New American Paintings

New American Paintings Since 1993, we have collaborated with museum curators to identify exceptional emerging artists and introduce their work to an international audience.

Our SOUTH Call for Artists has been extended! For 32 years, we have connected your work with a deeply engaged audience o...
01/11/2026

Our SOUTH Call for Artists has been extended!

For 32 years, we have connected your work with a deeply engaged audience of curators, collectors, and art enthusiasts.

Tap the link in our bio to have your work featured in print with 40 incredible emerging and under-recognized artists living and working in the southern United States.

EXTENDED DEADLINE: 01.16.2026 11:59 pm (EST)

JUROR: Angelica Arbelaez
Assistant Curator of Modern and Contemporary Art High Museum of Art

All artists living/working in AL, AR, DC, FL, GA, KY, LA, MD, MS, NC, SC, TN, VA, and WV are eligible to apply.

A $60 extended application fee is required to apply.
If selected, there will be no additional costs and you will receive a free issue.


Matt Haffner .haffner.studio featured in our 2025 South Issue  # 178The artists in this issue were selected by Alexis As...
01/06/2026

Matt Haffner .haffner.studio featured in our 2025 South Issue # 178

The artists in this issue were selected by Alexis Assam, Regenia A. Perry Assistant Curator of Global Contemporary Art, Virginia Museum of Fine Arts ⁠
Applications are currently open for our upcoming 2026 South edition! Please tap the link in our bio to share your work with our engaged audience of collectors, curators, gallerists, and art-lovers.
Beckon (from the Dusk Series)
acrylic and graphite on paper, 24 x 60 inches

“Half Light.

Like trying to remember a dream that is fading fast or wondering if a memory is true or invented, this work is fueled by a combination of personal narratives blended with scenes from mythology, the occult, paganism, historical folklore, urban legends, and bedtime stories of witches. These pieces address moments too difficult to describe, where elements come together to create surreal and otherworldly experiences.

These atmospheric works portray an empty and expansive environment populated with moments of uncomfortable isolation and crystalline intensity. They depict a muted and lonely landscape disrupted by dreamlike instants of energized interactions. Use of humble materials and simple processes, elevated through innovation, attention to detail, and meticulous craft, creates an experience that promotes inspection and contemplation while traversing layered narratives and ambiguous storytelling.

This work explores the activity taking place in the peripheries of our sight and the edges of our understanding. Obscured vignettes suggest looking through dirty cabin windows or steamy car windshields at glimpsed scenes that unsettle yet draw the viewer in for closer inspection.”
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vmfa

Natalie Galindo .art featured in our 2025 South Issue  # 178The artists in this issue were selected by Alexis Assam, Reg...
01/05/2026

Natalie Galindo .art featured in our 2025 South Issue # 178

The artists in this issue were selected by Alexis Assam, Regenia A. Perry Assistant Curator of Global Contemporary Art, Virginia Museum of Fine Arts ⁠
Applications are currently open for our upcoming 2026 South edition! Please tap the link in our bio to share your work with our engaged audience of collectors, curators, gallerists, and art-lovers.
Casa Columbia
oil on canvas, 22 x 20 inches
“Memory is a shapeshifter. It is selective, fluid, fragmented, and temporal, warping time and carrying emotions from the past, the fleeting presence of the now, and the uncertainty of the future. My work exists in a liminal space where time is cyclical rather than linear. Through narrative oil paintings, I explore the phenomenology of time, memory, and spirituality, using the canvas as a portal into unseen realms that shape identity and connection. My vivid color palettes, layered compositions, and personal narratives guide viewers beyond a sequential timeline.

Inspired by meditation, yoga, and tarot, my process mirrors a meditative approach. Using personal and familial history as source material, I manipulate old photographs to introduce symbolic elements and reconstruct color and composition. My wet-on-wet technique captures both physical likeness and spiritual essence, balancing figuration and abstraction and reflecting dualities such as presence and absence, life and death, and movement and stillness. Painting becomes a dialogue with impermanence, honoring lost loved ones while embracing the essence of those still present in my life today. “
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napalum

Julia Gould .art featured in our 2025 South Issue  # 178The artists in this issue were selected by Alexis Assam, Regenia...
01/04/2026

Julia Gould .art featured in our 2025 South Issue # 178

The artists in this issue were selected by Alexis Assam, Regenia A. Perry Assistant Curator of Global Contemporary Art, Virginia Museum of Fine Arts @⁠
Applications are currently open for our upcoming 2026 South edition! Please tap the link in our bio to share your work with our engaged audience of collectors, curators, gallerists, and art-lovers.
Crawler II
oil on linen, 12 x 9 inches

“My work investigates the fractures and joinery between myself and the world around me in order to challenge the nature of my character. Oily, high chroma paint articulates forms and environments characterized by their luminosity. It is through metaphor, color, composition, and light that the intimation of my work reveals itself.

