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Thank you Bob Ruggiero for the excellent interview with Eric Jerardi in Houston Press
09/11/2026

Thank you Bob Ruggiero for the excellent interview with Eric Jerardi in Houston Press

The musician/restaurateur/oenophile from Dayton, Ohio's response to a creative challenge led to an entire album.

"Something sexy and sleazy is at work, even when Mitch Woods sings the blues, like the heat of a good Creole sauce can m...
09/11/2026

"Something sexy and sleazy is at work, even when Mitch Woods sings the blues, like the heat of a good Creole sauce can make even a crawfish feel like an epicurean pleasure." Thank you for the great review PopMatters
'A Night in New Orleans' is out now.

Something sexy and sleazy is at work, even when Mitch Woods sings the blues, like the heat of a good Creole sauce can make even a crawfish feel like an epicurean pleasure.

Check out Mitch Woods's great interview on Jim Ervin's Time Signatures, celebrating the release of his new CD-" A Night ...
09/04/2026

Check out Mitch Woods's great interview on Jim Ervin's Time Signatures, celebrating the release of his new CD-" A Night In New Orleans, Live & Solo at Snug Harbor, " out September 4.
Order your signed copy @ www.mitchwoods.com


On this very special edition of Time Signatures, host Jim Ervin wel...

Thank you Rock and Blues Muse for the Video Premiere of Eric Jerardi ‘Thorns & Roses’, from his upcoming album, The Game...
08/27/2026

Thank you Rock and Blues Muse for the Video Premiere of Eric Jerardi ‘Thorns & Roses’, from his upcoming album, The Game. The video was beautifully shot by Allen Farst. Check it out below.

Photo credit: Allen Farst Video Premiere: Eric Jerardi ‘Thorns & Roses’ Rock & Blues Muse is pleased to premiere the video for Eric Jerardi’s new single “Thorns & Roses” from his forthcoming album ‘The Game’ arriving October 30. It's beautifully shot

Check out this great interview with Brad "Guitar" Wilson in MUSICnGEAR & check out his new album, "Boundless" out now on...
08/21/2026

Check out this great interview with Brad "Guitar" Wilson in MUSICnGEAR & check out his new album, "Boundless" out now on Cali Bee Music

Read the article "Inside Brad "Guitar" Wilson's World of Guitars, Tone & Blues" and follow the MUSICnGEAR blog for news from the community of Musicians and Fans who love the same Bands you do, share Gear Photos, Videos, Reviews and more!

Blues Singer/Harmonica Player Max Hightower Tells It Like It Is On The Blues Chooses You  New Album Coming October 9th f...
08/04/2026

Blues Singer/Harmonica Player Max Hightower Tells It Like It Is On The Blues Chooses You New Album Coming October 9th from MoMojo Records

GREENVILLE, SC – Blues singer/harmonica ace Max Hightower announces an October 9th release date for his new album, The Blues Chooses You, on the MoMojo Records label. Max’s latest album features the Chicago blues work of guitarist Joe Moss, was recorded live-to-tape at The Bomb Shelter in Nashville, Tennessee, and produced by Max Hightower. The album’s even-dozen tracks are made up of mostly original songs, along with Max’s unique takes on the Guitar Slim classic, “Things I Used to Do,” and Johnny Shines’ “I Don’t Know.” Max will follow up the release of The Blues Chooses You with a European tour in October.

The Blues Chooses You is the logical follow-up to Max’s critically acclaimed 2025 release, Nothin’ But the TRUTH (also on MoMojo Records), which showcased a boatload of Hightower’s original songs percolated through the sound and feel of Big Jon Atkinson’s vintage-style BigTone Studio in New Orleans. That record followed in the footsteps of Max Hightower’s long-running stint as a member of Mac Arnold’s band.

“There's a reason I called this album The Blues Chooses You,” Max Hightower says. “I believe everybody who loves this music has a story about how the blues found them. I sure wasn't looking for it—I didn't even know what it was.”

A cool twist of fate landed Max Hightower and four musicians who played with him on the new album to an old, funky pink Nashville studio, sweating it out on live-to-analog tape with enough microphone bleed to hold it all together. Featuring Chicago's own Joe Moss on guitar, The Blues Chooses You forges New Orleans juju and Carolina soul with a little Chicago fire into a record that took on a life of its own.

“I wanted to keep the momentum going after the last album and had plenty of songs ready,” Hightower recalls. “The question was where to record them. One thing I knew for sure, I wanted to do it live-to-analog tape. With the studio in New Orleans I used on the last album closed, my search had several false starts before leading me to The Bomb Shelter in Nashville. The name alone lured me in to dig deeper. I called and spoke with Jack Tellmann, and after about five minutes, I knew this was the place.

