Groovin' To The Sound

Groovin' To The Sound Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from Groovin' To The Sound, Music production studio, 1105 West Ash Street, Junction City, KS.

Are you ready to step back in time and relive the golden era of Motown music?Join us as we take a nostalgic journey through the soulful melodies and timeless lyrics that defined an era

🌊 River Deep, Mountain High - The Supremes & The Four Tops (1970)Phil Spector wrote and produced the original with Ike &...
09/09/2026

🌊 River Deep, Mountain High - The Supremes & The Four Tops (1970)
Phil Spector wrote and produced the original with Ike & Tina Turner in 1966, pouring his full Wall of Sound treatment into it - Rolling Stone later ranked it #33 among the greatest songs ever recorded. Ironically, the original flopped in the US, undersold and mostly ignored, while doing far better in Europe. Four years later, the Supremes and Four Tops teamed up for their own version on "The Magnificent 7" - a pairing modeled directly on the Supremes' earlier success recording with the Temptations - and their cover actually charted higher in the US than Tina Turner's original, reaching #14.
πŸ“Œ 🎢 The Four Tops - River Deep, Mountain High (with The Supremes) 🎢 πŸ’” 🎢 The song's the comment πŸ‘‡πŸ‘‡

πŸ‘‘ When the Lovelight Starts Shining Through His Eyes - The Supremes (1963)By 1963, the Supremes had already put out seve...
09/09/2026

πŸ‘‘ When the Lovelight Starts Shining Through His Eyes - The Supremes (1963)
By 1963, the Supremes had already put out seven straight singles that failed to crack the Top 40, and even Berry Gordy and Smokey Robinson had tried and failed to give them a hit. Gordy finally handed the group to a rising in-house team, Holland-Dozier-Holland, purely because the Supremes were low enough on Motown's pecking order that they had no say in the matter. Released on Halloween 1963, it became their first Top 40 hit - and once the follow-up single flopped too, HDH regrouped and came back with "Where Did Our Love Go," kicking off a run of five straight .
πŸ“Œ 🎢 The Supremes - When the Lovelight Starts Shining Through His Eyes 🎢 πŸ’” 🎢 The song's the comment πŸ‘‡πŸ‘‡

πŸ•ŠοΈ He's a Friend - Eddie Kendricks (1976)Producer Norman Harris merged the classic Motown sound with the Philadelphia so...
09/09/2026

πŸ•ŠοΈ He's a Friend - Eddie Kendricks (1976)
Producer Norman Harris merged the classic Motown sound with the Philadelphia soul style he'd helped pioneer, delivering an inspirational, disco-tinged track that references its subject only as "a friend" - listeners at the time, and interviewers since, have clarified the friend meant is Jesus Christ, though the lyrics themselves never say so directly. It reached #2 R&B, kept from the top only by Johnnie Taylor's "Disco Lady," and became a genuine underground club anthem embraced by Black and gay dance clubs of the era, played the way DJs would treat an actual #1 record.
πŸ“Œ 🎢 Eddie Kendricks - He's A Friend 🎢 πŸ’” 🎢 The song's the comment πŸ‘‡πŸ‘‡

πŸ’« You're a Special Part of Me - Diana Ross & Marvin Gaye (1973)Motown paired its two reigning superstars at the perfect ...
09/08/2026

πŸ’« You're a Special Part of Me - Diana Ross & Marvin Gaye (1973)
Motown paired its two reigning superstars at the perfect commercial moment - this single entered the Hot 100 while Gaye's own "Let's Get It On" was still sitting at #2. But it wasn't a smooth partnership behind the scenes: since the "Diana & Marvin" album fell outside Gaye's Tamla contract, he lost the full creative control he'd fought for on his own records, and Motown billed it as Diana Ross's name first, ahead of his - Gaye reportedly just smirked and chuckled at the decision rather than fight it. He'd even asked Berry Gordy to let him call the record "Marvin & Diana" and get a production credit, and got turned down flat. It still became a strong hit, reaching #4 R&B and #12 pop.
πŸ“Œ 🎢 Diana Ross & Marvin Gaye - You're A Special Part Of Me 🎢 πŸ’” 🎢 The song's the comment πŸ‘‡πŸ‘‡

πŸ’˜ My Cherie Amour - Stevie Wonder (1969)Wonder wrote the bones of this at 16, while a student at the Michigan School for...
09/08/2026

πŸ’˜ My Cherie Amour - Stevie Wonder (1969)
Wonder wrote the bones of this at 16, while a student at the Michigan School for the Blind - it started as "Oh, My Marsha," written for a girlfriend there in under an hour and stashed in what he called his "tape box" of song ideas. When they broke up, Motown songwriter Sylvia Moy reworked the lyrics and came up with the new title, blending English and French the way the Beatles had done with "Michelle, ma belle." Berry Gordy himself heard the early version and pushed for more development before it was finished. Recorded in late 1967, it then sat unreleased for over a year - Wonder was dealing with vocal problems - before finally coming out January 28, 1969, becoming his eighth top-ten hit.
πŸ“Œ 🎢 Stevie Wonder - My Cherie Amour 🎢 πŸ’” 🎢 The song's the comment πŸ‘‡πŸ‘‡

