05/28/2026
As a general rule, Lior Torenberg ’18 doesn’t spend a ton of time on social media. But during the isolating days of the pandemic in 2021, Torenberg recalled, she found herself logging on more often. That’s when she became curious about social media platforms such as Twitch, where users stream live videos of themselves doing mundane activities—from cooking lunch to folding laundry to playing video games—for an audience of anyone with an Internet connection and the interest to watch. Millions of people either create or tune in to these live streams, and Torenberg found herself fascinated by the phenomenon of ordinary people absorbed by the minutiae of a day in the life of a stranger. She wondered what motivated them to watch for hours on end. “It struck me as very lonely,” Torenberg said, “but also full of potential. Was it a form of connection? What was each side getting out of it?”
Those questions about the culture of live streaming inspired Torenberg’s debut novel, Just Watch Me, a tragicomic look at life in the era of the so-called attention economy. The book’s protagonist is Dell Danvers, a chaotic twentysomething New Yorker who can’t keep a job, is behind on rent, and has a sister, Daisy, who is in a coma and on life support. The hospital is just about ready to pull the plug, so Dell launches a 24-7 live stream about her own day-to-day existence to raise donations for private care to save Daisy’s life. The live stream takes off. Dell accumulates staggering numbers of viewers and monetary tips by accepting entertaining dares, such as challenges to eat progressively spicier chili peppers. As the week goes on, she is encouraged to perform increasingly dangerous stunts, and an anonymous online troll threatens to expose a secret from her past.
On one hand, Just Watch Me drips with dark humor. “It’s a book I wrote to make myself laugh during a heavy time,” Torenberg said. On the other, Torenberg also wanted to raise serious questions about the content people create and consume online nowadays, including about the performative nature of some live streaming and the ethics of commodifying personal tragedy for clicks and dollars. Read more here: https://www.bc.edu/bc-web/sites/bc-magazine/winter-2026-issue/linden-lane/just-watch-me.html