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SCREENPLAY
IN THESE STREETS
In These Streets 8
(cont’d)
FADE IN
EXT. KRAZY’S TRAP HOUSE - EVENING
Two plastic chairs sit on the small porch of
the shotgun house with a front black bar
door and one window. A black Charger is
parked next to the curb on the street in
front of the house.
Krazy – 30, 5’8”, brown skinned, 189 pounds
with a low hair cut – walks out the front
door as it opens. He is wearing a pair of
name-brand jeans, a shirt and shoes and sits
down in a chair as Joe – 26, 5’7”, 200
pounds, brown skinned, with a low hair cut –
walks out of the front door, closes it
behind him, and locks it as he wears a pair
of name-brand jeans, shirt and shoes. He
walks across the porch.
KRAZY
(as Joe is taking a seat in the other chair)
Say, Joe, before we leave,
I got to wait for Cherry to
pull up. She needs some
money to go shopping.
Joe pulls out a box of Swishers and a
sandwich bag of greenish leafy substance,
then places them in his lap before taking
one of the Swishers out the box.
JOE
(unwrapping a Swisher)
Okay bro, that’s cool. I’ll
just roll one or two before
9 In These Streets
(cont’d)
(cont’d)
JOE
(cont’d)
she get here. How long you
think she’ll be?
KRAZY
Oh, she’s a few blocks
away.
Junior – 37, 5’9”, 179 pounds, dark skinned
with long dreads – is wearing oily clothes
as he walks past the black Charger and sees
Joe rolling the cigarillo. He the walks up
to the porch as Krazy watches him.
KRAZY
What up wit you, Junior?
JR
(passing Krazy a green bill)
Let me get a 20.
Krazy takes the money, walks off the porch,
and goes to the side of the house out of
sight. Joe lights a blunt as he watches the
street both ways. Inhaling the smoke then
exhaling it as Krazy walks back onto the
porch from between the trap house and
another house.
KRAZY
(passing Junior something)
Here you go, Junior?
In These Streets 10
(cont’d)
(cont’d)
Krazy then sits back down in the chair as
Junior stands there and puts the small
substance in his mouth.
JR
How long you gone have this
here?
KRAZY
I got plenty of it, maybe
some weeks.
JR
(walking off)
Okay, cause everybody
loving it.
As Junior walks past the Charger again, Joe
hits the blunt and passes it to Krazy. Krazy
shakes his head to refuse as a red Honda
Accord pulls in front of the Charger.
KRAZY
You know I don’t smoke dat
s**t. I got my lean in the
car.
Joe hits the blunt as Krazy is looking at
the Honda Accord.
KRAZY
I’m glad she made it
already.
11 In These Streets
(cont’d)
(cont’d)
The driver’s door opens on the Accord and
Cherry gets out and closes the door behind
her. She is 29, 5’6”, 163 pounds, bright
skinned with medium sized breasts, a petite
body, and nice round buttocks. She walks up
to the porch wearing a pair of name-brand
shorts that fit tightly, revealing the shape
of her thighs and butt, with a matching
shirt and name-brand shoes. Cherry is
looking at Krazy as Joe inhales from the
blunt, then exhales the smoke.
CHERRY
(to Krazy)
Hey baby!
KRAZY
Hey. How much money you
need?
CHERRY
Give me around 40 or 50. If
you wouldn’t have cut my
credit cards off, I
wouldn’t have to come get
money from you.
Joe watches Cherry as he exhales smoke and
Krazy pulls out some green bills. Krazy
counts off a few bills before putting his
wad back in his pocket while keeping a few
bills out.
In These Streets 12
(cont’d)
(cont’d)
KRAZY
(holding money)
If you wouldn’t have been
balling out on them, I
wouldn’t have took them.
(handing Cherry money)
You’ll get them back, but
they’ll have a credit limit
for about $3,000 on them.
Cherry takes the money.
CHERRY
(putting the bills in her purse)
I’ll be glad when that day
comes. Anyway, what time
will you be coming home?
KRAZY
It’ll be before 10. Are you
going to cook, or do I need
to get something while I’m
out?
Cherry shakes her head.
CHERRY
(walking toward her car)
I’ll fix a dinner. You just
show up to eat it.
Cherry opens the door to the Accord, gets
in, closes the door and the vehicle backs up
then pulls off. Krazy looks over at Joe.
13 In These Streets
(cont’d)
(cont’d)
JOE
Bro, you need a real woman
that has a real job, making
real money, that wants big
s**t out of life. Someone
that won’t be needing s**t
all the time.
KRAZY
Yeah, I know. Cherry still
working at the restaurant,
but she stop going to the
community college . . .
talking about she gone
start back next semester.
Joe inhales smoke from the blunt then
exhales it as Cherry’s vehicle passes by the
house.
JOE
(looking over at Krazy)
See, that’s what I’m
talking about. She plan on
just living off of you.
Krazy gets up and walks toward the Charger.
Joe walks behind him.
KRAZY
It seems that way. I wish I
could run across someone on
a professional level.
In These Streets 14
(cont’d)
(cont’d)
Krazy reaches the driver’s door of the
Charger as Joe reaches the passenger’s door.
They open the doors, climb in, close the
doors behind them, and then pulls off.
INT. KENNY’S HOUSE – LIVING ROOM – NIGHT
The light reveals the neatly decorated,
unnoticeable second-hand furniture in the
small room as Kenny walks in and sits on the
sofa. Kenny is 27, 5’7”, 180 pounds and
brown skinned with a low hair cut and
wearing a pair of brown Dickie's pants,
white t-shirt, and white tennis shoes.
Kenny picks up the cell pone off of the
coffee table, and sits back on the sofa as
he presses buttons over and over again. A
KNOCK is heard at the door. Kenny presses a
few more buttons as he gets up and sets the
phone on the coffee table.
