RasBobre Recordings

RasBobre Recordings Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from RasBobre Recordings, Carnelian Bay, CA.

Enjoy! Scott Pemberton O Theory SPOTw/ Steve Berlin (Los Lobos)Concerts at CommonsCommons BeachTahoe City, CA01-SEPT-202...
06/27/2025

Enjoy!
Scott Pemberton O Theory
SPOT
w/ Steve Berlin (Los Lobos)
Concerts at Commons
Commons Beach
Tahoe City, CA
01-SEPT-2024

Recorded By: RasBobre
https://www.facebook.com/rasbobrerecordings/
https://archive.org/details/

FOH: Charles Mallett / Mallett Sound
Stage: Ryan "Krony" Kronenberg

Photo By: Clare Foster
https://www.laketahoestrong.com/

A Big Tree Production show.

For upcoming shows at Concerts at Commons Beach, Tahoe City, please visit their website at; http://www.concertsatcommonsbeach.com/

Behringer X32 Rack > AKG C414 XL II-B (Omni, 10 cm, X/Y, On Stage, DFC, 18”) > Zoom Handy H8 > Audacity

Set List;

01 - One Time
02 - Ball of Fire
03 - Flip Phone
04 - Wind Jammer
05 - Always True
06 - Kindness
07 - Love Song
08 - Ink on the Page
09 - Peace n Love
10 - Little Wing
11 - Bubble
12 - Awfully Nice
13 - Space
14 - Sweet Back > Love Buzz
15 - Let's Play House
16 - World Peace
17 - Thank You
18 - Not True > Psychedelic Venture
19 - Dear Prudence
20 - Vi****or
21 - Special
22 - Elbow Grease

* Amp issues on Scott's guitar trs 01-08.

Scott Pemberton O Theory Is;

Scott Pemberton - Guitar/Vocals
Tom Morrison - Keyboards
Casey Anderson - Drums

w/ Steve Berlin - Saxophone/Midi Digital Horn

About Scott Pemberton O Theory;

Keeping Music Alive!

Scott Pemberton is strongly influenced by the community, culture and sounds of their hometown. Even as a youngster, they were drawn to music and musicians. They truly understand the power of sound and try to perform music that speaks to fans across the musical spectrum.�
Their signature style is instantly recognizable and is becoming a sound that others are beginning to emulate. With their name becoming increasingly heard on a national stage, their career is at an important crossroads that could see them burst onto the international charts.

Please support musicians that are open to having their live shows recorded and shared by attending their performances and purchasing officially released recordings and other merchandise.

https://www.scottpemberton.com/
https://www.facebook.com/scottpembertonmusic/
https://www.songkick.com/artists/5175593-scott-pemberton

https://archive.org/details/spb2024-09-01

Scott Pemberton O Theory SPOTw/ Steve Berlin (Los Lobos)Concerts at CommonsCommons BeachTahoe City, CA01-SEPT-2024Recorded By:...

Enjoy!Cristina VaneThe Crown RoomCrystal Bay ClubCrystal Bay, NV08-MARCH-2025(Support for The Record Company)Recorded By...
05/21/2025

Enjoy!
Cristina Vane
The Crown Room
Crystal Bay Club
Crystal Bay, NV
08-MARCH-2025
(Support for The Record Company)

Recorded By: RasBobre
https://www.facebook.com/rasbobrerecordings/
https://archive.org/details/

Mic Location: (1) Rafter Mounted 12 Feet Off Stage/12 Feet High.
(2) On Stage, Directly Under Mains/18"
Source: Avid Venue S6L > Telefunken TF11 (Rafter) > AKG C414 XLIIS > Zoom Handy H8 > Audacity

FOH: Joel Eckels
Monitors: Jerry Laurita

Set List;

01 - As The Crow Flies #
02 - Make Myself Me Again
03 - Sometimes Baby
04 - Preachin’ Blues ^
05 - Little Girl From Nowhere
06 - Pennsylvania Bound
07 - Getting High In Hotel Rooms
08 - Coming In Hot
09 - Small Town Nashville Blues

# - Billy Joe White
^ - Son House

About Cristina Vane;

More than a mere practitioner of her craft, Cristina Vane has a breadth and depth of serious musical skill compiled from countless miles across all kinds of geography. On her third studio album ‘Hear My Call,’ the pairing of a lifetime pursuit and growing treasure trove of songs makes for a record that demands to be heard.

