UNLEASHING ”RAW, REAL & UNcut” Up to date breaking news on the independent and underground world of f
01/04/2026
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Transformers fans, get ready! 🤖💥
Rumors are swirling that Michael Bay & Shia LaBeouf could reunite for a new film — bringing back the explosive style that made the franchise a global hit. Would you want the original magic back or a fresh new direction? 🔥
01/03/2026
12/31/2025
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12/27/2025
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37 years after his first theatrical appearance, Roger Rabbit’s chances of returning to the big-screen have just increased, as no longer has the rights to the character.
Shortly after the publication of Gary K. Wolf’s 1981 novel Who Censored Roger Rabbit?, Walt Disney Productions purchased the rights to the titular anthropomorphic character and produced one of the greatest live-action and animation hybrid movies ever. Who Framed Roger Rabbit?, directed by Robert Zemeckis (Forrest Gump, Back to the Future, Cast Away), hit theaters in June 1988, but, despite its popularity and influence, a sequel never came to fruition.
A sequel to Who Framed Roger Rabbit? had been discussed and planned since 1989, but never came to pass. Now, because of a 35-Year Copyright Reversion Clause, Gary K. Wolf has regained the rights to his iconic character, removing creative control from Disney, and allowing him to develop his own projects focused on Roger Rabbit and his supporting cast. “I can basically do my own Roger Rabbit projects,” Wolf confirmed in an interview with IMNOTBAD (via Cartoon Brew), which makes us very excited to see the iconic character back in his creator’s hands.
12/27/2025
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12/26/2025
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12/26/2025
12/26/2025
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12/25/2025
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A 14-year-old Preston Mutanga from Milton, Ontario went viral for recreating a Spider-Man trailer in Lego style, which led Sony to hire him to animate a scene in Spider-Man: Across The Spider-Verse. He designed a Lego Daily Bugle scene and saw his work premiere on the big screen in Los Angeles. Inspired by animation’s limitless possibilities, he dreams of becoming a director and telling his own stories. 🕷️🎬
12/24/2025
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12/24/2025
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Before CGI physiques, fake padding, and camera tricks became standard, some actors chose a harder route. Michael Clarke Duncan was one of them.
When he was cast as Kingpin in Daredevil, Duncan didn’t just aim to look big. He aimed to feel unavoidable. Reports from training partners and interviews at the time indicate he intentionally gained around 40 pounds, climbing from roughly 290 pounds to well over 330. And this wasn’t soft weight added for comfort. It was functional mass built through relentless strength work.
His training approach was simple and punishing. Heavy compound lifts. One to two rep max efforts. Long gym sessions that prioritized brute force over aesthetics. He wasn’t chasing definition. He was chasing dominance. The goal wasn’t symmetry or balance. It was presence.
Diet followed the same philosophy. Duncan ate freely, without the restraint most actors use to stay camera-ready. Calories weren’t tracked. Meals weren’t optimized. The priority was fueling recovery and growth so his frame could support the sheer size he was building.
That choice showed on screen. His Kingpin didn’t look like a bodybuilder playing a villain. He looked like a man who could physically overwhelm anyone in the room without raising his voice. The weight, the density, the way he moved, all of it sold the character instantly.
What makes this transformation stand out today is how rare it’s become. Modern physiques are often manufactured through lighting, dehydration, camera angles, and post-production. Duncan’s wasn’t. It was earned under iron.
He didn’t chase longevity. He chased authenticity. And for that role, it worked.
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“Industry UNLEASHED” is a brand new media news platform created by Myke Robb a retired high fashion male model, production producer, entrepreneur and CEO of MJR Enterprises Talent & Management. This platform was originally created from a fashion and film workshop him and a fellow industry buddy had worked on to give free information and skill sets to the everyday public who had a desire to branch into the entertainment industry.
Unfortunately the classes did not receive to well with the public so it was discontinued. Fast foreword two years later , Myke’s passion for the industry allowed him to re-brand himself once again and re-create “IU” but in the form of a news/podcast sense where he could direct more attention on real underground artist in fashion , film etc to help book them better gigs all while still give the public real uncut news about the good, bad, great and ugly truth about the entertainment industry.
WE WARN YOU, as “IU” grows , we will talk and share topics that are hard to hear , hard to watch but in the end it will create and give more understand about how you can maneuver through the industry safely and more knowledgeable than ever before. IN OTHER WORDS , “IF YOU CANT TAKE THE HEAT , DON’T START THE FIRE”