KENNY
Who the hell is it?
CHERRY
(o.s.)
It’s me, Cherry.
Kenny reaches the door and opens it.
Watching Cherry as she walks in, he closes
the door as Cherry walks over to the sofa.
15 In These Streets
(cont’d)
(cont’d)
She sits down as Kenny walks back over to
the sofa. He sits down next to her.
KENNY
(looking at her)
Did you come up with what I
asked you for?
CHERRY
(looks at Kenny and smiles)
Yes, but do you have
anymore of those pills?
KENNY
(standing up)
Yeah, let me go get a few
for us. I’ll be right back.
Kenny leaves out of the room, leaving Cherry
to sit back on the sofa. After about five
minutes, Kenny walks back in with two
bottles of orange juice. He sits down on the
sofa next to Cherry and hands her one.
Cherry takes it, opens it at once, and takes
a small swallow. Kenny opens his hand,
revealing two small blue pills.
KENNY
(handing her one)
Go ahead and take that.
It’s called “Double Stack.”
Cherry tosses the pill into her mouth and
drinks the orange juice behind it. Kenny
In These Streets 16
(cont’d)
(cont’d)
does the same with the other pill he has,
then he pulls out a Swisher and a small
plastic baggie full of greenish leafy
substance from his pocket. He splits the
cigarillo open.
KENNY
(dumping out the insides)
I got a lil something to
smoke also.
CHERRY
Is it some good?
KENNY
It’s aight.
Kenny fills the cigarillo with the greenish
substance, rolls it up, and then lights it
as Cherry relaxes on the sofa. He inhales
and exhales the smoke a few times before he
hands it to Cherry. Cherry inhales and
exhales the smoke a few times and then
smiles. She inhales and exhales a few more
times.
CHERRY
(passing it to Kenny)
Well, it has a fruity ass
taste, and I can feel it a
lil bit already kicking in.
17 In These Streets
(cont’d)
(cont’d)
KENNY
I told you it’s aight.
CHERRY
(smiling as Kenny passes her the blunt)
I can also feel the pill. I
feel . . . I feel so good
right now. I feel like
letting you f**k the s**t
out of me.
KENNY
(looking at her)
Baby, did you get the
package?
Cherry reaches into her pocket and pulls out
some green bills.
CHERRY
(passing them to Kenny)
Here you go. I told you I
would get it. Krazy don’t
turn me down for anything.
All I told him was I needed
some money to go shopping.
KENNY
(counting the bills)
S**t, bae. I only asked for
200. This is 500.
He holds the money in his hands and stands
there looking at her.
In These Streets 18
(cont’d)
(cont’d)
CHERRY
Well, I got you a lil extra
to help you get on.
Cherry starts pulling her shirt over her
head and then off, revealing her flat
stomach and black lace bra full of medium
breasts. As she turns around with her back
facing Kenny, he smiles as he looks at the
tattoo right above her buttocks.
She then pulls her shorts down as she bends
over so Kenny can see the black lace thong
engulfed between her large buttocks as her
va**na pokes out. She stands up and walks
over to Kenny, sits back on the sofa, and
unhooked her bra so that it fell on the sofa
to reveal her full breasts.
Kenny rubs them as she pushes him back on
the sofa and loosens his pants. She reaches
on the inside for his manhood as she sits up
on the sofa on her knees, bending over with
her butt in the air while her head was close
to his lap.
INT. JACKIE’S HOUSE – HOME OFFICE - NIGHT
Jackie is 31, 5’5”, 160 pounds and bright
skinned with medium size breasts, a petite
body and large buttocks. She sits behind a
medium-sized desk that holds a desktop
computer, papers and miscellaneous files in
19 In These Streets
(cont’d)
(cont’d)
the neatly decorated room. There are two
chairs in front of the desk, a love seat and
a small bookshelf containing books are also
in the room.
Jackie presses on the keyboard as she pays
attention to the computer screen. After a
short time, she picks up a pen and writes on
a piece of the paper before placing the pen
back down and pressing more keys while
refocusing on the screen.
Misty, a light brown skinned 7-year-old
who’s 3’7” and 99 pounds, is wearing her
pajamas with her long black hair not yet
wrapped. Shay – 7, 3’5”, 97 pounds, brown
skinned with medium length hair – is wearing
a pair of pants, shirt and tennis shoes.
Sharon is 32, 5’9”, 159 pounds, and brown
skinned with a Toni Braxton hair style,
medium-sized breasts, wide hips, and a nice
sized butt. She is wearing a nurse’s uniform
and walks into the office as Jackie presses
the keys on the keyboard.
Sharon walks over to the love seat and lays
on it, then she looks over at Jackie. Misty
and Shay begin to walk into the room to sit
in the chairs as Jackie continues typing on
the keyboard and focusing on the computer
screen and Sharon lounges on the love seat.
In These Streets 20
(cont’d)
(cont’d)
SHARON
(looking at Jackie again)
How was work today, Jackie?
JACKIE
(looking at the screen and pressing keys)
Everything was fine. I’m
just looking for new
clients now.
She looks over her shoulder at Jackie. Misty
and Shay get up and walk out.
SHARON
(as Jackie looks on)
Well, your day was better
than mine. That damn ER
stayed full today with car
accidents and gunshot
victims. I’m tired as hell.
I could just fall to sleep
right here.
JACKIE
I fixed dinner, and there’s
enough for you and Shay. I
fixed the table so you all
can eat with me and Misty
before you go home.
SHARON
(as Jackie gets up)
Oh thank you, Jackie. I’ll
help you.
21 In These Streets
(cont’d)
(cont’d)
JACKIE
(walking toward the door)
Girl, please. Lay there and
get you some rest. I’ll
call when everything is
heated up and ready.
SHARON
(as Jackie walks out the door)
Okay.
