Cleaver Magazine

Cleaver Magazine Quarterly digital magazine publishing fresh-cut lit by established & emerging voices. To “cleave” is both to stick tight and to fall away.

Cleaver Magazine shares “cutting-edge” artwork and literary work from a mix of established and emerging voices.We publish a quarterly literary magazine with poetry, short stories, essays, flash prose, visual art, graphic narratives, and visual art. Look for the literary quarterly in March, June, September, and December. In each issue we present several emerging writers and alongside established wr

iters and artists. We see ourselves as facilitators and stewards of the literary and artistic work that we publish. In addition to our literary quarterly, we publish weekly and daily features, including Life As Activism (poetry and prose with a social justice theme), writer-to-writer craft essays, author interviews, travel essays, and reviews of books from small and independent publishers. Our weekly in-house advice columnist, “Ask June” opines on matters punctuational, interpersonal, and philosophical, spinning wit and literary wisdom in response to your ethical quandaries. Our podcast On The Edge is a virtual poetry reading series, available for download on iTunes and SoundCloud. Our radio plays feature original short scrips performed by professional actors. The scripts are available for download as PDF files; the recordings are free for listeners on iTunes and SoundCloud. About our name: “cleave” is a Janus word, also known as an “auto-antonym”, meaning both itself and its opposite. A cleaver is the most broad-edged and brutally efficient kitchen knife, designed to be swung like a hammer for the most effective channel of force. “Cleave” also means to come together with strong attachment. Submissions guidelines at the Cleaver Magazine website. For book review queries, see the masthead on our website. For other queries, email: [email protected]

"What are we actually doing when we go looking for material? Why do some experiences—especially those we sought out with...
06/22/2026

"What are we actually doing when we go looking for material? Why do some experiences—especially those we sought out with such certainty beforehand— never make it to the page, while others refuse to let us go?"

WHAT WE CHASE AND WHAT STAYS: On Running After Stories, and Standing Still, a new craft essay by Jillian Schedneck, writes about being intentional in those stories we pursue.

Read it on Cleaver: https://www.cleavermagazine.com/what-we-chase-and-what-stays-a-craft-essay-by-jillian-schedneck/

Struggling to find the time? Cleaver's large catalog of recorded classes means you can hone your craft on the road or on...
06/19/2026

Struggling to find the time? Cleaver's large catalog of recorded classes means you can hone your craft on the road or on the sofa.

Our accomplished instructors cover key career topics like website building, publicity, and publishing. They teach aspects of poetry, flash, nonfiction, and fiction. And they drill down to help you find urgency in your essays, an audience for your Substack, and insight on pursuing your MFA.

Check out our catalog now. You might find just the thing to boost your writing practice.

https://www.cleavermagazine.com/classes/

"The series feels unlike anything else currently circulating in comics, occupying a space somewhere between literary ess...
06/16/2026

"The series feels unlike anything else currently circulating in comics, occupying a space somewhere between literary essay, visual meditation, and detective fiction."

Neil Raymundo reviewed CONNECTICUT DIGGS: Cultural Detective, the visual narrative by Clifford Thompson, for WORLD COMIC BOOK REVIEW. The series has been running in Cleaver since Issue 49, Spring 2025. Catch up on the series here: https://www.cleavermagazine.com/connecticus-by-clifford-thompson/

And read the review here: https://worldcomicbookreview.com/2026/06/14/connecticus-diggs-cultural-detectives-episode-one-the-rapture-review/

"While I thought my word selection in prose was good pre-haiku writing, the self-enforced discipline of choosing the bes...
06/15/2026

"While I thought my word selection in prose was good pre-haiku writing, the self-enforced discipline of choosing the best word, line after economically proscribed line, on a regular basis, does seem to immerse me deeper in the rhythm of writing."

HAIKU PRACTICE FOR PROSE WRITERS, a craft essay by Phil Wetjen, is now on Cleaver. https://www.cleavermagazine.com/haiku-practice-for-prose-writers-a-craft-essay/

"I think there's something, especially in the pre-internet age, that really links q***rness and travel in a way that can...
06/09/2026

"I think there's something, especially in the pre-internet age, that really links q***rness and travel in a way that cannot be untangled because most people were not born into a q***r community. You have to leave your community and go searching for the community that will hold you." - AJ

Corrine Zahra interviewed Alden Jones, editor of EDGE OF THE WORLD: An Anthology of Q***r Travel Writing. Read the interview now on Cleaver. https://wp.me/p30UXE-kI6

***rtravel ***rtravelerguide

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Chestnut Hill, PA

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