05/19/2019
Portfolio by Paul Mpagi Sepuya - BOMB Magazine
Paul Mpagi Sepuya is included in the Whitney Biennial 2019.
Figures / Grounds / Studies
BOMB Magazine
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Named after Wyndham Lewis’s BLAST, a 1914 journal edited by artists and writers, BOMB Magazine, a 501(c)(3) nonprofit, launched in 1981 as an artists’ and writers’ quarterly because its founders saw a disparity between the way artists talked about their work among themselves and the way it was described by critics. As a result, BOMB has made the artist’s voice an essential component of cultural discourse.
BOMB reveals artists’ ideas, thoughts and creative processes by producing in-depth interviews between visual artists, writers, musicians, actors, directors, choreographers, performers and architects across multiple platforms-in print, online, and at live events. Publishing carefully developed dialogues that delve deep into theory and practice, BOMB has re-invented the question-and-answer format, allowing for complex discussions about art to emerge.
BOMB’s interviews are legendary.
Because in the pages of BOMB, artists get to be the authors of their own tales.
Over the last 30 years, BOMB has grown to become an international magazine with an editorial board of over 80 professional artists, writers, actors, directors, architects, and musicians serving as our Contributing Editors. The BOMB Digital Archive, available online for free worldwide, contains over 1,000 interviews from the last quarter century—that’s more than 2,000 voices comprising an ongoing conversation that has changed the nature of cultural discourse. Considered primary documents of American cultural history, BOMB’s archives have twice been awarded NEA Heritage and Preservation Grants for Excellence and have been acquired by Columbia University’s Rare Book & Manuscript Library in 2004. In addition to our Interviews, BOMB features "Artists on Artists" essays and First Proof, BOMB's literary supplement, featuring original fiction and poetry, excerpts of novels, and first-time translations into English.
In addition to the magazine, BOMB produces the audio and video series BOMBLive!, which pairs artists and writers in lively and intimate conversations about the creative process. BOMB also hosts a variety of events around the country, including launch parties; readings, panels, and performances; an Annual Gala & Silent Auction fundraiser; and participates in such fairs and conventions as AWP, CAA, BEA, ALA, among others.
Visit BOMBsite.com for extras and continuations from the print edition, as well as web-exclusives like streaming videos, podcasts, web-only interviews, audio and video clips from artist's works. Check out BOMBlog for original content such as reviews, poems, event listings, video, and discussion boards.
BOMB-outspoken and timeless-interviews that change the way we think about the arts, by the people who make the arts.
05/18/2019
Iman Issa by Andrew Weiner - BOMB Magazine
Iman Issa is included in the Whitney Biennial 2019.
Whitney Museum of American Art
A New York- and Cairo-based artist unpacks her understanding of heritage and how it can operate in contemporary art.
05/17/2019
Brendan Fernandes by Jess Wilcox , Wendy Vogel - BOMB Magazine
Brendan Fernandes is included in the Whitney Biennial 2019. Whitney Museum of American Art.
Brendan Fernandes discusses dance, architecture, and identity with the curators of his current New York show.
05/17/2019
Nicole Eisenman and David Humphrey by - BOMB Magazine
Nicole Eisenman is included in the Whitney Biennial 2019. Whitney Museum of American Art
The painters discuss facial symmetry and mirror neurons, the interplay between image and texture, and their shared interest in storytelling through figuration.
05/16/2019
Oral History Project: Linda Goode Bryant by Rujeko Hockley - BOMB Magazine
Rujeko Hockley, co-curator of the Whitney Museum of American Art Biennial 2019, recently participated in BOMB's Oral History Project with artist and activist Linda Goode Bryant. Read their extensive conversation here.
“I was motivated to pursue a way to change the conditions that were causing Black artists I interfaced with every day to say, ‘They won’t let us, they won’t let us, they won’t let us.' I got tired of hearing that, and I said, ‘F**k them! Let’s start a gallery!’ So that’s how JAM go...
05/16/2019
Lucas Blalock by Taylor Dafoe - BOMB Magazine
Lucas Blalock is included in the Whitney Biennial 2019. Whitney Museum of American Art
“If I do something to a photograph, the viewer has an impulse to naturalize what happened, to correct the mistake.”
05/15/2019
Innovation and Tradition: Jeffrey Gibson Interviewed by Emily Zimmerman - BOMB Magazine
Jeffrey Gibson, who was recently interviewed in BOMB, is included in the Whitney Biennial 2019.
