Crossroads Label Group

Crossroads Label Group Home to Horizon Records, Sonlite Records, Mountain Home Music Company, Organic Records & Crossroads Recording Studios.

Crossroads is a market leader in the fields of Bluegrass, Americana and Christian recorded music, distribution, music publishing and radio promotions. Established in 1993 following the combination of Horizon Music Group and Sonlite Records, Crossroads now operates several divisions including Crossroads Label Group (Horizon Records, Sonlite Records, Mountain Home Music, Organic Records, Skyland Rec

ords, Pisgah Ridge Records and Verus Records), Crossroads Distribution (physical and digital), Crossroads Radio Promotions, and Crossroads Publishing Group. Led by a strong executive team of long-time Christian and Bluegrass music veterans, Crossroads has created a challenging and rewarding work environment characterized by a commitment to our artists and songwriters, one another, our customers and partners and community service

🎶 NEW MUSIC 🎶After the up-tempo, good time groove of “Take a Drink on Me,” Jesse Smathers Music  reveals his mastery of ...
05/29/2026

🎶 NEW MUSIC 🎶

After the up-tempo, good time groove of “Take a Drink on Me,” Jesse Smathers Music reveals his mastery of another, more lonesome facet of string band music on his latest release, “Gambler’s Last Game.”

“‘Gambler’s Last Game’ was written by my talented pal Mason Via and myself,” says Smathers, who delivers a laconic, yet mournful vocal that sits squarely in the old performance tradition. “The modern day ballad tells of a traveling gambler who’s true love won’t settle down with him, so he heartbreakingly stays on the go. This tune was stripped down to the instrumental accompaniment of only Hunter Berry’s fiddle and Corbin Hayslett’s banjo. They did a tremendous job, weaving in and out of each other’s waltzing rhythm with their note selections.”

Indeed, though the track backing hearkens back to the days when, in the words of bluegrass pioneer Lester Flatt, “a fiddle and a five-string was kindly a whole band,” the simplicity of the arrangement makes the performance all the more compelling, while Smathers and Via unfurl the story through a set of verses that make good use of materials from the ballad canon, as in its opening verse:

Well I played cards in England and I gambled over Spain
Going back to the country for to play my last game
I’m going back to the country where the fruit is on the vine
Gonna see my little darling, the only one I call mine

“Ballad singing, and fiddle and banjo interplay is such an important part of Stringband music tradition,” Smathers notes. “Though this is a new song, its story, form and melody was approached the same way I tackle learning songs that are two hundred years old. It truly transports me to another time. I hope everyone is similarly transported hearing ‘Gambler’s Last Game.’"

Listen to it here 👉 https://clg.lnk.to/js-GLG

🎶 NEW MUSIC 🎶For the latest release in his epic duets series, From Roots to Branches, guitar master Bryan Sutton  turns ...
05/29/2026

🎶 NEW MUSIC 🎶

For the latest release in his epic duets series, From Roots to Branches, guitar master Bryan Sutton turns back to the contemporary sphere with an “in the wild” collaboration with Punch Brother — and long time fellow Tony Rice admirer — Chris Eldridge (“Critter”). Recorded at famed Colorado festival, Rockygrass, their take on Rice’s mid-80s original, “Port To***co” makes for a mesmerizing listen.

"Rockygrass 2022, I think,” recalls Sutton. “We put together a Tony Rice tribute with myself and Chris Eldridge, Sam Bush, Bela Fleck, Jerry Douglas and Mark Schatz. I was obviously honored to be a part of that, and Critter and I had done that song as a duet for another Tony Rice tribute a few months earlier, so it just felt like that would be a cool thing for us to do on that tribute set. Thankfully, the folks at Planet Bluegrass record everything that they put on stage there. You can feel the crowd, you can feel that...it was really special.”

Indeed, the uniqueness of the moment — Sutton notes that “Rockygrass was one of the first times we jammed backstage” — can be sensed throughout their expansive reading of the beloved tune, which comes from the jazz side of the legendary guitarist’s catalog. After a leisurely legato opening that features delicate chords and whispers of melody, the pair settle into the tune’s Latin-flavored groove and eventually, after backing one another in a couple of straightforward passes through its two parts, dissolve into an inspired set of simultaneous, interlocking improvisations that celebrate their rare musical empathy more than their acclaimed virtuosity.

