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Litmus Press Publisher of innovative, cross-genre, and interdisciplinary work by poets, writers, translators, and artists. Follow us!

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What people are saying about Mira Mattar’s Yes, I Am A Destroyer:“An astonishing, contrary, visionary rush – insightful,...
10/02/2025

What people are saying about Mira Mattar’s Yes, I Am A Destroyer:

“An astonishing, contrary, visionary rush – insightful, poignant and ecstatic.”
—China Miéville

“[A] dazzling hybrid of experimental prose, autofiction, and poetry that resists the stricturing confines of embodiment, selfhood and identity at every turn.”
—Odhran O’Donoghue

“What if the self were necessary to its own undoing? As in: the only one capable of dismantling the first-person’s tightly wound ideological conglomerate—on which literature so heavily depends—is the self itself...This is an extraordinary book. Everyone who is someone should read it—to become no one.”
—Mirene Arsanios

“...[M]y words fail. This is the kind of book that pulls me in at ungodly hours, holds me transfixed in its questionings: ‘what can I recall without memory?’ asks Mattar’s speaker of family objects, or ‘why may they have their eyes when we may not have our own?’ .... A work of ineffable brilliance from one of my favorite Palestinian poets alive.
—George Abraham, author of Birthright

“[Yes, I Am A Destroyer] leaps beyond the cloying contract of capital with the feminine, of intimacy with violence, to animate a lush document of the refusal of subjection.... This glorious tract ends with a call for the anarchical vigour of the animal body we share. Read it and flourish. You will perhaps be invoiced.”
—Lisa Robertson

Yes, I Am A Destroyer is available via the link in bio.

First published in 2020 by MA BIBLIOTHÈQUE in the UK and Europe, we are honored to make *Yes, I Am A Destroyer* available to a North American audience.

As always, you can support Palestinian liberation and an end to the genocide in Gaza. You can materially support Palestinian life in Gaza by donating to a green resistance movement working towards reviving Gaza’s farmland by building food sovereignty. Protest, boycott, donate NOW.

"DEAD YOUTH 1: How’s the dawn?DEAD YOUTH 2: Bilious. An ugly thing. So new, yet it glooms like cholangiocarcinoma. & glo...
09/25/2025

"DEAD YOUTH 1: How’s the dawn?

DEAD YOUTH 2: Bilious. An ugly thing. So new, yet it glooms like cholangiocarcinoma. & glops its cellophane.

DEAD YOUTH 1: And how’s the moon?

DEAD YOUTH 2: Green Cheese.

DEAD YOUTH 1: Yuk yuk"

Online edition and workshop today at the link in bio

[Photo taken during the production of Dead Youth, or, The Leaks, written by Joyelle McSweeney, performed and produced by Runaways Lab Theater, Chicago, 2017.
Pictured are Dylan Fahoome, Candace Hundell, Gannon Reedy, Ronen Kohn, Will Green]

Only 2 days until we gather online for the launch of Dead Youth, or, The Leaks!With writing prompts, readings + conversa...
09/23/2025

Only 2 days until we gather online for the launch of Dead Youth, or, The Leaks!

With writing prompts, readings + conversation from Joyelle McSweeney & Tonya M. Foster.

🔗 RSVP at the link in bio

Biswamit Dwibedy and Pam Dick at last week's celebration of ERODE in Berlin. Some more  glimpse from the reading, which ...
09/18/2025

Biswamit Dwibedy and Pam Dick at last week's celebration of ERODE in Berlin. Some more glimpse from the reading, which also featured fellow Litmus friends Oana Avasilichioaei and Cole Swensen. Thank you to Hopscotch Reading Room for hosting such a wonderful evening and for all who joined us across the ocean.

ERODE is now available for Purchase through Asterism. If you are a bookstore in Europe interested in stocking Erode let us know -– we have some copies over here.