INT. TRAP HOUSE – LIVING ROOM - NIGHT
The small living room is neatly decorated
with second-hand furniture, a sofa, love
seat, chair, end tables, and coffee table
with a glass top. The 27-inch plasma
television hangs on the wall playing “106
and Park.”
The door opens and Joe enter with Krazy.
They both are holding white Styrofoam cups.
Krazy closes the door behind him as Joe
walks over and takes a seat on the sofa.
Krazy sits on the love seat.
KRAZY
(takes a sip)
One thing, Joe. I don’t
have to worry about Cherry
cheating on me ‘cause I
take damn good care of her.
In These Streets 22
(cont’d)
(cont’d)
JOE
Yeah, you got her spoiled.
She’ll be a damn fool to
f**k over you with another
n***a. But man you still
need to find someone
better.
A KNOCK is heard at the door. Joe gets up,
walks over and opens it. Tiffany – 23, 5’6”,
153 pounds – has micro braids, small
breasts, and firm, round buttocks. She walks
in wearing a matching skirt set with slipper
shoes. She closes the door behind her as she
walks toward Krazy.
KRAZY
(looking at Tiffany)
What up with you, Tiffany?
She sits on the love seat next to Krazy.
TIFFANY
Nut’in. Just came through
to grab me a hundred sack
of that kush or purp before
I went in. How you been
doing? I haven’t seen you
since you cleaned my ride
two weeks ago.
Joe gets up and walks out of the room.
23 In These Streets
(cont’d)
(cont’d)
KRAZY
(looks over at Tiffany)
I been chilling, bae. Just
taking care of business
here and there. You gone
bring the car to the shop
tomorrow when you get out
of class?
TIFFANY
Yeah, I’ll bring it by
there and drop it off. Can
I use your car to go to
work in? I’ll bring it to
you when I get off.
Joe walks back in and hands her a sandwich
bag with a small amount of greenish
substance in it. She reaches in her skirt
pocket, pulls out a single bill and hands it
to Joe. He looks at it and pushes it in his
pocket as he walks back over and takes a
seat on the sofa while “106 and Park” is
heard.
KRAZY
(sipping from his cup)
Sure, bae. You know I don’t
mind. You use it all the
time.
Tiffany begins to get up since she sees she
can’t get time alone with Krazy since he is
In These Streets 24
(cont’d)
(cont’d)
still holding his drink and Joe is sitting
in the room watching television.
TIFFANY
(now standing)
Aight, I’m out.
Krazy gets up and walks to the door behind
her. Tiffany reaches for the door and opens
it.
KRAZY
(walking out with her)
Me to Joe, keep yo head up.
Tiffany and Krazy walk out the door. As the
door closes behind them, Joe pulls his cell
phone out of his pants pocket and presses a
few buttons before putting the phone to his
ear.
INT. KRAZY’S APARTMENT – BEDROOM – NIGHT
The room is neatly decorated with a king
waterbed that’s covered in money-green satin
sheets, a dresser, a drawer, a night stand,
a Kentwood stereo system, and a 36” plasma
hanging over the stereo at the foot of the
bed.
Cherry walks in wearing a pair of lace blue
panties that show her buttocks at the bottom
and side. She had a big towel tied on her
25 In These Streets
(cont’d)
(cont’d)
upper body in a way to reveal her mediumsized
breasts and flat stomach as she walks
over and sits on the side of the bed. A few
ALARM BEEPS are heard in the background, and
Cherry gets up and walks across the room and
out the door.
INT. KRAZY’S APARTMENT – LIVING ROOM – NIGHT
Krazy enters the streamlined room decorated
with a black leather sectional trimmed with
cherry wood, and a rounded glass fish tank
coffee table with different kinds of fish
swimming around in it. A 57” plasma sits on
the wall in front of the sofa, and a stereo
is on the other wall with the small black
mini bar containing two bar stools.
Krazy walks over to the sofa carrying a
small paper bag and sits down. He picks up
the remote from the coffee table and presses
it as he points toward the television and it
comes on. Krazy sits the remote on the sofa
and leans back in a relaxing mood. Cherry
walks in wearing only the blue lace panties.
Krazy looks up at her lustfully.
KRAZY
(smiling as Kenny passes her the blunt)
Bae, I’m hungry as f**k.
You got the food ready?
In These Streets 26
(cont’d)
(cont’d)
CHERRY
(walks into another room)
I’m going to fix your plate
right now baby.
Cherry exits the room and Krazy pulls his
cell from his hip, looks at the screen,
presses a few keys, and then lays it on the
coffee table. After a few minutes, Cherry
walks in and sits down on the side of Krazy.
She throws her legs across his lap and lays
back on the sofa with her va**na poking the
lace panties and her breasts looking firm.
Krazy looks at her lustfully and rubs her
legs.
CHERRY
(smiling at Krazy)
I got the food warming.
Give it around three more
minutes.
Krazy rubs her legs some more as they gaze
at each other with smiles and giggles.
CHERRY
(giggling as she rises and walks)
I hope I’m not teasing you
at the moment.
Krazy picks the small bag up and opens it.
He then pulls out a few rolls of green bills
with rubber bands around them. He sits all
five rolls down on the coffee table. As he
27 In These Streets
(cont’d)
(cont’d)
sits back on the sofa, Cherry walks in
carrying a plate of food and a glass of
liquid juice and hands them over to Krazy as
he sits up.
He takes the plate and places it on the
coffee table before settling back into his
seat on the couch and starting to eat.
Cherry looks over at the money as Krazy
enjoys the food and beverage. She picks up
the remote control and changes the channel
on the television.
KRAZY
(looks at Cherry)
Would you please count that
money for me?
CHERRY
Sure!
Cherry leans over and grabs all of the
money. She sits back on the sofa and starts
pulling the rubber bands off the wads of
cash.
