New American Paintings

New American Paintings Since 1993, we have collaborated with museum curators to identify exceptional emerging artists and introduce their work to an international audience.

CALHAN HALE  featured in our 2025 MFA Issue  # 177💜The artists in this issue were selected by Caitlin Chaisson, Curatori...
10/02/2025

CALHAN HALE featured in our 2025 MFA Issue # 177💜

The artists in this issue were selected by Caitlin Chaisson, Curatorial Assistant, The Museum of Modern Art ⁠
Applications are currently open for our upcoming 2026 MFA edition! Please tap the link in our bio to share your work with our engaged audience of collectors, curators, gallerists, and art-lovers.
Untitled (Rock)
oil on linen, 16 x 20 inches
If naming something is the first step of dealing with what is not yet known, then I am interested in the inverse. In my work I explore what is possible when what is familiar becomes something other than what is initially expected. By recontextualizing imagery pulled from my surroundings via collage and painting, I play with relationships between image and object and familiarity and strangeness to subvert assumption and prompt surprise. ⁠⁠⁠⁠⁠

MFA Issue  #177 cover artist, Paulina Moncada , featured in our annual exhibition, New American Paintings Review  Paulin...
10/01/2025

MFA Issue #177 cover artist, Paulina Moncada , featured in our annual exhibition, New American Paintings Review

Paulina Moncada
Kiln, 2025
Oil on canvas
24 x 35.8 inches (61 x 91 cm)

BENJAMIN HAWLEY  featured in our 2025 MFA Issue  # 177 🩵The artists in this issue were selected by Caitlin Chaisson, Cur...
10/01/2025

BENJAMIN HAWLEY featured in our 2025 MFA Issue # 177 🩵

The artists in this issue were selected by Caitlin Chaisson, Curatorial Assistant, The Museum of Modern Art ⁠
Applications are currently open for our upcoming 2026 MFA edition! Please tap the link in our bio to share your work with our engaged audience of collectors, curators, gallerists, and art-lovers.
Sky Mound
oil on canvas, 10 x 10.5 inches
A word’s meaning can shift or be lost the more vou say it. An object’s purpose can start to wane the longer you stare at it. My paintings are the result of mulling over familiar sources, layered with ephemeral phenomena to elevate and transform them from their original states.

I constantly return to the same forms: a cherished little bowl, a mysterious mound of snow, an ornamental column, a leaf. They reveal something new every time I revisit them, whether it’s a way of altering their identity, a buried memory, or an odd connection between two things that seem unrelated. bv reducing and adapting the forms. They serve new functions or ask new questions. These ever-evolving, sacred forms are combined with subtle color gradients taken from observing fleeting moments. These gradients create an atmospheric and ethereal quality to the liminal spaces inside the paintings. I strive to make quietly seductive work that demands a long look and invites the viewer to question what they are seeing. ⁠⁠⁠⁠⁠

DANIEL CABRILLOS JACOBSEN .jacobsen featured in our 2025 MFA Issue  # 177❤️The artists in this issue were selected by Ca...
09/30/2025

DANIEL CABRILLOS JACOBSEN .jacobsen featured in our 2025 MFA Issue # 177❤️

The artists in this issue were selected by Caitlin Chaisson, Curatorial Assistant, The Museum of Modern Art ⁠
Applications are currently open for our upcoming 2026 MFA edition! Please tap the link in our bio to share your work with our engaged audience of collectors, curators, gallerists, and art-lovers.
Yellow Home
oil on collaged book covers, 54 x 36 inches
By using painting as a tool for self-exploration, play, and storytelling, my work is often rooted in figurative imagery and explores themes that are central to my identity. I find inspiration from my Danish and Filipino heritage as well as from the mundane aspects of daily life and long gone memories.

As a painter, my intention is to stimulate moments of introspection that resonate across cultures and embrace the human condition within an increasingly globalized world, posing the question, ‘What does it truly mean to
be human in today’s society?’⁠⁠⁠⁠⁠

🎉Our 2025 MFA Call for Artists is now open!🎉⁠For 32 years, we have connected artists with a deeply engaged audience of c...
09/30/2025

🎉Our 2025 MFA Call for Artists is now open!🎉⁠
For 32 years, we have connected artists with a deeply engaged audience of curators, collectors, and art enthusiasts.Tap the link in our bio to have your work featured in print with 40 incredible emerging and under-recognized artists.
JUROR: Claire Howard
Hansjörg Wyss Curator of Modern Art
Museum of Fine Arts Boston
DEADLINE: 10.31.2025⁠
11:59 pm (EST)⁠⁠
All current MFA candidates and recent graduates since 2020 are eligible to apply.