Her sound reflects and amalgam of experiences; born at the foothills of the alps in Italy and raised between Italy, England and France, Cristina’s half American – half Guatemalan heritage is as unique as her sound. She is a product of a merging of numerous worlds- her classic rock, 90s indie, and heavier roots with her passion for prewar blues, old time fiddle banjo music, country and bluegrass. Rolling Stone described her early single Badlands as “evocative of a young Bonnie Raitt and early PJ Harvey […] entrancing stuff”.

A deft multi-instrumentalist and captivating vocalist, she began writing songs and playing guitar in her teens, before the power of slide guitar captured her attention one summer in London and changed the course of her sound. After graduating from Princeton University, Vane moved to Los Angeles with a dream to pursue her constant passion, music. There, inspired by Rory Block, Skip James, and Blind Willie Johnson, she began teaching herself slide in open tunings and found herself working at folk staple McCabe’s guitar shop where the universe conspired in her favor by putting under the tutelage of her fingerstyle guitar mentor, Pete Steinberg. It was also at McCabe’s that Vane began her journey on the clawhammer banjo, and continued to busk on the Venice Boardwalk, putting in countless hours of practice to become closer to the powerhouse performer she is today.

After four years in Los Angeles, Vane felt the itch to move. True to her industrious and fearless nature, she used her small social media following at the time to crowd sourced her first tour, which she called “Show Me Your Hometown Tour” and describes as one of the most transformative experiences of her life. Six months of living out of her tent, car, and strangers couches, she dove into life on the road with a gusto that culminated in her moving to Nashville and recording her first studio album- “Nowhere Sounds Lovely”, recorded by Grammy award winning producer and drummer Cactus Moser (Wynonna Judd, Noelline Hoffman). Her second full length album came a year later, recorded at The Studio by Brook Sutton and coproduced with Jano Rix (Wood Brothers).

This third album is different, though. In some ways, it retains the musical diversity of the first two- Vane refuses to bend herself into a box, writing excellent bluegrass songs that exist cohesively alongside her blues, rock, and hill country blues inspired tunes. But she feels differently now- a decade of finding herself has brought her full circle; in her words, “ “When it came to the album, I wanted it to be a reflection of who I am, not just of the old music that I’ve come to love”, she explains, “and I’m essentially a rock kid who is obsessed with old music. After being exposed to all of this music that was foreign to me, I am slowly figuring out how to find my own voice within it. It is the sound of growing up.”

Recorded with Brook Sutton at The Studio, she had her touring band come in to reflect the reality of what she spends her year doing as a nationally touring artist, and features exciting co-writes with Mike Harris (Old Crow Medicine Show) and Silas Lowe, as well as guest features from Molly Tuttle, JD Simo, Kenny Vaughan, Bronwyn Keith Hines and Brenna MacMillan.

Cristina has an extensive touring history and has provided direct support for: Molly Tuttle, Bob Weir, Jerry Douglas, Wynonna Judd, Sam Bush, Nikki Lane, Town Mountain, Duane Betts Rev. Peyton’s Big Damn Band, Arlo McKinley, and Willi Carlisle. She has been mentioned in Rolling Stone Country and NPR, and was featured in the Bank of America ad for Ken Burns’ “Country Music” documentary. She was an invited guest for Billy Strings’ String the Halls 3, has appeared on Travis Book’s (Infamous Stringdusters) Happy Hour and at Portland Blues Festival, Under the Big Sky Four Corners Folk Festival, and Roosterwalk.

Please support musicians that are open to having their live shows recorded and shared by attending their performances and purchasing officially released recordings and other merchandise.

https://www.cristinavane.com/
https://www.instagram.com/cristinavanemusic
https://cristinavane.bandcamp.com/album/hear-my-ca

https://archive.org/details/cristina-vane-the-crown-room-crystal-bay-club-crystal-bay-nv-08-march-2025

Cristina VaneThe Crown RoomCrystal Bay ClubCrystal Bay, NV08-MARCH-2025(Support for The Record Company)Recorded By:...

Enjoy!Boot JuiceThe Crown RoomCrystal Bay ClubCrystal Bay, NV 25-APRIL-2025(Support for Dead Winter Carpenters)Recorded ...
05/20/2025

Enjoy!