CHERRY
I hope the food is good and
warm enough.
Cherry counts the green bills and lays them
out on the sofa.
In These Streets 28
(cont’d)
(cont’d)
KRAZY
(eating and watching TV)
Everything tastes great
baby.
Krazy continues to eat as he watches the
television screen and Cherry counts the last
of the money.
CHERRY
(putting the money together)
Six thousand, eight
hundred.
KRAZY
(looks over at her)
It’s $200 short. Take the
eight out, you can have it
and put the rest in the
bag. That’ll make it how
much added to the number
from your last count?
CHERRY
One hundred and twenty-six
thousand.
Cherry gets up with the money and walks
toward the stairs as Krazy watches her
buttocks lustfully until she disappears out
of sight upstairs. Once he finishes the food
and drinks the last bit of the liquid from
the glass, he sits it on the coffee table
29 In These Streets
(cont’d)
(cont’d)
and relaxes back on the sofa. Cherry comes
back down the stairs, picks the plate and
glass up, and walks out the room with them.
After five or six minutes, Cherry returns
and walks over to Krazy. She climbs onto his
lap with her back and buttocks facing the
television and pushing out of the sides of
her panties. She kisses him hysterically
lustful and moans as he sees the reflection
of her working her hips in a circular motion
on top of him.
Krazy wraps his arms around her bare back
and pulls her close to him. Then he let his
hands fall to palm her butt cheeks as they
kiss passionately with pleasure. Krazy then
runs his hands into the back of her panties
palming her ass cheeks as they kiss. The
kiss is broken. He looks at her and the
tattoo on her back right above her buttocks.
KRAZY
(looks at her
I’m glad to have you in my
life, Cherry; and I want
you to know that I truly
love you.
CHERRY
I love you more baby.
She gets up and pulls on Krazy by his hand.
In These Streets 30
(cont’d)
(cont’d)
CHERRY
Come on let’s go to bed,
unless you want to make
love to me right here.
Krazy gets up off the sofa and walks with
Cherry toward the stairs.
INT. KRAZY’S APARTMENT – BEDROOM – NIGHT
The room is fully illuminated by the
television and lamplights as Krazy and
Cherry enter. Krazy stands on the side of
the bed and starts pulling his shirt over
his head, exposing his unmuscular chest and
pudgy stomach. He then pulls his pants off
after kicking his shoes off his feet. He
leaves on his white socks and black boxers
as Cherry lays across the bed. Krazy climbs
into the bed with cherry and begins to kiss
her passionately.
CHERRY
(breaking the kiss and looking up at him)
Baby, I’m h***y as f**k.
Please s*x me like always.
Cherry then gets up and gets on top of him
in the doggie style formation with her ass
in his face and her face down by his
manhood.
31 In These Streets
(cont’d)
(cont’d)
CHERRY
(reaching into his boxers)
Eat my p***y baby, while I
give you what you really
like.
Krazy grabs on her ass cheeks and pulls the
panties from her ass and moves them half-way
down her thighs. Cherry then helps him pull
them off of her before she returns to the 69
position.
INT. JACKIE’S HOUSE – LIVING ROOM – NIGHT
The room is neatly decorated with a living
room set, flat screen television, and stereo
system. Jackie, Misty, Sharon and Shay walk
towards the front door.
SHARON
(behind Jackie who’s opening the door)
Thanks for the dinner,
Jackie. Weekend dinner at
my place.
JACKIE
(with Misty standing beside her smiling)
I’m glad you all enjoyed it
once again. Call me when
you lay down tonight.
Shay walks past Jackie and Misty and
proceeds out the door. Sharon steps onto the
In These Streets 32
(cont’d)
(cont’d)
front porch as Shay stands on the top stair
next to her.
SHARON
Sure I will, as soon as I
shower.
MISTY
(looking at Shay)
Shay, I’m about to get on
the internet. Email me when
you logon.
SHAY
(stepping by the doorway)
I will. I love you all.
Good night, Ms. Warren.
Sharon and Shay turn and start walking away.
JACKIE
(watching from the doorway)
Goodnight baby.
Jackie closes the door and looks at Misty as
they walk through the living room.
JACKIE
Go ahead and take your
shower before you get busy
baby.
MISTY
Okay mother.
33 In These Streets
(cont’d)
(cont’d)
Jackie and Misty go opposite directions.
EXT. AUTO DETAIL SHOP - DAY
The building is long with six door stalls
opened all the way up, revealing vehicles in
two on lifts, tool boxes in different
places, and tables and other auto mechanic
materials throughout the others. One or two
vehicles are in line on the outside of the
empty stalls under the small overhang
waiting for their turn to enter the shop.
Krazy walks under one of the vehicle on a
lift, wearing a pair of blue Dickie’s pants
with a blue t-shirt with the logo “Fab
Brothers” on it. As he stands under the
vehicle looking up, a black BMW pulls behind
one of the cars at the second stall. Krazy
walks out of the shop towards the car as
Tiffany, wearing a casual dress outfit, gets
out and bends over taking things out of the
car.
KRAZY
(as he approaches)
Hello Tiffany. This BMW way
overdue for a clean up.
TIFFANY
(stands with books and faces him)
Yes, I’m sorry I let it get
so nasty.
In These Streets 34
(cont’d)
(cont’d)
She hands Krazy the car keys.
KRAZY
(closing her door)
That’s okay baby. She’ll
look like new again when I
finish.
As they walk toward his Charger parked at
the front door of the building, Krazy pulls
out the keys and the lights flash as the
vehicle cranks. Tiffany opens the door and
gets in.
TIFFANY
(as Krazy is handing her the keys)
I’ll call you when I get
off.
KRAZY
(looking at her)
That’s okay. Just keep it
until you finish class
tomorrow and then drop it
off.
TIFFANY
Okay.
