, hidden motives, and a desire to survive in this unfamiliar and foreign world. There is such a tenderness to the way he…

06/17/2026

Looking for your next great read? The Common’s Editor-in-chief, Jennifer Acker, enthusiastically recommends Jamaica Kincaid’s “Annie John.”

Tell us your favorite Jamaica Kincaid pieces in the comments!

"The boys who did have Levi’s pointed at my jeans and laughed—but the others, so many others did not, because theirs wer...
06/16/2026

"The boys who did have Levi’s pointed at my jeans and laughed—but the others, so many others did not, because theirs were worse."

"Martyrs" is a coming-of-age story about a boy growing up in communist Czechoslovakia with a single mother. Check it out below!

CHELSEA BOLAN "I was concentrating on walking. Walking like a normal kid in socialist jeans on his way to school—and trying to ignore the chafing that was happening on my inner thighs."

There was a time when all that love made sense. / And yet, we are back home now, reproducing / clichés, reshaping the an...
06/14/2026

There was a time when all that love made sense. / And yet, we are back home now, reproducing / clichés, reshaping the ancient mistakes, / blending snot with tears to repaint the stairs.

Read "The Spies" (Issue 31) by Aleksandar Hemon below.

ALEKSANDAR HEMON I’ve learned that a small amount of painkill / blooms into a heartbreak, just as the moon / sinks in the ocean, smears and dissolves, / depleted by the longest of hopeful nights.

"But lately even my dreams seem to threaten / our future, swimming back as I awaken: / the enormous, multi-colored snake...
06/13/2026

"But lately even my dreams seem to threaten / our future, swimming back as I awaken: / the enormous, multi-colored snake / that slithered into my house out of nowhere."

Maria Terrona writes about the complexity of cancer treatment in her Issue 31 poem "Safe & Secure Destruction." Read more below!

MARIA TE***NE The sign painted on the truck is a phrase / I contemplate under a vine-covered pergola. / You might call this walled city garden / my hermitage—the faint notes / of a live flute…

Has the summer heat driven you into a writing slump? Weekly Writes is a ten-week program designed to provide inspiration...
06/12/2026

Has the summer heat driven you into a writing slump? Weekly Writes is a ten-week program designed to provide inspiration and accountability, delivered right to your inbox. Click the link below to sign up!

Does the summer heat have you in a writing slump? We’ve got you covered! Weekly Writes is a ten-week program designed to help you create your own place-based writing, beginning July 13. Weekly…

"I sound the alarm with my gun / shoot sharp and dig latrines"Denver David Robinson's new translation of Elias Sadaq's p...
06/11/2026

"I sound the alarm with my gun / shoot sharp and dig latrines"

Denver David Robinson's new translation of Elias Sadaq's poem, "Feltspade," juxtaposes images of queerness and masculinity in a military context. Check it out using the link below!

ELIAS SADAQ "I serve out my conscription / sleep in a bunk bed / for four cold months / in the engineer regiment at Skive Garrison / in a room with three other men"

"After a couple more glasses of wine, Mia looks at me and says with a soft, tipsy smile, 'I keep thinking, how lucky it ...
06/09/2026

"After a couple more glasses of wine, Mia looks at me and says with a soft, tipsy smile, 'I keep thinking, how lucky it is that your mom gets to meet Mandela in heaven.'”

Zinzi Clemmons parallels South Africa's nuanced history with her personal life in "Freedom." Read it below!

ZINZI CLEMMONS "I arrive in Johannesburg, South Africa, on December 2, 2013. My father will join me in two weeks, with my brother to follow a week later. In one month, we will unveil my mother’s…

In our latest interview, Preeti Vangani and Jenny Qi speak about process, humor, and Vangani's newest poetry collection,...
06/08/2026

In our latest interview, Preeti Vangani and Jenny Qi speak about process, humor, and Vangani's newest poetry collection, Fifty Mothers.

PREETI VANGANI With vignettes, I could plumb its narrative arc to become a force propelling the book forward. It also felt haunting yet warm that the mothers kept reappearing throughout the life of this grief. That repetition created a chorus of voices that angers and despairs, yet cradles the....

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