Swatch Four

Swatch Four // ʀᴇᴍᴏᴛᴇ ᴄᴏʟᴏʀɪsᴛ //
ʙᴜɪʟᴅɪɴɢ ᴄᴏʟᴏʀ ᴄᴏɴғɪᴅᴇɴᴄᴇ
— ғʀᴏᴍ ᴘʀᴇ-ᴛᴏ-ᴘᴏsᴛ
ᴄʟᴇᴠᴇʟᴀɴᴅ, ᴏʜ
swatchfour.com

09/17/2026

BurkleHagen and Austin Ho KNOW color. We pushed some serious color boundaries while building our initial show LUT and final grade.

Kevin Coyne and crew rigged these cameras up in some wild places.

This is how you refresh a studio brand 🔥🌮



SERVING CRUNCH

Production:
Producer — laura disanto
1st AD — Jesse Marianut
Production Asst. — Bailey Ritter
Production Asst. — Jocelyn Petruccio

Stills:
Lead Photographer — Andrew Burkle
Photographer — Anna Lattanzio
Photo Asst. — ALLANA MIURA 🍙
Photo Asst. — Andrew Light
Photo Asst. — Michael Stanis

Motion:
Director — Austin Ho
Dir. of Photography — Kevin Coyne
1st Assistant Camera — Mike Bacanu
2nd Assistant Camera — Meg Rees
Gaffer — Sequential Image Productions
Key Grip — Rick Stern
Grip — Ahmad Ghanim

Food Styling:
Food Stylist — Claire Vredevoogd
Food Stylist — Katy Hale
Food Stylist — Ryan Morrow
Food Styling Asst. — Carina Rohan
Food Styling Asst. — Amy Rosengard

Not-Food Styling:
Production Designer — alyse nelson
Set Stylist — Emily Cestone
Wardrobe Stylist — Magan Ruth
Wardrobe Assistant — Mandi Johnson
Hair & Make-Up — CLEVELAND MAKEUP ARTIST
Hair & Make-Up — CLEVELAND MAKEUP ARTIST
Hair & Make-Up — Kellie Thomson
Hair & Make-Up — 💫Makeup Artist | Hair Stylist💫

Post Production (Stills):
Lead Retoucher — Jocelyn Petruccio

Post Production (Motion):
Video Editing — Austin Ho
Colorist — Brandon Jones // Remote Colorist

TALENT:
Docherty Agency folks:
Jillian Kelly
Halle Ann Thompson
Zane DeHaven
amaka joanis
Malcolm Sims Jr.
B🐆
Riley Gaynor
Joe Loszack

Self-Represented:
Kyle Bencina
Isaac Atencio
Morgan Rose
Joshua Wade
Emily Urbaniak
Scott Larson

Gnarly & dense color tones for Shady Oaks music video, directed by Jeff Riley of Noble Bison Productions. Jeff and his t...
08/28/2026

Gnarly & dense color tones for Shady Oaks music video, directed by Jeff Riley of Noble Bison Productions.

Jeff and his team scraped together a ton of grit for this. Big fan of this art direction, and all that DP Andrew Yang brought to the table.

_________

PRODUCTION

Performance: Shady Oaks
Production Company: Noble Bison Productions
Director: Jeff Riley
Prod Manager: Tim Hull
1st AD: Josh Vertucci

DP: Andrew Yang
1st AC: Orion Madsen

Prod Designer: Jessica Thommes Mckeehan
Art Dept PA: Darin Spitzer

Gaffer: Ray Dellacroce
Key Grip: Phil Abrams
Best Boy Grip: Ian Surowiec
Best Boy Electric: Clay Hendrix

Special FX Coord: Brennan Hershock
Special FX Coord: @!emswan.makeup

Editor: Jeff Riley
Colorist: Brandon Jones // Remote Colorist // Swatch Four

_________

MUSIC

Producer: Taylor Hahn, Ty himself
Mix: Taylor Hahn
Master: Taylor Hahn

_________

Color for Leni Olumi Klum x The Daily Front Row August issue, with director JORDAN MILLINGTON LIQUORICE and DP Karl Elch...
08/07/2026

Color for Leni Olumi Klum x The Daily Front Row August issue, with director JORDAN MILLINGTON LIQUORICE and DP Karl Elchinger.