INT. J’S TAX SERVICE – JACKIE’S OFFICE – DAY
35 In These Streets
(cont’d)
(cont’d)
Jackie sits behind the black desk containing
a desktop computer as she presses buttons on
the keyboard and is paying attention to the
screen. There are papers across her desk and
photos in a few spots. The room is medium in
size, cozy with two soft cushion chairs
placed in the front of her desk with a 27”
plasma hanging on the opposite wall behind
the chairs.
Jackie presses a few buttons on the keyboard
and then picks up a pen from her desk and
writes a few things down on a piece of paper
after observing the computer screen.
John walks in and takes a seat in one of the
chairs. John – 39, bright skinned, 5’8”, 189
pounds, wearing a small fro hair cut and
clean-cut face – has on blue Dickie's with a
blue tee with the “Fab Brothers Auto Detail”
logo.
JACKIE
I’ll be with you in one
sec.
Jackie observes the screen as John watches,
then she writes and places the pen down.
JACKIE
(looking at John)
Hello, John Brown. How may
I help you today?
In These Streets 36
(cont’d)
(cont’d)
JOHN
I need someone as yourself
with the right skills to
look over my tax papers.
The other day I got this
letter.
John stands up and digs into this back
pocket. He pulls out an envelope that’s
folded. As he sits down, he unfolds and
opens it to remove the letter inside it.
JOHN
(holding the opened letter)
The IRS is saying that I’m
making too much money at
the shop and not paying
enough taxes.
JACKIE
(extending her hand over her desk)
Let me see.
John reaches out and hands her the letter.
Jackie reads over the letter as John waits.
JACKIE
(placing letter on her desk)
Okay, I can fix this for
you. Do you have your
paperwork from the company
that filed your taxes.
37 In These Streets
(cont’d)
(cont’d)
JOHN
(smiles)
I got the papers, but I
really tried to do it
myself.
Jackie smiles.
JACKIE
That’s probably why it’s
messed all up.
Jackie nods her head up and down in
agreement.
JACKIE
Yes, that could be one
reason. Do you have them
with you now?
JOHN
No, I’ll have to bring them
to you tomorrow or send
them by my brother.
JACKIE
Okay, I’ll be glad to
handle your tax problem.
JOHN
Would you be interested in
handling the shop taxes
monthly from now on?
In These Streets 38
(cont’d)
(cont’d)
JACKIE
Oh yes, I would love that.
JOHN
Okay, just fix this for me
and the job is yours. Me or
my brother will bring the
papers to you tomorrow.
JACKIE
(smiles)
Okay, thanks Mr. Brown. I
won’t let you down.
John then gets up and walks out, leaving
Jackie staring in his direction.
INT. TASTY’S APARTMENT – LIVING ROOM – DAY
Tasty and Cherry sit on the sofa in the
neatly decorated room with a television
sitting on a stand with music playing in the
background. Tasty reaches on the coffee
table picks up a blunt and lights it. She
inhales the smoke and then exhales it. She
repeats the formation two more times and
then passes it to Cherry who performs the
same procedure.
39 In These Streets
(cont’d)
(cont’d)
TASTY
(Cherry exhales the smoke)
So how serious are you with
that n***a, Kenny?
CHERRY
Well, I have f**ked him a
few times, but it’s really
not nothing but a f**k.
Cherry passes her the blunt.
TASTY
Girl, you better be careful
not to f**k up what you got
with Krazy. Anybody will
kill to have that n***a.
CHERRY
(with a half frown)
Girl, please. Krazy always
too busy to find out about
me and Kenny.
TASTY
(exhaling smoke from the blunt)
I met a trick at the club
last night, girl. Gave him
a lap dance and he gave me
a bill. Told me to call him
today so I did.
In These Streets 40
(cont’d)
(cont’d)
CHERRY
(Tasty passes her the blunt)
And so what did he say?
Tasty opens her legs wide.
TASTY
(rubbing her hands between her legs)
He wants to give me 300
just to eat my p***y for 30
minutes why he jacks off.
Cherry laughs and then coughs off of the
smoke.
CHERRY
(wipes her eyes)
So what did you tell him?
TASTY
I’m going to meet him at
the Hilton at five
tomorrow. Maybe you should
come also? We can get you
paid as well.
CHERRY
Really, just for that?
TASTY
(reaching for the blunt from Cherry)
Girl, hell yeah. That’s
what the entertainment
business is all about.
41 In These Streets
(cont’d)
(cont’d)
CHERRY
(smiling)
Okay, I’m in. I can always
use a lil extra money. It’s
gone be the weekend.
TASTY
(exhaling smoke as she looks at Cherry)
Girl you don’t need any
money. You never want for
anything. All you do is
just tell Krazy everything
you want and he gives.
CHERRY
(frowns)
Well I still just want the
money. Krazy got me on a
f**king budget since I went
way over my spending limit
on the cards.
TASTY
(crossing her right leg over her left)
Well Cherry, you have to
understand where he’s
coming from about the
cards. You should have used
them wisely and not have
went out of control.
Tasty passes the blunt to Cherry and she
puts it to her mouth and inhales from it,
In These Streets 42
(cont’d)
(cont’d)
holds the smoke for a few seconds then
exhales it. Tasty picks up her cell phone
from off the sofa and looks at it.
TASTY
(holding the phone)
It’s 3:30. Let’s go so we
can stop and get something
to eat.
EXT. FAB BROTHERS AUTO DETAIL – DAY
One or two vehicles are in line waiting to
enter the shop as others are on the inside
with one on the car lift in the air as Krazy
wipes the black BMW down with a shimmy as a
silver Mercedes SUV truck pulls up on the
side of it. John is seen through the window
as the drivers door open on the SUV and he
gets out holding a small folder in his left
hand and closing the door behind him as
Krazy wipes. John is standing on the
opposite side of the BMW as Krazy dries the
car off.