All applications go through a blind jurying process to focus on what truly matters: the work. This is our only competition with any kind of schooling requirement. All other open calls are regional– check our website for when we’ll be looking for artists to publish in your region! ⁠
A $50 application fee is required to apply. If selected, there will be no additional costs to be published and you will receive a free issue.⁠⁠⁠⁠

Keith Jackson: Knight Riders  on view  A self-taught painter, Jackson was raised on a crop and small livestock farm in r...
09/24/2025

Keith Jackson: Knight Riders on view

A self-taught painter, Jackson was raised on a crop and small livestock farm in rural Missouri and spent many years working as a building contractor. Born in 1966 during the golden age of westerns, he fondly recalls playing with friends’ horses and watching reruns of Gunsmoke and The Wild Wild West. Like many kids of that era, he dreamed of becoming a cowboy. But as Jackson reflects, “the cowboys on TV didn’t look like me.” The screen was dominated by white actors—even in roles portraying Native peoples—while the true history of Black cowboys was largely erased from popular media. This portrayal, however, was far from accurate.

It is estimated that one in four cowboys in the Old West were African American. After The Emancipation Proclamation was signed, many formerly enslaved people sought new opportunities in the cowboy profession. Not only was this one of the few areas where they could achieve a degree of autonomy and economic independence, but many were already highly skilled in horsemanship, cattle handling, roping and more. The remarkable contributions of figures like Nat Love, Bass Reeves, and Bill Pickett, solidify their status as heroes of the American Old West.

Image 1:
Detail, Bill Pickett, Dark Knights, 2025

Image 2:
Dark Knights, 2025
Oil on canvas
72 x 84 inches

Image 3:
Detail, Bass Reeves, Dark Knights, 2025

Image 4:
Show Em, 2025
Oil on canvas
60 x 48 inches

Image 5:
Detail, Nat Love, Show Em, 2025

Image 6:
Busted, 2025
Oil on canvas
60 x 48 inches

Image 7:
Detail, Bass Reeves, Busted, 2025

Image 8:
Bulldog, 2025
Oil on canvas
60 x 48 inches

Image 9:
Detail, Bill Pickett, Bulldog, 2025

Image 10:
Where Courage Sits, 2025
Oil on canvas
72 x 84 inches

Image 11:
Detail, Where Courage Sits, 2025

Image 12:
Detail, Where Courage Sits, 2025

Image 13:
Urban Cowboy, 2025
Oil on canvas
60 x 48 inches

Image 14:
Detail, Urban Cowboy, 2025

🎉Our 2025 MFA Call for Artists is now open!🎉⁠For 32 years, we have connected artists with a deeply engaged audience of c...
09/16/2025

🎉Our 2025 MFA Call for Artists is now open!🎉⁠
For 32 years, we have connected artists with a deeply engaged audience of curators, collectors, and art enthusiasts.Tap the link in our bio to have your work featured in print with 40 incredible emerging and under-recognized artists.
DEADLINE: 10.31.2025⁠
11:59 pm (EST)⁠⁠
JUROR: TBD (look out for an announcement soon)
All current MFA candidates and recent graduates since 2020 are eligible to apply.

All applications go through a blind jurying process to focus on what truly matters: the work. This is our only competition with any kind of schooling requirement. All other open calls are regional– check our website for when we’ll be looking for artists to publish in your region! ⁠
A $50 application fee is required to apply. If selected, there will be no additional costs to be published and you will receive a free issue.⁠⁠⁠⁠

Swipe through to see our ten MUST-SEE Painting Exhibitions of September 2025✨Image 1:Elizabeth Glaessner: Running WaterP...
09/12/2025

Swipe through to see our ten MUST-SEE Painting Exhibitions of September 2025✨

Image 1:
Elizabeth Glaessner: Running Water
PPOW, New York
September 5 - October 18, 2025