Boot Juice
The Crown Room
Crystal Bay Club
Crystal Bay, NV
25-APRIL-2025
(Support for Dead Winter Carpenters)

Recorded By: RasBobre
https://www.facebook.com/rasbobrerecordings/
https://archive.org/details/

Mic Location: (1) Rafter Mounted 12 Feet Off Stage/12 Feet High.
(2) On Stage, Directly Under Mains/18"
Source: Avid Venue S6L > Telefunken TF11 (Rafter) > AKG C414 XLIIS > Zoom Handy H8 > Audacity

FOH: Charles Mallett / Mallett Sound
Venue Chief Engineer: Sean "Chango" O'Brien
Monitors: Jerry Laurita

Set List;

01 - Waiting On Sunshine
02 - Anywhere With You
03 - Mountain Bound
04 - Rise and Shine
05 - Choppin' Wood
06 - Struggles
07 - Boise
08 - Bright Side Of The Night
09 - Rosanna
10 - Keepin' Out Of The Ground
11 - Hard Time For Hard Times
12 - Don't Worry 'bout Me

11 - w/Matt Mitchell (keys)
12 - W/Jenni Charles (fiddle)

About Boot Juice;

The evolution of Boot Juice has been a magnificent phenomenon to behold over the past few years. This seven-piece band from Davis has done things the old-fashioned way – earning everything they have with blood, sweat and tears shed on stages throughout the region. It’s been more sweat than anything else based on the practically inhuman volume of energy output they generate throughout the course of their relentless performances.

Boot Juice defies the typical assumption that a big band with horns is sticking to the well-worn path of funk and jazz. They certainly infuse those genres into the mix. More than anything though, this is an unabashed cosmic rock band intent on taking audiences into an alternate dimension of pure freedom and dance euphoria where the outside world ceases to exist. Their three-part vocal harmonies carry major impact with intoxicating doses of soul, blues and sultry appeal. The passionate musicianship and group synergy resonates in their pure sense of joy. Drawing favorable comparisons to the sound of The California Honey Drops and the spirit of the Talking Heads, you’ll have no doubt that the refreshing originality of Boot Juice always has a firm grip on the wheel.

The band has been kicking around the west since 2017, leaving audiences happy, and dance floors sticky. They have kept an ambitious tour schedule, constantly adding to their ever-growing resume of festival and club performances. Noteable festival appearances include Main Stage sets at; High Sierra, Salmonfest, Golden Road Gathering, Sawtooth Valley Gathering, Hangtown Music Fest, Sugar Pine, Redwood Mountain Faire, as well as performing sets at WinterWonderGrass, Whale Rock, California Worldfest, Live Oak, Treefort Fest and many others.

Boot Juice plays music that will attempt to bring you to the street corner, the river side, or the open highway. They released their debut LP album, Speaking in Tones, in May 2019. Followed in March 2021 with their second record, Shifting gears and in October 2023, their third studio album, The Right Place. The group is currently recording its fourth studio LP, which is on track to be released in 2025.

Boot Juice is;

Connor Herdt - VOCALS/ACOUSTIC GUITAR
Jess Stoll - VOCALS/MANDOLIN/ART
Brett Worley - BASS WIZARD
Evan Daly -VOCALS/ELECTRIC GUITAR
Cody Nabb - DRUMS
Caleb Sanders - ALTO/TENOR SAXOPHONE
Rosie Mendoza - TRUMPET

Please support musicians that are open to having their live shows recorded and shared by attending their performances and purchasing officially released recordings and other merchandise.

https://www.bootjuicejams.com/
https://www.instagram.com/bootjuicejams
https://www.facebook.com/bootjuicejams/

https://archive.org/details/boot-juice-the-crown-room-crystal-bay-club-crystal-bay-nv-25-april-2025

Boot JuiceThe Crown RoomCrystal Bay ClubCrystal Bay, NV 25-APRIL-2025(Support for Dead Winter Carpenters)Recorded By:...

Enjoy!Los Lobos"The Brotherhood Tour w/ Los Lonely Boys"Gold Country Casino ResortOroville, CA09-MAY-2025Recorded By: Ra...
05/14/2025

Enjoy!

Los Lobos
"The Brotherhood Tour w/ Los Lonely Boys"
Gold Country Casino Resort
Oroville, CA
09-MAY-2025

Recorded By: RasBobre
https://www.facebook.com/rasbobrerecordings
https://archive.org/details/

Mic Location: @ SBD
Source: AKG C414 XLIIS > Zoom Handy H8 > Audacity

FOH: Edgar Cobain
Monitors: Armando Tavares

Set List;

01 - Love Special Delivery @
02 - Evangeline
03 - Shakin’ Shakin’ Shakes
04 - Come On, Let’s Go
05 - Chuco’s Cumbia
06 - Sabor a Mi #
07 - Papa Was a Rolling Stone > I Can’t Understand
08 - Oye Como Va ^
09 - I’m Tore Down +
10 - Soy Mexico Americano <
11 - Volver, Volver ~
12 - Don’t Worry Baby
13 - La Bamba * > Good Lovin’ % > La Bamba

