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Interview: Legends Arising ZineMechanical Precision: Gene Olivarri guitarist of Dirigiri on Pick Engineering & Performan...
02/26/2026

Interview: Legends Arising Zine
Mechanical Precision: Gene Olivarri guitarist of Dirigiri on Pick Engineering & Performance
February 25, 2026

In extreme metal, the margin for error is microscopic. At high tempos and dense arrangements, clarity depends not only on amplification, but on the physical mechanics of ex*****on. For Gene Olivarri of Dirigiri, the guitar pick is not a disposable accessory—it is a calibrated performance tool.

While his broader rig remains intentionally direct and uncompromising, Olivarri’s analysis of pick selection reveals a methodical approach rooted in biomechanics, articulation science, and endurance management.

Legends Arising Zine: Gene, many players treat picks as interchangeable. You clearly don’t. Why?

Gene Olivarri: Because they aren’t interchangeable. The pick is the first point of energy transfer between the player and the instrument. Everything—attack, articulation, timing response—originates at that contact point.

In technical death metal, especially at higher BPM ranges, the pick’s flexibility, edge definition, surface texture, and resistance profile all directly affect performance consistency. If those variables aren’t controlled, the entire signal chain amplifies inconsistencies.

Legends Arising: You use the GripX .73mm from InTune. Why that exact specification?

Gene Olivarri: I’m endorsed by InTune GP, and I use their GripX series in .73mm exclusively.

The .73mm gauge provides a controlled flex profile. That flexibility acts almost like micro-suspension—it absorbs part of the string resistance during high-speed alternate picking. This reduces cumulative strain on the wrist and forearm over long passages.

At the same time, it maintains enough rigidity to preserve percussive definition during palm-muted sections. In death metal, those muted rhythms need to sound tight and surgical, not soft or undefined.

The balance between elasticity and firmness is critical.

Legends Arising: Can you explain how gauge affects biomechanics during fast passages?

Gene Olivarri: With thicker picks—1.0mm or higher—you’re dealing with a more rigid impact surface. That rigidity increases resistance during tremolo picking. Over time, that resistance forces the muscles in the wrist and forearm to compensate.

That compensation creates tension. Tension reduces fluidity and can slightly alter stroke symmetry. At extreme tempos, even minor asymmetry affects note spacing and timing.

The .73mm mitigates that issue. The slight flex reduces impact shock and allows smoother rebound off the string. The result is more consistent stroke depth and better endurance.

It’s about efficiency, not just aggression.

Legends Arising: How does pick material and surface texture factor into this?

Gene Olivarri: Surface texture plays a major role in tension management. The GripX finish provides traction without requiring excessive grip force. If a player has to squeeze harder to stabilize the pick, muscular tension increases throughout the hand and forearm.

Excess grip pressure leads to micro-stiffness in the picking motion. That stiffness translates to less dynamic control and reduced speed over time.

The GripX surface allows me to maintain a relaxed but secure hold. Relaxation is critical for sustaining precision across long rehearsals and live sets.

Legends Arising: Let’s discuss articulation and transient responses in more technical terms.

Gene Olivarri: The transient—the initial attack portion of the note—is where clarity is defined. In dense, high-gain death metal, sustain is abundant. What separates notes is the front edge.

Pick edge geometry affects that transient. A sharp, well-defined tip creates a clean, immediate energy transfer. As the edge wears and becomes rounded, the transient softens and slightly delays, even if only by milliseconds.

At high tempos, those milliseconds accumulate perceptually. That’s why I rotate picks regularly. Once the edge integrity changes, articulation changes.

Legends Arising: Do you measure performance differences between new and worn picks?

Gene Olivarri: Not with instruments, but through feel and response. A worn edge increases drag slightly. That drag changes stroke timing and can subtly reduce attack clarity in palm-muted passages.

For studio tracking, especially on rhythm sections that require tight synchronization, I prefer a fresh or minimally worn edge. It ensures maximum transient precision.

Legends Arising: How does pick angle interact with your chosen gauge?

Gene Olivarri: I use a slight angle relative to the string plane. That reduces contact surface area and lowers friction. Combined with the moderate flexibility of the .73mm, this creates efficient string release and consistent rebound.

Too flat of an angle increases drag. Too steep reduces control. The pick must complement the motion, not resist it.

The .73mm gauge responds predictably within that angle range. A thicker pick behaves differently under the same orientation.

Legends Arising: Does the pick influence harmonic response?

Gene Olivarri: Yes. Artificial harmonics and pinch harmonics rely on precise contact timing between pick edge and thumb. Gauge and stiffness affect how quickly the string releases after impact.

A slightly flexible pick like .73mm gives a controlled release that makes harmonic articulation more consistent without sounding brittle.

Legends Arising: In your broader system—guitar, amp, cabinet—where does the pick rank in importance?

Gene Olivarri: It’s foundational. My amplifier amplifies what my hands produce. If the attack is inconsistent or weak, no amp setting corrects that.

The pick determines:

Transient clarity

Stroke resistance

Endurance capacity

Rhythmic precision

Harmonic response

In highly technical death metal, those factors define professionalism.

Legends Arising: Final thoughts for serious players evaluating their own pick choice?

Gene Olivarri: Approach it analytically. Don’t choose based on genre trends. Evaluate:

Resistance under speed

Edge retention

Grip stability

Fatigue over long sessions

Transient clarity at high gain

Small mechanical refinements compound over time. For me, the InTune GripX .73mm is not an accessory—it’s an engineered extension of my technique.

