11/29/2025
Watching a Japanese film as a teenager changed Arthell Isom's life. Today, he and his brother Darnell run Japan’s first majority black-owned animation studio...
As boys, twins Arthell and Darnell, from New Jersey, US, watched the 1995 Japanese classic Ghost in the Shell. It set the course of their future lives.
The brothers loved the film so much, that at the age of 17 they made a pact:
"We wanted to make a company, a film and animation studio," says Arthell. "And we decided the only way we can do this is we both kind of kind of split up and learn different crafts."
The brothers decided Darnell would learn special effects - and Arthell would learn animation. So that's what they did.
Arthell went to the Academy of Art in San Francisco, but he found the traditional, western-style of art taught there restrictive - so he made a new plan. He'd leave the US and go to Japan's biggest animation school, the Yoyogi Animation Academy.
Without hesitation, Darnell drove him to the airport.
"Then I got to Japan. And I realised that, yeah, I don't have a place to live. I can't speak Japanese. I don't have a visa," says Arthell.
So Arthell returned to the US and spent a year learning Japanese. He returned to the Yoyogi Academy - and the teachers were so impressed, they took him on.
On his first day in school, he wrote down that he wanted to work under Hiromasu Ogura, the art director of the original Japanese version of Ghost in the Shell - the movie the brothers had seen aged 17.
"I remember my teacher coming to me was like, oh, no, no, you probably can't get that job... And then I was like, oh, no, no, this is, this is where I want to work. I only want to work here."
Eventually, he got an an interview with Hiromasu Ogura himself. He had ten minutes to impress his hero - but this didn't phase Arthell.
"There's this expression in America - they always say never meet your heroes. And I don't know who came up with that because I totally disagree."
The thing was, Arthell knew everything about Ogura-San. All of his art, his paintings, his movies. The master was so impressed he gave him the job.
Arthell worked on some iconic projects at the studio, finally leaving to set up D’Art Shtajio with his brother, Japan’s first majority black-owned animation studio. The childhood pact had come true.
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