JOHN
How many more do you have
after that one?
KRAZY
(wiping the BMW)
This is the last one, then
I’m going to help out on
the inside of the shop.
43 In These Streets
(cont’d)
(cont’d)
JOHN
(passing the BMW walking toward shop)
Yeah we’ll go ahead and
finis up so we can leave
here shortly after five.
John enters the shop through one of the open
stalls.
KRAZY
Bet that bro.
Krazy continues to wipe the BMW and a white
Volvo pulls up to the shop under the shed
and parks in front of one of the open stalls
behind another vehicle. Sharon sits on the
passenger’s side, as Erica – 29, 5’4”, 34C-
26-36, with long black wavy hair – sits on
the driver’s side. Both of them were wearing
white nurse uniforms. Sharon gets out and as
she walks toward the shop, she looks over at
Krazy inspecting the BMW.
SHARON
(entering one of the open stalls)
Krazy, the car is clean!
Krazy smiles as he looks over his shoulder
at her.
KRAZY
(a Sharon disappears into the shop)
In These Streets 44
(cont’d)
(cont’d)
Thank you, Sharon. I’ll
clean yours for you too.
As Krazy walks up towards one of the open
stalls, John gets in the black BMW and
cranks it at the same time Sharon comes back
out and stands on the side of Krazy.
KRAZY
(while John backs the BMW out)
Did you hear me? I’ll clean
your ride also.
Sharon is watching the car as it’s being
pulled out and smiles at its cleanliness and
the shining wheels.
SHARON
(looking at the car)
I see. I haven’t been
bringing it by because I’ve
been so busy. I will not
let it get this dirty again
though.
KRAZY
(looking at Sharon)
No problem, Sharon, but all
you have to do is call me.
I’ll come pick it up while
you’re at work or at home
chilling. Anyway, we did
charge you for the detail.
45 In These Streets
(cont’d)
(cont’d)
John gets out of the BMW and parks on the
other side of the Volvo with Erica sitting
in the driver’s seat.
SHARON
(smiling)
Thanks Krazy. That’s why I
only deal with you and your
brother when it comes to my
vehicles.
Sharon walks around to the driver’s door of
the BMW and opens it before getting in as
John is standing nearby.
JOHN
(smiling)
You have a nice day,
Sharon, and drive safe.
(closing her door)
We’ll be here when you need
us.
The window rolls down as John stands by and
Krazy goes into the shop.
SHARON
(in a flirting way)
When can I call you for a
night out in the city?
In These Streets 46
(cont’d)
(cont’d)
JOHN
(smiling)
I’m still married right
now.
SHARON
(frowning)
Oh yeah, I forgot.
Goodnight, John. Tell Krazy
goodbye for me.
JOHN
I will.
As John stands there, the BMW pulls out of
the shop with the Volvo trailing behind it.
John then walks into the shop through one of
the opened stalls.
INT. BOKEEM’S RESTAURANT – DAY
The medium-sized place has several tables
with chairs filled with different races and
s*xes sitting around eating and talking to
each other. The cash register sits on a
counter at the entrance of the front door.
Tiray, a bright-skinned petite 15-year-old
standing 5’3” and weighing 115 pounds, is a
nice girl wearing name brand jeans, a shirt
and tennis shoes with a white apron tied
around her waist. She walks to a table
carrying two plates of food to two men
47 In These Streets
(cont’d)
(cont’d)
seated at a table, and then he smiles at
them before walking to another table where
Jerry and Johnny sat.
Jerry – 34, 5’7”, 181 pounds with dark skin
and a low trimmed haircut – is wearing a
two-piece suit. Johnny – 35, 5’8”, 175
pounds – is also a black male with a low
hair cut wearing a two-piece suit.
TIRAY
(standing at the table smiling)
May I get you gentlemen
anything else?
JERRY
(looking up at her)
Yes, I’ll have dessert now.
The German chocolate cake,
please.
TIRAY
(grins and looks at Johnny)
Okay, and you sir?
JOHNNY
(takes a sip from his glass)
I’ll have the same.
TIRAY
(smiles)
Okay, I’ll be right back.
In These Streets 48
(cont’d)
(cont’d)
Tiray walks off, leaving them in
conversation. Fred walks through the front
door and stands at the cash register. He is
26, 5’8”, 198 pounds, brown skinned,
muscular built with a bald head, and is
wearing a work uniform. Cherry walks up
behind the cash register with a smile.
CHERRY
(looking up at Fred looking at her)
Welcome to Bokeem’s, sir.
How may I help you?
FRED
(smiles)
I have a carryout order
under Freddie’s Lawn
Service.
CHERRY
(turning to walk off)
Oh yes, it’s coming up now.
Let me get it for you.
She then disappears to the back leaving Fred
standing alone to observe the people in he
restaurant eating and talking to each other.
Cherry then walks back up carrying four
plates and sit them on the counter as Tiray
walks up behind her carrying two large cups.
Tiray sits the cups on the counter as Cherry
opens a plastic bag ad places the plates in
it.
49 In These Streets
(cont’d)
(cont’d)
TIRAY
I’ll be right back with the
other two cups, Cherry.
CHERRY
(tying the bag up)
Okay baby.
Fred looks at Cherry.
FRED
Are you single?
CHERRY
(pressing buttons on the cash register)
No. Why you ask?
FRED
I just would like to take
you out one day or maybe
just talk to you over the
phone.
Tiray brings the two cups and places them on
the counter and walks back to the back.
CHERRY
We’ll give me your number,
and I’ll call you if I can
get away. And your order
will be $32.
Fred goes into his front right pocket and
pulls out some green bills and peels a few
In These Streets 50
(cont’d)
(cont’d)
off before handing them to Cherry. Cherry
then presses a few buttons on the cash
register and places the bills on the inside
as Fred picks up the pen on the counter and
writes on a piece of paper. Cherry pulls a
few green bills out of the drawer and holds
them in her hand as Fred writes.
