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10/11/2025

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After being banned in 23 school districts, A Clockwork Orange by Anthony Burgess, a 1962 novel that, in 2010, Time magazine named one of 100 best books of all time is the most banned book during the 2024-2025 school year.

Also among the most-banned:

Breathless, by Jennifer Niven and Sold, by Patricia McCormick, each with 20 bans.

Last Night at the Telegraph Club, by Malinda Lo, with 19 bans.

A Court of Mist and Fury, by Sarah J. Maas, with 18 bans.

Crank, by Ellen Hopkins, Forever…, by Judy Blume, The Perks of Being a Wallflower, by Stephen Chbosky, and Wicked: The Life and Times of the Wicked Witch of the West, by Gregory Maguire, each with 17 bans

See the full list of most banned books at: https://pen.org/banned-books-list-2025/

10/10/2025

The game that made millions celebrate ruthless capitalism was actually created by a woman who wanted to expose its dangers. Back in 1903, Elizabeth “Lizzie” Magie designed a board game called The Landlord’s Game to teach people about the harm caused by monopolies and concentrated wealth. It actually had two rule sets: one called “Monopoly,” where players competed to crush each other and win it all, and another called “Prosperity,” where everyone benefited by cooperating and sharing wealth.

Over the years, homemade versions of her game spread through universities and Quaker circles, with each group putting their own spin on it. Then, in the 1930s, a man named Charles Darrow played one of these versions, copied it, added Atlantic City street names, and claimed he’d invented it. He eventually sold it to Parker Brothers in 1935. When the company realized the game’s potential, they tracked down Lizzie Magie and bought her original patent - for just $500, with no royalties.

Parker Brothers went on to promote Monopoly as the story of a struggling man who became rich during the Great Depression, completely erasing Magie’s name and her anti-capitalist message. The irony? Her game meant to warn against monopolies ended up becoming one of the most successful ones in history.

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10/09/2025

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A stunning hand-crafted steel gate adorns a Manhattan brownstone on the city’s Lower West Side — its design inspired by Georges Méliès’s visionary 1902 film A Trip to the Moon, itself a cinematic tribute to Jules Verne’s 19th-century classic From the Earth to the Moon

10/09/2025

The only existing photo of Vincent Van Gogh and Paul Gauguin together.
It was taken in Montmartre in 1887.
The second from the left is Emile Bernard; next to him Van Gogh seated with a pipe, standing André Antoine founder of the Théâtre Libre de Paris and on the far right Paul Gauguin.
This photo was found by Serge Plantureux in the archives of the bookseller-publisher Ronald Davis, official supplier of the Rothschild family.

10/06/2025

Russell’s heavy criticism of Nietzsche: “I dislike Nietzsche because he likes the contemplation of pain, because he erects conceit into a duty, because the men whom he most admires are conquerors, whose glory is cleverness in causing men to die. But I think the ultimate argument against his philosophy, as against any unpleasant but internally self-consistent ethic, lies not in an appeal to facts, but in an appeal to the emotions. Nietzsche despises universal love; I feel it the motive power to all that I desire as regards the world. His followers have had their innings, but we may hope that it is coming rapidly to an end.“

— Bertrand Russell, A History of Western Philosophy (1945), Book Three, Part II. Ch. XXV: Nietzsche, p. 772

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Background: Russell's criticism of Nietzsche

Bertrand Russell, in his A History of Western Philosophy (1945) wrote a well known, scathing and what some Nietzschean scholars find “an infamous and deeply flawed“ chapter concerning Friedrich Nietzsche, calling his work the “mere power-phantasies of an invalid“ and referring to Nietzsche as a “megalomaniac“ and a “crude misogynist“. Russell claims Nietzsche did not value egalitarianism, denounced both the French and American revolutions and was against Socialism. Despite Nietzsche's hostility towards anti-semitism and nationalism, Russell also charges some of Nietzsche's later admirers as fascists and n***s who seized his philosophy to justify war. It should be emphasized that the chapter was written towards the end of World War Il, and fourteen years later in Wisdom of the West (1959), Russell revised or clarified his position, acknowledging that Nietzsche's philosophy was not inherently linked to fascism and Na**sm, but rather usurped.

Russell continues:

“It is not easy to sum up the content of Nietzsche's thinking. He is not, in the ordinary sense, a philosopher, and has not left a systematic account of his views. One might perhaps describe him as an aristocratic humanist in the literal sense. What he tried above all to promote was the supremacy of the man who was best, that is healthiest and strongest in character. This brings with it a certain emphasis on toughness in the face of misery, which is somewhat at variance with received ethical standards, though not necessarily with actual practice. By concentrating on these features out of context, many have seen in Nietzsche the prophet of the political tyrannies of our own times. It may well be that today's tyrants have drawn some inspiration from Nietzsche, but it would be inappropriate to make him responsible for the misdeeds of men who have understood him at best superficially. For Nietzsche would have been bitterly opposed to the recent political developments in his own country, had he lived long enough to witness them.”