Jordan knows color — like straight up 🟪🟦 He knows what he wants and (most importantly) what he doesn’t. It makes for some of the smoothest remote color sessions. These practical environments were cool to work with in the post grade, thanks to Karl and the rest of the production team.

JORDAN MILLINGTON LIQUORICE and Karl Elchinger — cool to sync up again on this one.

________________

Creative Director / Director: JORDAN MILLINGTON LIQUORICE with PARADIS
EIC: Eddie Roche
Stylist: Matthew Mazur with The Only Agency
Makeup Artists: Claudia Neacsu with The Only Agency
Hair Stylist: Michael Thomas Lollo with The Only Agency
Producer: Elizabeth Kline Murphy
DP: Karl Elchinger
Set Designer: Philipp Haemmerle
Editor: PJ Magerko Liquorice
Color: Brandon Jones // Remote Colorist // Swatch Four
VFX: ⚡️cam vokey⚡️ , Brad Muschott
Studio: Brooklyn Studios | Soundstage | Film & Photo Studio Rental NYC

Production Coord: Dawn Tomassone
Production Asst: Sabrina DiGeorge, Luke Adler
AC: Nina Tuxbury

Styling Asst: Zander Slayton
Set Designer: Philipp Haemmerle
Set Asst: Oscar Haemmerle
Set Asst: Adam DiCarlo
Set Asst: Sam Bristow
Set Asst: Lou Hammerle

KEY GAF: TJ Alston
BB Electric: Pete Milmoe
KEY GRIP: Sam Kretchmer
BB Grip: Heidi Grunwald
Third Grip: Rolf Eberlein

Champion x Target. I hate it when I purchase clothes online and the color I see in person feels “off”. Fashion grades al...
07/28/2026

Champion x Target. I hate it when I purchase clothes online and the color I see in person feels “off”. Fashion grades always have an absolute hex code we’re trying to hit. We’ve gotta NAIL those swatches 🟧 🟥 🟨.

Kris Walter kept us honest during our live sessions. And huge shoutout to Brad Hasse for more of these hard-cutting edits.

Creative Director: Kris Walter
Editor: Brad Hasse
Color: Brandon Jones // Remote Colorist // Swatch Four
Carousel Art:

New color for x (and his talking car). My good bud, Todd Thompson, wrote this one, and the tone he established set the...
06/21/2026

New color for x (and his talking car). My good bud, Todd Thompson, wrote this one, and the tone he established set the stage for everything we tackled in post.

A killer Show LUT provided by DP .dp served as the base for everything myself the team and I built in the post-grade.

I’ll say it ‘til I’m blue in the face (Haha — and as I type this, I swear that’s not a color pun, even though I recognize this is a Progressive spot dipped in blue) – LUTs are the best form of color communication from pre-to-post.

There. I said it again. 😨🥶✌️

Client: //
Senior Creative Director:
Writer / Social Director: Todd Thompson
Creative Digital Producer: Jennifer Short
Creative Video Specialist:
Editor: Jon Somers

Production: .tv
Producer:
Director: .m
DP: .dp
1st AC: .camera
DIT: Jason Johnson

Edit: Dylan Matthews x Joel Douris // Mattock
Audio: Dallas Taylor // Defacto
Color: //
Carousel Art:

Grading AI footage has been on heavy rotation this year in the studio. keeps pushing those boundaries. Dialing in a con...
06/14/2026

Grading AI footage has been on heavy rotation this year in the studio. keeps pushing those boundaries.

Dialing in a consistent 🟪🟥 “ Red” 🟥🟪 was our focus across this campaign with .

I’m always itchin’ for collabs with Editor .creative, and this one built off the insane generative imagery from .bowman and his team. This tech is pretty wild.

Shout out to , .oliviaem, and for bringing me on yet again.

