Nightmare Junkhead

Nightmare Junkhead Join Greg and Jenius McGee as they take a weekly look into horror. Hosts of Friday Night Frights at Screenland Armour in Kansas City, Missouri!

09/19/2026

We ❤️ Horror
You 🖤 Horror

Thanks for packing out Resident Evil and Troll 2!

09/18/2026

We worship together, we cheer together, we cry together, thanks to Screenland and EVERYONE who makes it what it is!

09/18/2026

Get spooky in my neighborhood!

09/18/2026

Attack of the Killer Podcast 374: Back to School
We've got our lunch packed up and our boots tied tight to face some back to school frights on this episode of Attack of the Killer Podcast!

We know some talented folks out there!
09/18/2026

We know some talented folks out there!

We’re looking for vendors for our Halloween backyard party on Oct. 4th! Clothings, collectibles, physical media, artists, food and more please apply via link in our bio!

Help us by tagging some of your favorite vendors and then join us for an all ages party from 5-8pm on Oct. 4th! We will have our Halloween mix tape playing, concessions, games and more! 🎃

09/17/2026
09/17/2026

Taste the golden spray!

Will be having a The Devils and Hellraiser 2 double feature!
09/17/2026

Will be having a The Devils and Hellraiser 2 double feature!

Ken Russell’s 1971 The Devils remains one of cinema’s most transgressive and incendiary provocations, a feverish account of the Loudun possessions witchcraft trial in 17th-century France. Oliver Reed stars as Urbain Grandier, a wildly charismatic libertine priest who defies Cardinal Richelieu’s consolidation of power. Vanessa Redgrave’s Sister Jeanne is a sexually repressed, hunchbacked Abbess obsessed with Grandier with an intensity that ignites accusations of demonic possession among her convent’s nuns. Already a target for reprisals due to his political resistance, Grandier’s promiscuity eventually lands him on the wrong side of a powerful family.

Adapting from Aldous Huxley’s The Devils of Loudun, Russell vividly stages the mass hysteria, torture, and exorcism as history, horror, and political allegory. As Russell’s most political film, it condemns the collusion of church and state for the purposes of wielding unchecked and self-serving powers. Influential artist Derek Jarman contributed a stark, white production design which sharply contrasts with the baroque excesses and saturated colours of the film now rendered more vibrant in this 4K restoration.

Tickets on sale now for Ken Russell’s The Devils uncut and remastered in 4K starting 10/15.

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Kansas City, MO
64124

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