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Movie Lane

🔥 New Movies / Trailer Releases
Brand new movies you can't miss this month! So sad! It's eco-friendly, smart, and fun!

Everyone has those things that you don't ever wear, but they're too nice to donate, so they just sit in the back of your closet, gathering dust. Bring them to the Little Shop of Hers and trade them in, on the spot, for new to you fun exciting things that you would actually wear and give life to those old things, by passing them on to someone else who will actually wear them! We also pay cash for true vintage and some vintage inspired contemporary fashions!

07/22/2025

—The Craft (1996) 🎬

🎥 Andrew Fleming

07/22/2025

🎬🎬 Dances with Wolves (1990), directed by and starring Kevin Costner, is an epic Western that redefined the genre with its sweeping scope, emotional depth, and empathetic portrayal of Native American culture. Set during the American Civil War, the film follows Lieutenant John Dunbar (Costner), a Union soldier who requests a remote post on the Western frontier. Isolated and disillusioned, he gradually forms a bond with the nearby Lakota Sioux tribe, whose way of life opens his heart and transforms his identity.

As Dunbar immerses himself in their world—learning their language, adopting their customs, and eventually being named “Dances with Wolves”—he begins to see the brutal injustice of the white expansionist agenda. His loyalties shift, not out of rebellion, but through genuine human connection and respect for a culture far richer and more harmonious than his own.

Costner gives a quietly thoughtful performance, letting the transformation unfold with patience and sincerity. But it's the Lakota characters—especially Kicking Bird (Graham Greene), Wind In His Hair (Rodney A. Grant), and Stands With A Fist (Mary McDonnell)—who give the film its soul. Their portrayals are dignified, fully realized, and far from the stereotypes that once dominated Westerns.

Visually, the film is stunning. Dean Semler’s cinematography captures the vast, untamed beauty of the plains—endless skies, galloping herds, and fire-lit encampments. John Barry’s majestic score underscores both the grandeur and melancholy of a disappearing world.

Dances with Wolves is a story of transformation, cultural respect, and the cost of colonization. It’s both a love letter to a vanishing way of life and an indictment of the violence that ended it. Poetic, humane, and deeply moving, it’s a rare Western that listens more than it speaks.

07/21/2025

📺 Series: The Crowded Room (2023)
Created by: Akiva Goldsman | Starring: Tom Holland, Amanda Seyfried, Emmy Rossum, Sasha Lane

The Crowded Room is a psychological thriller series that ambitiously explores trauma, identity, and the fracturing of the human mind. Loosely inspired by the life of Billy Milligan and the non-fiction book The Minds of Billy Milligan by Daniel Keyes, the show attempts to tell a complex story about mental illness through the lens of mystery and suspense.

Tom Holland stars as Danny Sullivan, a reserved and troubled young man arrested for a violent crime in 1979 New York. What unfolds is a layered narrative, told primarily through a series of interviews between Danny and an empathetic investigator, Rya Goodwin (played with calm strength by Amanda Seyfried). As the interviews progress, truths about Danny’s past — and about his mind — slowly emerge.

Holland delivers a surprising, emotionally raw performance far from his usual charismatic roles. He portrays Danny’s vulnerability, confusion, and emotional depth with impressive restraint, especially as the show reveals the psychological complexities at play. Seyfried, too, anchors the story with intelligence and warmth.

The first half of the series plays like a slow-burn mystery, dropping vague hints and flashbacks, which can feel meandering at times. But the second half intensifies, as the narrative pivots into psychological drama, revealing the fragmented layers of Danny’s psyche. The twist may be foreseeable to some, but the emotional weight still lands.

Visually moody and grounded in a muted ‘70s aesthetic, The Crowded Room builds a melancholic atmosphere — though it occasionally struggles with pacing and tone. Still, it’s a bold exploration of dissociation, trauma, and healing.
Though uneven, The Crowded Room is a haunting meditation on identity, made memorable by a committed performance from Tom Holland. It’s not flawless, but its ambition and emotional core are worth the journey.

07/21/2025

🎬🎬 Perfect Days (2023), directed by Wim Wenders, is a profoundly gentle, contemplative film that finds beauty in the everyday and poetry in repetition. Set in Tokyo, it follows Hirayama (Koji Yakusho), a quiet, middle-aged man who cleans public toilets for a living — not with complaint, but with care, mindfulness, and quiet pride. 🚽🌱☀️

Hirayama’s life is one of humble routine. He wakes early, waters his plants, drinks canned coffee, listens to cassette tapes of 60s and 70s rock, and cycles through the city to do his job. He takes photos with an old film camera, reads William Faulkner on his lunch break, and ends each day with a quiet meal and the soft glow of Tokyo’s night. To an outside observer, it might seem mundane — but Wenders, with delicate direction, reveals a world full of subtle grace and emotional depth. 🛵📸🍂

The film has almost no dramatic plot — its power lies in observation, in the stillness between actions, and the quiet revelations that surface when life slows down. Through small, tender encounters — with a niece, a coworker, or a tree’s shifting light — we gradually glimpse Hirayama’s inner world, shaped by unspoken grief, solitude, and acceptance.