Bringing together two of Tony Rice’s most acclaimed acolytes on one of his signature tunes, Bryan Sutton and Chris Eldridge’s “Port To***co” serves as an homage to the master that brings his legacy into a new decade.

"Port To***co" is streaming in Dolby Atmos spatial audio on Apple Music , Amazon Music and TIDAL

Listen to it here 👉 https://clg.lnk.to/bs.ce-PT.Live

🎶 NEW MUSIC 🎶“About three years ago,” recalls singer/songwriter Lauren Talley  as she recounts the origins of her latest...
05/29/2026

🎶 NEW MUSIC 🎶

“About three years ago,” recalls singer/songwriter Lauren Talley as she recounts the origins of her latest single, “I saw a YouTube video that completely changed how I look at life and ministry. The Passion Conference, held in Atlanta, showed a moment where the worship leaders stopped singing, fell on their faces before the Lord, and the entire stadium was overcome by the presence of God. That video taught me to pursue His presence above all else.

“Out of inspiration from watching that,” she continues, “I took ‘Look At The Lamb’ to my friend Tony Wood, and together wrote what I think will be an anthem for the church for many years to come. The Scripture reading is the same passage read that day in Atlanta, and here, it’s narrated by the incomparable Gloria Gaither.”

From the hushed, intimate framing of Talley’s voice at its opening to its majestic closing moments, “Look at the Lamb” offers a crescendo that underlines the worship song’s simple yet profound message, encouraging listeners to focus on the vision of a merciful Christ and the salvation He brings:

Look at the lamb, Heaven’s King
Here with us, light from his face
His great heart full of love
Eyes filled with grace
He has come to seek and save

Isn’t Jesus so amazing
Isn’t Jesus glorious
He’s Messiah
He is mercy
He’s the only worthy one

Says Talley, “I pray all else disappears as you 'Look At The Lamb.'”

Listen to "Look At The Lamb" here 👉 https://clg.lnk.to/lt-LatL

🎶 NEW MUSIC 🎶“Benson has been such a gift to me and Wayne,” says award-winning banjoist Kristin Scott Benson of the duo ...
05/29/2026

🎶 NEW MUSIC 🎶

“Benson has been such a gift to me and Wayne,” says award-winning banjoist Kristin Scott Benson of the duo she and her mandolin-wielding husband launched a little more than four years ago. “We never planned to record together this way; we both had our own things going, including solo projects of our own. When we finally did, we realized that what we ended up with together was different than what either of us did separately, and we really liked the result.”

“This started as a Covid-era idea with Mickey Gamble at Mountain Home,” adds Wayne. “He suggested we do something together because we never had before. We didn't know what was going to exactly happen musically, but it has become this really cool thing that I'm proud of. Benson has its own identity, even though we have a variety of singers, and Double Dose is the continuation of what we're doing.”

Indeed, Double Dose — out now — reveals that identity from the opening notes of last summer’s #1 hit, “Lover of the Road." Looking at the songs, there is the blistering take on “Bully of the Town”; a melancholy “Things Have Changed”; a pair of covers from the songbooks “Louise" and “This Drinkin’ Will Kill Me”; the regretful “Down That Road”; and “Lay ‘Em Down” that scored high on the bluegrass gospel charts.

The set is rounded out by a pair of Wayne Benson-penned instrumentals that reveal a broader stylistic palette while a final, more sprightly number, the “Banjo Radio Bounce,” nods to a bluegrass mini-tradition of using “bounce” in the name of mid-tempo, syncopated — and catchy — tunes.

“Albums like this are such a creative opportunity,” notes Kristin. “We get to choose songs we love and handpick the vocalists to sing them. We get to call our friends and favorite musicians. We get to record and arrange multiple original instrumentals, more than just one per project! Benson has just been a huge blessing and we're thankful for the chance to present this music through a partnership together...that we ironically never saw coming.”