Within my paintings, the viewer moves impishly through feverish landscapes, where ferocity and desiccation confront images of sultry abundance. The natural world curls into, expands upon, and pulls apart from itself, forming stages for symbolic acts. Thermal lighting cites environmental realities and aims to elicit the feeling of coming upon something that until then was hidden. The paintings ask questions through the relationship between the light source and the darkness from which visions of attraction and temptation present themselves.

Through a language formed by my own lived experiences, art history, philosophy, and the state of our climate, my work explores the simultaneous feelings of intimacy and detachment. Although influenced by classical ideas, archetypes fall apart as personal mythology narrates the complexities of desire.“⁠⁠⁠⁠⁠
vmfa

Congratulations to NAP Alum Matt Lifson  on the opening of his solo exhibition, Corner Time, with NOON  On View  through...
01/03/2026

Congratulations to NAP Alum Matt Lifson on the opening of his solo exhibition, Corner Time, with NOON

On View through January 17, 2026

Through careful engagement with the canon of narrative painting—particularly the social realists of the early 20th century—Corner Time presents a series of intimate portraits that reflect the social temperature and malaise of the present moment.

Lifson’s third exhibition with the gallery centers on his q***r community in Los Angeles. His portraits capture friends he’s met over the past fifteen years, tracing the intimacy and trust that form his circle and revealing the shared tenderness at the heart of q***r connection.

01/02/2026

We are thrilled to announce the release of South Issue # 178!
Artist Selections by Alexis Assam, Regenia A. Perry
Assistant Curator of Global Contemporary Art, Virginia Museum of Fine Arts

Tap the link in our bio to get your copy and discover 40 incredible emerging artists in the southern United States. 💌⁠

We survey, curate, and introduce the artists shaping contemporary painting. For 32 Years, New American Paintings has introduced exceptional emerging and under-recognized artists to collectors, curators, and art-lovers first.

A huge thank you to all 40 included artists and to all of the artists who applied and a⁠ heartfelt congratulations to all the incredible artists featured in this issue—welcome to the NAP family

Our SOUTH Call for Artists is now open!For 32 years, we have connected your work with a deeply engaged audience of curat...
12/27/2025

Our SOUTH Call for Artists is now open!

For 32 years, we have connected your work with a deeply engaged audience of curators, collectors, and art enthusiasts.

Tap the link in our bio to have your work featured in print with 40 incredible emerging and under-recognized artists living and working in the southern United States.

UPDATED DEADLINE: 01.07.26 11:59 pm (EST)

JUROR: Angelica Arbelaez
Assistant Curator of Modern and Contemporary Art
High Museum of Art

All artists living/working in AL, AR, DC, FL, GA, KY, LA, MD, MS, NC, SC, TN, VA, and WV are eligible to apply.

A $50 application fee is required to apply.
If selected, there will be no additional costs and you will receive a free issue.


New work by Hannah Rust  Hannah RustPeace Frog, 2025 Oil on paper mounted on wood5.5 x 8 inches
12/23/2025

New work by Hannah Rust

Hannah Rust
Peace Frog, 2025
Oil on paper mounted on wood
5.5 x 8 inches

12/13/2025

Inspire your friends and loved ones to discover new art and new artistic voices this holiday season! Subscribe now and receive one year (6 issues) of New American Paintings for 34% off the newsstand price.*

For more than thirty years, New American Paintings has introduced readers to exceptional emerging artists through a rigorously curated survey of contemporary painting. We do the legwork so you can discover remarkable talent early—artists like Amy Sherald, who called her 2009 feature in New American Paintings a “major career milestone.”

*Discount applies to domestic one year subscriptions only. Discounted price based on newsstand price.

NAP Alum Annika Tucksmith  on view now  The Hill, 2025oil on panel48 x 36 inches (121.9 x 91.4 cm)“It’s Here” centers on...
12/10/2025

NAP Alum Annika Tucksmith on view now

The Hill, 2025
oil on panel
48 x 36 inches (121.9 x 91.4 cm)

“It’s Here” centers on the charged stillness that emerges as twilight deepens into dusk. Tucksmith’s new paintings illuminate this fleeting threshold, balancing the warmth of familiar landscapes with the quiet tension of what lies ahead.