Whitney Museum of American Art
http://ow.ly/mWJC30oJqQ8
Working between mediums.
05/15/2019
Simone Forti by Tashi Wada - BOMB Magazine
Danspace Project presents Forti, Paxton, Rainer Read Their Writings: two evenings of performative readings by Simone Forti, Steve Paxton, and Yvonne Rainer.
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May 16, 8pm & May 17, 8pm.
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Forti in BOMB: http://ow.ly/nRJt30oFmpx
Rainer in BOMB: http://ow.ly/20QZ30oFmwy
On the release of Al Di Là, a collection of her sound works, Forti guides us through her decades-long practice of observation, intuition, and kinaesthetic awareness.
05/15/2019
Where You Surprise Yourself: Peter Rock Interviewed by Leni Zumas - BOMB Magazine
Where You Surprise Yourself: Peter Rock Interviewed by Leni Zumas (Soho Press)
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“Some of the best nonfiction is now being written as fiction.”
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Peter Rock on his new novel, The Night Swimmers.
"Some of the best nonfiction is now being written as fiction." Peter Rock on his new novel, The Night Swimmers.
05/15/2019
Finding a Common Language: Jenny Brockmann Interviewed by Danni Shen - BOMB Magazine
Finding a Common Language: Jenny Brockmann Interviewed by Danni Shen
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An entanglement with various modes of knowledge production.
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"How can we create or acquire knowledge through our bodily experiences evolving in time? My practice is always connected to an exchange with the public and does not reveal itself without the public."
An entanglement with various modes of knowledge production.
05/14/2019
Morgan Bassichis by Katherine Brewer Ball - BOMB Magazine
Morgan Bassichis is included in the Whitney Biennial 2019.
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"What’s the point of being queer, or an artist, or a radical, if you don’t veer?”
"What's the point of being queer, or an artist, or a radical, if you don't veer?"
05/14/2019
Studio Visit: Anne Vieux by Terence Trouillot - BOMB Magazine
Studio Visit: Anne Vieux by Terence Trouillot
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Painting digital.
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"Quirkily enough, the Michigan-born artist’s most trusted muse for many years has been holographic or reflective paper: a giftwrap-like sheet of shiny aluminum embossed with a holographic design. Vieux manipulates the thin metallic leaf of paper, oftentimes crumpling it for texture, and then scans the material on a flatbed scanner."
Painting digital.
05/13/2019
Cindy Sherman by Betsy Sussler - BOMB Magazine
"While I’m working I might feel as tormented as the person I’m portraying." — Cindy Sherman (BOMB spring 1985 issue #12)
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https://bombmagazine.org/articles/cindy-sherman/
Cindy Sherman's earliest photographic work displayed her posed tauntingly in sets. Mimicry, mostly of ’50s and ’60s film, they anticipated a voyeuristic response.
05/13/2019
Dyke Beauty: Gala Mukomolova's Without Protection by Natalie Adler - BOMB Magazine
"Poetry has long found and folded beauty in violence. What sets Mukomolova’s poems apart is her appreciation of dyke beauty, an erotic beauty that is as gorgeous and gruesome as a whole hand unfurling inside a body like a tulip."
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Dyke Beauty: Gala Mukomolova’s Without Protection by Natalie Adler
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A poetry collection on the violence of knowledge, sexual awakening, and encounters through Baba Yaga’s forest.
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Coffee House Press
A poetry collection on the violence of knowledge, sexual awakening, and encounters through Baba Yaga’s forest.
05/12/2019
Subscribe
Since 1981, BOMB has been the gold-standard for conversations between artists of all disciplines, and every issue includes these in-depth interviews as well as Editors' Choice, our selection of short criticism, and our literary supplement First Proof, highlighting the most innovative in short fiction and poetry.
Subscribe today for the perfect Mother's Day gift!
Subscribe or renew your subscription to BOMB today for nearly 50% off the cover price! Since 1981, BOMB has been the gold-standard for conversations between artists of all disciplines, and every issue includes these in-depth interviews as well as Editors' Choice, our selection of short criticism, an...
05/11/2019
Charline Von Heyl by Shirley Kaneda - BOMB Magazine
"I have never started with an idea. I’m certainly not interested in depicting anything, but neither am I interested in abstraction for its own sake." – Charline Von Heyl (BOMB fall 2010 issue #113)
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https://bombmagazine.org/articles/charline-von-heyl/
I first came across Charline von Heyl’s paintings in the mid-’90s. She had moved to New York from Germany in 1994, having had her first New York solo show at Friedrich Petzel Gallery.