Listen to Double Dose here 👉 https://clg.lnk.to/b-DoubleDose

🎶 NEW MUSIC 🎶“With this guitar in my hand, I’ll do the best I can/’Til that winding road leads me back home,” sings Dann...
05/22/2026

🎶 NEW MUSIC 🎶

“With this guitar in my hand, I’ll do the best I can/’Til that winding road leads me back home,” sings Danny Roberts Music on the title track to his new album, and while the guitar may be metaphoric — Roberts is best known as a master of the mandolin — the winding road is a literal one that reflects his life as leader of bluegrass sextet, the Grascals. Filled with virtuosic original instrumentals leavened by a handful of carefully chosen songs, The Winding Road Leads Home — out now —is a well-rounded portrait of a musician who’s devoted his life to the call of the muse.

Starting off with the IBMA award-nominated instrumental, “The Drifter,” The Winding Road Leads Home reveals a side of Roberts’ creativity that isn’t always heard with the traditional-leaning Grascals. Backed by a pared-down ensemble that features wife Andrea on upright bass and multi-instrumentalist Tony Wray (John Cowan Band) on both guitar and banjo, alongside occasional fiddle contributions from long-time friend Jimmy Mattingly (Garth Brooks, Dolly Parton) and current Grascal Adam Haynes and a few harmonies from daughter — and 2024 IBMA Female Vocalist of the Year — Jaelee Roberts Music , Roberts serves up a variety of tunes and textures that range from the soulful gospel original, “Jesus Satisfies,” to the jittery newgrass of “Leitchfield,” named for Roberts’ Kentucky hometown. Family history gets a nod with a new version of the Lonesome Pine Fiddlers’ “My Brown Eyed Darling,” sung by Andrea Roberts in a recap of her 1994 recording of the song with acclaimed all-female quartet, Petticoat Junction, while previously unreleased tunes “McClanahan Stomp” and “Tologna Bologna” offer more relaxed, melodic excursions.

Throughout, Danny Roberts’ sensitive yet powerful touch and finely tuned sense of melody give The Winding Road Leads Home a wide-ranging expansiveness, revealing a mature, confident musician who knows both the excitement of visiting new places and the comfort of returning home.

Listen to The Winding Road Leads Home here 👉 https://clg.lnk.to/dr-TWRLH

🎶 ALBUM ANNOUNCEMENT 🎶“For me,” says the Kingsmen Quartet ’s Alan Kendall, “this album is both a culmination and a begin...
05/19/2026

🎶 ALBUM ANNOUNCEMENT 🎶

“For me,” says the Kingsmen Quartet ’s Alan Kendall, “this album is both a culmination and a beginning for the Kingsmen,” and though he’s speaking for himself, listeners are likely to agree. Sub-titled “A Seventieth Anniversary Celebration,” Still Jesus, the quartet’s upcoming collection, pays homage to their storied history and brings their beloved sound to songs never heard before.

The album is now available for pre-save/add ahead of its July 10 release.

“We have always been diligent to honor our Kingsmen roots,” Kendall continues, “but those exact same roots also tell us that the Kingsmen have always been a forward-thinking group. We kept those very thoughts in mind when selecting the songs for this album. We knew we had classics laying in the vault that were still relevant for today’s listeners, and sought to update those arrangements while honoring the originals. We selected two old songs (one from the pen of Squire Parsons in 1989) that were new to us, but fit the theme of our anniversary so well.

“Finally, we recorded five incredible brand new songs from writers who have each contributed chart-topping success to the Kingsmen."

The intermingling of vintage and new creates a well-rounded portrait of the legendary musical ministry.

“We tried to incorporate something that just about anybody would enjoy, including new songs, re-cut songs and a classic featuring over 15 Kingsmen members from the past seven decades,” enthuses drummer Brandon Reese, son of legendary bass singer Ray Dean Reese and the Kingsmen’s manager and leader. “Most importantly, it is my prayer that you hear something in this album that helps you in your every day walk, because no matter the issue, the answer is Still Jesus. And with the Kingsmen, even after 70 years, the answer will always be Still Jesus.”

