Carpe Sonum Records

Carpe Sonum Records Carpe Sonum is a label started by EAR/Rational Music, and dedicated to Pete Namlook.

OK, I think this one is better. Going to the pressing plant this weekend!
07/11/2020

OK, I think this one is better. Going to the pressing plant this weekend!

04/27/2020
"Solipsism, aka Craig Murphy, has slowly but surely erected on the grand ‘ol ambient/electronica corner a nice little bi...
09/05/2018

"Solipsism, aka Craig Murphy, has slowly but surely erected on the grand ‘ol ambient/electronica corner a nice little bit of sonic real estate for himself. He’s already graced the presence of labels such as txt and Databloem, collaborating with the former’s head honcho Lee Norris as Ashtoreth’s Gate and with Norris’s Nacht Plank project, and kept busy since 2006 gracing all manners of digital imprints such as Herb Recordings and Ambidextrous. On Kismet, his debut for Carpe Sonum, Murphy lets the bells ring out and flags fly; well, more like reverberate, as the album trucks in an ever-cascading audiofall of beautiful, expressionist shimmers. Murphy’s touch is exquisite, his cycling watercolors simultaneously a balm on the soul and a hair-raising trek across lonely, thin-air vistas. Rarely does ‘ambient’ music challenge the senses as well as tickle them. In that sense, Murphy manages, despite his chosen moniker, to forge stylistic connections with similarly-styled purveyors like the late Oophoi, and, more tellingly, David Parsons, whose taste for grandeur and epic scope Solipsism virtually revels in. Maximum warp music, designed for peak experience." –Darren Bergstein

9 track album

"The inimitable Mr. Chillage seems to go from strength-to-strength with each and every new release, armed with a diligen...
09/05/2018

"The inimitable Mr. Chillage seems to go from strength-to-strength with each and every new release, armed with a diligent, focused work ethic and a surfeit of imagination, which makes his latest Carpe Sonum Novum missive a pleasant, diverse surprise. Perhaps he’s immersed himself in Harold Budd and Tim Story records, as he’s chosen for this release to center his already gorgeously pealing whorls of ambient discourse around the keystrokes of the piano. But wait: lest you roll your eyes and bemoan the entry of yet another electronic musician who fancies himself a ‘classical’ composer, Mick’s tickling of the ivories isn’t mere folly or a gestural jape. Instead, the artist has, intentionally or inadvertently, created a paean to the elegaic minimalistic sides forged by Mssrs. Budd & Eno, couched in the softly irising synthetic thermals he’s arranged over countless works in his formidable catalog. “Between the Endless Silence” isn’t therefore your typical piano-centered blandishment, nor a stuffy bit of experimentation, or even its creator’s desire to abandon his chosen field. Instead, Chillage has done the next to impossible, recontextualizing the delicate filigree of the acoustic grand throughout a wonderfully luxurious fabric of electronica, refracting a veritable font of melodies that linger in the head long after the disc concludes. Had this been issued in the early 80s, it would be considered a well-established classic; we’ll just assume that right now, and brandish it accordingly. Play it late at night or early in the morning; either way, it’s more brilliant than the sun." –Darren Bergstein

8 track album

"Remember the heyday of 80s/90s ‘fourth world’ music? That canonical term coined by the erstwhile Jon Hassell to describ...
09/05/2018

"Remember the heyday of 80s/90s ‘fourth world’ music? That canonical term coined by the erstwhile Jon Hassell to describe his musical approach as thus marrying ancient, indigenous instrumentation with state-of-the-art sound-forging technology? Turns out it’s alive and well and breathing fire again, thanks to the sturm und clang of Khamsa Khala, an enigmatic duo comprised of ethnotechno marauders Don Poe and Neville Harson. They released an earlier recording on the Lens Records imprint in 2010, All Rites Reversed, and this follow-up (well over eight years in the making) demonstrates they haven’t missed a step. Chock full of a bevy of rich and ornate percussive textures, keening, campfire atmospherics, and swampy, obfuscating electronics, they enact a literal tribal cabal that finds them reaching for the skies and across untold eons and epochs. In essence, the duo bend time much in the way their respective influences do; we’re talking Mssrs. Steve Roach, O Yuki Conjugate, Rapoon, Jeff Greinke, Vasilisk, Hybryds, Jorge Reyes, Steve Shehan, the aforementioned Hassell, and a whole gaggle of sonic rainmakers for whom Khamsa Khala needs give their due. But sonic antecedents aside, not many choose today to truck in these wicked, heat-hazy, mind-melding tableau, and for that, the duo are to be commended for bringing these exciting, energizing, densely woven constructs to our parched ears." –Darren Bergstein

13 track album

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2770 Arapahoe Road #132/120
Boulder, CO

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