Print Magazine

Print Magazine PRINT (printmag.com) is an online community and magazine about visual culture and design. Founded in 1940, we showcase inspiring design on and off the page.

Print is a bimonthly magazine about visual culture and design. Founded in 1940 by William Edwin Rudge, Print is dedicated to showcasing the extraordinary in design on and off the page. Covering a field as broad as communication itself—publication and book design, animation and motion graphics, corporate branding and rock posters, exhibitions and street art—Print covers commercial, social, and envi

ronmental design from every angle. Engagingly written by cultural reporters and critics who look at design in its social, political, and historical contexts, Print explores why our world looks the way it looks, and why the way it looks matters. Subscribe here:
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In 2009, for the second year in a row, Print received the National Magazine Award for General Excellence in its circulation category, the highest honor a magazine can receive. A five-time winner, Print has been honored numerous times by American Society of Magazine Editors, the Society of Publication Designers, AIGA, The Art Directors Club, and The Type Directors Club. In its 2008 citation, ASME wrote: "Proving that just looking great isn’t enough, Print stands out in a cluttered field with its expansive view of its subject, its relentless curiosity, and its determination to look at design not in a vacuum but as a crucial gateway to popular culture, the environment, even politics." Print's contributing editors include Colin Berry, John Canemaker, Michael Dooley, Cathy Fishel, Martin Fox, Steven Heller, Jeremy Lehrer, Patric King, Debbie Millman, Rick Poynor, Todd Pruzan, Ellen Shapiro, Paul Shaw, Su, Anthony Vagnoni, and Tom Vanderbilt. If you are interested in writing for or advertising in the magazine, please see our 2009 editorial calendar on our website. Advertisers should also consult our Advertising Information and Print Media Kit information page. If you have a question or comment, need help with your subscription, or want to order a DVD or back issue, please see the "Contact Us" page at www.printmag.com.

What Matters to Robert FroedgeRobert Froedge is EVP of Creative at Lewis Communications, a three-office independent agen...
05/26/2026

What Matters to Robert Froedge

Robert Froedge is EVP of Creative at Lewis Communications, a three-office independent agency with locations in Mobile, Birmingham, and Nashville. A lifelong brand designer and art director, he has spent more than three decades blending strategy and craft to build identities and campaigns that endure.

https://www.printmag.com/uncategorized/what-matters-to-robert-froedge/

Each month, Dr. Dori Tunstall contributes a compact meditation for PRINT: 100 words and a single image that together ope...
05/22/2026

Each month, Dr. Dori Tunstall contributes a compact meditation for PRINT: 100 words and a single image that together open up larger conversations around design, culture, power, and possibility. A pioneering design anthropologist and the author of Decolonizing Design: A Cultural Justice Guidebook, Dr. Dori approaches design not as styling, but as a lived social practice shaped by history, identity, and community. Her work challenges institutions to think beyond inclusion toward genuine cultural transformation—while still leaving room for curiosity, humanity, and joy.

Cut No. 4, is focused on Salvador Gutierrez, USC Roski MFA Design Class of 2026, and his thesis project, Unconventional.

Read the full feaure: https://www.printmag.com/dr-dori-cut/dr-doris-cut-100-words-no-filler-4/

Join us at our next PRINT Book Club THIS THURSDAY May 21st at 4 PM ET. Dora Drimalas will join Steven Heller and Debbie ...
05/19/2026

Join us at our next PRINT Book Club THIS THURSDAY May 21st at 4 PM ET. Dora Drimalas will join Steven Heller and Debbie Millman to discuss her book, Hybrid: Curiosity in All Things.

Dora Drimalas leads the multidisciplinary design studio, Hybrid Design Inc. where they explore the discipline of putting curiosity into practice. As a studio, they are driven by the conviction that seemingly disparate and disconnected interests are not only assets to the design process but are essential to the creation of fulfilling work. Through real project examples over the last 20+ years in business, and insightful essays, they chart how a broad and eclectic collection of interests, hobbies, and experiences—curiosities—translates into powerful design work across any subject or discipline. Hybrid will showcase work across 640 pages from clients such as Nike, Pinterest, The North Face, Sonos, Hypebeast, Levi’s, YouTube, and many more. The book comes in two color ways—randomly assigned when ordered—in the spirit of curiosity and serendipity.

Register to attend live: https://lnkd.in/gr5Da8F3

The Daily Heller: The Serene Surrealism of Guy BilloutIt’s been too many years since I’ve seen new work by Guy Billout. ...
05/18/2026

The Daily Heller: The Serene Surrealism of Guy Billout

It’s been too many years since I’ve seen new work by Guy Billout. He was a foundational part of late ’70s–’90s conceptual illustration—his precise rendering and subtle humor, his use of strict geometry, flat gradients, and a clear line style created a universe where disaster doesn’t strike with a bang, but with a perfectly rendered, ironic silence. He did not disappear, but the lack of viable outlets for illustration, along with the increasing number of new illustrators entering the fray, took a toll.

Read the full feature: https://www.printmag.com/daily-heller/the-daily-heller-the-serene-surrealism-of-guy-billout/

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