Pre-save/add Still Jesus here 👉 https://clg.lnk.to/tk-SJ.70th

🎶 NEW MUSIC 🎶After the stately, reverential “In Christ Alone,” Southern Gospel’s Anthem Edition  are dialing up the ener...
05/15/2026

🎶 NEW MUSIC 🎶

After the stately, reverential “In Christ Alone,” Southern Gospel’s Anthem Edition are dialing up the energy with their latest Sonlite Records single, “Something’s Going On ‘Round Here.”

“Something’s going on… can you feel it in the air?” asks the group’s Tim Rackley, echoing the song’s thematic center. “From Galilee to every heart, His love is moving everywhere. The Man from Galilee is still changing lives — this is more than a song, it’s a stirring of His presence.”

From its opening guitar lick, “Something’s Going On ‘Round Here” leans on country flavors, including resonator guitar and fiddle from legendary studio musician, David Johnson, to keep the energy level high as the vocal lead passes from voice to voice across the song’s three taut verses:

Have you heard the word that's going round
Everybody's talking 'bout Him all over town
Some say He speaks and calms the troubled sea
At least that's the rumor 'bout the man from Galilee

Something's going, going on 'round here
Folks are gatherin' in from far and near
Crazy, ain't it? Can't explain it
But there's one thing that's clear
Something's going, going on 'round here

Written by a trio of Gospel hitmakers — Kenna Turner West, Jason Cox and Belinda Smith — "Something’s Going On ‘Round Here” masterfully brings the sense of excitement that accompanied Jesus’ coming forward through the centuries, giving the listener a thrilling sense of what it was like to be living in that moment.

“Something’s going on is an upbeat ‘group feature’ song with a strong message that builds excitement in concerts as we have started sharing it live,” notes Rackley. “This song will be a great ending to Anthem Edition's concerts in the future!”

"Something's Going On 'Round Here" is streaming in Dolby Atmos spatial audio on Apple Music , Amazon Music and TIDAL .

Listen to it here 👉 https://clg.lnk.to/ae-SGORH

🎶 NEW MUSIC 🎶After the raucous exuberance of “Pretty Little Widow,” bluegrass hitmakers Lonesome River Band  are back wi...
05/15/2026

🎶 NEW MUSIC 🎶

After the raucous exuberance of “Pretty Little Widow,” bluegrass hitmakers Lonesome River Band are back with a new original. Written by the group’s guitarist, Jesse Smathers, along with LRB favorite Barry Hutchens and Virginia mandolinist, Nick Goad, “Back When” is a laid back meditation on the power of reminiscence.

“The essence of ‘Back When,’” says Hutchens, “is how the least little thing — a conversation with an old friend or a song you hear — can cause memories to come flooding back. It was a real privilege for me to have the opportunity to write it with Jesse and Nick — they are both such talented writers and musicians. It’s one of those songs that came about simply by the three of us sitting around and reminiscing about when we were kids and growing up playing music.”

Indeed, with its sturdy melody, gently insistent rhythm and homespun imagery, “Back When” communicates its meaning as much by sound as by the actual lyric. Punctuated with a supple fiddle introduction, a mandolin solo from Adam Miller — whose lead singing has exactly the right combination of mournfulness and amusement — and a tastefully virtuosic outro from “Telegrass” guitarist Rod Riley, the song unfolds without hurry, lingering on each phrase before landing on a bridge that drives home its point:

Funny how a memory can sleep in your mind, and then
The simplest thing wakes it up again
Just when you thought it was all left behind back when
Oh, back when

Time’s a thief but it can’t take away
What we gain from the memories made

“I’m so proud to have had a hand in writing ‘Back When’ with my pals,” notes Smathers. “As we had conversation on Barry’s back porch, we reminisced about our youth, the mischief we got into and of course being musicians, our first chords and songs we learned. Looking back, those moments are so sentimental and they made me into who I am today. It’s important to be aware of those subtle reminders that take us to our formative years way ‘back when.’”

