The Climbing Zine

The Climbing Zine www.climbingzine.com Representing the essence of climbing (and zine randomness). Word.

06/10/2026

Bolt maintenance and replacement saves lives. Some footage of replacing the rappel station on the South Six Shooter tower in Indian Creek with hardware from

Sweat equity by: .foulkes.31 + Charlie Joe Dunn

This Friday we’ll release a Dirtbag Classic episode of our with

Word

A relationship with a climbing area can feel like a long-term romantic entanglement. The similarity makes sense when you...
06/09/2026

A relationship with a climbing area can feel like a long-term romantic entanglement. The similarity makes sense when you think about how much identity we invest in our sport and how triumph and tribulation inevitably change us over time. Our crags aren’t static either, and their nature shifts with fluctuating visitation or natural disaster, both of which can alter the character of an initial infatuation.

That long-term intimacy is what makes people so protective of their favorite places, and it is why, weirdly, a crack in a rock or a string of bolts can become central to someone’s identity. A commitment to a crag can be a good thing because it fosters stewardship, but occasionally you hear about a fistfight in the parking lot when two people get possessive about the same route.

Most serious climbers I’ve known have this type of invested relationship with at least one crag. For years, I had it with Indian Creek, though I see in retrospect that things were doomed because we were in different states and neither was willing to move.

I live in Los Alamos, a small Northern New Mexico town whose notoriety arises from the part it played in producing the world’s first atomic bomb, though its climbing is pretty good too. I moved to Los Alamos in 1993 for a writing internship and stayed because a fellow student took me toproping at a roadside cliff called Cattle Call Wall. We danced gingerly around deposits left by the eponymous bovines, scaled a few 5.7s and 5.8s, and my life changed. The next day, I bought shoes and a chalk bag and began saving up for a rope. Trad climbing quickly became my thing, and I naturally gravitated to Indian Creek, but the bleary-eyed Sunday night drives back home made me yearn for someplace closer to hone my finger-locks and fist-stacks. Finally, in the fall of 2009, I found what I was looking for in Capulin Canyon, a scrappy cliff in the Jemez Mountains, a mere thirty-five minutes from my door (twenty-five if I was sliding the corners).

Words by Josh Smith from his essay Trial by Fire, published in Volume 26.

Zo Bolt seeks out off-width boulders, a niche passion that pays dividends with a route like Anklebiter, 5.12-. Photo: Eric Bowes

Score a copy in print: https://shop.climbingzine.com/

"We knew there was a lot to unpack up there. We needed to give it our time and attention. It was a big undertaking and b...
06/06/2026

"We knew there was a lot to unpack up there. We needed to give it our time and attention. It was a big undertaking and brought up a lot of nervousness and self-doubt. We needed to objectively self-assess where our skills were in comparison with an environment that wasn’t known to us and was subject to change at any time.

To do that, we needed to understand ourselves truly, beyond the influence of passing opinions or external expectations.

Women who specialize in multipitch climbing are far less common than those who focus on single-pitch climbing or gym climbing. Women doing first free ascents of multipitch alpine routes are even more rare.

Why?

Well, partly because most of us haven’t tried.

Which leads us to the next question: Why haven’t we tried?

While talking to my climbing partner, Mango, about doing this route, we both acknowledged that we were wading in new waters. But we were also ready to give it a shot."

Words by Karly Rager from her piece, Permission Slip, published in the new Zine. Photo of the author by Travis Perkins

Read an excerpt:

https://climbingzine.com/permission-slip-by-karly-rager-an-excerpt/

05/30/2026

"Retirement in climbing doesn’t really exist. In fact I still love it as much as I ever did; I just like to move on the rock in different ways than I used to. Actually, many of us hit our prime at ages when mainstream professional sports athletes are long retired.

There’s a spiritual, mystical, otherworldly side of climbing that big walls exposed me to. I can’t say I’m any wiser for it, but I will say all those years have given me some patience and grace that I never would have accessed. Watching for the signs, listening to the mountain, understanding that we were never meant to live in the way that modern society has molded us."

Words from The Dirtbags Aren't Dead, They're Just in Mexico by Luke Mehall, Writer. An audio version of this piece from Volume 26 just dropped. Link below to listen.

Video by Alexey Imaev

https://climbingzine.com/the-dirtbags-arent-dead-theyre-just-in-mexico-part-2/

November is closing in fast, and on this turn around the fireball, we reach a strange and interesting milestone in Ameri...
05/28/2026

November is closing in fast, and on this turn around the fireball, we reach a strange and interesting milestone in American rock climbing. Forty years ago, Earl Wiggins shouldered a rack of hexes and set out on the FA of a smooth and parallel-sided crack situated just up the hillside above a small cattle ranch in southeast Utah.

A decided push, a scratchy bit of 8 mm footage, and Luxury Liner, aka Supercrack, was on line. In the following years, anchors would sprout high and low, spring-loaded camming devices would open the gates of the desert wide, and the Creek would burn sweet and dry on the palette with a juniper finish, hints of wood smoke and horsesh*t. Over a thousand lines would trace the weaknesses of the clean-cut cliffs, and still folks stream from the four corners of the globe to the Four Corners of the American Southwest for a taste of the coyote-and-roadrunner life, tape gloves, sandy burritos/butt cracks, and absolutely perfect splitters. After forty years of exploration and development, of stewardship and traffic, of grade-chasers and vision-questers, Indian Creek has become The Best Crack Climbing in the World.

