Collins:

03/11/2026

On Monday we landed on the Ad Age A-List for the seventh time.

We weren’t sure what to say. So we went back and read what our clients said about us in the Ad Age story.

Among them was Ben Goodwin, co-founder of Olipop.

“There is something special they bring to the table that I haven’t found anywhere else. I have a lot of trust in them. Right out of the gate, I could tell they had the most intuitive grasp of what I was trying to get at.”

That was kind, Ben. Thank you.

And then, he said something else.

“They come up with their own creative takes that they’re passionate about, and that also helps raise trust because you feel like you’re actually working with a partner who’s thinking independently.”

There’s the word. Trust.

Awards are terrific. Recognition, too.

But trust is the irreplaceable currency of our profession.

Trust from clients smart enough to build the new instead of repeating what worked ten years ago.
Trust between teammates who push the work further than it needs to go.

The trust we build with one another becomes the trust we extend to our clients. The trust our clients place in us becomes the trust their customers place in them.

This recognition belongs to the everyone who make COLLINS run—designers, writers, strategists, animators, producers—and to the clients who trust us with their people and their ambitions.

Nike. OFFF Festival. Sun Day. Muse. Crocs. Altruist. The Jet Propulsion Laboratory. Red Wing. Walmart. Olipop. And many more.

The tools around us are changing every five minutes. What matters to us is simpler.

To shape futures so desirable they become inevitable.
To explore the creative possibilities new tools open up.
To help our clients lead whatever version of tomorrow arrives next.

And mostly, to keep doing what we love.

Thank you to the Ad Age jury, and congratulations to all of the 2026 winners. 

Now, back to work

02/26/2025

A cowboy hat in Portland. Portland, Maine.

A pair of Tecovas on the Paris Metro.

Beyoncé in her Rhinestone Rodeo.

Americana is back. But, maybe it never left.

Once, the Americana aesthetic meant something narrow—small-town diners, Route 66, a pickup truck against an empty Western sky. But something’s shifting. Old mythology is being remade, reclaimed, and rewritten by new voices. Including voices that had been left out of the story.

On Sunday, March 9th at SXSW, we’re joining with our good friends at Monotype to gather in Austin, Texas at Arlyn Studios. It’s where Willie Nelson, Ray Charles, and Miranda Lambert have all left their mark. 

We aim to explore this question:

Why Americana? Why now? And who gets to wear the boots?

Among our speakers: Norm Clasen, the photographer behind the original Marlboro Man campaign. His images didn’t just sell Marlboro. They built a vivid, global ethos and story about the character of a country. But what about that story still captures our collective imaginations today?

We’ll be joined by voices of creative leaders from Yellowstone (the television series) Tecovas, Audiosocket, and NASA, among others. Expect your notion of America to be challenged. Expect good food. Expect a room full of people who care about culture enough to help shape it. 

Seats are extremely limited. In all transparency, we expect that seats may be sold out by the time that you read this. RSVP at the link in bio to join the waitlist. We will notify you if open seats are available until the day of the event. 

And if you don’t believe Americana is changing? Look around.

Those boots are already walking.

01/09/2024

In 2023, Equinox did something shocking for a gym: it forbid new signups on January 1, traditionally the most important membership signup day of the year.

That was the message of the “WE DON’T SPEAK JANUARY” campaign we developed in partnership with their incredible team.

They just returned to run the idea again.

You can see the case study, here:
http://bit.ly/41RzsWg

08/30/2023

What do you get when 19 of New York’s most influential, vibrant institutions come together to throw a block party?

Let’s see…

Free admission to places like the Whitney, the Rubin and Poster House.
A dance party at The Shed.
Letterpress lessons on the water.
A Ballet matinee.
Poetry readings on the High Line.
An outdoor performance of Arthur Russell’s “City Park” at the NYC AIDS memorial.
And, somehow, much more.

They’re calling it West Side Fest. We’re calling it mandatory attendance.

It’s all happening Saturday, September 30.

We were thrilled to provide the visual identity for the festival — you’ll be able to see the work around the city, at the event and, soon, in a case study on our site.

We’ll see you there.
In the meantime, you can see details, here:

https://www.westsidefest.nyc/

COLLINS
Kristina Bartosova
Lynn Oh
Alex Athanasiou
Jade Kuzak
Joseph Han

08/18/2023

“Fitness” makes most of us think of a relentless, complicated, unforgiving journey to some imaginary, unattainable future state.

It’s time to change that.

Instead, why not a fulfilling practice that helps us enjoy the body we have now?

We worked closely with Bowflex to transform how people perceive fitness into something simpler – an approach that can strengthen us from the inside out, keep us in tune with what feels physically and mentally rewarding and fuels our joy of moving every day.

Case study coming soon.

01/16/2020

No other conscious creature can think about the future in the ways that humans can. That gives us an extraordinary gift: the ability to imagine. Tonight, we are excited to be with our friends at the to talk about why the future only belongs to the imaginative.

12/19/2019

12/19/2019

Link in bio to see our work with our friends at Target.

12/18/2019

Jim Henson said “yes" to life. Yes to aliveness of all kinds–love, magic, whimsy, mischief. So when The Museum of Moving Image in New York City and the Jim Henson family asked us to partner with them to create a permanent exhibition to immortalize this timeless work, it was an instant “yes."
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For over three years, our team collaborated on all aspects of the exhibition including the design of the gallery environment, the design system, storytelling for the layout of the show, interactive technologies and installations in the gallery, and external marketing and communications.
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With original artifacts ranging from puppets, film clips, projections, drawings, set models, costumes, robotics, and more–we organized the story of Henson’s career into six key chapters, in collaboration with the Senior Curator of Collections and Exhibitions, Barbara Miller. Our team designed faceted architecture and a spatial system referencing the geometries of the museum—hinting at the boundless energy of Henson’s team itself. Much like how Kermit the Frog tries to hold The Muppet Show together before things fly off the rails, our system marries chaos with control; constant motion with a ringmaster’s sense of showmanship.
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Click the link in the bio to see our case study (better yet, if you’re in NYC, bring your friends and family to The Museum of Moving Image and experience this boundless display of creativity.)

12/18/2019

"I really do believe that all of you are at the beginning of a wonderful journey. As you start traveling down that road of life, remember this: There are never enough comfort stops. The places you're going to are never on the map. And once you get that map out, you won't be able to re-fold it no matter how smart you are. So forget the map, roll down the windows, and whenever you can pull over and have picnic with a pig. And if you can help it never fly as cargo.” — Jim Henson

12/18/2019

"As children, we all live in a world of imagination, of fantasy, and for some of us that world of make-believe continues into adulthood.” — Jim Henson