πŸ•Ί Going to a Go-Go - Smokey Robinson & The Miracles (1965)Miracles member Bobby Rogers said the whole song was inspired ...
09/07/2026

πŸ•Ί Going to a Go-Go - Smokey Robinson & The Miracles (1965)
Miracles member Bobby Rogers said the whole song was inspired by the go-go dance clubs exploding in popularity across the country at the time - what started as a regional trend, this song helped push into a full nationwide fad for go-go music. It's an unusually up-tempo dance track for a group best known for aching heartbreak ballads like "Ooo Baby Baby" and "The Tracks of My Tears," both of which came off the same album. It reached #11 pop and #2 R&B, and the Rolling Stones later covered it live in 1982, taking their own version to #1 on the Canadian charts.
πŸ“Œ 🎢 Smokey Robinson and The Miracles - Going To A Go-Go 🎢 πŸ’” 🎢 The song's the comment πŸ‘‡πŸ‘‡

πŸ’« Ooo Baby Baby - The Miracles (1965)This one started completely by accident. During live shows, the Miracles used to cl...
09/07/2026

πŸ’« Ooo Baby Baby - The Miracles (1965)
This one started completely by accident. During live shows, the Miracles used to close out a medley of love songs with a Schoolboys track called "Please Say You Want Me," and Robinson broke off one night into an improvised "ooh, baby baby" ad-lib - the group was so tightly in sync they instinctively started harmonizing behind him, and the crowd went wild. They kept the bit in their act, then built the actual song around it, co-written with fellow Miracle Pete Moore. Robinson himself called it "the National Anthem," saying it's the one song fans ask for wherever they go - and George Harrison loved Robinson's style enough to write his own tribute song, "Ooh Baby," modeled directly on it a decade later.
πŸ“Œ 🎢 Smokey Robinson and The Miracles - Ooo Baby Baby 🎢 πŸ’” 🎢 The song's the comment πŸ‘‡πŸ‘‡

πŸš‚ Gonna Give Her All the Love I've Got - Jimmy Ruffin (1967)Written by Norman Whitfield and Barrett Strong, this tells t...
09/07/2026

πŸš‚ Gonna Give Her All the Love I've Got - Jimmy Ruffin (1967)
Written by Norman Whitfield and Barrett Strong, this tells the story of a man about to be released from prison, riding a train home to the woman who stayed loyal, promising to finally reward her devotion. It became a modest hit for Ruffin, but ended up living several other lives - Marvin Gaye covered it in 1970, and the Temptations recorded their own version too, except with baritone Paul Williams on lead instead of Jimmy's own brother, David Ruffin, who was still the group's frontman at the time.
πŸ“Œ 🎢 Jimmy Ruffin - Gonna Give Her All the Love I've Got 🎢 πŸ’” 🎢 The song's the comment πŸ‘‡πŸ‘‡

πŸ‘‘ Forever Came Today - Diana Ross & the Supremes (1968)This song only exists because Holland-Dozier-Holland were staging...
09/06/2026

πŸ‘‘ Forever Came Today - Diana Ross & the Supremes (1968)
This song only exists because Holland-Dozier-Holland were staging a quiet work slowdown - Eddie Holland had grown fed up with pay and conditions at Motown, and with no new Supremes material ready, this leftover track from April 1967 got pulled out and finished in a rush over December and January. It became the group's last hit written by HDH before the trio left Motown entirely to start their own labels, and it also marked the final single to feature Florence Ballard - who married her husband the very day it was released - before Diana Ross began recording solely with session singers the Andantes going forward.
πŸ“Œ 🎢 Diana Ross & the Supremes - Forever Came Today 🎢 πŸ’” 🎢 The song's the comment πŸ‘‡πŸ‘‡

🎀 All I Need - The Temptations (1967)This was the first Temptations single ever produced by Frank Wilson, Norman Whitfie...
09/06/2026

🎀 All I Need - The Temptations (1967)
This was the first Temptations single ever produced by Frank Wilson, Norman Whitfield's own protΓ©gΓ©, working alongside co-writers Eddie Holland and R. Dean Taylor. David Ruffin sings lead, begging his lover to forgive an unfaithful past and come back to him. It reached #8 pop and #2 R&B, a genuine Top 10 hit right in the middle of the group's classic Ruffin-led run - and it landed on "With a Lot o' Soul," an album stitched together from sessions spanning nearly a full year, March 1966 to February 1967.
πŸ“Œ 🎢 The Temptations - All I Need 🎢 πŸ’” 🎢 The song's the comment πŸ‘‡πŸ‘‡

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