@ - Thee Midniters
# - Alvaro Carillo
$ - The Temptations
^ - Tito Puente
+ - Freddie King
< - Rumel Fuentes
~ - Vincente Fernandez
* - Ritchie Valens
% - The Rascals

w/ Los Lonely Boys; Jojo Garza (Conga's, Bass), Ringo Garza (Drums), Henry Garza (Guitar)

About Los Lobos;

The journey of Los Lobos began in 1973, 52 years ago, when David Hidalgo (vocals, guitar, and pretty much anything with strings), Louie Perez (drums, vocals, guitar), Cesar Rosas (vocals, guitar), and Conrad Lozano (bass, vocals, guitarrón) earned their stripes playing revved-up versions of Mexican folk music in restaurants and at parties. The band evolved in the 1980s as it tapped into L.A.’s burgeoning punk and college rock scenes. They were soon sharing bills with bands like the Circle Jerks, Public Image Ltd. and the Blasters, whose saxophonist, Steve Berlin, would eventually leave the group to join Los Lobos in 1984.

Early on, Los Lobos enjoyed critical success, winning the Grammy® for Best Mexican-American Performance for “Anselma” from its 1983 EP …And a Time to Dance. A year later, the group released its full-length, major-label debut, How Will the Wolf Survive? Co-produced by Berlin and T Bone Burnett, the album was a college rock sensation that helped Los Lobos tie with Bruce Springsteen as Rolling Stone’s Artist of the Year.

A major turning point came in 1987 with the release of the Ritchie Valens biopic, La Bamba. The quintet’s cover of Valens’ signature song topped the charts in the U.S. and the U.K. Rather than capitalize on that massive commercial success, Los Lobos instead chose to record La Pi***la y El Corazón, a tribute to Tejano and Mariachi music that won the 1989 Grammy® for Best Mexican-American Performance.

That kind of sharp artistic turn has become Los Lobos’ trademark, serving to both fuel the band’s creativity and keep its fans engaged. In 1992, that willingness to defy expectations led them to record Kiko, an adventurous album produced by Mitchell Froom that’s considered by many to be one the band’s very best.

Since then, Los Lobos has continued to deliver daring and diverse albums such as Colossal Head (1996), Good Morning Aztlán (2002), The Town and the City (2006), Tin Can Trust (2010) and Gates of Gold (2015). On top of that, the band’s live shows never disappoint, as documented on the recent concert recordings Live at the Fillmore (2005) and Disconnected in New York City (2013). Through the years, they’ve managed to keep things interesting with unexpected side trips like an album of Disney songs in 2009, along with countless contributions to tribute albums and film soundtracks. One of those – “Mariachi Suite” from the 1995 film Desperado – earned the band a Grammy® for Best Pop Instrumental Performance. Los Lobos’ love letter to the city of Los Angeles as their album Native Sons (2021), returned the band to the Grammy winner’s circle with Best Americana Album of 2022. In 2023, Los Lobos celebrates its 50th anniversary as a band, a rare and impressive feat, as the band continues its great legacy.

Los Lobos has sold millions of records, won prestigious awards and made fans around the world. But perhaps its most lasting impact will be how well its music embodies the idea of America as a cultural melting pot. In it, styles like son jarocho, norteño, Tejano, folk, country, doo-wop, soul, R&B, rock ’n’ roll and punk all come together to create a new sound that’s greater than the sum of its parts.

Los Lobos still is;

Louie Perez - Drums, Guitars, Percussion, Vocals
Steve Berlin - Saxophone, Percussion, Flute
Cesar Rosas - Vocals, Guitar
Conrad Lozano - Bass, Guitarron, Vocals
David Hidalgo - Vocals, Guitar, Accordion, Percussion
Alfredo "Fredo" Ortiz - Drums/Percussion

Please support musicians that are open to having their live shows recorded and shared by attending their performances and purchasing officially released recordings and other merchandise.

http://www.loslobos.org/site/
https://www.facebook.com/loslobos/
http://www.loslobosmerchandise.com/

All downloaders are invited to visit and contribute to The Wolfpack - Los Lobos Nation on FaceBook; https://www.facebook.com/groups/892542290798151

If you are a taper and would like to record and share a Los Lobos show, please contact Dan Gale at [email protected] and he will work with the bands management to get you approved.

https://archive.org/details/LosLobos2025-05-09

Los LobosThe Brotherhood Tour w/ Los Lonely BoysGold Country Casino ResortOroville, CA09-MAY-2025Recorded By:...