“So, I had the studio booked, I had the songs completed. Drummer Brandon Phelps and bassist Steadman Fleetwood, Sr. – who both played on my last album - were on board again; I just needed a piano player and lead guitar player. I knew exactly who I wanted. I met Joe Moss 17 years ago at a festival in Florida and stayed in touch ever since. We always said, ‘Man, we gotta’ record something together.’ I gave him a call and before I could finish asking, Joe said, ‘I got you bro’, when you need me there.’ Next, I called Rob Davis down in NOLA. He played piano on the last album and I got the same response: ‘When and where; let’s do it!’

“The Bomb Shelter Studio had a band house about two minutes away that we stayed in. Every morning, Joe Moss would wake-up and cook eggs and bacon. We would talk through the tunes and fuel up for the session. The studio itself was this old funky pink house with asbestos siding and plywood over the windows. Inside was like stepping back in time: old pianos, a pump organ, Wurlitzers, Rhodes, a B3 Hammond, vintage amps, guitars and microphones everywhere. The control room had a console from the ‘70s and a few reel-to-reel tape machines. Engineer Jack Tellmann was open for anything. He pulled up all the thick rugs in the recording room. We didn't use any baffles, no headphones. Jack stuck an amp up on a shelf for a vocal monitor and a second vocal microphone running through my 62 Fender Concert amp. We all played together in one room. The one problem was it was 96 degrees outside and the studio only had one small air conditioning unit that was in a different room. So, when I say a lot of sweat went into this album, I mean that literally. After every song, we would all have to go into the other room to cool off and hydrate.

“The songs were all written and arranged, but once we began running through the tunes everyone’s ideas started flowing. Rob would say, ‘What ya’ think about this for the end?’ Or someone would say, “What if the drums were halftime during the verses?’ Sometimes we would play through a song four or five times making changes or someone might flub up. We would cut it again until we knew that was the take; we were just playing off each other. You'll hear bleed in the microphones, guitar feedback, tempo changes, missed notes - the good stuff. Five guys sweating it out in one room trying to catch lightning in a bottle. This album was recorded onto 2” tape (both ATR and RtM tapes) and MCI JH-16 tape machine and was mixed using a MCI 636 console. Not a computer. No overdubs. No fixing it later. That’s rare in the digital flawless, AI-saturated world we live in now.”

About Max Hightower
By his mid-teens, Max was jamming in smoky barrooms, soaking up lessons on what to do (and definitely what not to do) on rowdy stages. As he honed his chops on harmonica, piano, guitar, and eventually vocals, he learned the harmonica player could be an expendable position if he didn’t also bring some extra flavor to the band. So, he evolved into a multi-instrumentalist, songwriter, and producer – creating his own voice in the genre that first captured his imagination. Over the years, Max has shared the stage with some of the very legends who first fueled his musical passion, including Hubert Sumlin, Willie Smith, Bob Margolin, Bob Stroger, Eddie Shaw, Leon Everette, Steve Guyger, Kim Wilson and Bobby Rush.

Though he was a founding member of Mac Arnold and Plate Full O’ Blues, Max’s journey has always been about finding that raw, unfiltered groove – constantly writing, touring, and experimenting. His last album, Nothin’ But the TRUTH, was a testament to that spirit. Fed up with studios insisting on click tracks and overdubs, he hit the road for New Orleans and laid down tracks at BigTone Records, where reel-to-reel machines, vintage RCA ribbon mics and vintage tube amps recaptured the no-frills soul of a live band. Backed by bassist Steadman Fleetwood Williams Sr., drummer Brandon Phelps, and a rotating lineup of New Orleans horns and piano wizards, Max poured everything into the sessions – recording in real-time, “mistakes and all,” the way Muddy Waters and Johnny Winter did back in the day.

And on The Blues Chooses You, Max Hightower ups the ante even more.

Max Hightower: Vocals, Harmonica, Rhythm Guitar (Tracks 3, 6, 7, 8, 10 & 11)
Joe Moss: Lead Guitar (1, 2,3,4,5,6,8,10 & Bonus track)
Rob Davis: Piano, Hammond B3, Wurlitzer
Steadman Fleetwood’ Williams, Sr.: Bass
Brandon Phelps: Drums, Talking Voice on "Stone Cool" Hand Claps on "Do What You're Gonna Do"
Recorded live to analog tape at The Bomb Shelter Studio, Nashville, Tennessee
Mixed & Mastered by Jake Tillman
All songs written by Max Hightower, © 2026 HightowerTone Publishing ℗ 2026 HightowerTone Publishing; Except: Things I Used to Do — Written by Eddie Jones (Guitar Slim); I Don't Know — Written by Johnny Shines; Moonshine & Magnolias – Written by Max Hightower & Pam McShea; Train Smoke — Lyrics by Max Hightower. Original composition by Max Hightower, Jerry Austin Brashier, and Mac Arnold; Relationship Man — Lyrics by Max Hightower; Original composition by Max Hightower, Jerry Austin Brashier, and Mac Arnold