Agency:
EPs: Matt Pfeffer and Danny Yourd
Post Producer: Germaine Putz .oliviaem

AI Lead: Billy Boman
AI Artist: Monika Kaczanowska
Assisting AI Artist: Neda Sedejou
Assisting AI Artist: Julian Martorell
Retouch: Philip Cederman

Post:
Editor: Steve Davis .creative
Color: /

Client:
Chris Stollmeyer - Art Director
Brandon Willingham - Copywriter
Owen Tingle - Creative Director
Justin Baum - Creative Director
Koree Sharma - Producer

x color, with creative direction by and a hard-cutting edit from . These concrete jungles were a great backdrop to bu...
05/30/2026

x color, with creative direction by and a hard-cutting edit from . These concrete jungles were a great backdrop to build our grade upon.

Creative Director:
Editor:
Talent:
Color: //
Carousel Art:

Comedy color on a “Batteries Plus” spot with director and editor of .tv. Those brand greens 🟩 and oranges 🟧 were fun, c...
05/19/2026

Comedy color on a “Batteries Plus” spot with director and editor of .tv. Those brand greens 🟩 and oranges 🟧 were fun, consistent swatches to pull through every scene.

Batteries Plus “Battery Pack”
Production: .tv
Director:
EP:
Line Producer: Justin Kreinbrink

Agency: WPromote
Senior Vice President of Creative: Justin Hooper
Senior Creative Director: Steve Williams
Director of Creative Operations: Toni Dysert
Senior Account Director, Client Services: Nigel Shroeder
Executive Producer: Colleen Miller

DP:
1st AC: Ryan Hart
2nd AC: Dan Crowley
Gaffer: Aaron Araza
Key Grip: Thomas Paolo
Sound Mixer: Jake McDaniel

Key HMU:
Wardrobe Stylist: Paula Rogers

Production Designer: Rachel Owens
Set Decorator: Chris Hayes
Prop Master: Darren Clark

Edit:
Assistant Editor:
VFX:
End Card Cutouts:
Sound Design:

Color: //
Carousel Art:

Color for // “Docked in the Driveway“ // Exteriors are wildly unpredictable, but I was impressed with , , and crew with...
05/05/2026

Color for // “Docked in the Driveway“ // Exteriors are wildly unpredictable, but I was impressed with , , and crew with their consistency alongside Mother Nature. They tracked the sun well, making it much easier during our remote color sessions with . Cheers!

Client: //
Mgr. Integrated Marketing: Sandy Supler
EP Mgr. Digital Design:
Sr. Mgr. Digital Design:
Creative Video Designer: Jon Somers
Creative Designer: .hollett
Creative Producer:
Editor: Todd Thompson // Jon Somers

Director:
DP:
EP: //
Producer:
Production Manager:
1st AC:
DIT:
2nd AC: Irma Ramirez
Gaffer:
Key Grip: Matt Kyhn
Best Grip: Ben Scharf
Best Electric: Lenny Haglund
Swing: Jason Breinholt
Production Designer: Taylor Morris
Art Director: .friendo
Props:
HMU:
Wardrobe:
Sound: Alex Burdick
Camera:
G&E:

Colorist: //
Carousel Art:

swatchfour

(Part 1 of 2) Color for // “Camped in the Cut-De-Sac“ // alongside the team — and Director + DP .Production design ke...
05/04/2026

(Part 1 of 2) Color for // “Camped in the Cut-De-Sac“ // alongside the team — and Director + DP .

Production design kept that classic “Progressive Blue” (HEX: 0077B3 ✌️) as our north star, all the way into the final grade 🟦🟦🟦🟦🟦

Client: //
Mgr. Integrated Marketing: Sandy Supler
EP Mgr. Digital Design:
Sr. Mgr. Digital Design:
Creative Video Designer: Jon Somers
Creative Designer: .hollett
Creative Producer:
Editor: Todd Thompson // Jon Somers

Director:
DP:
EP: //
Producer:
Production Manager:
1st AC:
DIT:
2nd AC: Irma Ramirez
Gaffer:
Key Grip: Matt Kyhn
Best Grip: Ben Scharf
Best Electric: Lenny Haglund
Swing: Jason Breinholt
Production Designer: Taylor Morris
Art Director: .friendo
Props:
HMU:
Wardrobe:
Sound: Alex Burdick
Camera:
G&E:

Colorist: //

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Columbus, OH
43203-1413

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