Koji Yakusho delivers a masterclass in minimalism. His expressive silences and soft eyes speak volumes. His performance earned him the Best Actor award at Cannes, and deservedly so.

🎬 Perfect Days is about appreciating life’s small rituals and finding meaning in simplicity.

🍃 A luminous, meditative gem — like a haiku in film form, whispering that happiness often hides in the quiet corners of ordinary life.

07/21/2025

🎬 Love in the Afternoon (1957) is a delicate waltz between innocence and experience, wrapped in Parisian charm and old-Hollywood elegance. Directed by the legendary Billy Wilder, this romantic comedy pairs the youthful radiance of Audrey Hepburn with the world-weariness of Gary Cooper — two souls from wildly different worlds colliding in a city built for romance. 🎻🌇🥐

Hepburn plays Ariane, a cello student and daughter of a private detective, who becomes intrigued by the romantic escapades of her father’s latest client — a suave American pl***oy named Frank Flannagan. When circumstances pull her into Flannagan’s orbit, she pretends to be a mysterious femme fatale with countless lovers, turning the tables on the notorious heartbreaker.

What follows is a bittersweet game of make-believe, where flirtation masks vulnerability and fantasy teeters on the edge of heartbreak. Hepburn is luminous — playful, witty, and heartbreakingly sincere. Cooper, though older than ideal for the role, brings a subtle melancholic charm, portraying a man slowly realizing that real connection has eluded him for far too long.

Wilder’s direction is light as air but grounded in real emotion. He avoids cliché, letting the romance simmer in glances, pauses, and quiet Parisian evenings. The film never shouts its feelings — it whispers them with class and grace.

📻 “I never said I was a lady. I never pretended to be anything else.”

Love in the Afternoon is a story of longing and disguise, of love found in unexpected places — a vintage fairytale with a touch of Parisian melancholy. 💌🌙💫

07/21/2025

“You Call That a Kiss, Duke?” — When Maureen O’Hara Challenged John Wayne On Set
While filming The Quiet Man in the lush countryside of Ireland, director John Ford insisted that the famous kiss scene between John Wayne and Maureen O’Hara be shot in a real, violent rainstorm, with one camera only, and no second takes.
It was cold. It was muddy. Maureen’s dress was soaked and dragging, and Wayne’s coat weighed a ton from the rain.
They rehearsed once — and then… action!
Wayne pulled Maureen into the cottage, kissed her fiercely, as scripted.
Cut.
Everyone clapped — except Maureen.
She looked at Wayne, hands on hips, and said loudly in front of the crew:
“You call that a kiss, Duke? My grandmother kisses better than that!”
Wayne turned red.
The crew burst out laughing.
Director John Ford roared, “Print it! That’s the one!”
Later that night, Wayne caught up with her at the pub and said:
“You embarrassed the hell outta me, Red.”
O’Hara grinned.
“Then kiss me like you mean it next time.”
They both laughed, and from that day on, every scene they did together carried that same mix of heat, pride, and mutual respect.
Behind every great on-screen couple, there’s at least one moment where the woman reminds the man who’s really running the show.
And with Maureen O’Hara, John Wayne never forgot.

07/21/2025

🎬 Carnage (2011), directed by Roman Polanski and adapted from Yasmina Reza’s acclaimed play God of Carnage, is a razor-sharp, darkly comedic chamber piece that dissects the thin veneer of social civility. Set entirely within a Brooklyn apartment, the film stars Jodie Foster, Kate Winslet, Christoph Waltz, and John C. Reilly as two well-to-do couples who meet to discuss a playground altercation between their young sons.

What begins as a polite, rational conversation quickly spirals into emotional chaos. As pleasantries dissolve and facades crack, the characters descend into a whirlwind of passive-aggression, self-righteousness, and raw hostility. With biting dialogue and impeccable performances, Carnage gradually peels back the layers of politeness to expose the characters' insecurities, class tensions, and emotional volatility.

Polanski masterfully builds tension within the confined space, transforming the apartment into a psychological battleground. The film explores the absurdity and fragility of modern manners, highlighting how quickly refined adults can regress into petulant behavior when their egos are challenged.