The Blues Chooses You Album Tracks
1.Dedicated Fool 3:50
2. Train Smoke 4:26
3. The Blues Chooses You 5:01
4. Relationship Man 4:14
5. I Don't Know 6:04
6. Things I Used to Do 5:53
7. Do What You're Going to Do 3:04
8. The Hardest Thing 3:37 (dedicated to Scotty Hawkins, our old drummer who passed away)
9. Stone Cool 4:15
10. Moonshine & Magnolias 4:07
11. Sherlock Holmes 5:16
The Blues Chooses You 6:50 (extended version bonus track)

www.maxhightower.com
MoMojo Records: momojorecords.com
Booking: Pamela Brooke Agency [email protected]
Booking-Europe: Denis Agenet [email protected]

Max Hightower Plays Seydel Harmonicas

Hi-res cover: http://www.markpuccimedia.com/wp-content/uploads/2026/07/The-Blues-Chooses-You-Hi-Res-Cover-scaled.jpg

Hi-res photo: http://www.markpuccimedia.com/wp-content/uploads/2026/08/Max-Hightower-Hi-Res-Photo-1-by-Micah-Furtick-scaled.jpg

Vintage Guitar magazine has just premiered the new video for "Setting Sun," the first single from Eric Jerardi's upcomin...
07/29/2026

Vintage Guitar magazine has just premiered the new video for "Setting Sun," the first single from Eric Jerardi's upcoming album, "The Game." Watch it here:

Vintage soul meets modern cinema in Eric Jerardi’s new “Setting Sun” music video. Directed by DGA filmmaker Allen Farst at Dayton’s Tender Mercy, the video features Jerardi playing a 1960 Telecaste…

Thank you Rock and Blues Muse for Sherri Harding's video premiere for her song,  "Bad Weather," from her acclaimed album...
07/24/2026

Thank you Rock and Blues Muse for Sherri Harding's video premiere for her song, "Bad Weather," from her acclaimed album, Storyland, out now!

Photo credit: Melanie Arbour Video Premiere: Sherri Harding “Bad Weather” Rock & Blues Muse is pleased to premiere Sherri Harding’s new video “Bad Weather,” from her acclaimed album Storyland out now via Instant Replay Music. The video was created by Christopher Cooper, the

Check out Katie Knipp's Video Premiere for her cover of Bruce Springsteen's "State Trooper", from her upcoming double li...
07/24/2026

Check out Katie Knipp's Video Premiere for her cover of Bruce Springsteen's "State Trooper", from her upcoming double live album," Live at Theater 5150," out on Sept. 18, via Blues Rock Review


Blues Rock Review is exclusively premiering Katie Knipp’s live performance of Bruce Springsteen’s “State Trooper,” the latest preview from her

Eric Jerardi’s “Setting Sun” Added to Apple Music’s "New in Rock" Playlist!Eric Jerardi’s new single, “Setting Sun,” is ...
07/17/2026

Eric Jerardi’s “Setting Sun” Added to Apple Music’s "New in Rock" Playlist!

Eric Jerardi’s new single, “Setting Sun,” is already making waves.
On the day of its release, the song was selected for inclusion on Apple Music’s influential New in Rock playlist—placing Jerardi’s music alongside some of the most exciting established and emerging artists in rock today.

Curated by the editors at Apple Music Rock, New in Rock is dedicated to showcasing the latest developments across the genre. Apple Music describes the playlist as a collection of energetic new music from both veteran performers and a new generation of rock artists. The editorial team updates its selections weekly, giving listeners a continually refreshed look at where rock music is headed next.

For Jerardi, the placement represents an important moment in the launch of his forthcoming album, The Game, arriving October 30, 2026. “Setting Sun” is the first single from the new record and introduces listeners to an ambitious collection built around powerful guitar work, soulful vocals and emotionally honest songwriting.

Blending blues-rock tradition with a bold, contemporary sound, “Setting Sun” captures the intensity and musicianship that have defined Jerardi’s career while pointing toward an exciting new chapter.

Being selected for an official Apple Music editorial playlist offers the song an opportunity to reach rock listeners around the world. It is also a meaningful endorsement of the music as Jerardi begins the journey toward the full release of The Game.

Listeners are encouraged to stream “Setting Sun” on Apple Music, save the song to their libraries and follow Eric Jerardi as additional singles and announcements are released throughout the coming months.

Listen now and experience the beginning of The Game.

Album · 2026 · 1 Song

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