The works evoke the sensibility of a coming-of-age memory, an atmosphere where innocence and experience coexist within a dense, fog-laden terrain. Lush, expressive brushstrokes shape verdant countryside scenes, while flashes of lava-toned underpainting break through the surface. Both materially and visually, Tucksmith captures a state of transition, one that feels expansive, uncertain, and alive. In these dreamlike spaces, calves nurse under their mothers’ watch, embers simmer with the threat of ignition, deer graze against the approach of nocturnal predators, unruly bouquets bloom toward obstruction, and mysterious rituals emerge and unfold.

In Tucksmith’s world, the shift into night is unaccompanied, offering a space for self-discovery that arises without oversight. What may first register as solitude gradually reveals itself as a landscape with its own responsive presence—an active participant rather than a passive backdrop. The result is a symbiotic relationship in which creatures shape the land even as the land shapes them.

It’s Here functions as a lullaby to the bright day, welcoming the rise of the moon. As the sun lowers, a crepuscular passage opens—a brief, hushed pocket of peace. And yet, beneath this calm, something unknown is not merely approaching; it has already arrived.

Swipe through to see 20 NAP Alumni you can’t miss at Art Basel Miami Beach 💫Image 1:Robin F. WilliamsBirth of Venus, 202...
12/07/2025

Swipe through to see 20 NAP Alumni you can’t miss at Art Basel Miami Beach 💫

Image 1:
Robin F. Williams
Birth of Venus, 2025
PPOW
Booth F2

Image 2:
Celeste Rapone
Home Theatre, 2025
Josh Lilley
Booth B17

Image 3:
Alex Jackson
My Heart Makes my Head Swim (The Studio), 2025
Jenkins Johnson Gallery
Booth H18

Image 4:
Caleb Hahne Quintana
A River Dividing Presence and Absence
2025
Anat Ebgi
Booth F28

Image 5:
Srijon Chowdhury
Seven Sunflowers and the Sun, 2025
PPOW
Booth F24

Image 6:
Shara Hughes
Good Choreo
2025
David Kordanski Gallery
Booth E20

Image 7:
Ludoovic Nkoth
Soft Armor
2025
Massimodecarlo
Booth G18

Image 8:
Rebecca Ness
Talking to Mom: Wyckoff Ave
Ben Brown Fine Arts
Booth H4

Image 9:
Meeson Pae
Soft Landscape (01)
2025
Anat Ebgi
Booth F28

Image 10:
Lyn Liu
Art School, 2024
Olney Gleason
Booth G15

Image 11:
Jordan Casteel
Evening Primrose, 2024
Casey Kaplan
Booth B16

Image 12:
Jonathan Gardner
Intermission
2025
Massimodecarlo
Booth G18

Image 13:
Jake Longstreth
Chavez Ravine, 2024
Galerie Max Hetzler
Booth G11

Image 14:
Ilana Savdie
Eyeless Creature Turns Out to Be All Eyes
2025
White Cube
Booth C9

Image 15:
Hilary Pecis
Flat File
2025
Timothy Taylor
Booth F21

Image 16:
Hayley Barker
Bouquet (after Gertrude Jekyll), 2025
Ingleby Gallery
Booth G19

Image 17:
Becky Suss
Night Garden, 2025
Jack Shainman Gallery
Booth H23

Image 18:
Aubrey Levinthal
Counter with Lisianthus, 2025
Ingleby
Booth G19

Image 19:
Alec Egan
Flowers in Vase
Vielmetter
Booth F16

Image 20:
Soumya Netrabile
Rattlesnake Pass
2025
Anat Ebgi
Booth F28

Our SOUTH Call for Artists is now open!For 32 years, we have connected your work with a deeply engaged audience of curat...
12/06/2025

Our SOUTH Call for Artists is now open!

For 32 years, we have connected your work with a deeply engaged audience of curators, collectors, and art enthusiasts.

Tap the link in our bio to have your work featured in print with 40 incredible emerging and under-recognized artists living and working in the southern United States.

DEADLINE: 12.31.25 11:59 pm (EST)

All artists living/working in AL, AR, DC, FL, GA, KY, LA, MD, MS, NC, SC, TN, VA, and WV are eligible to apply.

A $50 application fee is required to apply.
If selected, there will be no additional costs and you will receive a free issue.


Address

Boston, MA

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Wednesday 9am - 5pm
Thursday 9am - 5pm
Friday 9am - 5pm

Telephone

+16177785265

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