Soundcrafter, Inc.

Soundcrafter, Inc. Recording, Design, Editing, and Mixing of Sound

Omni Sound Project virtual tour of the Foley Stage/Studio with Susan Fitz-Simon. Watch for an up coming virtual “Intro ...
07/17/2020

Omni Sound Project virtual tour of the Foley Stage/Studio with Susan Fitz-Simon. Watch for an up coming virtual “Intro to Foley” class coming September/October. Date to be announced. Be well and stay safe.

Omni Sound Project’s virtual Foley Stage/Studio tour with Susan Fitz-Simon. Watch for a virtual Intro to Foley class com...
07/17/2020

Omni Sound Project’s virtual Foley Stage/Studio tour with Susan Fitz-Simon. Watch for a virtual Intro to Foley class coming in September/October.

We are so excited that is finally out in theaters that we made Pink Penguins! 🍸 We are so proud to have worked on this ...
08/16/2019

We are so excited that is finally out in theaters that we made Pink Penguins! 🍸 We are so proud to have worked on this film and can’t wait to hear what the world thinks of it. Cheers!

08/12/2019

This is our current mood sliding into release week!🚨💥🕶

Rack city. 📷: .fg
08/07/2019

Rack city. 📷: .fg

to April when we hosted Sam’s UT class for a field trip. We were happy to talk with so many talented young people. Hoo...
08/01/2019

to April when we hosted Sam’s UT class for a field trip. We were happy to talk with so many talented young people. Hook ‘em! 🤘 📷:

Studio 3: The second largest of the Soundcrafter studios. It is Atmos ready with fourteen surround speakers. Acousticall...
07/22/2019

Studio 3: The second largest of the Soundcrafter studios. It is Atmos ready with fourteen surround speakers. Acoustically it matches Studio 1 so you can move a mix between the two rooms. It is ideal for television when you don't need a large space, but you need a room to gauge EQ and panning.

This picture was taken before the mix of “Voices of the Sea” directed by Kim Hopkins.

Did you know that our foley stage has a water pit? 💦 Here’s a shot of Susan setting up her next foley cue for .
07/19/2019

Did you know that our foley stage has a water pit? 💦 Here’s a shot of Susan setting up her next foley cue for .

We are so proud to have worked on earlier this year. Catch it on HBO!
07/18/2019

We are so proud to have worked on earlier this year. Catch it on HBO!

Meet Susan Fitz-Simon. Susan is the Foley supervisor of Soundcrafter. Her two paths of music and dance merged and Susan ...
07/17/2019

Meet Susan Fitz-Simon. Susan is the Foley supervisor of Soundcrafter. Her two paths of music and dance merged and Susan found her calling in the craft of Foley. She has worked as a professional foley artist since 1997. Starting her career at Warner Brothers Burbank and Hollywood stages and many other Los Angeles Foley stages until 2007 when she moved to Austin. At Soundcrafter she has not only continued as a Foley artist but has expanded into sound editing. She has been a guest lecturer at the School of Theater, Film and Television at the University of California at Los Angeles and the Radio-Television-Film Department at the University of Texas, Austin.

Address

4113 Marathon Boulevard
Austin, TX
78756

Telephone

+15124570518

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Who We Are

Since 1993 Soundcrafter has worked on both sides of the budget spectrum and anywhere in between from studio productions to student films. Although most projects are independent narrative features and documentaries, we also deal with broadcast television series, amusement park presentations, commercials, gaming, and web content.

Our six studio facility accommodates all post audio aspects including Dolby Atmos mixing, ADR recording, and Foley recording. We can also accommodate small audience screenings of up to ten people.

For lower budget projects we save costs by doing most of the work in the smallest of our rooms, but can provide a large mix room experience for the last days of the mix. We also have an extreme low budget approach called “Home-Studio” were most of the work is done at home.

Our many years of experience make a big difference in the quality of mixed dialogue, mixing for surrounds, use of compression, reverb, delay, and other processing. We have many tools and techniques for enhancing poorly recorded dialogue and reducing noise. We have a large library of sound effects, and what we can't find in our library we record in the field or in the studio. We enjoy creating expansive sound designs and are particularly excited about creating the unique sound that will complement and help tell your film's story.