East Atlanta Recording

East Atlanta Recording East Atlanta Recording was founded in 2006. EAR is a private production facility, for booking info call 404.357.0848
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East Atlanta Recording was founded in 2006 by Co owners Sean McPherson and Eddie Edwards. EAR aims to bring high end commercial recording studio sound quality and world class service, in a relaxed home studio environment, at a price independent musicians can afford. Our focus is on artist development as well as record production. Sean McPherson is a sought-after record producer, artist manager, concert promoter and talent buyer based in Atlanta. He got his start in the music business back in 1998 when he landed an internship at Chicago Trax Recording Studios, owned by Reid Hyams and Al Jorgensen (of the band Ministry).After graduating from the Conservatory of Recording Arts and Sciences, he was an assistant engineer in New York City at Battery Studios (Zomba) and Chung King Studios, where he worked with artists such as David Bowie, Faith Hill and Sixpence None the Richer. In 2001, he took a job at Parkview Recording with legendary house producer Lenny Fontana, where he mixed records for Crystal Waters, Byron Stingley and C&C Music Factory, among others. Following his stint at Parkview, Sean joined Fairfield, Ct., band Zerochance, which eventually brought him to Atlanta. Zerochance signed to Red Carpet Music in 2005 and shared the stage with Sheryl Crow, The Calling, Uncle Cracker, Stroke 9, Cheyenne Kimball, Ashley Simpson and many more. In the past 10 years, Sean has founded, built, owned and operated East Atlanta Recording and is now the primary talent buyer at Smith’s Olde Bar, where he books artists such as Drivin ‘N’ Cryin, Matt Nathanson and Shovels and Rope. Sean also manages three groups with his company Favorite Son Artist Management and Consulting: The Head, The Judies and Blackfoot Gypsies. Sean’s productions have been released by Universal, Brash and Plowboy Records, and Slushfund Recordings. He recently co-produced several songs with Jody Stephens from Big Star and Mitch Easter (R.E.M., Pavement, Ben Folds).

East Atlanta Recording's cover photo
02/08/2020

East Atlanta Recording's cover photo

Timeline Photos
11/20/2019

Timeline Photos

Rebecca and I are Proud to welcome Paul Michael Levit McPherson & William Spencer Levit McPherson into this world!! They...
10/20/2019

Rebecca and I are Proud to welcome Paul Michael Levit McPherson & William Spencer Levit McPherson into this world!!

They arrived today at 2:29pm and 2:34pm respectively, at Emory Midtown hospital Atlanta, Ga. 🙏🤱🙌✌️🍾❤️🎃

Timeline Photos
12/17/2018

Timeline Photos

Live Room @ EAR
12/17/2018

Live Room @ EAR

Control Room @ EAR ft. A 36 channel MCI console, outboard from NEVE, API, Solid State Logic, UREI, Imperical Labs, and s...
12/17/2018

Control Room @ EAR ft. A 36 channel MCI console, outboard from NEVE, API, Solid State Logic, UREI, Imperical Labs, and symmetrix.

MCI JH 636 36 ch Large format Recording Console
12/17/2018

MCI JH 636 36 ch Large format Recording Console

Live Room
12/17/2018

Live Room

Timeline Photos
12/17/2018

Timeline Photos

Photos from East Atlanta Recording's post
09/10/2016

Photos from East Atlanta Recording's post

East Atlanta Recording
03/12/2016

East Atlanta Recording

East Atlanta Recording
08/22/2015

East Atlanta Recording

East Atlanta Recording's cover photo
08/22/2015

East Atlanta Recording's cover photo

Heavy Mojo, Detroit Mutant Radio, Grand Prize Winners From Last Year
02/20/2014
Heavy Mojo, Detroit Mutant Radio, Grand Prize Winners From Last Year

Heavy Mojo, Detroit Mutant Radio, Grand Prize Winners From Last Year

One could make a strong argument that Smith's is the best small-venue music room in the city. An intimate space that lets fans get right up next to the musicians and an eclectic mix of bands are two great reasons to make Smith's a regular stop. Decent bar eats, too.

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East Atlanta
Atlanta, GA
30316

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Comments

I had a great time recording here last week. Mike Froedge recorded and played all the drum tracks for my next cd. I think it's 10 or 11 songs. Great studio environment, no glitches; equipment worked great and Mike Froedge was fantastic as usual. I look forward to meeting Sean Mcpherson in the near future.
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