Both uncomfortable and darkly hilarious, Carnage is a clever examination of social pretense, moral posturing, and the chaos that simmers beneath everyday interactions. It’s a taut, theatrical satire of conflict resolution gone wrong—and a compelling reminder that sometimes, adults behave worse than children.

07/20/2025

🎬🎬 Carol (2015) is a masterclass in restraint—a love story etched through the spaces between words, glances, and gestures. Set in the early 1950s, Todd Haynes’s adaptation of Patricia Highsmith's The Price of Salt delicately portrays a forbidden romance unfolding in a society defined by silence and conformity.

Cate Blanchett shines as Carol Aird, a poised and elegant woman grappling with a crumbling marriage and the threat of losing custody of her daughter. Opposite her, Rooney Mara portrays Therese Belivet, a thoughtful, aspiring photographer who finds herself entranced by Carol during a brief encounter in a department store at Christmastime. What seems like chance soon deepens into an emotional bond that flickers with longing and risk.

Haynes crafts a rich, emotionally charged atmosphere not through melodrama but through nuance—stolen glances, fleeting touches, and meaningful pauses. Blanchett's Carol exudes a calm intensity, her vulnerabilities held in check behind a refined exterior. Mara’s Therese is tender, searching, awakening to her own strength through love. Their chemistry blooms quietly but powerfully.

Cinematographer Edward Lachman shoots on soft-focus 16mm film, evoking faded photographs and memories. The visual palette—muted hues and luminous candlelight—carries the emotional weight of each scene. The painstaking period detail—costumes, decor, landscapes—permeates every frame with authenticity.

Carter Burwell's understated score dually supports and elevates the film’s emotional rhythm. His compositions subtly underscore longing, awakening, and the gravity of personal choice.

But Carol is more than a romance—it’s a tender, courageous exploration of self-realization and freedom in a world built to silence women like Carol and Therese. Their love isn’t grand or noisy but feels revolutionary because it exists in defiance of the era’s expectations.

07/19/2025

🎬🎬 Yesterday, Today and Tomorrow (1963), directed by Vittorio De Sica, is a dazzling showcase of Italian cinema at its most charismatic and seductive — a triptych of short stories, each starring the iconic duo Sophia Loren and Marcello Mastroianni in different roles, locations, and romantic entanglements. 🇮🇹💋📽️

The film begins with “Adelina,” set in working-class Naples, where Loren plays a fiery black-market cigarette seller who avoids jail by continuously getting pregnant. Her chemistry with Mastroianni (as her exhausted but loving husband) is electric and hilarious — their scenes pulse with warmth, wit, and a raw physicality that feels alive.

In “Anna,” we shift to the wealthy world of Milan. Loren becomes a glamorous, cold socialite, while Mastroianni is her idealistic lover. Here, the tone is more cynical — a look at class, materialism, and how love wilts under the weight of wealth. The sleek car ride through Milan becomes a metaphor for their crumbling passion.

Finally, in “Mara,” Loren is a high-end Roman es**rt with surprising tenderness, and Mastroianni plays a neurotic client obsessed with her. This segment is both comedic and sensual, culminating in one of the most iconic stripteases in film history — Loren in black lace, with Mastroianni sweating in agony. It’s unforgettable.

What ties the stories together is not plot, but the dueling forces of desire and dignity, and how men and women play out their roles within society’s expectations. Loren is a revelation in each part — earthy, glamorous, hilarious, and heartbreaking — and Mastroianni matches her every step of the way.

🎬 Yesterday, Today and Tomorrow is breezy yet profound, sexy yet satirical — a timeless celebration of love, lust, and life in all its contradictions.

🍷 It’s Italian cinema at its most irresistible: stylish, spirited, and full of soul.

07/19/2025

📺 Murder, She Wrote (1984–1996) is one of television’s most beloved detective series — a comforting blend of cozy mystery, charming small-town Americana, and old-fashioned sleuthing, anchored by the incomparable Angela Lansbury as amateur detective and mystery novelist Jessica Fletcher.

Set mostly in the fictional town of Cabot Cove, Maine (though Jessica travels widely), each episode follows her as she stumbles upon murder and uses sharp wit, empathy, and logic to uncover the truth. Unlike gritty crime dramas, the violence here is sanitized, the tone warm, and the focus firmly on character and puzzle-solving. It’s not about blood — it’s about motives, alibis, and the subtle clues people try to hide.