Dirigiri
Gene Olivarri

Dirigiri official management:
Kaspearia Promotional Management

For more than a decade, Gravehuffer has been carving out a name at the raw, unrelenting crossroads of crust punk, grindc...
01/10/2026

For more than a decade, Gravehuffer has been carving out a name at the raw, unrelenting crossroads of crust punk, grindcore, sludge, hardcore, and metal. Their live performances are not just shows—they are full-throttle assaults of energy, precision, and uncompromising intensity, earning them hard-won respect throughout the global underground heavy music scene.

Now, Gravehuffer is heading to Texas with a singular mission: to secure their place at Wacken Open Air 2026, (Wacken Open Air) one of the most prestigious metal festivals in the world. This isn’t just a competition—it’s an opportunity for fans of metal, grindcore, crust punk, and hardcore to witness a band at the absolute peak of their powers, and to rally behind a group that embodies the spirit and grit of the underground.

This is your chance to stand in the pit, feel the earth shake beneath you, and be part of a movement that has been years in the making.

Support Gravehuffer as they battle for the stage they’ve earned, show the world the strength of the underground, and make some noise that will echo all the way to Wacken.

Show up! Be loud. Be part of metal history in the making.

Gene Olivarri – Writing Through the FireGuitarist & Founder of DirigiriBy Legends Arising Zine | January 9th, 2026In the...
01/08/2026

Gene Olivarri – Writing Through the Fire

Guitarist & Founder of Dirigiri
By Legends Arising Zine | January 9th, 2026

In the underground, longevity is earned—not given. While trends rise and fall, and bands dissolve as quickly as they form, a few musicians continue forward with unwavering focus. Gene Olivarri, guitarist and founder of Dirigiri, is one of those rare figures. Based in San Antonio, Texas, Olivarri has built his reputation on raw death metal riffs, a disciplined pedal-free tone, and a writing process rooted in patience rather than pressure.

From selling out Dirigiri’s self-titled debut album three times, to refining his vision on the sophomore release Cursed Masters, Gene has never chased shortcuts. Now, as he carefully crafts the band’s third album, Hymns of Death, he remains grounded in family, influenced by classic rock roots, and committed to authenticity in an often unforgiving underground scene.

Welcome Gene Olivarri for an in-depth conversation about legacy, loss, gear, guitar philosophy, and the fire that keeps the riffs coming.

Legends Arising Zine: Gene, welcome, and thank you for joining us.

Gene Olivarri: Thank you for having me. I appreciate it.

Legends Arising: In an era where digital polish and endless signal chains dominate heavy music, Gene Olivarri stands firmly against the current. The San Antonio–based guitarist and founder of death metal outfit Dirigiri has built his sound on raw amplification, disciplined riff writing, and an uncompromising approach to tone. Let’s start at the beginning. When did music first enter your life?

Gene Olivarri: I was 7 when I picked up a guitar, and it was an acoustic. But it really started with my parents. My dad was the one who told my mom, “He needs to play. There’s something there.” My mom embraced it completely. She encouraged me, supported me, and always told me I had a gift.

Both of my parents passed away years ago, but their belief still fuels everything I do. Every riff, every song—I carry that with me.

Legends Arising: What made you want to play guitar specifically?

Gene Olivarri: Kiss—especially Ace Frehley. Ace was everything to me growing up. His tone, his phrasing, his presence—he made the guitar feel powerful and dangerous. That influence never left me.

Legends Arising: You began on acoustic guitar, yet you’re known for extreme metal.

Gene Olivarri: Starting on acoustic teaches discipline. There’s nowhere to hide. That foundation helped shape how I play today. I can play pretty much any style—metal, rock, clean, acoustic. I love writing and creating, not just metal.

Legends Arising: How do you approach death metal guitar compared to thrash?

Gene Olivarri: Thrash is about speed, groove, and aggression. Death metal takes that and demands more precision, tighter picking, darker atmosphere. In death metal, if you’re not clean, everything collapses. It’s controlled chaos.

Legends Arising: What did Cursed Masters represent for you?

Gene Olivarri: Growth. That album helped define Dirigiri’s identity. The album cover was done by Lady Kat Chaos of Kaspearia Arts, and she captured the darkness perfectly.

Legends Arising: You’re known for not using pedals.

Gene Olivarri: My tone comes straight from the guitar into the amp. No pedals. Keeping it organic makes every note hit harder. I’ll give sneak peeks in short live videos from time to time so people can see it’s real.

I use a Schecter Omen Elite 7-String, Peavey Triple X head, and Marshall 1960 slant cabinet. I use Ernie Ball strings and I’m endorsed by InTune, using their GripX picks—.73mm for speed and control.

Legends Arising: How is the third album coming along?

Gene Olivarri: I’m taking my time. I don’t rush albums. Writing needs space. This album is heavier, tighter, and more focused. We’re also looking for the right record label for this release.

Legends Arising: What does the track “Riot” represent?

Gene Olivarri: Pure aggression. No overthinking. It shows exactly where Hymns of Death is headed.

Legends Arising: How do you view the San Antonio scene?

Gene Olivarri: There are great musicians here, but commitment is the hardest part. Keeping a band together for years takes real dedication.

Legends Arising: Your debut album sold out three times. Any plans to reissue it?

Gene Olivarri: Honestly, no. That album was a moment in time. I’ve seen people trying to sell copies online for crazy prices. I wish the past members the best, but visions and ideas change

Legends Arising: Would you ever release a solo guitar album?

Gene Olivarri: A few people have told me I should. I’ve thought about it, but right now my focus is Hymns of Death.

Legends Arising: Do you expect the album in 2026?

Gene Olivarri: Maybe late 2026 or early next year. Everyone has families and full-time jobs. Some people joke we play “debt metal,” but I do this because I love writing music.

Legends Arising: Gene, thank you for the interview.

Gene Olivarri: Thank you for having me. I truly appreciate it. For social media and press contact Kaspearia Promotional Management.

Gene Olivarri
Dirigiri

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