CHERRY
(as Fred finishes writing)
Here’s your change, sir,
$10.
Cherry holds the money out for him.
FRED
That’s your tip baby, and
there’s my number. Call me
anytime.
Cherry picks up the paper and pushes it in
her pocket with the money as Fred picks up
the bag and cups and walks out the door.
Cherry watches him as she walks out of the
door and then she turns and walks towards
the back.
INT. KRAZY’S TRAP HOUSE – NIGHT
Joe sits on the sofa smoking a blunt and
watching a movie with the sounds of the
movie heard as the front door opens. Krazy
walks in carrying a white cup in his hand
51 In These Streets
(cont’d)
(cont’d)
dressed in name brand clothes and tennis
shoes. He closes the door and then walks
over to the love seat and sits down.
JOE
What up bro? you look like
you beat.
KRAZY
Naw, I’m cool. Just
chillin’ on the codeine.
Joe begins picking money up off the coffee
table.
JOE
(stuffing money in a brown bag)
Okay, that’s what got you
looking lazy.
He finishes putting the money in the gab and
sets it on the coffee table.
JOE
That’s $3,500.
Joe then picks the blunt up out of the
ashtray and sits back on the sofa as a KNOCK
is heard at the door. Krazy gets up, walks
over, and opens the door. Joe sits on the
sofa smoking a blunt and watching a movie
with the sound of the movie being heard as
the front door opens.
In These Streets 52
(cont’d)
(cont’d)
Tiffany walks in and Krazy closes the door
behind her as she walks over and sits on the
love seat. Krazy walks back over to the love
seat carrying a white cup in his hand. He is
dressed in name brand clothes and tennis
shoes, and sits on the love seat next to
Tiffany.
TIFFANY
(to Krazy)
I got my cousin in the car
from out of town for the
family reunion. He want the
good.
She looks over at Krazy as Joe smokes on the
blunt and smiles.
TIFFANY
I told him I knew where to
get it, so I need a zip.
As she reaches in her pocket, Joe gets up
and walks out the room into the back.
TIFFANY
(counting the money)
Oh your car is out there.
Do you want it? I was kind
of enjoying it with my
family from out of town.
53 In These Streets
(cont’d)
(cont’d)
Joe walks back in and walks over and hands
Tiffany the sandwich bag full of a greenish
leafy substance.
KRAZY
(smiling as Kenny passes her the blunt)
Go ahead and keep it baby.
I’m low key in your ride
right now. How long they
gone be here?
TIFFANY
For five days, then they’ll
be gone.
She gets up and walks over to Joe, handing
Joe the money as he counts it.
KRAZY
F**k it. Just keep it until
then. I’ll use your ride.
Keep the alarm on when you
are not in it.
TIFFANY
(walking toward the door to leave)
I will. You all be safe.
She then opens the door and leaves out. As
she closes the door behind her, Joe pushes
the money in his front pocket.
In These Streets 54
(cont’d)
(cont’d)
JOE
Let’s go get something to
eat bro.
KRAZY
(getting up and walks toward the door)
Okay, bet. Let’s go. I
don’t believe Cherry will
cook anyway.
Joe gets up and walks over toward the door
behind Krazy as Krazy reaches for the k**b.
JOE
(as Krazy opens the door)
That’s why I told you to
find someone better than
her bro. Someone who works
a good job and that will
cook for you without you
asking.
They both walk out the door and it closes
behind them.
INT. KENNY’S HOUSE – LIVING ROOM – NIGHT
As Kenny sits on the sofa in only a pair of
blue boxers and a white tank top, Cherry
bends over and starts pulling her pants up
as she faces him with her butt fully
showing. Kenny is looking and stares at the
black thong engulfed by her ass cheeks and
55 In These Streets
(cont’d)
(cont’d)
the tattoo showing on her bare back. Cherry
reaches to pick up her black bra off the
floor.
CHERRY
(putting on the bra)
That pill has me super
high. I would stay here so
we could f**k again, but
you know I got to make it
home.
KENNY
I understand baby. I’m just
glad you feel how you like
to feel. Although I wish
you could stay, I know you
gotta go.
Cherry picks up her shirt and pulls it over
her head. Kenny picks the blunt up and
lights it.
CHERRY
(looking in a mirror as Kenny exhales)
Sometimes, I wish I could
just stay here and get high
with you.
KENNY
(toking before passing Cherry the blunt)
Once I get this money
right, you’ll be able to
leave that n***a and do the
In These Streets 56
(cont’d)
(cont’d)
KENNY
(cont’d)
things you want to do. By
the way, I need a favor.
Cherry exhales smoke.
CHERRY
(checking her cell phone)
What baby?
KENNY
(as Cherry inhales again)
I need 500 more dollars on
this pack I gotta pick up
tomorrow.
CHERRY
(exhaling and passing Kenny the blunt)
Okay. Don’t worry baby.
I’ll come up with it. See
you. I gotta go.
Cherry turns and walks towards the door.
KENNY
(as Cherry opens the door)
Thank you baby for helping.
CHERRY
(stops in the doorway and faces Kenny)
You don’t have to thank me.
I help you because you
spend time with me when I
57 In These Streets
(cont’d)
(cont’d)
CHERRY
(cont’d)
need it and Krazy doesn’t
because he’s always so damn
busy. Goodnight.
She then closes the door behind her after
walking out.
INT. KRAZY’S TRAP HOUSE – NIGHT
Krazy sits on the love seat and Joe is on
the sofa as rap music plays from the
television and Waffle House plats and bags
sit on the coffee table.
JOE
Bro, you really in love
with Cherry aren’t you?
KRAZY
Man s**t, I don’t know.