In the hours leading up to that pivotal and visionary ascent, almost no mention is made of what that party of adventurers did with their time.

Deep breath, trad crusties: apparently, they went bouldering.

Let that out slow.

Camping just down the valley from Supercrack Buttress at the Fringe of Death Canyon, the merry band awoke, warmed, and stretched fiber and sinew on a collection of blocks that season the sage slopes and flats just outside of Canyonlands National Park. This stock of tilted roadside blocks is still an obvious attraction, with whispers of chalk beckoning. It’s the only place cited when I ask the springtime hordes that split the seams of the Donnelley parking lot if they’ve ever gone bouldering in the Creek. “Oh ya, we go, like, on a rest day, take a six pack…sometimes your gobies need a rest!”

Somehow that morning’s motions, performed to calm the mind and lighten the spirits, went forgotten for decades, interred without ceremony beneath tangles of budding history, overshadowed by the ascent of a perfectly parallel crack once thought to be unprotectable. Oddly, today we say “visionary” and mean a splitter handcrack as obvious as a slap in the face, and not one of the subtle, balancey, powerful, flowing test pieces that enrich the valley floor. It was the question of protection that helped make the ascent of Supercrack so very visionary. In a time where American climbing was focused on Yosemite and still battled with the use of pitons as removable protection, one of the greatest concerns was whether the pro would hold in the soft Wingate. It was a bold, face-melting, determined lead, heavy with possibility and hexes and the whole of the future.

1976, and Indian Creek was new school as f**k.

Words by Chris Schulte from his essay published in The Climbing Zine Book.

Photo of Jimmie Dunn and Stewart Green from Stewart's Collection. Read the full piece:

https://climbingzine.com/old-becomes-new-indian-creek-chris-schulte/

05/25/2026

“The Dirtbag Dream Is Not Enough” was the title of an interview I once did with the Clipping Chains podcast, an underrated show that covers the intersection of finance and climbing.

I think I said the line during my interview, and it sums up exactly how I feel about this stage of life. While ten years ago the climbing community was debating whether the dirtbag was dead, and I passionately engaged in that debate; now I simply steer my life in a direction knowing that simply living to climb is not enough.

So now I climb to live.

This last season I just sent my hardest sport route. I won’t bother noting here what climb that was, or even the grade, because I don’t think that part matters.

What matters for me is that I’ve found an area of climbing where I can still excel. While this world is full of half-wit comedians who get up onstage and complain about how life is running them over once they hit forty, we climbers are a different kind; the optimism embedded in our sport changes us, moves us in a whole other direction than where the mainstream is going……
—————-
Words by

From: The Dirtbags Aren’t Dead, They’re Just in Mexico

Published in Volume 25 of

LINK IN BIO to score a copy

📷 of the author on Viento de Primavera

05/12/2026

We’ve been sitting on our interview with Jim Hurst for a little while. Now that the full Dark Wizard docuseries from Sender Films has aired, we’re psyched to share the conversation, which just went live in our Dirtbag State of Mind podcast feed.

Jim was a dear friend to Dean Potter, and often played a protective role for him; which was on full display during the Eiger freebase footage.

immensely enjoyed taking with Jim and you can listen at the link below:

https://climbingzine.com/the-dark-wizard-whisperer-with-jim-hurst/

The International Climbers’ Croquet Club exists in the spaces between summit and campfire. It’s a club, yes—but not in t...
05/03/2026

The International Climbers’ Croquet Club exists in the spaces between summit and campfire. It’s a club, yes—but not in the traditional sense. There are no dues. No applications. No hierarchy. What we do have are mallets strapped to harnesses, wickets planted in our precious earth, and a deep commitment to play as a community that understands the climbing grades matter less than the people we spend our time with.

We carry croquet gear up mountains and through rivers. We play before the approach, mid-route when possible, and long after the last rappel. Our version of croquet is not something you’ve likely seen on lawns in the suburbs. Ours is woven into what it means to be a climber- improvised, joyful, and adapted to whatever terrain we find ourselves in. The game is constantly evolving, and that’s part of the point.

Some climbing skills are necessary. You’ll need enough sense and strength to reach the game field, whether that’s a summit or a ledge system. But there are no grade requirements, no performance metrics. You don’t even need to know how to play croquet—we’ll teach you.

This is a joke and completely serious. It’s an invitation to recalibrate your relationship with climbing, with community, and with yourself. In an age where everything is performance and showmanship, we offer something quietly radical: a place where joy matters more than grades, and absurdity is honored as a kind of truth.

Words by D Scott Borden. Read the full piece here, and join our club!

https://climbingzine.com/an-invitation-from-the-international-climbers-croquet-club-by-d-scott-borden/

04/29/2026

Climbing with Multitudes with is now live in our feed.

Ashima is well known for being a young prodigy in climbing and is now creating some intriguing and thoughtful art projects in the climbing space and beyond.

It was a pleasure to talk to this young climber, wise beyond their years.

Listen to the episode wherever you listen ⚡️

Check the link in our bio for more (clothing line, stickers, episodes)

Thanks to for providing this clip of Ashimas film Muga

04/27/2026

We had to add some Zines to this library at - not only is it a cute cafe, but the owner is featured in “Permission Slip” an essay by in the new Zine.

Link in bio to score your own or head to Hanuman to read theirs!

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