The Common

The Common The Common is a literary journal based at Amherst College. We publish literature and visual art. In short, we seek a modern sense of place.

Finding the extraordinary in the common has long been the mission of literature. Inspired by this mission and the role of the town common, a public gathering place for the display and exchange of ideas, The Common seeks to recapture an old idea. The Common publishes fiction, essays, poetry, documentary vignettes, and images that embody particular times and places both real and imagined; from deser

ts to teeming ports; from Winnipeg to Beijing; from Earth to the Moon: literature and art powerful enough to reach from there to here. Used for decades to describe the tangible local environments and rootedness in works by authors like Faulkner, Frost, and Welty, the idea of a sense of place has fallen out of fashion. Some may think the notion of place outdated or unimportant given our globally mobile populations and technology-driven careers. But these characteristics mean that sense of place is more important now than ever. In our hectic and sometimes alienating world, themes of place provoke us to reflect on our situations and both comfort and fascinate us. Sense of place is not provincial nor old fashioned. It is a characteristic of great literature from all ages around the world. It is, simply, the feeling of being transported, of “being there.” The Common aims to renew and reenergize our literary and artistic sense of place. The Common is published in print biannually from Amherst College in Amherst, Massachusetts. Ours is a small community with far-reaching ideas. We’re a place of farmers, professors, immigrants, liberals, conservatives, dairy cows, to***co plants, strip malls, and Victorian and Brutalist architecture. We have a rich literary history and support a vibrant diversity of artists and authors. The Common fosters regional creative spirit while stitching together a national and international community through publishing literature and art from around the world, bringing readers into a common space. Contact us at [email protected]

"It was interesting to explore the many reasons people leave home, which today's discourse tends to flatten into being a...
08/24/2026

"It was interesting to explore the many reasons people leave home, which today's discourse tends to flatten into being an 'immigrant' or 'migrant,' as if it's simply about better prospects.

In her interview with Kanchi Sharma, Yu-Mei Balsingamchow discusses her latest novel, which follows a Singaporean runaway.

Link below!

https://buff.ly/AyvdRLh

YU-MEI BALASINGAMCHOW It was interesting to explore the many reasons people leave home, which today's discourse tends to flatten into being an "immigrant" or "migrant," as if it's simply about…

"I came on vacation as a single woman, not sculpted, not looking for love, merely drawn by what I perceived as oddness."...
08/20/2026

"I came on vacation as a single woman, not sculpted, not looking for love, merely drawn by what I perceived as oddness."

Let Katy Simpson Smith lead you across the rocky cliffs and frigid waters of the Mediterranean in her new essay, "The Loneliest Island." Read the full essay below!

https://buff.ly/StFqtkM

KATY SIMPSON SMITH "We adventurers stared out over the red sand beach and over to the far cliffs and up the valley and all the way out across the unknowable sea. I imagined the Neolithic…

"People don’t care about extinction. What’s one species, they say, compared to my precious convenience? Trees and birds ...
08/19/2026

"People don’t care about extinction. What’s one species, they say, compared to my precious convenience? Trees and birds do their bit for the ecosystem merely by existing."
Julia Lichtblau reviews "The Fall-Down Effect" by Liz Johnston and "Field Notes from an Extinction" by Eoghan Walls. Read it below!

Review by Julia Lichtblau The story is told through several narrative devices, primarily Green’s notebook entries, interspersed with newspaper clippings, which feed the mystery at the center of…

08/18/2026

Poet Lauren Delapenha reads “Supermarketing” from Issue 31. Hear her read two more poems from The Common and discuss her process on the TC podcast - link in bio or wherever you get podcasts!

"They'd seen the shot-pouch and the gunpowder. Fabiano's moods afflicted them, led them to suspect that Baleia was in de...
08/18/2026

"They'd seen the shot-pouch and the gunpowder. Fabiano's moods afflicted them, led them to suspect that Baleia was in deep trouble."

Explore the underworld through a dog's eyes in Graciliano Ramos's brilliant story "Baleia," translated by Camila Massaki Gomes, one of our editorial assistants!

https://buff.ly/V6Qtos9

GRACILIANO RAMOS "She couldn’t bite Fabiano: she had been born next to him, in a small bed-chamber, on top of the wooden cot, and had spent her entire existence in submission to him, yapping and…

Issue 31 contributor Lauren Delapenha is our podcast guest this week! Ranging from Walt Whitman to Spider-Man, this is a...
08/14/2026

Issue 31 contributor Lauren Delapenha is our podcast guest this week! Ranging from Walt Whitman to Spider-Man, this is a conversation you won't want to miss. Check it out below!

https://buff.ly/RF6UwcL

LAUREN DELAPENHA Lauren Delapenha speaks to Emily Everett about her poems “Supermarketing” and “If You Are Learning English,” which appear in The Common’s spring issue. Lauren also discusses her…

"the cacophony of carols outside / and books piling next to a blur of pastries / over the courtyard's uncut grass"Check ...
08/12/2026

"the cacophony of carols outside / and books piling next to a blur of pastries / over the courtyard's uncut grass"
Check out our newest dispatches by Ana Prundaru from Konstanz and Maastricht!

ANA PRUNDARU here is a lesson in grieving the past / a tiny fit of existentialism / say it was converted to a tiny pub / it was the nineties, remember?

"It’s not that my unease with the pastoral suddenly evaporated, but I identified with the landscape and was comforted by...
08/10/2026

"It’s not that my unease with the pastoral suddenly evaporated, but I identified with the landscape and was comforted by its small beauties."

Sarah Audsley interviews Eve Alexandra on her second poetry collection "None of Us in White." Check it out below!

EVE ALEXANDRA I think there’s a reclamation of the q***r pastoral through this feeling of belonging. I know this place so well. My body lives here and is part of this land. I can name those…

"'Khanandihi' tells the story of a quintessential Bengal village. It is a story about its inner lights and pervading dar...
08/06/2026

"'Khanandihi' tells the story of a quintessential Bengal village. It is a story about its inner lights and pervading darkness. It is about humans and their small lives that, when woven together, become infinite and mythical."

Make sure to check out Bishnupriya's beautiful translation of "Khanandihi" by Shatadal Mitra below!
https://buff.ly/Pq9m3wA

Welcome to The Common’s new website. Please try the website search bar above to find what you’re looking for. If you still can’t find it, please contact us. Thank you for visiting, and happy reading. Page Not Found04.10.2017

We are excited to announce that Kenan Orhan, a past contributor of The Common, has been longlisted for the Booker Prize!...
07/31/2026

We are excited to announce that Kenan Orhan, a past contributor of The Common, has been longlisted for the Booker Prize! Please join us in congratulating him on this immense accomplishment!

Find his Issue 14 story here: https://buff.ly/LAfoJ3Z

And his interview with NPR here: https://buff.ly/iWWh94U

KENAN ORHAN In Ivan’s bedroom are forty-seven photographs of beaches, rectangles of sand and sun. I count them every time I visit my friend, and he kisses them like beautiful women each night. He…

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