Image 2:
Keith Jackson: Knight Riders
Steven Zevitas Gallery, Boston
September 5 - October 18, 2025


Image 3:
Celeste Rapone (NAP Alum ): Some Weather
Marianne Boesky, New York
September 4 - October 18, 2025


Image 4:
Lily Stockman: Book of Hours
Charles Moffett, New York
September 5 - October 11, 2025


Image 5:
Maud Madsen (NAP Alum ): Dweller
Half Gallery, New York
September 5 - October 2, 2025


Image 6:
Louisa Gagliardi: Hard-pressed
Galerie Eva Presenhuber x Galerie 75 Faubourg, Paris
September 5 - October 7, 2025


Image 7:
Sasha Gordon: Haze
David Zwirner, New York
September 25—November 1, 2025


Image 8:
Ambera Wellmann: DARKLING & One Thousand Emotions
Hauser and Wirth, New York + Company, New York
September 5 - October 25, 2025


Image 9:
Caleb Hahne Quintana: A Boy That Don’t Bleed
Anat Ebgi, New York
September 5 - October 18, 2025h.quintana

Image 10:
Anthony Cudahy: ceaseless arranger
GRIMM, Amsterdam
August 29 - October 18, 2025


Alex Jackson: The Making of “The Homesteader” (The Biography of Oscar Micheaux) on view now   Alex Jackson The Making of...
09/10/2025

Alex Jackson: The Making of “The Homesteader” (The Biography of Oscar Micheaux) on view now


Alex Jackson
The Making of “The Homesteader” (The Biography of Oscar Micheaux), 2025
Acrylic on canvas
64 x 96 inches (162.56 x 243.84 cm)

“Momentarily stepping outside of my larger narrative project The Universe of E, I reflect on the historical premise of my father’s exhibition Knight Riders, an exhibition exploring the history of three African-American men active in the American west at the turn of the 19th-century: cowboys Nat Love and Bill Pickett, alongside lawman Bass Reeves.

The Making of “The Homesteader” (The Biography of Oscar Micheaux) is a speculative painting envisioning the production set of a contemporary reimagining of The Homesteader, a lost film by early 20th-century Black filmmaker Oscar Micheaux. Made independently in 1919, this first film by Micheaux was adapted from both a novel by the same name and his first novel, The Conquest: The Story of A Negro Pioneer, two auto-bigraphically informed novels of fiction about his experiences as a lone Black homesteader in the Dakotas. The painting explores the roles of artifice in the retelling of history and lived experience, and the particularly unbearable weight of performing liberation under American duress. The revelation of construction is an attempt at relief, however temporary, from the myth of resolution.”

09/08/2025

EXTENDED: Our NORTHEAST Call for Artists is open!For 32 years, we have connected your work with a deeply engaged audienc...
09/04/2025

EXTENDED: Our NORTHEAST Call for Artists is open!

For 32 years, we have connected your work with a deeply engaged audience of curators, collectors, and art enthusiasts.

Tap the link in our bio to have your work featured in print with 40 incredible emerging and under-recognized artists living and working in the northeastern United States.

JUROR: Beth Rudin DeWoody
Collector and Philanthropist

EXTENDED DEADLINE: 9.9.2025
11:59 pm (EDT)

All artists living/working in CT, DE, MA, ME, NH, NJ, NY, PA, RI and VT are eligible to apply.

A $65 extended period application fee is required to apply. If selected, there will be no additional costs and you will receive a free issue.


09/03/2025

🥳 We are thrilled to announce the release of MFA ISSUE # 177! 🥳⁠
Artist selections by Caitlin Chaisson
Curatorial Assistant, The Museum of Modern Art (MoMA)

Tap the link in our bio to get your copy and discover 40 incredible emerging artists in the United States. 💌⁠

For 32 Years, New American Paintings has introduced exceptional emerging and under-recognized artists to collectors, curators, and art-lovers. We carefully review thousands of artists every year in a blind jurying process and, with the help of museum curators, we present our readers with the art-stars of tomorrow.⁠
A huge thank you to all 40 included artists and to all of the artists who applied ❤️⁠
Congratulations and welcome to the NAP Family.⁠⁠⁠⁠

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