Enjoy! Dead Winter CarpentersThe Crown RoomCrystal Bay ClubCrystal Bay, NV25-APRIL-202515th Anniversary ShowRecorded By:...
04/30/2025

Enjoy!
Dead Winter Carpenters
The Crown Room
Crystal Bay Club
Crystal Bay, NV
25-APRIL-2025
15th Anniversary Show

Recorded By: RasBobre
https://www.facebook.com/rasbobrerecordings/
https://archive.org/details/

Mic Location: (1) Rafter Mounted 12 Feet Off Stage/12 Feet High.
(2) On Stage, Directly Under Mains/18"
Source: Avid Venue S6L > Telefunken TF11 (Rafter) > AKG C414 XLIIS > Zoom Handy H8 > Audacity

FOH: Charles Mallett / Mallett Sound
Venue Chief Engineer: Sean "Chango" O'Brien
Monitors: Jerry Laurita

Set List;

01 - Intro (Led Zeppelin) > Long Arm Of The Law
02 - California Wildfire
03 - Sun Don't Shine
04 - One Foot In The Gutter
05 - Bootleg Jack
06 - If I Wrote You A Song
07 - Bobbie Time
08 - Moving
09 - Rollercoaster
10 - Crazy Larry
11 - Time Off The Bottle
12 - Find Your Home
13 - I Got Loaded
14 - Nobody's Fault
15 - Winning Hand
16 - Mary Jane & Chardonnay
17 - Vermont
18 - Sounds American To Me
19 - Tahoe Gal
20 - Long Way To Go
21 - Cabin Fever
E:
22 - Sinners n Freaks

tr 13 & 14 w/ Pete Charles - Harmonica
tr 19 w/ Caleb Sanders (Boot Juice) - Saxophone
tr 20 & 21 w/ Boot Juice members; Caleb Sanders - Saxophone, Connor Heredt - Acoustic Guitar, Jess Stoll - Vocals, Evan Daly - Guitar

About Dead Winter Carpenters;

Hailing from North Lake Tahoe, Calif., Americana band Dead Winter Carpenters has built a reputation for pouring their heart and soul into each performance. In just a few years, they have positioned themselves, wrote Portland Metronome, “at the forefront of a youthful generation trying to redefine what string music is and what it can do.”

That progressive nature comes through loud and clear – from instruments plugged and unplugged – in the band’s new release, Washoe (February 26, 2016). The band’s fourth studio project, the 12-song collection of originals was recorded in Reno’s Sierra Sonics Studio (Ozzy Ozbourne, Eminem, Dr. Dre, Collective Soul) and co-produced by Dead Winter Carpenters and Zachary Girdis.
The band’s previous albums include the group’s 2010 self-titled debut, Ain’t It Strange (2012), and the much-acclaimed Dirt Nap (2014), of which CMT Edge wrote, “With one listen to Dead Winter Carpenters’ ‘Easy Sleep,’ you’ll get a strong sense of where this California band is coming from.”

Reminiscent of genre-benders like Jack White, Chris Thile, and Sam Bush, Dead Winter Carpenters harmoniously blends refined musical ability with a scarcely restrained tendency to let it all hang out. The result is a controlled burn, a riveting sound, and a connection with fans that sells out shows and has the band sharing stages with the likes of Jason Isbell, Greensky Bluegrass, and Hard Working Americans.
Members include Jesse Dunn (acoustic and electric guitars, vocals), Jenni Charles (fiddle, vocals), Jeremy Plog (bass, vocals), Nick Swimley (lead telecaster guitar, slide guitar), and Brian Huston (drums, vocals), Matt Mitchell (keys, vocals).

A steadily touring band since forming in 2010, Dead Winter Carpenters has entertained growing crowds at notable festivals including Harvest Music Festival (Ark.), High Sierra Music Festival and Strawberry Music Festival (Cal.), Del Fest (Md.), Northwest String Summit (Ore.) and more.

Dead Winter Carpenters is a band with the ambition, talent, and authenticity. Look for them to continue to delight – and invite – fans from many music camps.

Dead Winter Carpenters is;

Jesse Dunn - rhythm guitarist/vocalist
Jenni Charles - fiddler/vocalist
Jeremy Plog - bassist/guitar/vocalist
Nick Swimley -lead guitarist/bass/slide guitar
Brian Huston -drummer/vocalist
Matt Mitchell - keyboards, guitar, vocal

Please support musicians that are open to having their live shows recorded and shared by attending their performances and purchasing officially released recordings and other merchandise.

http://deadwintercarpenters.com/
https://www.facebook.com/DeadWinterCarpenters
https://deadwintercarpenters.bandcamp.com/

https://archive.org/details/dwc2025-04-25

Dead Winter CarpentersThe Crown RoomCrystal Bay ClubCrystal Bay, NV25-APRIL-202515th Anniversary ShowRecorded By:...