"Back When" is streaming in Dolby Atmos spatial audio on Apple Music , Amazon Music and TIDAL .

Listen to it here 👉 https://clg.lnk.to/lrb-BackWhe

🎶 NEW MUSIC 🎶“‘I’m Putting You Out of My Misery’ is one of those songs that stopped me in my tracks the first time I hea...
05/08/2026

🎶 NEW MUSIC 🎶

“‘I’m Putting You Out of My Misery’ is one of those songs that stopped me in my tracks the first time I heard it,” says Jaelee Roberts Music of her latest single — and first new music since last year’s full-length sophomore album, Let Me Be Lonely. “Terry Herd wrote an incredible song, and I fell in love with it right away. To me, it strikes the perfect balance between that hard-driving traditional sound and a touch of contemporary bluegrass, and I absolutely love how everything came together in the studio. I’ve always enjoyed a song with a little bit of attitude, and this one definitely delivers!”

Backed by a stellar crew — Ron Stewart (Seldom Scene) on banjo; guitarist Tony Wray; Alan Bartram (Travelin’ McCourys, Del McCoury Band) on bass; award-winning fiddler Michael Cleveland, and acclaimed multi-instrumentalist Justin Moses (mandolin, dobro), with Zack Arnold (Rhonda Vincent & the Rage) adding harmony vocals — Roberts tackles the quintessentially bluegrass combination of up-tempo music and downbeat lyrics (including a bit of classic wordplay for good measures) with her signature compelling verve:

Woke up today with a heavy heart
The weight of the world is tearin’ me apart
Memories callin' they won't let me stay
So I'm packin' my bags and leavin' today

I'm headin' back to the good ol' days
A simple life when I had it made
Times were always so carefree
I'm puttin' you out of my misery

“I’m truly proud of how the track turned out,” says Roberts, “and I’m so thankful to each of these amazing musicians for being part of it. I hope you all enjoy listening to it as much as I enjoyed recording it!”

"I'm Putting You Out of My Misery" is streaming in Dolby Atmos spatial audio on Apple Music , Amazon Music and TIDAL

Listen to it here 👉 https://clg.lnk.to/jr-IPYOoMM

🎶 ALBUM ANNOUNCEMENT 🎶For Unspoken Tradition , bluegrass isn’t just a style of music, but a reflection of a way of life....
05/05/2026

🎶 ALBUM ANNOUNCEMENT 🎶

For Unspoken Tradition , bluegrass isn’t just a style of music, but a reflection of a way of life.

“We're grateful this record exists,” says the group of their upcoming collection, Heartwood, now available for pre-save/add ahead of its June 26 release. “Grateful for the songs — the ones we wrote sitting around kitchen tables and the ones that came to us already worn smooth by a hundred years of other voices. Grateful for the people who taught us this music, who showed us what it meant to take it seriously.”

Indeed, the set continues in the “working class bluegrass” vein of their 2025 album, Resilience, offering songs old and new that serve to depict their western North Carolina home in all of its aspects — from the beauty of its mountains and forests to the grind of daily life in an economy battered by forces beyond local, and even human control. While previously released singles marked the outlines of their multi-faceted vision, the remainder of Heartwood fills in the picture with vivid stories, classic country and adaptation of a venerable British ballad. And in a compelling demonstration of their musical mastery, they offer an energetic take on Larry Gatlin & the Gatlin Brothers Band’s late 70s hit, “All the Gold in California.”

Recalls guitarist Audie McGinnis, “We were looking for something up-tempo with a drive to it. The original version isn't that, so this song was a great candidate for reimagining and putting our creative spin on it."

“Even though it sounds like a fast paced, traditional-leaning song,” he adds, “the song bears a serious message worth heeding. To me, this song warns of being misled by money and fame. That world is heavily guarded, they don't let just anybody in the club, and the idea of showing up and immediately making it big isn't likely. So it's best to stick to your identity, values, traditions, and work ethic to get where you want to be.”

That insistence on staying true to identity, values and traditions is the central message of Heartwood.

Pre-save/add the album here 👉 https://clg.lnk.to/ut-Heartwood

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