Fiddle player Jessilyn Brinkerhoff and bass player Steve Korin at a recording session for Sarah Holtschlag last month. 🎶
11/26/2022
Our gift card sale continues through Monday!
To celebrate our 25 years in Eugene we’re offering a flash special for Small Business Saturday. From now through Monday Nov. 28th, get an extra 25% value on all gift cards!
For example, that means you can buy four hours of studio time and get a fifth free! Gift cards are also good for our online classes or any other service we offer - including mixing and mastering with Thaddeus through
Gift cards must be used within six months to retain extra 25% value, after six months cards will be worth purchased value.
Message us with any questions or for a custom amount, or purchase through l1nk in b1o. 🎶
11/22/2022
Local Eugene band Stone Biscuit in the studio over the weekend. ✌🏻
11/21/2022
To celebrate our 25 years in Eugene we’re offering a flash special for Small Business Saturday and this whole week. From now through Monday Nov. 28th, get an extra 25% value on all gift cards!
For example, that means you can buy four hours of studio time and get a fifth free! Gift cards are also good for our online classes or any other service we offer - including mixing and mastering with Thaddeus through
Gift cards must be used within six months to retain extra 25% value, after six months cards will be worth purchased value.
Message us with any questions or for a custom amount, or purchase preset amounts through our website:
Need a holiday gift for the musician in your life?
Sprout City gift cards are good for recording time, classes (available online), rehearsals, or any service we offer.
Perfect for musicians or aspiring engineers!
You can buy through our website, or contact us directly for a custom amount. 🎸
11/04/2022
Love this photo from 🪐
Posted • Recording is coming along! We miss you and love you. See you Saturday 11/5 at .eugene
10/04/2022
I love the Cathedral Pipes Microphones Regensburg Dom / Neumann U47 clones in a stereo pattern on acoustic Guitars!
I was using the Universal Audio LA-610’s with some NOS 1950’s tubes, driving them way harder than usual with a little limiting to get the acoustic parts to sit richly on top of several other electric distorted guitar parts in these songs. I love the way the 610 preamps sparkle when you hit them a little too hard.
In the studio recently with Fleeting Gold. 🎶
05/19/2022
I love ribbon mics and this one, the AEA R84, is one of my absolute favorites. It really shines on guitars, both acoustic and electric. It’s has a richness that’s hard to describe but it’s kind of like a velvet warmth. If there’s a harsh tone, it allows me to capture it in a way that mellows it out naturally. Throw it in front of a guitar amp and it’s like, damn that’s good. 😆
Second photo
01/18/2022
In the studio with Lacey, Yana, and Roger who came up from southern Oregon to do some recording recently.
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Thaddeus Moore was 18 years old when he decided he wanted to make something beautiful that stirred creativity in his life and in the lives of others. After some world traveling, and a ride with a rock guitarist while hitch hiking in New Zealand, he had his sights set on finding a studio apprenticeship upon his return to Eugene.
in 1996, a 19 year-old Thaddeus enrolled himself in every sound-related course at LCC. The courses were helpful and insightful, but he remained hungry for much more. Suddenly, a friend proposed an ambitious idea to start a recording studio. After searching for the perfect location, they found an old, rotting warehouse in west Eugene. It was full of mold, dry rot, and crumbling insulation due to many years of bean sprout production. To make this become a reality, they needed to find two other people who were interested in transforming it into a recording studio. As luck would have it... they did.
Handling the majority of the deconstruction, cleaning, and repairing left Thaddeus with many carpentry skills, but without his two newest partners. Scared, overextended, and under qualified, the two original partners were left alone to finish the planning and construction of an acoustically accurate and sound proofed studio space. At that time, both had to work while trying to snare a market for their new business in a small city, and two years into the project it was still incomplete. The stress proved to be too much and the original partner sold his interests to a new face, who soon moved to the midwest.
Now the sole proprietor of Sprout City Studios, Thaddeus was a 19 year-old sound engineer and business owner.
The experience gained by the hands-on work of the previous few years proved invaluable - there was nothing else he could have learned at any school. The studio WAS his school and through luck, experience and the kindness of knowledgeable people, Thaddeus found that he was now an accomplished and experienced sound engineer. nearly twenty years later, he has become a staple in the Eugene music scene, having worked with stars such as Frank Black of The Pixies, Thomas Mapfumo, and FOH engineer for Keb’ Mo’. He has also been interviewed by, and interviewer for several local and national recording publications. He also acts as a audio consultant for music venues, churches, and personal recording setups.
In 2010, Thaddeus opened up the studio to any competent engineers needing a great space and mic locker to make their clients recordings as well. Sprout City Studios now has 6 engineers working regularly in just about every genre of music, podcasting, and performance art.
On September 27th, 2019 the studio turns 22! We couldn’t have done it without all of our excellent clients. Thank you!