Enjoy!Shakey GravesThe Crown RoomCrystal Bay ClubCrystal Bay, NV28-MARCH-2025Recorded By: RasBobrehttps://www.facebook.c...
04/25/2025

Enjoy!
Shakey Graves
The Crown Room
Crystal Bay Club
Crystal Bay, NV
28-MARCH-2025

Recorded By: RasBobre
https://www.facebook.com/rasbobrerecordings/
https://archive.org/details/

Mic Location: Rafter Mounted 12 Feet Off Stage/12 Feet High.

Source: Avid Venue S6L > Telefunken TF11 (Rafter) > Zoom Handy H8 > Audacity

About Shakey Graves;

Shakey Graves (born Alejandro Rose-Garcia; June 4, 1987) is an American musician and actor from Austin, Texas.

His music combines blues, folk, country, and rock and roll. Rose-Garcia received his stage name at Old Settler's Music Festival in 2007 after a stranger, apparently high on L*D, rambled "spooky wagons". Then he and his friends jokingly gave each other Native American guide names over a campfire. After an inspired night of playing music, he decided to keep the name.

Rose-Garcia married fellow musician Stephanie "Buffalo Hunt" Hunt in April 2023, and the couple had their first child, a girl, in 2024.

Please support musicians that are open to having their live shows recorded and shared by attending their performances and purchasing officially released recordings and other merchandise.

https://www.shakeygraves.com/
https://www.instagram.com/shakeygraves
https://www.facebook.com/shakeygravesmusic/

https://archive.org/details/shakey-graves-the-crown-room-crystal-bay-club-crystal-bay-nv-28-march-2025

Shakey GravesThe Crown RoomCrystal Bay ClubCrystal Bay, NV28-MARCH-2025Recorded By:...

Enjoy!Jamie DrakeThe Big RoomSierra Nevada Brewing CompanyChico, CA18-OCT-2024(Support for Mother Hips)Recorded By: RasB...
04/16/2025

Enjoy!
Jamie Drake
The Big Room
Sierra Nevada Brewing Company
Chico, CA
18-OCT-2024
(Support for Mother Hips)

Recorded By: RasBobre
https://www.facebook.com/rasbobrerecordings
https://archive.org/details/

Mic Locations: AKG 414 XLIIS; 75 Feet Off Stage @ SBD, Neumann KM184, Truss Mounted 15 Feet Off Stage
Source: Midas M32 > AKG C414 XLIIS > Neumann KM184 > Zoom Handy H8 > Audacity

FOH: Kyle Porter / Paradise Audio Services

Set List;

01 - Easy Target
02 - Letting Go Feels Like Dying
03 - Oh Well Oh Well
04 - On and On
05 - Redwood Tree
06 - New Girl
07 - Bound to Fall *
08 - The Farmers Mocket
09 - Pill

* - Jamie Drake & Greg Loiacono
07 - w/ Greg Loiacono

About Jamie Drake;

One of LA's best-kept musical songwriting secrets for over a decade -- collaborating with greats like Sondre Lerche, Jim James, Moby, Sarah and Sean Watkins (Nickel Creek), and Mikael Jorgensen (Wilco) -- Jamie Drake has all the while been carefully honing her own craft and preparing to take center stage.

In September 2019, Jamie Released her breakout album, Everything’s Fine, on AntiFragile Music, a record peppered with indie-folk-pop stylings wrapped in lush orchestrations.

Singles such as “Everything’s Fine,” “Wonder,” and “Redwood Tree” surpassed over 20M streams on Spotify and brought in critical acclaim from NPR Music, Talkhouse, Flood, BGS, and Atwood Magazine, plus a flurry of famous fans (like Ed Helms, Rob Thomas of Matchbox 20), and Sarah Watkins (I’m With Her / Nickel Creek) heaping public praise. The album was even featured on Wilco’s “Favorite Albums of 2019” List.

Tours and appearances supporting J.S Ondara, The Watkins Family Hour, Devotchka, Sondre Lerche, and Shawn Colvin, plus a sold out Los Angeles residency followed the release Drake maintained the cover of Spotify’s “Modern Eclectic” playlist for a year and a half during a time in history when playing live had ended for the foreseeable future. Winning her music the attention of fans across the globe.

