Uprooted UNC

Uprooted UNC A collaborative documentary project from the UNC MJ-School exploring the Venezuelan migrant crisis and its impact on Medellín, Colombia. 🇻🇪🇨🇴

We had a wonderful time at our premiere last night! We’re so happy to finally share   with you. Check it out at uprooted...
04/25/2019

We had a wonderful time at our premiere last night! We’re so happy to finally share with you. Check it out at uprooted.unc.edu 💛💙❤️
📸: Alex Kormann, Brooke Fisher

To view the live stream please head over to our YouTube stream. The stream will begin at 6:30pm.
04/23/2019

To view the live stream please head over to our YouTube stream. The stream will begin at 6:30pm.

04/22/2019

Uprooted, a project of the UNC School of Media and Journalism documenting the stories of families who have fled the crisis in Venezuela to seek better lives in Colombia, is now live at uprooted.unc.edu.

04/19/2019

Carolyn Hess is a Venezuelan American student at UNC Greensboro.

Short film by Bryan Cereijo Media and Abby Cantrell.

Venezuela has a rich and diverse culinary history influenced by a variety of cultures and heritages. Through this infogr...
04/18/2019

Venezuela has a rich and diverse culinary history influenced by a variety of cultures and heritages. Through this infographic, Kailee Akers explores the history of the , a traditional Venezuelan Christmas dish. Buen provecho!

Feliz miércoles- the team’s hard at work putting the finishing touches on our project! 📸: Catie Dull
04/18/2019

Feliz miércoles- the team’s hard at work putting the finishing touches on our project! 📸: Catie Dull

We'll have our Uprooted Premiere on Tuesday, April 23rd at the Nelson Mandela Auditorium at the FedEx Global Education C...
04/11/2019

We'll have our Uprooted Premiere on Tuesday, April 23rd at the Nelson Mandela Auditorium at the FedEx Global Education Center in Chapel Hill. This free event is sponsored by the UNC School of Media and Journalism and the UNC Institute for the Study of the Americas. 🇨🇴🇻🇪

Story by Diane AdamePhotos by Alex KormannCARRBORO — Pilar Rocha-Goldberg opened the small paper bag one of the homeless...
04/08/2019

Story by Diane Adame
Photos by Alex Kormann

CARRBORO — Pilar Rocha-Goldberg opened the small paper bag one of the homeless men who frequented El Centro Hispano had just given her. Inside were an apple, a granola bar and two bottles of water.

When the man first started going to the center, he would often arrive drunk, in search of legal help after a fight or night spent in jail, said Rocha-Goldberg.

Every time he stops by, Rocha-Goldberg is the only one he asks to speak with. If Rocha-Goldberg is in a meeting when he stops by, he will sit and wait for her.

Over time, the man started volunteering at the El Centro Hispano center and arriving sober. He knew that Rocha-Goldberg did not always have time to eat lunch, so he’d asked the homeless shelter for an extra to bring her.

“This meant a lot, because it means this person has a trust and relationship with me,” said Rocha-Goldberg, El Centro’s president and CEO.

He is just one of many Latino immigrants who come to El Centro Hispano, an independent nonprofit organization that helps immigrants access educational, health and economic development resources. Since 1992, El Centro Hispano’s mission has been to strengthen the community, build bridges and promote equity and inclusion of Latinos in the Triangle.

By teaching immigrants how to use the health system and register their children in school, the organization helps immigrants assimilate in the Triangle area.

“Every day, the needs are changing and that motivates me because it is something that is in continuous movement and it is not something static,” said Rocha-Goldberg. “I think it is always important to give our best to live in a better community, and I think that is what motivated me from the beginning.”

Before El Centro Hispano, Rocha-Goldberg, a native of Colombia, worked for Duke University Medical Center, where she researched exercise and nutrition within the Latino community.

Rocha-Goldberg began volunteering for El Centro Hispano in 2009 to learn more about the Latino community.

“I didn’t know anything about the Latino community here,” said Rocha-Goldberg. “I began to be much more involved and started seeing how I could help.”

Rocha-Goldberg also wants to ensure that El Centro Hispano’s resources can reach all Latinos. One of the organization’s events that does this is the FaithAction ID Drive.

The FaithAction ID, a verifiable form of identification that is recognized by police, health centers, businesses and cultural arts organizations.

A FaithAction ID is not a driver’s license, but individuals can use it when they get stopped by police.While it does not prevent the driver from getting a ticket, it can prevent arrest.
Unlike a state-issued ID, the FaithAction ID provides a verified form of identification for individuals living in the U.S. without legal documentation.

For those applying for state-issued IDs, the process can take months. Though asylum applicants are eligible to apply, there are still barriers to obtaining asylum from the U.S.

Since the economic crisis in Venezuela, many Venezuelan immigrants have been seeking asylum in the U.S.

“The Faith ID program is meant to provide people that otherwise can't get state issued IDs to verify their name and address,” said Hanna Sprintzik, the program’s coordinator. “We want to connect the community with local security forces and police to create bridges and dialogue within the community as well.”

The FaithAction ID Drive started four years ago and attracted about 300 people. Roughly 100 people attended the most recent drive in Carrboro.