Angela Lansbury’s portrayal of Jessica Fletcher is the heart and soul of the series. Jessica is intelligent, kind, curious, and unwaveringly moral — a refreshing departure from the tortured detectives or action-hero types typical of the genre. Lansbury brings warmth and dignity to the role, becoming a cultural icon and feminist figure in her own right.

The show's appeal lies in its formula: a rotating cast of guest stars, a tidy mystery, and a satisfying resolution. Yet there’s also something timeless about its atmosphere — a mix of New England charm and 1940s-style whodunit flair. Beneath the surface, it’s a celebration of a woman’s independence, intellect, and quiet strength in a world that often underestimates her.

Though dated in some of its aesthetics, Murder, She Wrote endures as comfort television — a mystery series that believes in justice, decency, and the power of paying attention.

Smart, cozy, and endlessly watchable — Murder, She Wrote is a classic that turned the mystery genre into a weekly ritual, all thanks to the unmatched brilliance of Angela Lansbury.

07/19/2025

🎬🎬 The Last Boy Scout (1991), directed by Tony Scott, is a gritty, high-octane action-comedy that fuses explosive set pieces with dark humor and sharp, cynical dialogue. Bruce Willis stars as Joe Hallenbeck, a down-and-out former Secret Service agent turned jaded private investigator, whose life takes a sharp turn when he’s teamed up with Jimmy Dix (played by Damon Wayans), a disgraced former football star with his own demons.

Their reluctant partnership begins after the murder of Jimmy’s girlfriend, a stripper entangled in a dangerous web of corruption that links professional football, high-level politics, and organized gambling. As the duo digs deeper, they uncover a conspiracy drenched in betrayal and bloodshed, putting both their lives on the line.

Tony Scott’s kinetic direction infuses the film with pulpy energy—slick visuals, moody lighting, and relentless pacing that amplify its noir-inspired tension. The action is brutal and fast, but what truly sets the film apart is its characters and their chemistry. Willis leans into his trademark role as the sardonic antihero—equal parts battered and badass—while Wayans delivers quick wit, emotional nuance, and a surprising amount of heart. Together, they create one of the most memorable odd-couple duos in ‘90s cinema.

At the heart of The Last Boy Scout is a biting, self-aware script by Shane Black, loaded with hard-boiled one-liners, gallows humor, and unexpected turns. It’s a film that revels in its cynicism, skewering American obsessions with violence, sports, and corruption—all while delivering relentless entertainment.

Hans Zimmer’s pulsing score provides a muscular backbone to the action, enhancing both the suspense and the grimy L.A. atmosphere. The result is a film that’s as stylish as it is subversive—one that knows exactly what it is and leans into it with unapologetic swagger.

While The Last Boy Scout wasn’t a massive box office hit upon release, it has grown into a cult classic. Its mix of noir grit, buddy-cop dynamics, and razor-edged satire gives it a lasting punch, cementing it as one of the most distinctive and quotable action films of its era.

07/18/2025

🎬🎬 Pretty Woman (1990)
Directed by Garry Marshall | Starring Julia Roberts & Richard Gere

Pretty Woman, the beloved romantic comedy that became a cultural phenomenon, first charmed audiences in March 1990. At its heart is the story of an unlikely romance between Edward Lewis (Richard Gere), a suave, emotionally guarded businessman, and Vivian Ward (Julia Roberts), a quick-witted, street-smart woman hired to be his companion for a week of social engagements.

What starts as a business arrangement evolves into something far more genuine, as the two begin to break down each other’s emotional walls. Amid glitzy Beverly Hills backdrops and fairytale makeovers, Pretty Woman delivers an enduring message: love can be found in the most unexpected places—and people are more than their circumstances.

Julia Roberts, then still early in her career, became a household name overnight. Her radiant smile, vulnerability, and comedic timing made Vivian one of the most iconic roles in modern cinema. Paired with Richard Gere’s understated charm and quiet intensity, their magnetic chemistry lit up the screen. Together, they redefined the romantic comedy formula.

Behind the scenes, the film’s journey was just as remarkable. The original script was far darker, with a gritty ending that saw Vivian returning to the streets. But test audiences yearned for something more uplifting—and the now-famous Cinderella-style ending was born. Another fun fact: the unforgettable red dress scene was largely improvised, with Roberts herself selecting the gown that would become symbolic of Vivian’s transformation.

Upon release, Pretty Woman shattered box office expectations, earning over $460 million worldwide and becoming the highest-grossing romantic comedy of the year. The film’s soundtrack, style, and quotable lines (“Big mistake. Big. Huge!”) became ingrained in pop culture.

Over three decades later, Pretty Woman continues to resonate. It’s more than just a love story—it’s a tale about self-worth, second chances, and the beauty of being seen for who you truly are.

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