June 2022, Drake released New Girl on AntiFragile Music. The record was influenced by the incomparable Getz / Gilberto “76” album Drake listenedto daily while living on an airstream property in upper Ojai, spring 2020. New Girl is Early 1970s Laurel Canyon folk meets Rio de Janeiro; a raw and emotionally brave follow up to Everything’s Fine, delivering 11 songs recorded in single vocal takes in an intimate house set in the Santa Monica mountains with Grammy-winning, Rich Jacques at the helm. New Girl toured nationally in support of John Splithoff and Kiltro, and marked her first national touring as headliner.

Drake's ability to morph and once again evolve musically continues with her most recent EP release, So Many Melodies, out 2/21/25 on Soundly Music with Nashville artist and songwriting collaborator, Justin Wade Tam (Humming House). The duo project shows her ability to write and perform in the Americana sphere (similar to her past Americana trio project, Dear Lemon Trees).

2025 is a refreshing and redefining year for Jamie Drake and her music. Her first single, “Thread And The Spark,” comes out 5/15/25 and will mark a new beginning -- focusing on her roots – spotlighting an edgier, mature side while maintaining her signature thread of hope. The song was written with and produced by Emmett Kai (Jordana) and unapologetically brings forward a surprisingly bigger sound that somehow feels both nostalgic and fresh.

Please support musicians that are open to having their live shows recorded and shared by attending their performances and purchasing officially released recordings and other merchandise.

https://www.jamiedrakemusic.com/
https://www.instagram.com/jamiethedrake
https://www.youtube.com/

https://archive.org/details/jamie-drake-the-big-room-sierra-nevada-brewing-company-chico-ca-18-oct-2024

Jamie DrakeThe Big RoomSierra Nevada Brewing CompanyChico, CA18-OCT-2024(Support for Mother Hips)Recorded By:...

Enjoy!Old 97'sThe Crown RoomCrystal Bay ClubCrystal Bay, NV06-APRIL-2025Recorded By: RasBobrehttps://www.facebook.com/ra...
04/10/2025

Enjoy!
Old 97's
The Crown Room
Crystal Bay Club
Crystal Bay, NV
06-APRIL-2025

Recorded By: RasBobre
https://www.facebook.com/rasbobrerecordings/
https://archive.org/details/

Mic Location: (1) Rafter Mounted 12 Feet Off Stage/12 Feet High.
(2) On Stage, Directly Under Mains/18"
Source: Avid Venue S6L > Telefunken TF11 (Rafter) > AKG C414 XLIIS > Zoom Handy H8 > Audacity

FOH: David Wilson
Monitors/Guitar Tech: Jason Garner
CBC Chief Engineer: Sean "Chango" O'Brien
Stage: Jerry Laurita

Set List;

01 - Jagged
02 - Nashville
03 - The Dropouts
04 - Streets Where I'm From
05 - Valentine
06 - Somebody
07 - Designs On You
08 - Jesus Loves You
09 - Big Brown Eyes
10 - Longer Than You've Been Alive
11 - White Port
12 - Question
13 - Indefinitely
14 - Rollerskate Skinny
15 - Where The Road Goes
16 - W. TX. Teardrops
17 - Barrier Reef
18 - Every Night Is Friday Night (Without You)
19 - Doreen
E:
20 - Bel Air
21 - Champagne, Illinois
22 - Timebomb

About Old 97's;

The thirteenth studio album from Old 97’s, American Primitive arose from what vocalist/guitarist Rhett Miller refers to as a “de-evolution” of the legendary Dallas-bred band. “As much as I want us to calm down and grow up, the songs that felt right for this record were mostly big and loud and brutal and dirty,” says Miller, whose bandmates include bassist Murry Hammond, guitarist Ken Bethea, and drummer Philip Peeples. Arriving just months before the 30th anniversary of Hitchhike to Rhome—a powerhouse debut that played a vital part in pioneering the alt-country genre—the result is a gloriously rowdy body of work, revealing a veteran band more attuned than ever to the raw and reckless energy of truly timeless rock-and-roll.

With its title lifted from a bit of fictional art criticism in Stephen King’s psych-horror novel Duma Key, American Primitive merges its unvarnished sound with the punchy yet poignant storytelling signature to Old 97’s, radiating a rambunctious joy even as Miller’s lyrics contend with complex questions of love and mental illness and the routinely daunting state of the world. Produced by Tucker Martine (My Morning Jacket, The Decemberists, Neko Case) and featuring iconic guest musicians like Peter Buck of R.E.M. and Scott McCaughey of The Young Fresh Fellows and The Minus 5, the album took shape in a series of deliberately whirlwind sessions at Flora Studio in Portland, Oregon. “This was the first record we’ve ever done with zero pre-production,” Miller points out. “It’s us working completely on instinct, leaning on 30 years of playing together to come up with something on the fly rather than overthinking any of our choices.”