— Bertrand Russell, Wisdom of the West: A Historical Survey of Western Philosophy (1959), Ch. XIII: Enlightenment and Romanticism, p. 258

Many dismiss Russell's thoughts today as a “misreading of Nietzsche“ (a frequent, and to many Russell supporters, a trying response to disagreement concerning Nietzsche) while others, especially scholars from Marxist schools, recognise with Russell deep and critical flaws in Nietzsche’s philosophy. Nietzsche's thought enjoyed renewed popularity in the 1960s, primarily under the influence of German-American philosopher Walter Kaufman. Kaufmann, like Russell, also sympathized with Nietzsche's acerbic criticisms of Christianity. However, Kaufmann faulted much in Nietzsche, writing that “my disagreements with [Nietzsche] are legion.” Today Nietzsche’s ideas have since had a profound impact on 20th and early twenty- first century thinkers across professional philosophy and in popular and youth counter culture.

Image: Friedrich Nietzsche. Naumberg, 1882, 37 years old. Part of a series of 5 photographs. The last photos of Nietzsche before he became ill and the only ones made during his active period as a writer and philosopher.

10/04/2025

The connection is so clear once Linguist and self-professed "etymology nerd" Adam Aleksic explains it: many common phrases we use for thinking directly reference walking. We often use metaphors in our speech, of course, but there are many that we likely don't even recognize as metaphors.

He starts with "by the way," which literally means being next to the way, or the path we're supposed to be on. It indicates that we're taking a mental detour from the path we were supposed to be on to introduce something unrelated. On the other hand, when we're talking about something that is actually on the path we're meant to be on, we say, "of course," which literally means "of the path."

"We use this metaphor all the time when we say, 'you're on track' or 'you're way off,' literally implying that you're not where you should be on the 'path' of thinking," Aleksic says, explaining that there's a greater metaphor at play here that "thinking is walking."

Once you see some examples, it becomes so clear. Our minds "race" or "wander," our thoughts "stray," and we "arrive" at conclusions. Watch his full video below.

One person, one woman, CAN make a difference. Earth and all her creatures are grateful to you, Dr. Jane Goodall.
10/04/2025

One person, one woman, CAN make a difference. Earth and all her creatures are grateful to you, Dr. Jane Goodall.

10/04/2025

THE QUIET MIRACLE OF BEING HUMAN

From Ernest Hemingway …

The hardest lesson I have had to learn as an adult is the relentless need to keep going, no matter how broken I feel inside.
This truth is raw, unfiltered, and painfully universal. Life doesn’t stop when we are exhausted, when our hearts are shattered, or when our spirits feel threadbare. It keeps moving—unyielding, indifferent—demanding that we keep pace. There is no pause button for grief, no intermission for healing, no moment where the world gently steps aside and allows us to mend. Life expects us to carry our burdens in silence, to push forward despite the weight of all we carry inside.

The cruelest part? No one really prepares us for this. As children, we are fed stories of resilience wrapped in neat, hopeful endings—tales where pain has purpose and every storm clears to reveal a bright horizon. But adulthood strips away those comforting illusions. It teaches us that survival is rarely poetic. More often than not, it’s about showing up when you’d rather disappear, smiling through pain no one sees, and carrying on despite feeling like you're unraveling from the inside out.

And yet, somehow, we persevere. That’s the quiet miracle of being human. Even when life is relentless, even when hope feels distant, we keep moving. We stumble, we break, we fall to our knees—but we get up. And in doing so, we uncover a strength we never knew we had. We learn to comfort ourselves in the ways we wish others would. We become the voice of reassurance we once searched for. Slowly, we realize that resilience isn’t always about grand acts of bravery; sometimes, it’s just a whisper—“Keep going.”

Yes, it’s exhausting. Yes, it’s unfair. And yes, there are days when the weight of it all feels unbearable. But every small step forward is proof that we haven’t given up. That we are still fighting, still holding on, still refusing to let the darkness consume us. That quiet defiance—choosing to exist, to try, to hope—is the bravest thing we can do.

Pittsburgh’s Carnegie Museum of Art has become one of our favorite 412 institutions. We go as often as possible to visit...
09/25/2025

Pittsburgh’s Carnegie Museum of Art has become one of our favorite 412 institutions. We go as often as possible to visit our favorite Monet, Rothko, and Pollack paintings as well as to explore new exhibits. But if you live elsewhere or if you have a disability or chronic insomnia, this is a most excellent resource to experience amazing art from your armchair, couch, or even bed. Grab a favorite beverage, fluff your pillow, and take one (or all) of these virtual tours.

Meet an artist, experience an exhibition, or learn about our museum from wherever you are!

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