You’re invited!Join us next week for a free generative workshop and discussion which also doubles as the virtual launch ...
09/16/2025

You’re invited!
Join us next week for a free generative workshop and discussion which also doubles as the virtual launch of Dead Youth, or, The Leaks, a digital critical edition, with Joyelle McSweeney & Tonya M. Foster.

This launch is part of our Open Poetics Series: making out-of-print titles available as eBooks, with expanded resources and multimedia tools. The new digital-critical edition of Dead Youth was curated in close collaboration with McSweeney and is entirely free to access.

The Online Launch will include writing prompts, discussions and reading facilitated by McSweeney and poet Tonya M. Foster. Sign up through the link in our bio

📅 September 25, 3:30pm ET
🌐 Online, free & open
🔗 RSVP via link in bio

We’re excited to be tabelling at the iconic NY Art Book Fair this weekend debuting as POETRY CORP., a collective of five...
09/11/2025

We’re excited to be tabelling at the iconic NY Art Book Fair this weekend debuting as POETRY CORP., a collective of five NYC-based publishers—Belladonna* Collaborative, Futurepoem, Litmus Press, Winter Editions, and World Poetry—working together as a mutual aid publishing cooperative.

We’ll have limited editions of Spectral Evidence: The Witch Box, the paperback, and a few other special treats.

📍 Booth
📅 September 11–14
🏛️ MoMA PS1, Long Island City
🎟️ Free admission on Sunday!

For admission details + full schedule, check the NYABF website.

Book launch + Berlin reading!ERODE by Biswamit Dwidbedy launches with Litmus Press on September 15.�This stunning new ly...
09/09/2025

Book launch + Berlin reading!

ERODE by Biswamit Dwidbedy launches with Litmus Press on September 15.�This stunning new lyric brings together his first out-of-print book Ozalid and expands it into Erode.

Berlin friends — we've got a special reading coming up! Come through this Friday at Hopscotch Reading Room (Nansenstraße 2). Biswamit will be reading from Erode alongside none other than Cole Swensen, Oana Avasilichioaei, and Moyna Pam Dick(aka Lou/Gregoire/Mina Pam Dick et al.).

Europe: more stops from Biswamit coming soon. Stay tuned!

We are excited to announce that Mira Mattar’s *Yes, I Am A Destroyer* comes out on September 15th! You can pre-order a c...
09/08/2025

We are excited to announce that Mira Mattar’s *Yes, I Am A Destroyer* comes out on September 15th! You can pre-order a copy now at Asterism Books

First published in 2020 by MA BIBLIOTHÈQUE in the UK and Europe, we are honored to make *Yes, I Am A Destroyer* available to new audiences in North America and beyond. With new cover art by

Mira Mattar writes fiction, poetry and essays. She is the author of Yes, I Am A Destroyer (MA BIBLIOTHÈQUE, 2020; Litmus Press, 2025), Affiliation (Sad Press, 2021), The Bow (2021), and the chapbook, And most of all I would miss the shadows of the tree’s own leaves cast upon its trunk by the orange streetlight in the sweet blue darks of spring (Veer2, 2023). Mira lives and works in London.

Support Palestinian liberation and an end to the genocide in Gaza. You can materially support Palestinian life in Gaza by donating money to a green resistance movement working towards reviving Gaza’s farmland by building food sovereignty.

Links in bio.

Celebrate Controlled Demolition with us on September 19th, 6-8pm, at the Martin E. Segal Theater at the CUNY Grad Center...
09/01/2025

Celebrate Controlled Demolition with us on September 19th, 6-8pm, at the Martin E. Segal Theater at the CUNY Grad Center

Reading by Ammiel Alcalay, music (vocals and ‘oud) by Safira Berrada-Riggs, and an introduction & conversation with Zohra Saed.

Copies of *Controlled Demolition* will be available for purchase at the event. RSVP at the link in bio!