Kicking off with the frenzied riffs and restless grooves of “Falling Down,” American Primitive opens on a lyric encapsulating the album’s snarling joie de vivre: “You’ve got to dance like the world is falling down around you, because it is.” Next, on “Somebody,” Old 97’s deliver a thumping punkabilly anthem channeling both desire and doom. “That song came from looking back over my relationship history and acknowledging that I spent a long time as something of a serial monogamist,” says Miller. “As a young man I was in love with the idea of being in love, and I wanted ‘Somebody’ to speak to the hopelessness of exiting a very intense relationship and knowing you’re just going to rush right into the next one.” From there, American Primitive bursts into the breakneck urgency of its title track, a gorgeous entangling of poetic observation and feverishly expressed longing. “I was sitting on the balcony of a hotel in Peachtree, Georgia, watching the sun setting over the forest and trying to identify the trees, and I started writing what began as meditation on nature but eventually turned into a song about missing someone,” Miller recalls. “I wound up taking inspiration from that phrase in the Stephen King novel, which felt like a perfect description for our band and how primitive and unstudied we are.”

Another track born from Miller’s contemplation of the natural world, lead single “Where The Road Goes” slips into a lush and hypnotic reverie, achieved in part through Buck’s arpeggiated 12-string guitar and a trance-inducing drum loop dreamed up by Peeples and Martine. “I was in Montana and found myself on the banks of the Blackfoot River, watching the water pounding with a ferocious power, and I started building this song as a statement of gratitude for having survived this long,” says Miller. “It revisits some of the darkest moments of my life, including a su***de attempt at age 14 that by all rights I shouldn’t have lived through and yet somehow did. In a way it’s like a spiritual travelogue that rolls back through all the places that shaped me for better or worse, and ends up in this beautiful place that I felt so thankful to experience.”

A distinctly literary lyricist who’s authored a number of children’s books and written for publications like McSweeney’s and The Atlantic, Miller threads American Primitive with so much lived-in yet dreamlike detail, such as on the sublimely blistering “Masterpiece” (“So I sank to the bottom of the hotel pool/You drank sunshine like you always do/Then it rained broken glass on your paperback/The ink ran and so did I, never said goodbye/Just fade to black”). “Magic” serves up a jittery piece of power-pop echoing the anguish of grasping for salvation, while “Western Stars” presents an intimate portrait of pained isolation inspired by an epic Alfred Lord Tennyson poem that Miller memorized in high school. Equal parts sprawling rumination and freewheeling joyride, the album also spans from the sweetly skewed whimsy of “Honeypie” (a loping and lighthearted love song featuring McCaughey on piano and Buck on mandolin) to the wistful reminiscence of “By The End Of The Night” (a bouncy psych-folk bop with lead vocals from Hammond, who sums up its narrative as “two people break up, then one of them jumps in front of a train—autobiographical, except for the getting-squished-by-a-train part”). And on “Estuviera Cayendo,” American Primitive closes out with an instrumental reprise of “Falling Down,” beautifully reimagined on flamenco guitar by guest musician Jeff Trapp.

In choosing the cover art for American Primitive, Old 97’s selected a painting created by Hammond’s 17-year-old son Tex Hammond—a prodigious talent who, at age 14, became the youngest artist ever to exhibit at the prestigious LA Art Show. It’s a fitting choice for a band who’ve maintained a certain youthful exuberance more than three decades into their career, and for an album in which a palpable sense of wonder prevails despite its world-weary undercurrent. “Over the last year of touring in celebration of our 30th anniversary, it’s been impossible not feel some emotion welling up at the idea that my bandmates and I have been in this close brotherhood for so long,” says Miller. “I think a lot of that longevity has to do with the fact that we’re really the same band we were back then. We’ve experimented with pushing in different directions, and we’ve had experiences outside the band where we’ve learned new things, but the way we approach this music has fundamentally remained the same. Our heart is still in the exact same place.”

Old 97's are;

Rhett Miller - Guitar/Vocals
Murray Hammond - Bass/Vocals
Ken Bethea - Lead Guitar/Vocals
Philip Peeples - Drums/Vocals

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https://archive.org/details/old-97s-the-crown-room-crystal-bay-club-crystal-bay-nv-06-april-2025

Old 97'sThe Crown RoomCrystal Bay ClubCrystal Bay, NV06-APRIL-2025Recorded By:...

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