05/10/2019
Laker Gold by Kwame Opoku-Duku - BOMB Magazine
Laker Gold by Kwame Opoku-Duku
Glass Poetry Press Kwame Opoku-Duku
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"I.
Laker gold is how Pops describes it. To Little Man, though, that motherf**ker is yellow. Canary yellow and dirty. Little Man knows it’s a Westview Public Works truck, even though the WPW tag was zig-zagged over with black spray paint."
Laker gold is how Pops describes it. To Little Man, though, that motherf**ker is yellow. Canary yellow and dirty. Little Man knows it’s a Westview Public Works truck, even though the WPW tag was zig-zagged over with black spray paint.
05/10/2019
Oral History Project: Linda Goode Bryant by Rujeko Hockley - BOMB Magazine
Last week at Frieze, five collaborators, Dr. Zoé Whitley, Lorna Simpson, Lowery Stokes Sims, Tom Finkelpearl, Dawoud Bey, celebrated the Just Above Midtown's legendary founder, Linda Goode Bryant.
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"It wasn’t just the usual suspect of the 1980s either. And it was never just one niche of artistic practice she was showing. You could walk into all kinds of scenes there, early career artists, mid-career artists…" — Lorna Simpson
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Bryant recently became part of BOMB's Oral History Project, which, since 2014, has staged one-on-one interviews with New York City-based visual artists of African descent, conducted by curators, scholars, and cultural producers.
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https://bombmagazine.org/articles/linda-goode-bryant/
“I was motivated to pursue a way to change the conditions that were causing Black artists I interfaced with every day to say, ‘They won’t let us, they won’t let us, they won’t let us.' I got tired of hearing that, and I said, ‘F**k them! Let’s start a gallery!’ So that’s how JAM go...
05/10/2019
Lauren Bon and Oscar Tuazon by - BOMB Magazine
Oscar Tuazon: Collaborator
Bellevue Arts Museum
Bellevue, Washington
May 10 – September 15, 2019
Tuazon is featured in our spring 2019 issue #147:
The social practice works of Bon and Tuazon take the form of functional interventions to address and educate about California’s water crisis.
05/09/2019
Rehearsing Violence: Nomi Stone Interviewed by Jasmine Dreame Wagner - BOMB Magazine
"When war as a condition is cellular within a nation, embedded within its culture and economy and forms of amusement, I don’t think we can easily escape its metaphors."
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Rehearsing Violence: Nomi Stone Interviewed by Jasmine Dreame Wagner Tupelo Press Nomi Stone Jasmine Dreame Wagner
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The poet on her new collection of documentary poetry, military simulation zones, and how Americans are regularly ensconced in the diorama of war.
The poet on her new collection of documentary poetry, military simulation zones, and how Americans are regularly ensconced in the diorama of war.
05/09/2019
Hello from the #bombarchives! Today, we’re revisiting our winter 1988 Issue #22, featuring contributions from #RobertMapplethorpe, #GaryIndiana, #NancyLemann, #RoseEnglish, #BriceMarden, #SaulOstrow, #MikeKelley, and #EdRuscha.
Subscribe today: https://shop.bombmagazine.org/collections/subscribe
05/09/2019
Joan Jonas by Karin Schneider - BOMB Magazine
"I see myself as a bit primitive in the way that I approach things, not as a classical artist." – Joan Jonas (BOMB 2010 summer issue #112)
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https://bombmagazine.org/articles/joan-jonas/
Jonas’s language gives us a fertile semiological value to reflect upon. It has an organic open-work structure of experimentation that necessitates play along with a system of signs. Its mythology offers a visual image of a new Gestalt.
05/08/2019
Jennifer Egan by Heidi Julavits - BOMB Magazine
"The biggest thing that guides me is a basic attempt to move away from anything that feels familiar." – Jennifer Egan (BOMB 2010 summer issue #112)
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https://bombmagazine.org/articles/jennifer-egan/
This interview is featured, along with thirty-four others, in our anthology BOMB: The Author Interviews.
05/08/2019
Studio Visit: Nicholas Cueva by Jeffrey Grunthaner - BOMB Magazine
"The bulk of Cueva’s work deals with image-making in the primordial sense: icons, talismans, idols. His paintings usually have something like a manifest and a latent content."
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Studio Visit: Nicholas Cueva by Jeffrey Grunthaner
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Making and unmaking idols.