From Controlled Demolition:
I’m convinced that we no longer see the same way we used to, that we can’t, as our field of vision has been under such relentless duress by the rapidity of data and image that our physical being has adapted to the point of resisting the imprint of live phenomena and event. I am trying to slow this process down, it’s not even that I’m trying to see—we may be well beyond that by now—but to sift through events, moments, images, and find trails to come to our senses again, within: to find texture, weight, dimension, depth, the compass of our very organs ensconced in the alien depths of our inner channels and byways.

Poet Biswamit Dwibedy unpacks print fresh copies of his new book ERODE."How are you not already reading this book and in...
08/28/2025

Poet Biswamit Dwibedy unpacks print fresh copies of his new book ERODE.

"How are you not already reading this book and inside it already? Biswamit Dwibedy will teach you how to read Biswamit Dwibedy like a golden lock flicked from a bang, like Nina Simone lip-syncing the latest Björk, like wearing faux fur to a real red paint party inside a faux bois factory." – Sandra Doller on ERODE

We are launching ERODE on September 15 but you can already preorder the book through our website and at Asterism Books.

And this fall, catch Biswamit on his European book tour — more details soon!

The Poetry Foundation recently published a folio of Norma Cole’s work, featuring her poetry and critical essays on her w...
08/21/2025

The Poetry Foundation recently published a folio of Norma Cole’s work, featuring her poetry and critical essays on her work.

In the fall, Litmus is excited to be republishing Norma Cole’s translation of Danielle Collobert’s “Notebooks, 1956-1978.” Stay tuned!

In Danielle Collobert’s “Notebooks” the questions—of presence in the world, of politics and intimacy—are constantly recovered from the blur of experience. Collobert moves towards and away in a feverish attempt to connect, stay connected—whether in her personal encounters, moments of activism or writing—and though she ultimately chooses death, there is enough life in her writing to carry on: “the hum of life all around… I open / and I close.”

Our very own E. Tracy Grinnell, as well as Isabelle Garron and Eléna Rivera responding to Joan Mitchell… �via @ joanmitc...
08/19/2025

Our very own E. Tracy Grinnell, as well as Isabelle Garron and Eléna Rivera responding to Joan Mitchell… �

via @ joanmitchellfdn :

>>>�

“Isabelle Garron on the Joan Mitchell Poetry Project:

I feel connected to Mitchell through her gesture, her relationship to color, the audacity of her opening of forms to a change of perspective outside of any affiliation. The experience of her works is the unstoppable stream that irrigates the poem I’m looking for, just like the example she sets for inhabiting a world as an artist, by risking all the energy our body gives us to manifest its form and song.

“Joan Mitchell’s painting has left its mark on the poetics of many women poets I know. She is one of the essential references in our conversations. I’m thinking of Catherine Weinzaepflen, whose writing is imbued with the landscape, painting, and color, and the American poets E. Tracy Grinnell and Eléna Rivera.

“Two years ago, Eléna, Tracy, and I started a project we refer to between ourselves as the “Mitchell project.” It’s a kind of three-person workshop writing, always inspired by one of Joan’s works. The painting that sparked this process is The Bridge (1956). Using The Bridge to inaugurate this project emphasizes our wish to invent unprecedented bridges between the fine arts and poetry. We’re also thinking of using the title The Bridge for an online review we want to launch with the ambition of sharing the link between contemporary poetry and the work of female artists.”

is a poet based in Paris, France. The poem excerpts shared here respond to Mitchell’s work “The Bridge” (1956, first slide). Follow the link in bio to read the full poems by Garron, E. Tracy Grinnell ( ), and Eléna Rivera ().

This text and Garron’s poem were translated from the French originals by Nicholas Elliott. Les versions françaises sont disponibles sur le lien dans la bio.

Pictured in first slide: Joan Mitchell, The Bridge, 1956. Oil on canvas, 45 3/4 x 70 3/8 in. Private Collection. © Estate of Joan Mitchell. "

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