She’s been staying with me
for a year and half now. I
got some strong feelings
for her. She’s a good girl,
Joe. She don’t be out in
the streets f**king off
with no n***as or nothing.
I’m just trying to get her
to better her education so
she can get a professional
job.
In These Streets 58
(cont’d)
(cont’d)
JOE
Well, if you find another
girl before she does that,
holla at her. Man, you got
all kinds of bi***es trying
to get at you, but you
stuck on Cherry.
KRAZY
(rising and walking toward the door)
Bro, them hoes just trying
to holla because they know
what a n***a about, and
they just want a piece of
the action.
Krazy opens the door and stands there,
looking back at Joe.
KRAZY
I’m about to take it in.
I’ll get at you. You know,
maybe I will meet somebody
one day, but until then, I
got to give Cherry a
chance.
Krazy walks out the door and closes it
behind him.
INT. KRAZY’S APARTMENT – LIVING ROOM – NIGHT
59 In These Streets
(cont’d)
(cont’d)
The room is illuminated from the television
as the movie plays and the sounds are heard
in the background. Cherry walks in wearing a
pair of boy shorts with no bra exposing her
breast fully with her flat stomach. She
walks over and sits down on the sofa as the
door opens and Krazy looks over at her as he
walks in. He closes the door and walks over
to the sofa, carrying the brown bag and
taking a seat.
KRAZY
Hey baby. How long you been
home?
CHERRY
(leaning over and kissing him)
I been here for a while
just watching a few movies,
talking to Tasty on the
phone.
KRAZY
She still dancing at the
club?
CHERRY
Yep, the same ole Tasty.
KRAZY
Yeah, she cool. I don’t
knock her for what she does
In These Streets 60
(cont’d)
(cont’d)
KRAZY
(cont’d)
as long as she making her
money and not letting no
n***a trick or use her.
Krazy reaches over and picks up the bag from
the coffee table and hands it to Cherry.
KRAZY
(as Cherry is taking the bag)
Could you please put that
up?
Krazy pays attention to Cherry’s breasts,
watching her longingly as she stands up with
the bag and her ass cheeks bulge from the
bottom of her boy shorts.
KRAZY
(as Cherry crosses in front of the TV)
Do you have any spending
money?
CHERRY
(stops in front of the TV screen)
No, only some chump change
I made in tips.
She looks at him as she stands there posing
and holding the bag of money.
61 In These Streets
(cont’d)
(cont’d)
KRAZY
Okay, get you $500 out of
that bag.
CHERRY
(smiles)
an I have a whole thousand?
I want to do some shopping,
get my hair and nails done,
and do a few more things.
KRAZY
Okay, go ahead.
Cherry smiles as she walks seductively out
of the room and up the steps, leaving Krazy
to sit back on the sofa paying attention to
his cell phone and pressing buttons. Cherry
walks back in the room after five minutes,
strolls over to the sofa, and lays out on
her stomach with her head in Krazy’s lap.
Krazy runs his fingers through her hair
CHERRY
(as Krazy massages her back)
Krazy, I love you.
Krazy frowns.
CHERRY
You have always made sure I
have been well treated and
taken care of. There are so
In These Streets 62
(cont’d)
(cont’d)
CHERRY
(cont’d)
many women that would kill
to have a man like you.
KRAZY
(facing the TV and rubbing Cherry’s back)
I love you too baby, just
because you have been real
and faithful since being
here with me. Your loyalty,
trust and respect earned
you everything I have given
to you.
Cherry’s facial expression changes to one of
betrayal.
CHERRY
I’ll never do anything to
hurt you Krazy, emotionally
or fiscally.
KRAZY
(still rubbing her hair and body)
I know baby. I just want
you to get into a college
this coming semester.
CHERRY
I will, I promise. I’ll
make something out of
myself.
63 In These Streets
(cont’d)
(cont’d)
Krazy runs his hand into Cherry’s shorts,
palming her butt cheeks softly one by one.
CHERRY
(while Krazy still palms her butt)
Baby, stick your fingers in
my p***y.
Cherry raises her head up from his lap, and
unzips his pants before reaching her hand
inside of them.
CHERRY
(stroking Krazy’s rod)
Yeah, like that. Baby, just
finger f**k me like that
while I suck the s**t out
of your dick.
Cherry then pulls out Krazy’s dick and puts
it in her mouth, sucking on it emotionally
as he tilts his head back with moans of joy.
KRAZY
(as Cherry licks his dick head)
Baby! Oh baby, that feels
great.
Cherry stops bobbing her head and holds
Krazy’s dick in her hand.
CHERRY
In These Streets 64
(cont’d)
(cont’d)
(looking up at him)
Come on baby. F**k me right
here. Give me the dick. I
need it.
Cherry reaches over and pulls the boy shorts
off and is fully n**e as Krazy stands up,
pulls his shirt and pants off – revealing
his white tank top and boxers – and then
pulling them off as his dick stands out
completely hard and ready. A he sits back on
the sofa and Cherry climbs on top of him,
she kisses him passionately and he slides
his dick inside her. She rides up and down
on it as they kiss. She rolls emotionally on
his dick after going up and down while
moaning with pleasure.
CHERRY
(rolling on his dick, tilting her head back)
Baby, you make me feel . . oh you make me feel so
good.
She looks at him as she moans louder, going
up and down on his dick.
CHERRY
(riding up and down on his dick)
S**t! S**t! Baby f**k me!
Krazy holds on to the lower part of her
back.
65 In These Streets
(cont’d)
(cont’d)
CHERRY
(still bouncing)
I’m going to f**k the s**t
out of you! Oh . . . baby . . oh, ooh. This is my
dick! Yes baby, it’s mine.
Krazy grabs her ass cheeks and palms them
hard as she f**ks him.
KRAZY
(lifting and dropping her buttoc
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