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Freight + Volume Gallery
Making and unmaking idols.
05/07/2019
"The appreciation of what is beautiful feeds the hunger in us, and you can find it in places like Alexandra Fjord but also in music and painting and dance and sculpture. It’s that combination for me of reading Robinson Jeffers and radio-collaring wolves—those two activities are intertwined in my mind."
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In "Horizon" (Alfred A. Knopf), the globetrotting writer, Barry Lopez, charts encounters with diverse cultures, climes, and the animal kingdom, suggesting how we might proceed more gently in the world.
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Read his interview w/ Taylor Larsen in BOMB spring issue #147.
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https://shop.bombmagazine.org/collections/frontpage/products/bomb-147-fall-2020
05/07/2019
This Broken, Jarring Thing: Enda Walsh Interviewed by Tadhg Hoey - BOMB Magazine
"We understand what grief is, that it’s this shock, this sort of trauma. Then, therapy happens, time happens, longing happens, and, eventually, the character gets through the storm."
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This Broken, Jarring Thing: Enda Walsh Interviewed by Tadhg Hoey
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The Irish playwright on grief, adaptation, and the possibilities of form.
The Irish playwright on grief, adaptation, and the possibilities of form.
05/06/2019
Innovation and Tradition: Jeffrey Gibson Interviewed by Emily Zimmerman - BOMB Magazine
"I started looking at the language of different sorts of movements—everything from punk rock, to Mod culture, to queer culture, to the feminist movement—and tried to pay attention to whether this change has happened."
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Innovation and Tradition: Jeffrey Gibson Interviewed by Emily Zimmerman
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Working between mediums.
Working between mediums.
05/04/2019
Everywhere at Once: José Maceda’s Musical Territory by Aki Onda - BOMB Magazine
From our current issue #147: Everywhere at Once: José Maceda’s Musical Territory by Aki Onda
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“A fundamental source of musical thought in Asia may be found in nature itself—in its abundance and in its density. And man’s role in that tropical wealth is to accommodate nature.”
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On the legacy of José Montserrat Maceda, the renowned Filipino composer and ethnomusicologist.
The secrets are boxed within. That’s what I thought two years ago in Quezon City, where I was doing research at the University of the Philippines Center for Ethnomusicology.
05/03/2019
BOMB 147 / Spring 2019
Last weekend to see “Redaction: A Project by Titus Kaphar and Reginald Dwayne Betts” is on display at MoMA/P.S.1
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Kaphar's work graces the cover of BOMB's spring issue #147.
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https://artforjusticefund.org/redaction-on-exhibit-at-moma-ps1-until-may-5/
INTERVIEWS ART - YOUNG JOON KWAK by Charles Long FILM - KAZUO HARA by Ken Jacobs ART - BILL JENKINS by Joe Fyfe DANCE - LIGIA LEWIS by Catherine Damman MUSIC - WILLIAM BASINSKI by Lea Bertucci THEORY + PRACTICE - TITUS KAPHAR by Jason Stanley LITERATURE - JOSÉ ROBERTO CEA by Daniel Flores y Ascenci...
05/03/2019
BOMB's Biennial Fiction Contest by - BOMB Magazine
Final weekend to submit (MAY 5 DEADLINE) to BOMB's Biennial Fiction Contest! This year’s winner will receive a $1,000 prize and publication in BOMB’s literary supplement, First Proof.
BOMB Magazine has been publishing conversations between artists of all disciplines since 1981. BOMB's founders—New York City based artists and writers—created BOMB because they saw a disparity between the way artists talked about their work among themselves and the way critics described it.
05/02/2019
BOMB's Biennial Fiction Contest by - BOMB Magazine
BOMB’s Biennial Fiction Contest - LAST CALL! Submit by May 5. Manuscripts must be fewer than 5,000 words and consist of a single story. All entries will be considered anonymously.
BOMB Magazine has been publishing conversations between artists of all disciplines since 1981. BOMB's founders—New York City based artists and writers—created BOMB because they saw a disparity between the way artists talked about their work among themselves and the way critics described it.
05/02/2019
Reappear, Remind, Reverberate: Chelsea Biondolillo Interviewed by Erica Trabold - BOMB Magazine
Reappear, Remind, Reverberate: Chelsea Biondolillo Interviewed by Erica Trabold
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The essayist on writing about birds to bridge thematic leaps from fathers to tattoos to cross-continental moves.
