Giclee prints available...Click on STORE for details...
Early love poetry mostly from twenty some years...a coupla epics, a coupla of historic shorts...all separate collections and ready for prime time...Collection of short videos at You Tube, Tamo Senggye; digital prints at FB, Tamo Noonan
[apologies for the legalese, am engaged in an intellectual property dispute through Patrick Hallinan, Hall
inan and Wine, SF CA; CA Att. Kamala Harris also vindicating my Rights to Associate and Contract (e.g., First Amendment, 42 USCA 1981, 1982, et. seq.]
PLEASE TAKE NOTICE of federal copyright statues, and that Thomas F. tamo, is the sole author with exclusive legal use of his property:
[USCA Title 17] § 106 . Exclusive rights in copyrighted works
Subject to sections 107 through 122, the owner of copyright under this title has the exclusive rights to do and to authorize any of the following:
(1) to reproduce the copyrighted work in copies or phonorecords;
(2) to prepare derivative works based upon the copyrighted work;
(3) to distribute copies or phonorecords of the copyrighted work to the public by sale or other transfer of ownership, or by rental, lease, or lending;
(4) in the case of literary, musical, dramatic, and choreographic works, pantomimes, and motion pictures and other audiovisual works, to perform the copyrighted work publicly;
(5) in the case of literary, musical, dramatic, and choreographic works, pantomimes, and pictorial, graphic, or sculptural works, including the individual images of a motion picture or other audiovisual work, to display the copyrighted work publicly; and
(6) in the case of sound recordings, to perform the copyrighted work publicly by means of a digital audio transmission.
§ 106A . Rights of certain authors to attribution and integrity39
(a) Rights of Attribution and Integrity.—Subject to section 107 and independent of the exclusive rights provided in section 106, the author of a work of visual art—
(1) shall have the right—
(A) to claim authorship of that work, and
(B) to prevent the use of his or her name as the author of any work of visual art which he or she did not create;
(2) shall have the right to prevent the use of his or her name as the author of the work of visual art in the event of a distortion, mutilation, or other modification of the work which would be prejudicial to his or her honor or reputation; and
(3) subject to the limitations set forth in section 113(d), shall have the right—
(A) to prevent any intentional distortion, mutilation, or other modification of that work which would be prejudicial to his or her honor or reputation, and any intentional distortion, mutilation, or modification of that work is a violation of that right, and
(B) to prevent any destruction of a work of recognized stature, and any intentional or grossly negligent destruction of that work is a violation of that right. Previous infringers, who've gotten off the hook through "internal affairs [alleged] investigations," and, pleading "mental issues" resulting in their admitted criminal actions--thereby placed under a "doctor's" care and "supervision," will be prosecuted to the fullest extent of "any and all" laws and/or proceedings...