“The number one barrier is for those whose claims are weak but their fear is real,” said immigration attorney Yesenia Polanco-Galdamez. “I have about 20 asylum cases for Venezuelans and most have protested the current regime or have been persecuted for their actions.”

Asylum applicants are required to prove their fear of returning to their native country because of past, present or future persecution for their religion, political opinion or s*x.

Most Venezuelans that oppose the current regime fall under the political opinion category.

“The struggle is for those that don’t fall in this category,” said Polanco-Galdamez. “They don’t want to return to a country where they don't have access to food, medical care or safety, but they can’t articulate anything that happened to them specifically.”

Today’s political climate, both in the U.S. and Colombia, raises concerns for Rocha-Goldberg.

“I see that our community in general is fighting with each other instead of achieving unity,” said Rocha-Goldberg. “In Colombia, I see the same thing and I think the problem is that there are too many personal agendas that can take our country somewhere we don’t want.”

El Centro Hispano has recently collaborated with Venezuela Para Ti, a statewide non-profit organization that strives to empower and inform the Venezuelan community.

Venezuela Para Ti also hosts an annual resource fair that El Centro Hispano attends. El Centro Hispano will often supply their mobile health unit to help carry supplies for Venezuela Para Ti.

“I think it is a part of our mission to create that bridge because we see that our community needs something and comes here to learn how to find it,” said Rocha-Goldberg.

04/05/2019

"To return one day and find our beautiful country that we've always had, without problems. I have the hope that this crisis will end soon." Rosendo Peña Suárez is a Venezuelan musician and music educator living in Durham, NC.

"Algún día regresar y encontrar el bello país que siempre hemos tenido, sin problemas. Yo tengo la esperanza de que esta crisis termine pronto." Rosendo Peña Suárez es un músico y docente de música venezolano que vive en Durham, NC.

Short film by Peggy Mullin and Tenley Mae Garrett.

It's not a ukulele- it's a cuatro 🎵 Inspired by Rosendo Peña Suárez's story, lead designer Carlos Salas explores the his...
04/03/2019

It's not a ukulele- it's a cuatro 🎵 Inspired by Rosendo Peña Suárez's story, lead designer Carlos Salas explores the history of Venezuela's national instrument.

Story by Sara PequeñoPhotos by Nash ConsingDURHAM – The ground floor of Fayetteville Elementary School erupted with the ...
04/01/2019

Story by Sara Pequeño
Photos by Nash Consing

DURHAM – The ground floor of Fayetteville Elementary School erupted with the sound of drums on a Thursday night in January.

In a classroom with cinderblock walls painted yellow, five students were busy perfecting their rendition of “Hey Jude,” hovering their mallets over the marimba as they waited to strike the wooden keys on cue.

Their teacher, Rosendo Peña-Suarez, guided the students with his waving hands, not so much conducting but encouraging. He made sure to compliment one student for his quick recovery after an error. He joined in, singing along, hoping the “nah nah nah nahs” would help keep them on pace.

For Peña-Suarez, teaching and music are like water and air – he can’t live without either, he said. The 45-year-old Venezuelan has been teaching music since he was 17. He currently works for Kidznotes, a Durham-based nonprofit that mirrors Venezuelan music program El Sistema that he worked for in Caracas, Venezuela. His family moved to the United States five years ago – first in Miami, now in Durham.

“I really like transforming their lives through music,” said Peña-Suarez. “They go in all shy and I give them a drumstick and tell them to play it and BOOM.”

He works with kids of all ages, from preschoolers who dance along to his cuatro, a Venezuelan instrument that resembles a ukulele, to high schoolers supplementing their school band practices at night.

“My band director isn’t able to explain as much, because they have to pay attention to all the other instruments in the band,” said Alan Cota Leija, a 15-year-old student at Kidznotes. “He gets to explain more because he gets to hear us individually.”

Peña-Suarez even met his wife, Ana Carolina Suquera-Castillo, through music, after his friend gave him her recording.

“He said, ‘I liked your voice, I want to work together on some music,’” recalled Suquera-Castillo. “‘What if we do something musically with three people, one playing trumpet and one on this, this and that…’”

Only years later did she realize it was a bit of a trick – by trio, he meant starting a family, which now includes a 4-year-old son, Robert. Peña-Suarez said it is difficult to see his son grow up without their extended family, many whom still live in Venezuela.

“Deep down, I wish that he could see all those things and meet all of his family, but it’s not possible,” Peña-Suarez said. “So we breathe and we try to be happy and well.”

Playing Venezuelan music for the children transports him back home.

“I think that Christmas music, in part, brings back a lot of memories of my country,” he said. “‘Llanera’ music as well, is another important point. As I got older and I learned more about music and investigated and everything, I discovered that Afro-Venezuelan music is very ample and rich, with the drums and everything.”

He receives questions from former music students about moving to the United States. He also receives questions from his mother, who still lives in San Cristóbal, about when he will return home. The family sends boxes of cereal, cans and money to her, and hopes she will eventually join them in Durham.

“I don't know yet what is going to happen in the future,” he said. “I just want the best for Robert right now, and who knows what happens in the future. Maybe the situation in Venezuela gets better.”

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