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"I am not particularly amenable to rules of any kind. I like that the essay has truthiness as its only real constraint. I say truthiness instead of truth not to be funny or coy, but because the fallibility of memory, the bias of perspective, and one’s positionality all mean that the truth I write can only be an approximation."
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Erica Trabold
The essayist on writing about birds to bridge thematic leaps from fathers to tattoos to cross-continental moves.
05/01/2019
Everywhere at Once: José Maceda’s Musical Territory by Aki Onda - BOMB Magazine
From our current issue #147: Everywhere at Once: José Maceda’s Musical Territory by Aki Onda
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“A fundamental source of musical thought in Asia may be found in nature itself—in its abundance and in its density. And man’s role in that tropical wealth is to accommodate nature.”
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On the legacy of José Montserrat Maceda, the renowned Filipino composer and ethnomusicologist.
The secrets are boxed within. That’s what I thought two years ago in Quezon City, where I was doing research at the University of the Philippines Center for Ethnomusicology.
05/01/2019
BOMB's 38th Anniversary Gala & Auction
NEW YORK, NY - APRIL 30: Atmosphere at BOMB's 38th Anniversary Gala & Auction at Capitale on April 30, 2019 in New York. (Photo by Sean Zanni/PMC) *** Local Caption *** Atmosphere
05/01/2019
BOMB's 38th Anniversary Gala & Auction Photos by - BOMB Magazine
BOMB’s 38th Anniversary was held at Capitale on April 30, 2019 honoring Sam Gilliam, Adam Pendleton, and Donna De Salvo. Toasters Jay Sanders, Adrienne Edwards and Jonathan Binstock delivered moving tributes to the honorees. BOMB ended the evening by saluting Agnes Gund, Catherine Gund, and Helena Huang of the Art for Justice Fund. Enjoy the full album from the gala and auction below.
BOMB's 38th Anniversary was held at Capitale on April 30, 2019 honoring Sam Gilliam, Adam Pendleton, and Donna De Salvo. Toasters Jay Sanders, Adrienne Edwards and Jonathan Binstock delivered moving tributes to the honorees. BOMB ended the evening by saluting Agnes Gund, Catherine Gund, and Helena H...
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Videos
Studio Visit: Theo Camacho - "Theo Camacho wears a smock that is especially colorful where the palette touches his arm." - https://bombmagazine.org/articles/studio-visit-theo-camacho/
"They begin with some small talk. A motion to sit; a shift of the chair; one for the camera; a flip to open the viewfinder; a twist to focus the lens; a gaze down and up and down; a slight adjustment. Then the women sit together and converse for a spell. " - Studio Visit: Maria Baranova by Alexandra Nicolaides Intimate portraits of performers. - https://bombmagazine.org/articles/studio-visit-maria-baranova/
The Madeleine Machine by Megan Hunter https://bombmagazine.org/articles/the-madeleine-machine/
Excerpted trailer for The Image Book, 2018
"Ah, the old 'What means this?' 'What means that?' For everything we create together, we never speak about it." - Fabrice Aragno - Twenty-First-Century Poem: Fabrice Aragno Interviewed by Steve MacfarIane - Jean-Luc Godard’s editor sits down to discuss their latest collaboration, The Image Book. - Official trailer for The Image Book (2018) | Casa Azul Films | Ecran Noir Productions
Excerpt from "(little murder at dawn)" by BOMB's 2018 Poetry Contest winner, Savannah Cooper-Ramsey. Read more in our new fall issue #145. Link to shop: https://shop.bombmagazine.org/collections/issues/products/bomb-145-fall-2018
Our fall issue is here! Find us at the Brooklyn Book Festival booth #436 to grab your issue and a BOMB tote. From Audra Wolowiec's activation through caretaking of Ann Hamilton's Guggenheim show to the collaboratively written fiction of Shelly Oria and Nelly Reifler, BOMB #145 seeks to reconfigure our ideas of authorship, participation, and other willful acts of co-presentation. This upcoming issue also has additional features and new literature from J.P. Sniadecki, Las Nietas de Nonó, Sherwin Bitsui, Diana Hamilton, our 2018 poetry contest winner, Savannah Cooper-Ramsey, and many others. #bkbf
BOMB MAGAZINE SUMMER 2018 ISSUE #144
The Small Press Flea is this Saturday the 18th. We will have the summer 2018 issue #144, which includes interviews with Chris Martin, Cy Gavin, and Ottessa Moshfegh along with a great summer deal.
#maggienelson https://bombmagazine.org/articles/maggie-nelson-poems/
BOMBAY SAPPHIRE ARTISAN SERIES
Submissions for the BOMBAY SAPPHIRE ARTISAN SERIES are open May 9 - July 11. Art is everywhere waiting to be discovered. What will you create? Apply: https://www.bombaysapphire.com/us/en/artisan-series/
National Disintegrations
For his latest film, director Braden King ponders the Geneva Freeport, a nondescript warehouse complex in Switzerland that is said to house over one million works of art.
Dispatch from Standing Rock #4
While the news has been heralded as a victory for the thousands gathered at the Oceti Sakowin Camp, many water protectors have underscored the fact that their fight is far from over. Eric, a veteran who has been at Standing Rock Indian Reservation since early November, provides commentary, vowing to stay until all pipeline equipment has been removed. Spiritual leader Coyote, meanwhile, remarks on the importance of indigenous prayer practices and respect for natural resources so often regarded as mere commodities. Source: http://bombmagazine.org/article/5975129/dispatch-from-standing-rock-4
Dispatch from Standing Rock #3
This third installment features images and interviews made on December 3, before the Army's announcement the next afternoon. Artist Cannupa Hanska Luger, an enrolled member of the Mandan, Hidatsa, and Arikara tribes who was born in the Standing Rock area but now lives in New Mexico, speaks about the mirror shields he designed and distributed to water protectors on the front lines. With the organizing help of Rory Wakemup of All My Relations Arts in Minneapolis, 500 mirror shields were distributed throughout the camp, culminating in a performance, portions of which are presented here. Source: http://bombmagazine.org/article/8307126/dispatch-from-standing-rock-3
Dispatch from Standing Rock #2
Brooklyn-based artist Ati Maier is currently in North Dakota, where she has joined the Standing Rock Sioux in their demonstrations against the Dakota Access Pipeline. In these short dispatches, she’ll be sharing her own candid photos and video clips, along with statements from tribal leaders, artists, and other water protectors among the thousands that have gathered at the Oceti Sakowin encampment. This second installment features images of the nearby native communities of Wakpala, McLaughlin, and Fort Yates—their snowy roads, memorials, gravestones, homes, and offices. These areas have some of the highest rates of teenage pregnancy, drug abuse, and suicide in the country, and the average yearly income of its residents is well below the national poverty line. Geraldine Agard, former tribal councilperson and current Standing Rock election coordinator, comments on how the demonstrations have effected life on the reservation for the better and also recounts what she regards as a prophetic warning from generations past. Source: http://bombmagazine.org/article/6707122/dispatch-from-standing-rock-2
Dispatch from Standing Rock #1
Brooklyn-based artist Ati Maier is currently in North Dakota, where she has joined the Standing Rock Sioux in their demonstrations against the Dakota Access Pipeline. In these short dispatches, she’ll be sharing her own candid photos and video clips, along with statements from tribal leaders, artists, and other water protectors among the thousands that have gathered at the Oceti Sakowin encampment. This first video features images of the terrain, flags, and signage at the entrance to the main camp, then shows a small group of US military veterans advancing toward a cement and razor-wire blockade at a bridge spanning the Cannon Ball River. Veterans Manaja Hill and Andrew Struss provide commentary. With colder weather now arriving, some 2000 veterans plan to join the effort on December 4, defending demonstrators against intimidation and assault. Source: http://bombmagazine.org/article/13241129/dispatch-from-standing-rock-1
Pipilotti Rist's "Komm bald wieder (Come Again Soon)"
Let's revisit that time Sharon Van Etten played a brand new song in her apartment for us. Video by Clinton Krute. Sound by Luke Degnan. From: http://bombmagazine.org/article/4618/
Why Marina Abramovic loves BOMB
See why Marina Abramovic loves BOMB Magazine, and consider making a donation that helps us pay contributing artists and writers! It is #GivingTuesday after all. Visit bombsite.com/give.
BOMB Summer Launch Party & Reading at powerHouse Arena
A short video shot during BOMB's Summer Launch Party & Reading at powerHouse Arena in DUMBO, Brooklyn, on July 27, 2011. Shot and edited by Lauren Bakst.
Bomb Magazine Turns Thirty
Take a tour through a quick history of BOMB covers from the last 30 years, with a soundtrack featuring highlights from BOMB's conversation series, BOMBLive! Now more than ever see how influential BOMB has been in delivering the artist's voice. Outspoken. Intimate. Legendary... Since 1981.
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